Studio Noize: Black Art Podcast

It’s an instant classic for you today on the Noize! We got the wonderful LaNia Roberts on the show and she came with all the energy, honesty and transparency that we needed in our studios. LaNia talks about how she got her big personality, empowering herself through art and the inner thoughts that artists feel and don’t often speak on. There is a truly awesome story on how she got to her style of painting that is a must here for any artist trying to find their way. You gotta rate the show 5 stars just for that! Its all that good art talk that you need in your life with a young woman artist that is blazing a trail in these art streets. Listen, subscribe, and share!Episode 184 topics include:being a young artist at SCOPE getting empowerment through arthow LaNia developed her personalitycreating systems to support your practicethe big shift in paintingStan Squirewell as a mentorovercoming the fear of growthwhat artists believe about themselvesLaNia Roberts, born in 1996 and hailing from Louisville, KY, discovered a profound means of self-expression in visual art amidst her early struggle with identity. Supported by numerous scholarships as a first-generation college student, she pursued a degree in Painting at Syracuse University's Visual and Performing Arts School. LaNia culminated her academic journey in 2019, achieving a degree in Painting from Syracuse University and traveling to over 12 countries across three continents since attending art school. Presently, she resides in Louisville, KY, fully engaged as a professional artist. Her practice has also expanded into an online-based social art practice, empowering millions worldwide to embody radical self-compassion, love, and acceptance, with over 200,000+ followers between Instagram and Tiktok. Most notably, her artistic endeavors have garnered her the representation of the esteemed Claire Oliver Gallery in Harlem, New York City.See more: LaNia Roberts’ website + LaNia Roberts’ IG @laniarobertsFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

Today on the Noize we got printmaker, Tenjin Ikeda! he has been making art as for over 30 years and its been a journey across all kinds of mediums. From painting, to dancing, to sculpting, to printmaking, Tenjin has been open to where his talents and opportunity take him. We learn about Tenjin and his philosophy on making work. We nerd out a little bit on carving and relief printmaking masters like Latoya Hobbs, Elizabeth Catlett and more. Tenjin talks about a turning point print for him, how his spirituality inspires his work and what he’s learned by being in exhibitions over so many year. Listen, subscribe, and share!Episode 183 topics include:doing art for 30 plus yearsfinding printmakingcarving tips and secretsdeveloping compositionswhat piece was a turning point in his eyesthe differences between mediumsexperience gained from exhibitionsoffering critique to younger artistsTenjin Ikeda is an Afro-Puerto Rican artist born and raised in Brooklyn, New York on October 30, 1968. At a very young age learned the importance of tradition and heritage from his mother. He taught himself how to draw at an early age and he was hooked, he has been seriously making art for 30 plus years using the various mediums of painting, sculpture, and printmaking. He attended the School of Visual Arts in New York first focusing on graphic design and ultimately Fine Arts where he felt more freedom to express himself. It was at the Art Students League that he discovered printmaking, which has been his focus for the past 20 plus years. “It is my desire to continue to visibly show the richness of my ancestry to the world.” He has various works in private collections in the US, Canada, Mexico, Bahamas as well as acquisitions by The Schomburg Center for Research in Black Culture, The Print Club of Albany, and the Art Student’s League. Tenjin’s work has been featured as cover art and illustrations for various books. He has been included in “Modern Printmaking” an up coming book of 30 contemporary printmakers by Sylvie Covey.Tenjin, also worked for 6 years as an artist assistant to Richard Artschwager and with artist Keith Haring on a mural project Mr. Haring did at Woodhull Hospital in Brooklyn, NY. He has participated in-group shows in different parts of the United States, Ireland, Japan as well as Spain and Australia.See more: Tenjin Ikeda’s website + Tenjin Ikeda’s IG @ify.chi.chiejinaFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

Ify Chiejina is a self taught artist making her way in art world. JB found her work after she created a beautiful print with master printmaker, Curlee Holton, at Raven Fine Art Editions. Ify talks about her work with Curlee and how she has navigated being a self taught artist and building the career that she wants. Her previous and recently announced illustrations for the Criterion Collection for legendary Senegalese filmmaker, Ousmane Sembene, has had an impact on how she approaches her practice. Ify is also active on IG @ify.chi.chiejina and we talk about the movitvation behind some of here interesting IG commentary on art and artists. Listen, subscribe, and share!Episode 182 topics include:working with Curlee Holton at Raven Fine Art Editionsbeing a draftswomandefining yourself as an artistartist having career goalsdeveloping outside of art schooldoing a project with the Criterion Collectionimposter syndromeexperimenting in the studio Ifeatuanya (Ify) Chiejina is a visual artist born and raised in Queens, NY. Ify is a black Igbo female with ideas, thoughts, and truths that are rooted and reflective of different customs and traditions. As a Nigerian-American, Ify considers the tensions and complexities that come with being brought up in an African household, in a western society. Ify completed her B.A in philosophy from Queens College. Ify completed a certificate program for the Caribbean Cultural Center of African Diaspora Institute’s in 2015 She has participated in residencies at Snug Harbor Cultural Center and Jamaica Center for Arts and Learning. Her paintings are in the Petrucci Family Foundation Collection. Ify is also one of the founding members for the Southeast Queens Artist Alliance, (SEQAA).See more: Ify Chiejina website + Ify Chiejina IG @ify.chi.chiejinaFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

