The Early Music Podcast
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Interviews with specialists of the cultural field that bring a new perspective to your professional practices and goals!
The Early Music Podcast is a series dedicated to what’s happening in the Early Music sector in Europe, brought to you by REMA, the Early Music Network !
The Early Music Podcast is a series dedicated to what’s happening in the Early Music sector in Europe, brought to you by REMA, the Early Music Network !
47 Episodes
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In this last episode, Darina meets the artistic director of the Zefiro Torna ensemble, Jurgen De Bruyn, to discuss the shift towards ecological awareness and the collaborative approach as an example of interest in and respect for other cultures. In the course of this conversation, Jurgen de Bruyn mentions a project he launched during the Covid-19 pandemic about ecological sustainability and how this theme is a priority for the music sector.CREDITSguest Jurgen De Bruyn, Zefiro Tornainterview & editing Darina Abloginaproduction REMAdesign Doretta Rinaldimusic"With endless tears that never cease", Robert Johnsonperformed by Zefiro Torna2009Excerpt "Les Tisserands"performed by Zefiro Torna, Amorroma and Philippe Laloy2006
In this episode, Darina talks to three female guests, Laura Granero, Hannah Ely and Aino Peltomma, who share their views on diversity in their country and the inspiration they draw from influential women of the past. We look at what it meant to be a musician in the 19th century, what it meant to have a traditional upbringing in Victorian England, and how religious dynamics influenced women artists in medieval Finland.CREDITSguests Hannah Ely, sopranoAino Peltomaa, sopranoLaura Granero, pianistinterview & editing Darina Abloginaproduction REMAdesign Doretta Rinaldimusic"Come fiammeggia e splende", Maddalena Casulanaperformed by Fieri Consort2024"Il contrasto di cinque sensi", Barbara Strozziperformed by Fieri Consort2024"Come fiammeggia e splende", Maddalena Casulanaperformed by Fieri Consort2024"Kinderszenen", Robert Schumann performed by Fanny Davies1929"Sonata Opus 18 Nr 5 in A Major", Johann Christian Bachperformed by Fanny Davies Ensemble2021Excerpt "Lapsed caick laolacatt", Jaakko Suomalainen - Piae Cantionesperformed by Ensemble Gamut!2021"Trina caeli hierarchia"performed by Ensemble Gamut!2022
With the director of the early music department at the Royal Conservatory The Hague, Teunis van der Zwart, we discuss the challenges of making a conservatoire more diverse and inclusive safe space, as well as open to interdepartmental collaborations. Finally, we find out how the lives of students and teachers can be made safer in an institution, and look at the development of music conservatoires in general.CREDITSguest Teunis van der Zwart, Koninklijk Conservatoriuminterview & editing Darina Abloginaproduction REMAdesign Doretta Rinaldimusic"Symphony no 7 in B minor D759", Franz Schubertperformed by students from the Early Music department of the Royal Conservatoire The Hague, the Orchestra of the Eighteenth Century, conducted by Sir Roger Norrington2019
How do we tackle gender equality issues in our sector? How do we deal with problematic texts of music works? Lila Hajosi, director of Ensemble Irini and co-founder of the French network #EllesDirigent, which supports women ensemble directors, will share her views on the challenges raised by these issues and the importance of creating an atmosphere of collaboration.CREDITSguest Lila Hajosi, Ensemble Iriniinterview & editing Darina Abloginaproduction REMAdesign Doretta Rinaldimusic"Liturgie de Saint-Jean Chrysostome: Cheruvikon, Hymne des Chérubins", Anonymousperformed by Ensemble Irini2021
