Claim OwnershipEllington Reflections
Subscribed: 31Played: 518
Subscribe
Description
Reflections on the many facets of the world of Duke Ellington, sometimes referred to as “Ellingtonia.”
97 Episodes
Reverse
Mercer Ellington, son of Duke Ellington, is an underrated contributor to the world of Ellingtonia. Continue reading →
“Jimmy Jones is a close member of our musical family. Outside of our original version, he and Toby Hardwick were the first to do “Come Sunday.” I have had many different associations with him, the most notable being when we … Continue reading →
Duke Ellington said of trumpeter Harold "Shorty" Baker that "his way of playing a melody was absolutely personal, and he had no bad notes at all." Continue reading →
“Bill “Bojangles” Robinson and Wellman Braud were like Jelly [Roll Morton]; they’d talk as long as anyone would listen and hung around outside the Band Box. After Braud got written up in Ripley’s “Believe It or Not” column, he was … Continue reading →
The recordings heard on this podcast episode: (CD: “Duke Ellington, The Centennial Edition” RCA Victor – 09026-63386-2) I Can’t Give You Anything But Love (Recorded 30 October 1928 and 10 November 1928, NYC) Arthur Whetsel, Freddie Jenkins – trumpet; Joe Nanton … Continue reading →
“As a trumpet player, [Arthur Whetsel] had a tonal personality that has never really been duplicated. Sweet, but not syrupy, nor schmaltzy, nor surrealistic, it had a superiority of extrasensory dimensions. Both as a soloist and from the point of … Continue reading →
Multi-reedman Norris Turney became the first flute soloist featured with the Duke Ellington Orchestra. He was with the band for 4 years, leaving in 1973. Continue reading →
In 1967, the west African nation of Togo released a postage stamp of Duke Ellington. Ellington reciprocated by writing the four movement Togo Brava Suite in 1971, the subject of this month’s episode of Ellington Reflections. Continue reading →
“Then in 1960 we came up with Suite Thursday for the Monterey Festival that year…we tried to parallel John Steinbeck’s story, “Sweet Thursday,” which was set in Monterey’s Cannery Row.” Duke Ellington, Music is my Mistress The recordings heard … Continue reading →
Celebrating the 124th anniversary of the birth of Duke Ellington and the 6th birthday for Ellington Reflections with a Parisian themed episode in honor of the 2023 Ellington Conference being held in the City of Lights. Continue reading →
Since 1981, Ellington experts from around the world have been meeting every year in order to exchange and share their knowledge about Duke Ellington’s work and life. After the US, England, Canada, Denmark, Sweden and the Netherlands, La Maison du Duke welcomes for the first time in France the international symposium dedicated to one of the greatest creators of the 20th century. Continue reading →
Just a few items I either omitted unknowingly, or due to time, or just not having access to at the time. Continue reading →
Reminiscing In Tempo is one of Duke Ellington’s most personal compositions. In was written in memory of his mother, Daisy Kennedy Ellington. Continue reading →
During his 22 year sabbatical from the Duke Ellington orchestra, Cootie Williams continued to feature music from the Ellington songbook. Continue reading →
During his 22 year sabbatical from the Duke Ellington orchestra, Cootie Williams continued to feature music from the Ellington songbook. Continue reading →
The New York Choral Society, New York’s pioneering symphonic chorus that explores unique collaboration and dynamic repertory, in partnership with The New School College of Performing Arts, presents Duke Ellington’s Sacred Concerts, November 18 and 19 at the Tishman Auditorium at The New School. Continue reading →
Drummer/Composer/Arranger Louie Bellson (1924-2009) was a musician's musician. Although he was only with the Ellington for a short period, he created a huge impact in the Ellington legacy. Continue reading →
Duke Ellington premiered "The Perfume Suite" at his third Carnegie Hall concert in December, 1944. Continue reading →
“In 1946, we might remind ourselves, the American South was a one-party apartheid society, the Klu Klux Klan still operated without police intervention and lynchings were still an accepted form of justice; in Congress, Southern senators and representatives prevented the … Continue reading →
The second part of a survey of Russell Procope's work with the Ellington band. Continue reading →
Comments
Download from Google Play
Download from App Store
United States