Your boy JBarber manage to sit with two people from the Studio Noize fam while down at Miami Art Week. First up is Ben Muñoz, Chicano printmaker we talked to at Print Austin. JB met up with Ben and attended a bunch of the satellite fairs like Untitled, NADA, Ink, Prizm, and Pinta. We recorded a conversation riding in traffic after leaving Pinta. You get our fresh relfections on the day including how shows create a vibe, impressions of the work at the show, the best things about Miami, and more After that it’s the man himself Jeremiah Ojo, Founder and Managing Director of Ilèkùn Wa (an art business advisory firm). Jeremiah selected two artist to showcase at SCOPE and that lead to a conversation about what it means to show at the an art fair. What does an art career look like with being at Miami Art Week as the big goal? Listen, subscribe, and share!Episode 181 topics include:different fairs at Miami Art WeekPinta - the Latin American art faircreating a vibe an an art faircomparing the work you see at the fairparticipating in Scope Art Faircurating for art fairsincreasing visibility and audiencedefining what you want in your careerBenjamin Muñoz (b. 1993) is a Dallas-based multi-disciplinary artist whose practice spans painting, installation, and monumental printmaking. Muñoz grew up in the vibrant Chicano culture of Corpus Christi, Texas, which boasts the country's largest Day of the Dead celebration, lowriders shows, and unique food culture. The middle child of artist brothers, Muñoz found his voice by reflecting on his heritage, upbringing, and current surroundings. J. Olayinka is the Founder and Managing Director of Ilèkùn Wa (Our doors), an art business advisory firm, facilitating & cultivating opportunities for visual artists of African descent to create, sustain and thrive.Over the last decade, J. Olayinka has become a sought after arts and culture management consultant, working internationally in artist professional development, gallery management, and art fair operations. His collaborative work with minority emerging contemporary artists, art institutions, corporations, and collectors has carved a pathway of connectivity for creative professionals throughout the African Diaspora and on the continent. Having worked with a number of black-owned, fine art galleries throughout the African Diaspora, J. Olayinka has forged an alliance of artist collectives and galleries in North America, Europe, and Africa working uniformly to economically advance the artistic and cultural production of their communities. See more: Ben Muñoz website + Ilekun Wa WebsiteFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

Live from outside of SCOPE we chat it up with Martha A Wade and Reisha from the Women’s LIVE Artist Studio. They had a wonderful journey from Chicago to Miami Art Week. They talk with us about process of showing at the fair and some insights on the interactions with attendees and how it all working into their plans for the studio. Time is a premium so this short interview is only an introduction to the good work they’re doing in Chicago. Your boy JBarber ends the episode with some reflection on the last year as we welcome in 2024. Listen, subscribe, and share!Episode 180 topics include:participating at SCOPEraising money to come to Miami Art WeekWomen’s LIVE Artist Studiointeracting with the SCOPE crowdsupporting young women artistshaving tough conversations with colleagues From the Women’s LIVE Artist Studio website:The Women's LIVE Artist Studio (WLAS) is a vibrant hub nestled within the heart of Navy Pier, Chicago's premier indoor tourist destination, boasting over 9 million visitors annually. Our Gallery is dedicated to showcasing the artistic talents of women artists from the local community.Through daily live art demonstrations, we invite our visitors to witness the creative process in action. We represent a supportive community of 30 female artists from diverse backgrounds and mediums, all sharing a common commitment to empowering women in the Chicago art scene and advocating for equal recognition and opportunities.See more: Women's LIVE Artist Studio website + Women's LIVE Artist Studio IG @womensliveartiststudioFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudio

Studio Noize done hit the big time! We’re back with a special series of episodes recorded at Miami Art Week. We’ve heard so much about Art Basel, the awesome art fairs on South Beach, The grand event of Art Basel. We are taking you behind the scenes to see what is really going on. Miami Noize is a series of episodes records live during Miami Art Week. Kicking off with Valerie Francis, owner and operator of Knowhere Art Gallery. It was A LOT going on but we stole 15 minutes from Valerie to talk about her experience at SCOPE, the artist she displayed including the OG Charly Palmer, and what is the value of being shown at an art fair. Its just a taste of the bigger conversation. Listen, subscribe, and share!Episode 179 topics include:participating at SCOPEselling work at an art fairKnowhere Art Gallery in Martha’s Vineyarddiversity at Miami Art Weekthe value of art fairsValerie Francis is the director and chief curator of Knowhere Art Gallery. After graduating from Hunter College with a BFA in Printmaking, Interior & Architectural Design, and an MBA in Marketing from Rutgers Business School, Francis amassed a wealth of experience in the global health and technology field with over a decade in the public health sector with Sanofi. Francis serves on the board for Artists for Humanity (Boston, MA), the Leo Project (Nanyuki, Kenya), and the Martha's Vineyard Center of Visual Arts.See more: Knowhere Art Gallery website + Knowhere Art Gallery IG @knowhereartFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

The wonderful Althea Murphy-Price joins the Studio Noize fam today! Althea is an awesome printmaker and professor at the University of Tennessee- Knoxville. Her work explores the politics and culture of Black women’s hair. She’s not confined to one medium in her exploration. She does lithography, screenprinting, collage, photography, and 3D printing. We talked about what inspired her to do so much experimentation and where she found her love for printmaking. Of course, we talk about her wonder work, ideas of realness and perfection, adornment of little girls, being a “good printer,” and much more. Two printmakers that love printmaking talking that good art talk like you like it. It’s the Noize! Listen, subscribe, and share!Episode 178 topics include:Falling in love with printmakingstruggling with letting gogetting into teaching having an artistic communitythe politics of Black women’s hairexperimenting with materialsbeing a good printerusing technology in experimentingmaking mistakes in the print shopAlthea Murphy-Price is inspired by the social implication of beauty and its relationship to female identity, women, and culture. Topics of real and false, decoration, and imitation are explored in two and three-dimensional working methods, using traditional and non-conventional approaches to printmaking and sculpture.Althea Murphy-Price began her studies in Fine Art at Spelman College before receiving her Master of Arts in Printmaking and Painting from Purdue University and later studying at the Tyler School of Art, Temple University, where she earned her Master of Fine Arts. Her artwork has been shown widely throughout the country and in international cities in Spain, China, Japan, Italy and Sweden. Her writings and work have been featured in such publications as Art Papers Magazine, CAA Reviews, Contemporary Impressions Journal, Art in Print, Printmaking: A Complete Guide to Materials and Process., and Printmakers Today.See more: Althea Murphy-Price website + Althea Murphy-Price IG @altheamurphypricePresented by: Black Art In AmericaFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

The new director of the BAIA Foundation, Faron Manuel returns to the Noize! Faron and JBarber talk about his years of experience as a curator and writer that took him from Clark Atlanta Museum as a docent to the High Museum of Art and now his new role at Black Art In America. Faron talks about his plans for the foundation, new partnerships and programming on the horizon, and curating in the contemporary art market. We dive into the upcoming Fine Art Print Fair and his thoughts on the work of Richard Mayhew. More of that good art talk you love on the Noize! Listen, subscribe, and share!Episode 177 topics include:being an informed collector and artistworking on the Black Art in America Foundationworking at the High Museum of Artpartnerships with the Future Foundationreal-life experience in institutionscurating Better Days: Joy and Revolutionthesis about Richard MayhewFine Art Print Fair at BAIA GalleryFaron Manuel is the Director of the Black Art In America (BAIA) Foundation. A 501c3 organization that provides funding and professional development opportunities for Black artists and arts professionals in Atlanta and beyond. Before joining the BAIA Foundation, Manuel oversaw two Mellon Foundation-funded curatorial fellowship grants at the High Museum of Art in Atlanta from 2016-2023. Before joining the High Museum, he was the Special Projects Curatorial Assistant to the Clark Atlanta University Art Museum Director. He also served as the Assistant Editor at Black Art In America from 2015-2016, where he regularly interviewed collectors and reported widely on contemporary art.Manuel earned his B.A. in History from Clark Atlanta University in 2015, where he completed several museum fellowships. He has worked as an independent curator and art writer with notable collections and institutions over the years, doing much to expand the footprint of early-career artists. He was presented with the Hammonds House Honors Award for Curatorial Excellence in 2019 and recently served as a Resource Specialist for the Aspen Institute’s 2022 Fall Workshop Series on grant program development.See more: BAIA Welcomes Faron Manuel As Director Of BAIA Foundation Presented by: Black Art In AmericaFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