This episode is devoted to a guest straight from America: Karin Cuéllar Rendón, from the Early Music America network, historic Bolivian violinist, researcher and social justice advocate. Together with Darina, they will discuss issues of inclusivity and diversity in the field of early music, as well as interaction with the LGBTQI+ community and enlarging audiences, resources and funding.CREDITSguest Karin Cuéllar Rendón, Early Music Americainterview & editing Darina Abloginaproduction REMAdesign Doretta Rinaldimusic"La Primavera - Le Quattro Stagioni", Antonio Vivaldi performed by Karin Cuéllar Rendón and L'Harmonie des saisons2023Musicking Off the Cuff: Models for Early Music Improvisationperformed by Karin Cuéllar Rendón and Linda Pearse2020"Una panthera", Johannes Ciconiaperformed by CWRU Medieval Ensemble2015
In this episode, Jan Van den Borre, artistic director of MA Festival Brugge, presents his approach to programming one of the oldest early music festivals in the world. We talk about communication, mediation and engagement of the audience, the importance of empathy and respect in relationships with artists, and the challenges raised by today's genre definitions.CREDITSguest Jan Van den Borre, MAfestival Bruggeinterview & editing Darina Abloginaproduction REMAdesign Doretta Rinaldimusic"Ruins"performed by Pitou and B.O.X.2020"Leçons de ténèbres pour le Mercredi saint", François Couperinperformed by Capriola di Gioia, conducted by Bart Naessens2020"Don Quichotte chez la Duchesse", Joseph Bodin de Boismortierperformed by Le Concert Spirituel, conducted by Hervé Niquet2016
Anna Karinsdotter, managing director of Drottningholm Theatre in Sweden, shares in this episode the strategies used by the Theatre to be more effective and inclusive in terms of audiences, and how this artistic genre is taking steps to include children and artists with special needs in a baroque opera performance.CREDITSguest Anna Karinsdotter, Drottningholms Slottsteaterinterview & editing Darina Abloginaproduction REMAdesign Doretta Rinaldimusic"Come nube che fugge - Agrippina", George Frideric Handelperformed by Bruno de Sá2021"Overture - The Magic Flute", Wolfang Amadeus Mozartperformed by Drottningholm Theatre Orchestra, Drottningholm Theatre Chorus, conducted by Arnold Östman2015"Il Gustino", Antonio Vivaldiperformed by Drottningholm Theatre Orchestra, conducted by George Petrou2022
In this episode, we're off to discover the traditions of historical queer theatre and the problem of ‘ideological’ traditionalist practices in music. Darina will discuss the possibility of re-examining the original texts with members of the ĀRT HOUSE 17 ensemble: Michael Hell, Thomas Höft and Georg Krones.CREDITSguests Michael Hell, Thomas Höft and Georg Krones, ĀRT HOUSE 17interview & editing Darina Abloginaproduction REMAdesign Doretta RinaldimusicExcerpts "Kaffeekantate"performed by ĀRT HOUSE 172022Excerpts "The Crocodile Bar"performed by ĀRT HOUSE 172023Excerpts "Geister von Sanssouci"performed by ĀRT HOUSE 172023
In this first episode, Darina shares a discussion with the artistic director of the ECOS festival and director of the Cantoría vocal ensemble, Jorge Losana, about the evolution of the young festival he organises, keeping in mind his unique approach to awareness-raising, repertoires diversity, and an empathetic and inclusive attitude towards the audience.CREDITSguest Jorge Losana, ECOS Festival interview & editing Darina Abloginaproduction REMAdesign Doretta Rinaldimusic"Oy comamos y bebamos", Juan del Encinaperformed by Ensemble Cantoría2022"¡Cucú, cucú!", Juan del Encinaperformed by Ensemble Cantoría2021"Dadme albricias, hijos d’Eva", Anonymous - Cancionero de Uppsalaperformed by Ensemble Cantoría2021
Hello and welcome to the last special episode of the 4th season of the Early Music Podcast, dedicated to the impressions shared by the participants of the Early Music Summit with host Darina Ablogina. CREDITSguests Richard Lorber, WDR and the Early Music Days in Herne Mélanie Froehly, ZAMUSThomas Höft and Georg Kroneis, Kunsthaus 17Lila Hajosi, Ensemble IriniJorge Losana, ECOS Festival Sofie Vanden Eynde, Imago Mundi EnsembleJurgen De bruyn, Zefiro Torna EnsembleKarin Cuéllar Rendón, Early Music Americainterview & editing Darina Abloginaproduction REMAdesign Doretta RinaldimusicNocturne in E major, Frédéric Chopinperformed by Raoul KoczalskiHistorical recording, 1938¡Cucú, cucú!, Juan del Enzinaperformed by Ensemble Cantoria2021Ensemble Irini at La Cité de la Voix2017The White Rose, Florence Beatrice Priceperformed by Reginald Mobley and AgaveAmerican Orignals: A New World, A New Canon, Acis 2021Introduction, Sofie Vanden EyndeMistress Elizabeth Davenant, Her Songes, 2012The Nutcracker Suite, op. 71a, Piotr Ilitch TchaikovskySymphony No. 41 & Symphony No. 41 in C 'Jupiter', K. 551, Wolfgang Amadeus Mozart
In a branch of music where research plays such a central role, how can there be such a disconnection between research and performance? How can we create cooperation between both fields? These themes, according to Rebekah Ahrendt, are central in "EarlyMuse", a research action funded by the European Cooperation in Science and Technology (COST). Listen to her describe her ideal world in this final episode of the 4th season of the Early Music Podcast! CREDITSguest Rebekah Ahrendt, Utrecht University interview & editing Darina Abloginaproduction REMAdesign Doretta RinaldimusicString Quartet No. 7 in F Major, Op. 59 No. 1, "Razumovsky": III. Adagio molto e mesto, Ludwig van Beethovenperformed by Quatuor ÉbèneBeethoven around the World, Erato 2019The White Rose, Florence Beatrice Priceperformed by Reginald Mobley and AgaveAmerican Orignals: A New World, A New Canon, Acis 2021
How early music can be specific in its approach to new audiences? How are conservatoires tackling this issue? Isaac Alonso de Molina shares his views on the need for conservatoires to teach audience development, as the first step to develop the artists' skills to engage with society, and a focal point of the European Association of Conservatoires' Early Music working group discussions. CREDITSguest Isaac Alonso de Molina, Koninklijk Conservatorium Den Haag interview & editing Darina Abloginaproduction REMAdesign Doretta RinaldimusicAve verum corpus, O sacrum conviviumperformed by La Academia de los Nocturnos and Ensemble La Danserye2023
What’s the situation of inclusion in the Early Music sector? In this episode, countertenor Reginald Mobley puts the issues of race, gender, and more generally, identity under the spotlight. He talks about the challenges and discrimination he faced as an Afro-American singer, and opens our eyes to the progress that still needs to be made to make the sector more inclusive. CREDITSguest Reginald Mobley, countertenorinterview & editing Darina Abloginaproduction REMAdesign Doretta RinaldimusicMusic for a while, Henry Purcellperformed by Reginald Mobley and Brandon Acker2022The White Rose, Florence Beatrice Priceperformed by Reginald Mobley and AgaveAmerican Orignals: A New World, A New Canon, Acis 2021
What’s the current situation of recordings in Early Music? How can we innovate in a sector that has undergone such change in recent years? Listen to Hannelore Guittet’s view on the topic: starting as co-founder of recording label NomadMusic, she had to adapt to drastic changes in the recording industry and created interactive application NomadPlay. She shares some of her processes and reflects on the perks of this creative mindset!CREDITSguest Hannelore Guittet, NomadPlayinterview & editing Darina Abloginaproduction REMAdesign Doretta RinaldimusicPartita No.1 in B-flat major, BWV 825, Johann Sebastian Bachperformed by Jean-Luc HoIntégrale des Partitas pour clavecin, NoMadMusic 2018
In this episode, Tiago Simas Freire discusses how research is also a means of connecting the past with present emotions. More than historically informed, Early Music can be culturally informed and resonate with our own experiences. And that’s the first step for successful research projects that will breach the market! CREDITSguest Tiago Simas Freire, "Per esercitarsi nella dispositione di gorgia" (CNSMDL, Schola Cantorum Basiliensis, HEM Geneva)interview & editing Darina Abloginaproduction REMAdesign Doretta RinaldimusicAd Tenebras - Jerusalem surge - Responsório II, Dizidme qual de los dos, Requiem aeternam - Graduale - Anonyme, Zente Pleto - Vilancico Negro a2 & a6 performed by Capella Sanctae Crucis and Tiago Simas FreireAd Tenebras, Artway Records / University of Coimbra 2023