The Postman is here! We got the esteemed collector Kerry Davis joining the Studio Noize fam. Kerry built his legendary collection while working 30 years as a postman at USPS. How impressive is his collection? Well, it’s in the middle of a 5-year national museum tour, and he could have a whole other show from work currently up in his home. The collection includes the biggest names in Black art, from Charles White to Radcliff Bailey, Mo Brooker to Louis Delsarte. The collection alone is enough to discuss, but we go deeper than that. Kerry tells us about the relationships with those names on the wall. Mildred Thomas was his real friend; those personal stories are so great to hear. We talk about how he started touring his collection, got so much incredible work, and all the artists he met and got to know on his journey. Another great episode with that good art talk for you. Listen, subscribe, and share!Episode 176 topics include:-buying art vs collecting art-getting to know artists-Mildred Thomas stories -helping Louis Delsarte in his studio-meeting artists as a postman-organizing a collection-developing an “eye”-touring the Davis collection-how to handle a big collection-appreciating printmaking “It’s been called “a museum in a home.” The private collection of art amassed by Kerry and C. Betty Davis over nearly 40 years is one of the richest collections of African American art in the world. The Davises – a retired postal worker and a former television news producer – have invited friends, neighbors, church members and their children’s friends into their home to see their art.Now they are sharing their extraordinary collection with a wider audience. “Memories & Inspiration: The Kerry and C. Betty Davis Collection of African American Art” opens Feb. 4 through May 14 at the Taft Museum of Art.The exhibition features 67 of the more than 300 works that grace their suburban Atlanta home. It includes Romare Bearden’s colorful portrayal of a jazz quartet, photographer Gordon Parks documentation of racial disparity and abstract pieces by Sam Gilliam, Norman Lewis and Alma Thomas. The show spans from early Black pioneers, such as Elizabeth Catlett and Jacob Lawrence, to contemporary artists.” -Janelle GelfandSee more: Cinncinnati Business Courier:Retired postal worker, wife share their world-class collection of African American art Presented by: Black Art In AmericaFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

We’re covering the other side of this art game today! Ashley Lee, a lawyer by day and art collector, every other moment of her life. Ashley is committed to building her art collection, and we discuss how she does it. It’s a little bit of budgeting, a little bit of research, and a whole lot of passion for the work that she loves. We break down things like budgeting and framing, getting to know artists, and how the pieces make her feel. Ashley tells us about her favorite artists, her dream pieces, and the importance of telling everyone how they can build a great collection without being rich. It’s a great art collecting conversation for you today on the Noize! Listen, subscribe, and share!Episode 175 topics include:why collect artthe art-collecting communityconnecting with artists and artdefining your art collectionbudgeting for collectingartist wish listframing and presenting work in your homeunderstanding abstractionstudying artgrowth in collectingAshley is an attorney, black art blogger, and private Black art collector based in Atlanta, GA. Although she acquired her first open edition print by notable artist Gilbert Young in 2005 as part of a leadership program with her alma mater Spelman College, she became a serious Black art collector in 2018 when she acquired the "Obama No Drama" linocut by David C. Driskell to commemorate her experience as a 2012 Democratic National Convention Obama Delegate. Over the years, she has collected scores of works including works from established artists such as Kerry James Marshall, Sam Gilliam, Faith Ringgold, Elizabeth Catlett, and Samella Lewis. Ashley collects Black art exclusively because in the words of Faith Ringgold "art is a form of experience of the person, the place, the history of the people, and as Black people, we are different." While she has acquired amazing pieces thus far, her art collecting journey is in full swing as she continues to purchase pieces that resonate with her and represent different aspects of her soul.See more: The AML Collection website + The AML Collection IG @theamlcollection Presented by: Black Art In AmericaFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

It’s always an honor to bring on one of the greats in Black art. We got Leroy Campbell joining the Studio Noize fam! Leroy has been an artist for 31 years, and his signature neckbone paintings can be seen worldwide. We talk about Leroy’s path to becoming an artist, from how he created his signature neck bone work to how he honors his culture and embraces his Gullah heritage. We talk about a couple of upcoming books he’s been working on, new experiments in painting, and a look back at the Black galleries, collectors, and artists that defined his career. This is a great episode to get you inspired. Listen, subscribe, and share!Episode 174 topics include:Getting started in Artthe Black Art Renaissanceproducing work for the communitybeing self-taughtbeing inspired by Romare Bearden and Jacob Lawrenceembracing his Southern Gullah heritagehonoring the Black galleries and collectorscreating a children’s bookwriting a memoircreated new experimental workCharleston, South Carolina native, Leroy Campbell’s art speaks of the contributions to humanity through the African American perspective. More than just art, each piece serves as Campbell’s tithe, as he uses his gifts and talents to teach others about the richness of the Gullah/ Geechee heritage and the beauty of his people. Leroy Campbell describes humanity like a garden. In the 1300s Native Americans invented a system of gardening called “Three Sisters,” which involved strategically planting corn, beans, and squash together. The corn provides support and structure for the beans to grow. While the beans pull nitrogen from the air, returning it to the soil and enriching all the plants. The squash, planted at the base, spreads its large leaves, which offer shade and protection, keeping the soil moist and cool. When each of the plants is whole and thriving and healthy, it is able to reach its full potential and contribute to the garden. If one of the plants becomes sick, it affects the balance of the garden. Master gardener, painter, storyteller, and lover of souls, Leroy Campbell paints a beautiful hope for humanity through his art and through his words. In telling the stories he knows best, he is offering the wisdom and lessons of the elders as a gift to us all. As part of the human experience, we are all searching for our place in the garden, our purpose, our connection, our significance in this world. Those stories are the most powerful gifts in the universe as they provide a sense of self and a foundation of wisdom based on patience, love, and discernment. Campbell’s vision is of a healthy garden, where each is whole, liberated and validated, where people are free to love who they are and in turn nurture others around them. Leroy Campbell’s paintings, infused with history, tie the past to the present in the practice of sankofa, the understanding that you can’t move forward until you receive the lessons of the past. The vulnerability of his art, his soul, his ability to tell a story through the use of acrylic, paper, tapestries, and organic materials, creates an opportunity for conversation, for something real, for the human connection that we are all desperately seeking.See more: Leroy Campbell website + Leroy Campbell IG @leroycampbellart Presented by: Black Art In AmericaFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