How do we create and innovate in early music today? How do we reappropriate music that has been played thousands of times? Raphaël Pichon puts honesty, generosity, objectivity and responsibility at the heart of his work with the Pygmalion ensemble. In this 4th episode, he shares his views on the challenges faced by each generation, the need for an open mind and artistic responsibility. CREDITSguest Raphaël Pichon, Ensemble Pygmalioninterview & editing Darina Abloginaproduction REMAdesign Doretta RinaldimusicLes Boréades, RCT 31, Act IV, Scene 4: Entrée de Polymnie, Jean-Philippe Rameauperformed by Ensemble Pygmalion and Raphaël PichonEnfers, Harmonia Mundi 2018Cantata BWV82 - Ich Habe Genug, Johann Sebastian Bachperformed by Ensemble Pygmalion and Raphaël Pichonlive performance, Philharmonie de Paris 2018
What role do agents play in promoting early music? How can they help the sector evolve? Management, digitization, new expectations, news skills... Clémentine Richard from l'Agence Artist Management shares her views on the changes in the management business in this third episode of the Early Music Podcast. CREDITSguest Clementine Richard, Agence Artist Managementinterview & editing Darina Abloginaproduction REMAdesign Doretta RinaldimusicAria, Nicola Matteisperformed by Gli Incogniti and Amandine BeyerFalse Consonances of Melancholy, Alpha Classics 2019III. Adagio molto e mestoString Quartet No. 7 in F Major, Op. 59 No. 1, "Razumovsky", Ludwig Van Beethovenperformed by Quatuor ÉbèneBeethoven around the world, Warner Classics 2020Symphonie No. 3 Eroica, Op. 55Ludwig Van Beethovenperformed by Orchestre Elektralive performance, Paris 2023
What’s the scope of early music? This unanswerable question impacts our practices and our approaches to the sector. Since reaching a common definition seems idealistic, why not embrace the different meanings given to these words, and what they imply for their supporters and their activities? In this second episode, Romina Lischka shares her specific vision of early music, influenced by an intercultural approach and a desire to pass on and broaden horizons by mixing oral and written traditions, early and contemporary music. CREDITSguest Romina Lischka, leader of the Hathor Consortinterview & editing Darina Abloginaproduction REMAdesign Doretta RinaldimusicKing of Denmark’s GalliardRaga Bhairavi: AlapIn NomineWhen Daphne from fair Phoebus did flyperformed by Hathor Consort and Uday BhawalkarDhrupad Fantasia, Fuga libera 2020
How can Europe contribute to strenghten the early music scene? How can cultural policies be regulated at European level when culture is so specific to one country? What are the concrete impacts of European policies at the level of a country, a network, a town, etc.? In this first episode, Rarita Zbranca explains the repercussions of EU policies on the Romanian cultural scene, using the Cluj Cultural Center (Romania) as an example. CREDITSguest Rarita Zbranca, program director at the Cluj Cultural Centerinterview & editing Darina Abloginaproduction REMAdesign Doretta RinaldimusicMusic for a while, Henry Purcellperformed by Reginald Mobley and Brandon Acker2022Musical excerptsperformed by local artistsBaroque Festival in Cluj 2010
This episode is devoted to the EEEmerging programme and its lasting change, openness to mental health issues and the mid-career diversion of professional musicians. Isabelle Battioni, director of the Centre culturel de rencontre d'Ambronay, shares her rich professional experience on these current issues.CREDITSguest Isabelle Battioni, Centre culturel de rencontre d’Ambronayinterview & editing Darina Abloginaproduction REMAdesign Doretta Rinaldimusic"Sr. Ulick Burk", "The soup of good drink" and "The high road to Dublin", Anonymousperformed by The Curious Bards2016"Cello concerto in C minor, RV 401", Antonio Vivaldiperformed by Les Contre-Sujets2015
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very interesting episode of the podcast!
very interesting podcast!