The new book Shifting Time: African American Artists 2020-2021 collects the art, poems, essays, and statements of over 70 African American artists as a glimpse into their lives during the pandemic years. Co-editors Berrisford Boothe and Klare Scarborough join the podcast to discuss this passion project that includes some of the Studio Noize fam like Tokie Taylor, Imo Imeh, Alfred Conteh, Delita Martin, and more. They talk about how it all came together from the Shuga and Wata online talks to the artwork and essays. They also discuss the need for community, whether online or in person, how events change artists, and the need for art during tough times. Listen, subscribe, and share!Episode 173 topics include:Shifting Time: African American Artists 2020-2021artists working during COVIDhow artwork changed over timenetworking during the pandemicvirtual communitiesShuga & Wata sessionscreating the book Shifting Timelessons from the COVID yearsthe trend of Black figuration Berrisford Boothe was born in Kingston, Jamaica and is now a U.S. citizen. Boothe has served on the Pennsylvania Council of the Arts. He is currently a Professor of Fine Art at Lehigh University. Berrisford Boothe is the Principal Curator of the Petrucci Family Foundation Collection. He was one of 100 artists nationwide featured in Robert Wuthnow’s book ‘Creative Spirituality: The Way of the Artist.’ Berrisford’s digital print collages, ‘Virtual Lithographs’ were part of the exhibition African-American printmakers: The Legacy Continues at The Aljira Center for Contemporary Arts in Newark, NJ. He was in the 2008 seminal exhibition: In Search of the Missing Masters: The Lewis Tanner Moore Collection of African American Art at The Woodmere Art Museum in Philadelphia, PA. His work has been featured in exhibitions at The Allentown Art Museum, The Fabric Workshop and Museum, Philadelphia, PA, The African American Museum, Philadelphia, PA, The William Benton Museum of Art, The New Arts Program, Kutztown, PA and The State Museum of PA.See more: Order Shifting Time from Amazon + Berrisford Booth IG @verbena2160 Presented by: Black Art In AmericaFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

Lauren Tate Baeza is the curator of African Art at the High Museum in Atlanta and recently curated an amazing exhibition featuring the work of African printmaker, Bruce Onobrakpeya. We got Lauren on the show today to talk about the exhibition (you know your boy JB loves the prints!), the approach to contemporary African art, Bruce Onobrakpeya’s long storied career, judging art and all types of topics. Lauren has a brilliant thought process and is here to enlighten us all about the wonder “transitions” in the art world. Listen, subscribe, and share!Episode 172 topics include:Bruce Onobrakpeya’s work and career“The Mask and the Cross” exhibition at the High MuseumCatholic church’s influence on Nigerian arttelling a story with an exhibitiondesigning an exhibitionartists embracing mistakestechnical printmaking unlocking masteryexoticizing African art2022 Hudgens PrizeLauren Tate Baeza joined the High Museum of Art in November 2020 as the Fred and Rita Richman Curator of African Art. Baeza oversees the African art collection of more than one thousand objects, including extraordinary examples of masks and sculpture, exceptionally fine textiles, beadwork, metalwork, and ceramics. Prior to joining the High, Baeza served as director of exhibitions at the National Center for Civil and Human Rights from 2018 to 2020. During her tenure there, Baeza maintained the Center’s two ongoing installations in its American Civil Rights Movement and Global Human Rights Movement galleries and organized sixteen temporary exhibitions and installations, including Fragments, a collaboration with celebrated designer Paula Scher, featuring passages from Dr. King’s handwritten speeches and letters.Concurrent with her position at the National Center for Civil and Human Rights, Baeza also curated the Morehouse College Martin Luther King Jr. Collection, featuring approximately ten thousand items, and managed the James Allen and John Littlefield Collection. Previously, she served as executive director of the APEX Museum in Atlanta, which interprets, presents, and celebrates Black history.Baeza holds a Master of Arts in African studies from the University of California, Los Angeles; a Bachelor of Arts in Africana studies with a cultural studies concentration from California State University, Northridge; and a certification in curatorial studies from Sotheby’s Institute of Art.See more: Lauren Tate Baeza at The High Museum + Lauren Tate Beaza IG @elletatebaeza Presented by: Black Art In AmericaFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

Today we got Jacksonville artist, muralist, painter, Chris Clark on the Noize! Make sure you follow Chris everywhere you can to see how vibrant and experimental an art practice can be. You’ll see him painting a mural one day, hitting you with some Midjourney collaborations the next. This type of energy is always great to see. This episode we talk about what inspires Chris and how he works across mediums to explore the themes he loves. We talk about his recent solo exhibition New Growth and we as how he approaches using AI in his art. he tells us about the shenanigans with Black Wall Street Gallery, the value of putting Black face in his murals and more about his motto: DO THE WORK! Listen, subscribe, and share!Episode 171 topics include:learning about Black artistsexploring AI art tools/ Midjourneywhat AI generators mean for artistshow Chris uses AI imagery as reference and collaborationhaving an art practice#dotheworkstudio spacebeing inspired by familyapproach to making muralsNew Growth solo exhibition gallery shenanigans/ Black Wall Street GalleryChris Clark is an internationally recognized painter, illustrator, and muralist based in Jacksonville, FL. Renowned for his portraiture and celebration of Black culture. Clark’s captivating artwork has garnered awards and exhibitions nationwide, showcasing his exceptional talent and powerful narratives. With a distinct artistic vision, Clarks work transcends boundaries, evoking powerful emotions and fostering connections between art and viewers worldwide. See more: Chris Clark IG @cooli_ras_art The New York Art World Had High Hopes for Black Wall Street Gallery. Allegations Against Its Founder Have Soured Those DreamsPresented by: Black Art In AmericaFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

If there ever was an artist that wasn't scared to say what needed to be said, it’s Dawn Williams Boyd. Whether it is issues of gun violence, abortion, or voting rights, she will make sure she shares her feelings about it in her wonderful cloth paintings. We talk to Dawn about her recent exhibition, Tip of the Iceberg at Fort Gavsenvoort in New York, and some of the issues she’s covered in the show. We talk about how she makes her complex compositions, sources her fabrics, and the power of doing work that makes people uncomfortable sometimes. Her cloth paintings are powerful, and we talk all about it today on the Noize! Listen, subscribe, and share!Episode 170 topics include:using different mediumsdoing work about current eventssourcing fabrics and materialsThe Tip of the Iceberg show at Fort Gansevoort Gallerysaying things that need to be saidcontinuing to learn historythe process of putting together Dawn’s work revising work in processthe necessity of saying somethingtackling new subjectsDawn Williams Boyd was born in 1952 in Neptune, New Jersey. She earned her BFA at Stephens College, Columbia, MO in 1974. She has exhibited her works at Wofford College, Spartanburg, SC; Southwest Art Center, Atlanta, GA; Hammonds House Museum, Atlanta, GA; Bulloch Hall, Roswell, GA; Agnes Scott College, Decatur, GA; Callanwolde Fine Arts Center, Atlanta, GA; and Contemporary Craft, Pittsburgh, PA. Her work is included in the collections of The Columbus Museum in Columbus, GA and the Richardson Family Art Museum at Wofford College in Spartanburg, SC.See more: www.dawnwilliamsboyd.com + https://www.fortgansevoort.com/artists/dawn-williams-boyd/selected-worksPresented by: Black Art In AmericaFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

Studio Noize wants to make sure that you are handling your art business properly. We are bringing back our resident tax specialist, Esohe Galbreath with Sohe Solutions , to give the fam some tax tips and help us start to get our affairs in order. Artists do a lot of freelance work, but we still need to ensure we stay out of trouble with Uncle Sam. Esohe talks about the different deductions available to artists, how to keep track of receipts and mileage, and the consequences of NOT doing your taxes properly. Nobody wants to talk about taxes, but we got to do it! Time to get yourself and your art business all the way together. Listen, subscribe and share!Episode 169 topics include:important tax deadlineswhat artists can deduct on taxeshow to build a habit of tracking expenses and receiptsusing a tax preparer not hiding your income from Uncle Samthe Youth Artists Programlifting up Black talentArticulate ATL 2023 artist callorganizing and elevating your art businessEsohe completed her collegiate studies in Electrical Engineering at the University of Kentucky. In 2004, she began her career at UPS and held management roles in Distribution Solutions, Implementations, Operations, Engineering, and Transportation Solutions, and in her free time assisted small businesses with planning, financial documentation, and tax preparation. In 2012, Esohe merged her corporate experience with her passion for the arts and working with creatives to form Sohé Solutions – Boutique Small Business Consulting.In early 2015, Esohe decided to dedicate 100% of her time to her entrepreneurial endeavors. Through consulting clients, Esohe discovered a love and passion for working with creatives, artists, and visionaries and with her husband George was inspired to co-found ARTiculate ATL – an annual art social featuring 30+ artists with 1,000 art enthusiast attendees; and the Youth Artists Program – a 501c3 non-profit bridging the exposure gap of some of Atlanta’s most visually talented youth. Esohe and George are also avid art collectors and recently published The Galbreath Collection: A Decade of Collecting Atlanta featuring over 100 pieces of artwork from 70 artists.See more: wwwsohesolutions.com + Esohe Galbreath IG @sohesolutionsPresented by: Black Art In AmericaFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

The Noize is giving you a special episode replay with one of the best contemporary artists in the game, Jamea Richmond-Edwards. The 7 Mile girl, joins the podcast to talk about her amazing mixed media work. Her work centers Black women fully and unapologetically. She crafts narratives around her life experiences growing up in Detroit in the ’90s. We talk about her inspirations from Ebony magazine spreads to Howard and beyond. It’s another great conversation with one of the best contemporary Black artists in the world. Listen, subscribe and share!Episode 168 topics include:AFRICobra influencesembracing colorbeing a Black Indigenous womanspiritual energy in artsymbols in Jamae’s workusing women as subjectsgrowing up in Detroit in the 1990sthe power of styleJamea Richmond-Edwards graduated with a Bachelor of Arts degree from Jackson State University in 2004 where she studied painting and drawing. She went on to earn an MFA from Howard University in 2012. She offers a repertoire of portraits of women drawn using ink, graphite, and mixed media collage. Richmond-Edward’s work has garnered the attention of various art critics including in the Washington Post and the Huffington Post’s “Black Artists: 30 Contemporary Art Makers Under 40 You Should Know”. Richmond-Edwards has exhibited her artwork nationally and internationally including the Delaware Art Museum, California African American Museum, Charles Wright Museum in Detroit, MI, and Galerie Myrtis In Baltimore Maryland. Her works are in the permanent collection of private collectors across the country including the Embassy of the United States in Dakar, Senegal.See more: www.jamearichmondedwards.com + @jamearichmondedwardsPresented by: Black Art In AmericaRead the Studio Noize Artist FeatureArtist Jamea Richmond-Edwards: Story of a 7 Mile GirlEpisode TranscriptFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

The Exhibit, on MTV and the Smithsonian Channel, introduced America to the wonderful, brilliant Baseera Khan, and she joins Studio Noize to talk all about it. Baseera has been making her performances, sculptures, and installations for years, and her work explores materials and their intersections with identity. She talks about being on the show, her approach to exploring materials, and her life's many facets. We discuss her solo exhibition, I Am an Archive, at the Brooklyn Museum and the ways that experience changed her view of her work and herself. We learn more about her psychedelic prayer rugs, her upcoming project for Highline Park in New York, and some of the work from The Exhibit. Listen, subscribe, and share!Episode 167 topics include:making art on The Exhibitmeeting all the artistsusing identity in artpsychedelic prayer rugsI Am an Archive exhibition at the Brooklyn Museumbeing an artist during the pandemicdealing with rejection as an artistthe excitement of exploring materials how your practice can change after a big projectBaseera Khan is a New York-based performance, sculpture, and installation artist who makes work to discuss materials and their economies, the effects of this relationship to labor, family structures, religion, and spiritual well being. Khan is currently working on a public art commission on The High Line for fall 2023. Khan mounted their first museum solo exhibition at the Brooklyn Museum of Art, New York (2021-22), and opened their first solo touring exhibition in Houston, Texas at Moody Arts Center for the Arts, Rice University (2022-2023). Khan has representation at Simone Subal Gallery, New York where they mounted their first solo exhibition called Snake Skin (2019). They have exhibited in numerous locations such as Wexner Center for the Arts (2021), New Orleans Museum of Art (2020), Munich Documentation Centre for the History of National Socialism, Munich, Germany, Jenkins Johnson Projects, Brooklyn, NY (2019), Sculpture Center, NY (2018), , Aspen Museum (2017), Participant Inc. (2017). Khan's performance work has premiered at several locations including Brooklyn Museum of Art, Whitney Museum of American Art, and Art POP Montreal International Music Festival. Khan completed a 6 week performance residency at The Kitchen NYC (2020) and was an artist in residence at Pioneer Works (2018-19), Abrons Art Center (2016-17), was an International Travel Fellow to Jerusalem/Ramallah through Apexart (2015), and attended the Skowhegan School of Painting and Sculpture (2014). Khan is a recipient of the UOZO Art Prize (2020), BRIC Colene Brown Art Prize and the Joan Mitchell Painters and Sculptors Grant (2019), was granted by both NYSCA/NYFA and Art Matters (2018). Their works are part of several public permanent collections including the Solomon R. Guggenheim, Whitney Museum of American Art, Brooklyn Museum of Art, the Walker Art Center, MN, and the New Orleans Museum of Art, LA. Khan's work is published in 4Columns, The New York Times, The New Yorker, Artforum, Art in America, BOMB, Brooklyn Rail, and TDR Drama Review. Khan is an adjunct professor of sculpture, performance, and critical theory, and received an M.F.A. from Cornell University (2012) and a B.F.A. from the University of North Texas (2005)See more: www.baseerakhan.com + Baseera Khan IG @baseerakhanPresented by: Black Art In AmericaFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

Every great show needs a well-dressed superstar host, and on The Exhibit, we had Dometi Pongo! JB and Dometi go behind the scenes of the MTV and Smithsonian Channel’s art competition show and talk about the cast, the challenges, the art, and the memorable moments that didn’t make it to the screen. Dometi explains where his love for art started and how his curiosity made him the perfect person to host a show with so many different art styles and personalities. He talks about work on TV, his latest work with the Pongo Strategy Group, and some exciting new partnerships that will produce more great content soon. We can’t level without hearing about his trips back to Ghana. It’s more of that good art talk on the Noize! Listen, subscribe, and share!Episode 166 topics include:hosting The Exhibit on MTV and the Smithsonian Channelhaving a love for artcuriosity as a hostimpressions of the cast of The Exhibitmemorable moments for the showthe Pongo Strategy Group producing the type of shows people need and wanttraveling back to Ghanabeing in the room where decisions are madeDometi Pongo {pronounced dō-meh-TEE} is the host of the hit MTV docuseries True Life Crime and multiple MTV News franchises, including its flagship program, “Need to Know,” which provides award-winning analysis of trending news stories. Pongo’s work lives at the intersection of pop culture and social justice. In addition to hosting red carpet activations for Paramount’s tentpole events (like the Video Music Awards, Grammys, and MTV Movie & TV Awards), the Chicago-born journalist helms a number of Smithsonian Channel programs exploring topics spanning hip-hop, pop culture, and American history. Pongo regularly joins senior leadership in moderating company-wide discussions on equity in Paramount’s “Courageous Conversations” series led by MTV Entertainment Group President Chris McCarthy. His illuminating reporting and perspective can also be heard in his role as contributor to ET Live and Sirius XM’s Karen Hunter Show.  The award-winning journalist also works as a speaker and multimedia consultant through his firm, Pongo Strategy Group, which helps organizations tell better stories through multimedia. In partnership with Sankofa Ventures, Dometi’s annual group tours of Ghana, West Africa provided more than 70 American travelers from the African diaspora an opportunity to explore their ancestral lineage.See more: https://www.dometi.net + Dometi Pongo IG @dometi_Presented by: Black Art In AmericaFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

Straight from MTV and the Smithsonian Channel, we got one of the stars of The Exhibit, Jennifer Warren! We’ve been watching Jennifer do her thing the last few weeks on the art docuseries as the self-taught artist in the group, inspiring viewers with her beautiful oil paintings. Jennifer and your boy, JBarber, discuss the experience of being on reality tv; what her regular life is like back in Chicago, and how she’s looking to build an art career. We get to know the woman behind the wonderful work on the tv show and JB shares advice with her as she starts her journey into the art world. Listen, subscribe, and share!Episode 165 topics include:Competing on The Exhibit on MTV and Smithsonian Channeloil painting in Franceenvisioning an art careerhaving a full-time job vs being a full-time artistdoing artwork without a communitymotivating yourself to make artplanning to make a new series of artswitching from a corporate job to artnetworking advice for artistsbuilding a career and a familyJennifer Warren Bio:“I am a Chicago-based oil painter making work that explores themes around nature, beauty, and the Black body. As a largely self-taught artist, my practice reflects my passion for incorporating new ideas and techniques that aim to convey the lived Black experience through everyday intimate and meditative moments. My work has been exhibited at the Martin Gallery, Chicago, IL; the Sidney Larson Gallery, Columbia, MO; and in Saatchi Art Virtual exhibition. I graduated with a BA in International Business and minor in Visual Arts from Eckerd College and attended a Painting and Drawing program at the Leo Marchutz School of Fine Art in France. I currently live and work in Chicago, IL.”See more: www.jenniferwarrenart.com + Jennifer Warren IG @jenniferwarren_artPresented by: Black Art In AmericaFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast