10 Minutes to Make a Loop

We’re back in the recording studio for another live looping improvisation on Episode 18 of ’10 Minutes to Make a Loop’. Oliver correctly feels some familiar vibes as The Wheel of Destiny wants to hear F Minor another time. The Balls of Fate have a nice, steady tempo in mind with 96 beats per minute. Oliver starts the writing session off with a dabble around on the piano, just twinkling through a few notes to get used to the key. Once settled, he switches to a Rhodes sound on the Akai MPK 249. He plays around with a few different keyboard patterns before recording the first layer. A relaxing, gentle Rhodes part - a couple of bass chords with a simple, catchy lead melody comprised of only a few notes. Immediately Oliver switches over to the bass synth, played on the Akai MPK mini, using a new favourite synthesizer sound. It’s a huge, warm bass synth sound with a knob controlling the amount of resonance and a filter opening up to add and remove frequencies. Once the bass is looped, there’s a quick exploration on the drums before Oliver decides he’d like to start with some percussion, then add guitar before returning to drums. He uses a couple of different percussion shakers to lay down a subtle, warm percussive rhythm before grabbing his Fender Stratocaster. Coloured with reverb, tape delay, shimmer delay and a DryBell Vibe Machine, Oliver finger picks a relaxing guitar loop. The loop takes a turn into the epic, atmospheric, sound bath direction - it becomes ambient rock, progressive rock, post-rock, math rock, shoe gaze, style jam session. Warm, hypnotic guitar parts, music to relax to, calming, soothing, relaxing instrumental music to lose yourself to. It’s then time to add those drums after all, playing a rock drum kit Oliver plays a rock drum beat with ride cymbal, kick and snare. Once the drums are tracked, Oliver takes us away on a soaring, drifting, melodic guitar solo before bringing things to a close with a classic Stereo Reverie outro.There’s more to Stereo Reverie ► https://www.stereoreverie.comSUBSCRIBE ► https://www.youtube.com/@stereoreverieSUPPORT ► https://www.patreon.com/stereoreverieADD ON:INSTAGRAM: https://www.instagram.com/stereoreverie/TIKTOK: https://www.tiktok.com/@stereoreverieTHREADS: https://www.threads.net/@stereoreverie Hosted on Acast. See acast.com/privacy for more information.

With a storm rumbling outside of the studio, Oliver is excited to get right into making music on Episode 17 of ’10 Minutes to Make a Loop’. The Wheel of Destiny has F Minor in store for us today, and The Balls of Fate can clearly hear the rain pouring, too, as they select a cosy 66 beats per minute for the tempo. After fumbling around getting used to the key on the piano, Oliver is ready to start composing the loop. He cycles through a few synth sounds, quickly determining the tempo is far too slow for an arpeggiator before deciding a mellow, warm pad synthesizer sound would be the ideal way to start things off. A few chord progression loop explorations later and Oliver is ready to record the keys part. The live looping performance is off and running! It’s quickly over to the bass synthesizer to layer a bass line to add some warmth and a slight bit of grit to the low end of the loop. To continue filling out the rhythm section, Oliver adds a simple bass drum kick and snare rim shot pattern. He explores a few hi-hat and cymbal hits to fill in the drum beat before deciding acoustic percussion instruments are the ideal addition to the loop. He uses a couples of percussive shakers and a cabasa which adds a human touch and movement, showing that making a beat with a single microphone can provide a fun challenge with varying volumes between the instruments. Who knew a cabasa was so loud! Oliver explores a few simple Rhodes melodies before deciding that the loop needs some guitar layered on top. An ambient rock/progressive rock/post-rock/math rock/shoegaze type jam emerges once again, a calming, relaxing music moment - music to drift away to, soothing music, calming sounds that hypnotise. Some warm, hypnotic guitar parts are played with a tone coloured with reverb, tape delay and shimmer delay and a touch of distortion. Oliver adds some simple melody layers to the loop before fading things out during a melodic guitar solo outro before bringing us back safely to silence.There’s more to Stereo Reverie ► https://www.stereoreverie.comSUBSCRIBE ► https://www.youtube.com/@stereoreverieSUPPORT ► https://www.patreon.com/stereoreverieADD ON:INSTAGRAM: https://www.instagram.com/stereoreverie/TIKTOK: https://www.tiktok.com/@stereoreverieTHREADS: https://www.threads.net/@stereoreverie Hosted on Acast. See acast.com/privacy for more information.

It’s episode 16 and it’s time for night mode! Recording far later than usual, Oliver is ready to break some creative blockers and prove that it’s not all about the view out the studio window. He’s put some coloured lights out for ambiance and is ready to make some music. The Wheel of Destiny stirs up a memory of jams gone by with the selection of C# minor. Was it a friend or foe? Only time will tell, 10 minutes to be specific. The Balls of Fate have seemingly had a long day and ask for a leisurely 86 beats per minute tempo for this live looping creation. Oliver starts things off with a percussion shaker before quickly finding a synth sound. Synthesiser selected, it’s then onto finding the right chord progression loop. He finds a relaxing, calming, soothing chord progression, some gentle, emotional ambient music. Two chords alternating back and forth but containing a lot of complexity, it starts with a contemplative moment, music to relax to, music to study to, music to meditate to - healing music. Once the keyboard layer is recorded, Oliver hops over to the bass synth to add some hypnotising low end. He lands swiftly onto a bass line that really transforms the synth pad, adding depth and a feeling of epic energy. Just to emphasise the grandeur of the moment, he double tracks a second bass synth when the melody lands back onto the root note. He lifts the resonance as the note sustains to add some grit and tension. With only a few minutes left, it’s over to drums to build on the rhythm. Oliver starts with an energetic, full rock kit sound - transforming an ambient moment into an almost post-rock/progressive rock genre. Seemingly heading into soundtrack/film score territory. The drum beat seems to fit, although trying to get a clean loop proves a challenge and eats away at the remaining time. With just a minute left, Oliver pulls out an epic - perhaps out of place, though - flute sound drenched in reverb. He lays down this melody before letting us know he’ll be saving that for later - planning for the future, how responsible! But will it be worth it, it did seem a bit loud? As the timer runs out, Oliver declares his awareness of the time but asks for more time to fix the drums. Since the referees all had the day shift, nobody seems to be there to stop him. The drum loop is still a little chopped harshly, though, so he makes a mental note to redo them after a bit of a jam. It’s time for some epic, atmospheric, soaring guitar drenched in reverb, tape delay and shimmer delay. Almost an ambient rock/progressive rock/math rock/shoegaze type jam emerges. He pulls the flutes back in and do they fit? Nobody is really sure but it’s okay, they’re taken out before the drums are actually fixed! A pounding, almost primal heartbeat like rhythmic tom beat eventually gets looped before a few more hypnotising guitar layers with warm guitar tones; a journey through a soundscape. Melodic guitar looping ideas, relaxing, soaring soothing sounds and notes carry us to the end before Oliver gives his closing thoughts on this jam session.There’s more to Stereo Reverie ► https://www.stereoreverie.comSUBSCRIBE ► https://www.youtube.com/@stereoreverieSUPPORT ► https://www.patreon.com/stereoreverie Hosted on Acast. See acast.com/privacy for more information.

The Wheel of Destiny is in tune with the cloudy weather outside the studio window today by selecting D Minor, but what are The Balls of Fate up to asking for 121 beats per minute? To find out, Oliver starts twinkling around using a piano sound before beginning the search for a nice synthesizer sound which emerges not too soon after. He starts things off in a simple way, mentioning that sometimes all you need is two chords to get things started. He alternates the lengths of bars between the chords, though, to give an interesting feel to the timing. Oliver then tries unsuccessfully to add some bass before switching to drums. A slightly jazzy, progressive rock drum beat is added that gives some character to the loop but will it be enough to inspire a bass layer on second chance? Apparently not! Zapped of confidence, Oliver resorts to adding a relaxing prog rock/math rock guitar part comprising of two individual melodies to get creative momentum back. The guitar parts sound slightly inspired by the calmer sections of songs by bands such as Circa Survive or The Sounds of Animals Fighting. Finally with the loop mostly built and the timer almost out, Oliver figures out where he was going wrong with the bass parts and more importantly where to fix it. He gets the loop finally added a little after 10 minutes are complete before soaring off into a guitar based jam. Melodic electric guitar singing over gentle, relaxing, calming, epic music. Oliver solos on the guitar, wailing out some soulful emotion before cutting out the drums and transforming the loop into a mellow, atmospheric piece; it suddenly becomes music to get lost in, music to sleep to even, meditation music, warm guitar tones, soothing notes and sounds. Things take a psychedelic turn when he lets a few notes ring out and get caught in his tape delay pedal. Using an Empress Tape Delay pedal and an Earthquaker Devices Afterneath reverb pedal, Oliver creates a feedback loop that he then shifts the pitch, shift and tone of to add a synth-like, theremin-esque soundscape, a rush of noise and explosion of frequencies endlessly hypnotising us before pulling us out and into reverse while fading out. A sound bath of sorts that once again leaves Oliver asking “what just happened?!”There’s more to Stereo Reverie ► https://www.stereoreverie.comSUBSCRIBE ► https://www.youtube.com/@stereoreverieSUPPORT ► https://www.patreon.com/stereoreverieADD ON:INSTAGRAM: https://www.instagram.com/stereoreverie/TIKTOK: https://www.tiktok.com/@stereoreverieTHREADS: https://www.threads.net/@stereoreverie Hosted on Acast. See acast.com/privacy for more information.

The Wheel of Destiny is putting random to the test by serving up C# Minor on Episode 14 of ’10 Minutes to Make a Loop.’ After a quick monologue about his desire to put his most authentic self and music out there and about choosing fun over perfection in the studio, Oliver is ready for a tempo consultation. The Balls of Fate select 111 beats per minute for this episode, and immediately begs the question “is three ones a good sign?” Eager to find the answer, Oliver dives straight into the jam session. He starts by exploring around on the piano, using an Akai MPK249 controller. After a minute of fumbling around, nothing quite inspires anything to start the loop so Oliver decides to lay down the tempo first. He uses a couple of percussion shakers to establish 111 BPM. Hearing the percussive layer starts the creative juices flowing, so Oliver cycles through some synthesizer and pad sounds to see if anything sparks an idea. A Mellotron strings sound triggers some interest, but because of the uncertainty of the random key, he keeps moving to find a different synth sound until a soothing, calming ambient pad synth sound emerges. Once a simple chord progression comes together using that sound, the live loop is alive and off. Immediately Oliver hops over to the bass synth to add a driving, energetic bassline using an Akai MPK mini. This driving bass part inspires a simple kick and snare/clap pattern on the electronic drum kit using a Korg nanoPAD2. Unsure of the tightness of the rhythm section with the drum pattern added, Oliver adds emphasis to the snare by adding another percussion instrument; a collection of shells tied as a shaker. He then grabs the guitar before realising   the drums could in fact be tighter; a quick redo of tracking them and he proves that to be true. It’s then over to the guitar for an atmospheric, hypnotic guitar solo that intertwines simple lead melody lines and loose solo sections. A few guitar loops are pieced together, taking us on an epic journey through different dynamics coloured in reverb, tape delay, shimmer delay and a touch of distortion and gain. Oliver envelops us in meditative, soothing, mellow, sound bath type atmospheric music to get lost in, music to sleep to, music to meditate to. Warm guitar tones and stream of consciousness, improvised playing.There’s more to Stereo Reverie ► https://www.stereoreverie.comSUBSCRIBE ► https://www.youtube.com/@stereoreverieSUPPORT ► https://www.patreon.com/stereoreverieADD ON:INSTAGRAM: https://www.instagram.com/stereoreverie/TIKTOK: https://www.tiktok.com/@stereoreverie Hosted on Acast. See acast.com/privacy for more information.

Fate has a slow, ambient loop in store on Episode 13 of ‘10 Minutes to Make a Loop’ as The Balls of Fate choose 69 beats per minute. There’s a slight race against time and catching the sunset so Oliver jumps right in following The Wheel of Destiny’s request of D# Major. He starts with a piano sound using the Akai MPK249 and eventually figures out roughly where the notes in the key all are. After cycling through a few different keyboard sounds, from synthesizers and pads to atmospheric sounds, Oliver lands on a warm, ambient synth. A nice bit of ambiance, one might say! When laying down the loop, a happy little accident happens where the wrong - but oh so right - chord is played, and we’re just going to roll with it! It’s then over to the bass synth where there’s some resistance. With nothing solid emerging, an ‘abort layer’ is called - will Oliver regret not working on the bass a little more towards the end of time? We’ll have to find out… *foreshadowing* Success returns in the stacking of a few separate drum loops and addition of a soft, calming, ambient guitar loop with reverb, tape delay and shimmer before the bass rears its head again as the time runs out. To close the looping performance out, Oliver plays a series of guitar parts at times seemingly channeling a version of early Modest Mouse energy. The loop resonates a meditative, soothing, sound bath atmosphere; music to get lost in, music to sleep to, music to meditate to.There’s more to Stereo Reverie ► https://www.stereoreverie.comSUBSCRIBE ► https://www.youtube.com/@stereoreverieSUPPORT ► https://www.patreon.com/stereoreverieLISTEN ON:ITUNES: https://podcasts.apple.com/us/podcast/10-minutes-to-make-a-loop/SPOTIFY: https://open.spotify.com/show/5sWrv2669f2DKdl6kfGRfeCASTBOX: https://castbox.fm/channel/10-Minutes-to-Make-a-Loop-id5587328AMAZON MUSIC: https://music.amazon.com/podcasts/25ad72ac-5c9d-4674-9f10-4b01d39ee9ab/10-minutes-to-make-a-loopIHEART RADIO: https://www.iheart.com/podcast/269-10-minutes-to-make-a-loop-123028790/  ADD ON:INSTAGRAM: https://www.instagram.com/stereoreverie/TIKTOK: https://www.tiktok.com/@stereoreverieTHREADS: https://www.threads.net/@stereoreverieABOUT 10 MINUTES TO MAKE A LOOP:10 Minutes to Make a Loop is a music making podcast.  Join Stereo Reverie as he makes an original, improvised loop in 10 minutes using a random key and tempo without samples or prerecorded material. Then hang out while he jams with it.  By going with the flow and trusting intuition, the magic of the creative process unfolds for a completely unique result each episode. Hosted on Acast. See acast.com/privacy for more information.

The Balls of Fate are ready to get the energy amped up with a whopping 128 BPM tempo on Episode 12 of ‘10 Minutes to Make a Loop.’ Oliver starts with a synth sound in F# Major (although probably more accurately, in D# Minor) that has an ambient, atmospheric side and an arpeggiator side. By using the tone wheel he plays a simple melody on the Akai MPK249 that alternates between both sides. It’s then over to the bass synth to lay down a basic, rough pattern to fill out the low end before Oliver records a quick drum loop using an electronic kick drum and rim shot, coated with a touch of reverb. He then hops back over to fix the bassline before adding a secondary layer of warm bass synthesiser. Once the loop is put together, Oliver tries a few different keyboard sounds; alternating between Rhodes sounds and pianos with varying ages and effects before finding the perfect one to sprinkle some light, twinkling notes over the top. He decides to use this layer as a way to change things up and add another level of dynamics to the music later while he jams over the loop. A minute before the timer is up, Oliver grabs the guitar to add some lead lines and brings the loop jam to a close by travelling through Lydian and Mixolydian modes coloured with wah, distortion, reverb and tape delay.There’s more to Stereo Reverie ► https://www.stereoreverie.comSUBSCRIBE ► https://www.youtube.com/@stereoreverieSUPPORT ► https://www.patreon.com/stereoreverieLISTEN ON:ITUNES: https://podcasts.apple.com/us/podcast/10-minutes-to-make-a-loop/SPOTIFY: https://open.spotify.com/show/5sWrv2669f2DKdl6kfGRfeCASTBOX: https://castbox.fm/channel/10-Minutes-to-Make-a-Loop-id5587328AMAZON MUSIC: https://music.amazon.com/podcasts/25ad72ac-5c9d-4674-9f10-4b01d39ee9ab/10-minutes-to-make-a-loopIHEART RADIO: https://www.iheart.com/podcast/269-10-minutes-to-make-a-loop-123028790/  ADD ON:INSTAGRAM: https://www.instagram.com/stereoreverie/TIKTOK: https://www.tiktok.com/@stereoreverieTHREADS: https://www.threads.net/@stereoreverieABOUT 10 MINUTES TO MAKE A LOOP:10 Minutes to Make a Loop is a music making podcast.  Join Stereo Reverie as he makes an original, improvised loop in 10 minutes using a random key and tempo without samples or prerecorded material. Then hang out while he jams with it.  By going with the flow and trusting intuition, the magic of the creative process unfolds for a completely unique result each episode. Hosted on Acast. See acast.com/privacy for more information.

It’s a cloudy day at the studio and Oliver’s ready to get mellow on Episode 11 of ’10 Minutes to Make a Loop.’ The Balls of Fate are apparently aligned with the weather, too, and queue up 72 beats per minute for this loop. Oliver starts the jam off with what he claims is “the worst percussioning he’s ever percussioned” before quickly redeeming himself at the keyboard in D# Minor. After shouting out his glitches, he lays down a warm synth pad with percussive, melodic glitch effect and quickly adds some twinkling piano notes into it for a bit of a Moby inspired sound. It’s then over to the drums and bass to fill out the rhythm section and low end. A traditional 4 string electric bass sound starts off the bass layers and a simple warm bass synth fills it out. It’s just a simple kick and snare pattern on the drums today with subtle hi-hats for the beat, enhanced with a bit of reverb and delay to make it sound bigger and more epic. The loop comes together right at 10 minutes and allows Oliver finish it out by drifting away with some gentle guitar layers. Subtle, simple notes ringing out from chords coloured with tape delay, reverb and distortion ring out until the end; resulting in a warm, cosy loop that perfectly suits the cloudy day. Calming, relaxing, meditative music. Before everything ends, Oliver gets an answer to the question that was burning in his mind throughout… “was the percussion really that bad?”There’s more to Stereo Reverie ► https://www.stereoreverie.comSUBSCRIBE ► https://www.youtube.com/@stereoreverieSUPPORT ► https://www.patreon.com/stereoreverieLISTEN ON:ITUNES: https://podcasts.apple.com/us/podcast/10-minutes-to-make-a-loop/SPOTIFY: https://open.spotify.com/show/5sWrv2669f2DKdl6kfGRfeCASTBOX: https://castbox.fm/channel/10-Minutes-to-Make-a-Loop-id5587328AMAZON MUSIC: https://music.amazon.com/podcasts/25ad72ac-5c9d-4674-9f10-4b01d39ee9ab/10-minutes-to-make-a-loopIHEART RADIO: https://www.iheart.com/podcast/269-10-minutes-to-make-a-loop-123028790/  ADD ON:INSTAGRAM: https://www.instagram.com/stereoreverie/TIKTOK: https://www.tiktok.com/@stereoreverieTHREADS: https://www.threads.net/@stereoreverieABOUT 10 MINUTES TO MAKE A LOOP:10 Minutes to Make a Loop is a music making podcast.  Join Stereo Reverie as he makes an original, improvised loop in 10 minutes using a random key and tempo without samples or prerecorded material. Then hang out while he jams with it.  By going with the flow and trusting intuition, the magic of the creative process unfolds for a completely unique result each episode. An experiment in the craft of how to arrange loops and how to live loop. Hosted on Acast. See acast.com/privacy for more information.

Double digits! Another ’10 Minutes to Make a Loop’ milestone and Oliver is ready to get heavy. He starts things off by noodling around on the piano to figure his way around B Major before laying down a foundation of percussion at 114 BPM. After figuring out a soothing, ambient synth chord progression he decides to change the mood up and switches to a Rhodes sound. Suddenly things take a jazzy turn, it feels as though the lights come down and the atmosphere gets a little smoother. Oliver then adds a hypnotic bass line that compliments the feeling before adding a minimalistic jazz drum beat, too. He explores some possible piano layers and then switches to the guitar instead. From there we go on a journey seemingly through space and time. Oliver displays his full range in a solo that highlights all manner of extremes. Stopping along the way to capture and build upon the moment, resulting in a progression from mellow, spacey jazz to heavy rock. Guitar screams and a stomping, driving backing charge onward for several minutes after time until we’re delicately let off back into the present moment.There’s more to Stereo Reverie ► https://www.stereoreverie.comSUBSCRIBE ► https://www.youtube.com/@stereoreverieSUPPORT ► https://www.patreon.com/stereoreverieLISTEN ON:ITUNES: https://podcasts.apple.com/us/podcast/10-minutes-to-make-a-loop/SPOTIFY: https://open.spotify.com/show/5sWrv2669f2DKdl6kfGRfeCASTBOX: https://castbox.fm/channel/10-Minutes-to-Make-a-Loop-id5587328AMAZON MUSIC: https://music.amazon.com/podcasts/25ad72ac-5c9d-4674-9f10-4b01d39ee9ab/10-minutes-to-make-a-loopIHEART RADIO: https://www.iheart.com/podcast/269-10-minutes-to-make-a-loop-123028790/  ADD ON:INSTAGRAM: https://www.instagram.com/stereoreverie/TIKTOK: https://www.tiktok.com/@stereoreverieTHREADS: https://www.threads.net/@stereoreverieABOUT 10 MINUTES TO MAKE A LOOP:10 Minutes to Make a Loop is a music making series.  Join Stereo Reverie as he makes an original, improvised loop in 10 minutes using a random key and tempo without samples or prerecorded material. Then hang out while he jams with it.  By going with the flow and trusting intuition, the magic of the creative process unfolds for a completely unique result each episode.ABOUT STEREO REVERIE:Oliver is a live looping multi-instrumentalist whose music moves from moments influenced by Led Zeppelin and Pink Floyd to those of Sigur Rós, Radiohead and Pretty Lights, evolving through elements of rock and jazz to hip hop and EDM with a distinct feeling as much as a sound. Atmospheric, progressive guitar music & guitar looping ideas.  Hosted on Acast. See acast.com/privacy for more information.

On Episode 9, we’re amazingly back in D Major and somehow only a single BPM off from the last jam at 77 BPM. Rather than veering into the relative minor, though, Oliver aims to stay in major this time. He starts off playing some chords with a warm pad sound before adding a drum part. As per usual, recording a huge bass synth sound really ties the room together. After experimenting with a few higher frequency sounds, Oliver decides a guitar riff is needed and quickly finds one. Although the loop ends on a rise, it’s still slightly minor focused - so he ends the jam with some positive vocal stabs.There’s more to Stereo Reverie ► https://www.stereoreverie.comSUBSCRIBE ► https://www.youtube.com/@stereoreverieSUPPORT ► https://www.patreon.com/stereoreverieLISTEN ON:ITUNES: https://podcasts.apple.com/us/podcast/10-minutes-to-make-a-loop/SPOTIFY: https://open.spotify.com/show/5sWrv2669f2DKdl6kfGRfeCASTBOX: https://castbox.fm/channel/10-Minutes-to-Make-a-Loop-id5587328AMAZON MUSIC: https://music.amazon.com/podcasts/25ad72ac-5c9d-4674-9f10-4b01d39ee9ab/10-minutes-to-make-a-loopIHEART RADIO: https://www.iheart.com/podcast/269-10-minutes-to-make-a-loop-123028790/  ADD ON:INSTAGRAM: https://www.instagram.com/stereoreverie/TIKTOK: https://www.tiktok.com/@stereoreverieTHREADS: https://www.threads.net/@stereoreverie Hosted on Acast. See acast.com/privacy for more information.

We’re back in the studio for Episode 8 of ’10 Minutes to Make a Loop’ and the universe has D Major at 78 BPM in store for us. Oliver fumbles over some percussion in the beginning but eventually lays down a rhythmic foundation. He then attempts to lay down an acoustic drum beat, but quickly abandons ship and switches to an electronic beat instead. Things start to come to life with a walking bass line and a dipping 808 adds even more movement. With the groove laid down, Oliver switches to the keys to lay down a simple synth part coupled with a Rhodes riff. With a couple of minutes left, it’s time to grab the guitar and go for a spacey jam journey. He displays delicate subtleties as he explores the range of dynamics within the loop, bringing things down to light and airy before building back up to a bigger moment than before. Oliver enhances the rhythm section in the midst of the jam, bringing in some toms and cymbals to continue the build while the solo travels on before a soft landing.There’s more to Stereo Reverie ► https://www.stereoreverie.comSUBSCRIBE ► https://www.youtube.com/@stereoreverieSUPPORT ► https://www.patreon.com/stereoreverieLISTEN ON:ITUNES: https://podcasts.apple.com/us/podcast/10-minutes-to-make-a-loop/SPOTIFY: https://open.spotify.com/show/5sWrv2669f2DKdl6kfGRfeCASTBOX: https://castbox.fm/channel/10-Minutes-to-Make-a-Loop-id5587328AMAZON MUSIC: https://music.amazon.com/podcasts/25ad72ac-5c9d-4674-9f10-4b01d39ee9ab/10-minutes-to-make-a-loopIHEART RADIO: https://www.iheart.com/podcast/269-10-minutes-to-make-a-loop-123028790/  ADD ON:INSTAGRAM: https://www.instagram.com/stereoreverie/TIKTOK: https://www.tiktok.com/@stereoreverieTHREADS: https://www.threads.net/@stereoreverie Hosted on Acast. See acast.com/privacy for more information.

It’s time to get weird! On this episode of ’10 Minutes to Make a Loop’, we’re in A Major at 74 BPM. Oliver has a little bit a struggle finding a melody to start things off with, so he lays down a drone to establish the feeling of the key first. Then it’s time to piece together a drum part with a slight swing. The loop comes to life with the addition of a synth sound gently glitching throughout. Battling through a few more technical difficulties, Oliver emerges on the other side with the guitar is his hands. A simple reverberated melody is laid down first before a droning eBow part is recorded on top to drive home the original layer. He then ends it the only fitting way for such an odd loop; to dramatically adjust the tempo and drop you off at the end of a wormhole.There’s more to Stereo Reverie ► https://www.stereoreverie.comSUBSCRIBE ► https://www.youtube.com/@stereoreverieSUPPORT ► https://www.patreon.com/stereoreverieLISTEN ON:ITUNES: https://podcasts.apple.com/us/podcast/10-minutes-to-make-a-loop/SPOTIFY: https://open.spotify.com/show/5sWrv2669f2DKdl6kfGRfeCASTBOX: https://castbox.fm/channel/10-Minutes-to-Make-a-Loop-id5587328AMAZON MUSIC: https://music.amazon.com/podcasts/25ad72ac-5c9d-4674-9f10-4b01d39ee9ab/10-minutes-to-make-a-loopIHEART RADIO: https://www.iheart.com/podcast/269-10-minutes-to-make-a-loop-123028790/  ADD ON:INSTAGRAM: https://www.instagram.com/stereoreverie/TIKTOK: https://www.tiktok.com/@stereoreverieTHREADS: https://www.threads.net/@stereoreverie Hosted on Acast. See acast.com/privacy for more information.

Will the guitar work? It better had, it was tested before recording started! Back with Episode 6, Oliver is ready to test the guitar out in the new ’10 Minutes to Make a Loop’ studio. The Wheel of Destiny chooses G Major so seemingly the Guitar Gods are on side since the relative minor, E Minor, is so favourable among guitarists. After consulting The Balls of Fate, Oliver lays down a couple of percussion parts to establish the 92 BPM tempo. Once the tempo is set, it’s quickly over to the guitar to get a riff going before figuring out a bass and drum parts. Everything falls together well before the timer is up, so he makes use of the working guitar and takes us on a melodic journey through highs and lows.There’s more to Stereo Reverie ► https://www.stereoreverie.comSUBSCRIBE ► https://www.youtube.com/@stereoreverieSUPPORT ► https://www.patreon.com/stereoreverieLISTEN ON:ITUNES: https://podcasts.apple.com/us/podcast/10-minutes-to-make-a-loop/SPOTIFY: https://open.spotify.com/show/5sWrv2669f2DKdl6kfGRfeCASTBOX: https://castbox.fm/channel/10-Minutes-to-Make-a-Loop-id5587328AMAZON MUSIC: https://music.amazon.com/podcasts/25ad72ac-5c9d-4674-9f10-4b01d39ee9ab/10-minutes-to-make-a-loopIHEART RADIO: https://www.iheart.com/podcast/269-10-minutes-to-make-a-loop-123028790/  ADD ON:INSTAGRAM: https://www.instagram.com/stereoreverie/TIKTOK: https://www.tiktok.com/@stereoreverieTHREADS: https://www.threads.net/@stereoreverie Hosted on Acast. See acast.com/privacy for more information.

Welcome to the studio - to the new studio! The first episode of ’10 Minutes to Make a Loop’ in the new space, what a momentous occasion. Though faced with technical difficulties from the move, Oliver still manages to cook up a heaping serving of jam in F# Major at 94 BPM. After the debut of The Wheel of Destiny and The Balls of Fate to pick our random key and tempo, he starts the jam off with some warm organ chords. He experiments with drum sounds before settling on an acoustic kit for the beat. After the drums are set, Oliver finds a swelling bass melody to match before attempting to add some guitar. Technical difficulties scupper those plans and force a quick jump over to the piano to sprinkle some simple, twinkling melodies on top to finish it out.There’s more to Stereo Reverie ► https://www.stereoreverie.comSUBSCRIBE ► https://www.youtube.com/@stereoreverieSUPPORT ► https://www.patreon.com/stereoreverieLISTEN ON:ITUNES: https://podcasts.apple.com/us/podcast/10-minutes-to-make-a-loop/SPOTIFY: https://open.spotify.com/show/5sWrv2669f2DKdl6kfGRfeCASTBOX: https://castbox.fm/channel/10-Minutes-to-Make-a-Loop-id5587328AMAZON MUSIC: https://music.amazon.com/podcasts/25ad72ac-5c9d-4674-9f10-4b01d39ee9ab/10-minutes-to-make-a-loopIHEART RADIO: https://www.iheart.com/podcast/269-10-minutes-to-make-a-loop-123028790/  ADD ON:INSTAGRAM: https://www.instagram.com/stereoreverie/TIKTOK: https://www.tiktok.com/@stereoreverieTHREADS: https://www.threads.net/@stereoreverie Hosted on Acast. See acast.com/privacy for more information.

The last episode of ’10 Minutes to Make a Loop’ in this studio! Oliver starts off playing piano to find his way around F Minor and quickly stumbles upon a part that can work at 90 BPM. An accompanying bass part is then added before a second bass synth is added for some swelling movement. Oliver stumbles and fumbles over the drum part for a while before adding a simple piano melody - only to then change the drums again! Will he regret clearing the old loops as he struggles to find a new part? In the last minute, he picks up the guitar and adds the simple layer that was needed to fill things out. In a (not very) controversial moment, he gives the drum part another try once the timer is up. Will the referees allow it? What referees? Finally, Oliver lands on a much more energetic drum part that takes the jam up a notch. The only thing left is for some wailing guitar on the top before an easy drop off.There’s more to Stereo Reverie ► https://www.stereoreverie.comSUBSCRIBE ► https://www.youtube.com/@stereoreverieSUPPORT ► https://www.patreon.com/stereoreverieLISTEN ON:ITUNES: https://podcasts.apple.com/us/podcast/10-minutes-to-make-a-loop/SPOTIFY: https://open.spotify.com/show/5sWrv2669f2DKdl6kfGRfeCASTBOX: https://castbox.fm/channel/10-Minutes-to-Make-a-Loop-id5587328AMAZON MUSIC: https://music.amazon.com/podcasts/25ad72ac-5c9d-4674-9f10-4b01d39ee9ab/10-minutes-to-make-a-loopIHEART RADIO: https://www.iheart.com/podcast/269-10-minutes-to-make-a-loop-123028790/  ADD ON:INSTAGRAM: https://www.instagram.com/stereoreverie/TIKTOK: https://www.tiktok.com/@stereoreverieTHREADS: https://www.threads.net/@stereoreverie Hosted on Acast. See acast.com/privacy for more information.

On the third episode of ’10 Minutes to Make a Loop’ we’re in G# Major at 115 BPM. Oliver starts things off with some shakers to hold the tempo, then plays piano to figure out where exactly G# Major is. Once settled, he finds a pad sound that he likes and lays down an ambient foundation. After a moment to pause and think, he picks up the guitar for a melody that surprises even him and then quickly adds a simple, lower layer. This starts to veer the loop into the relative minor. A drum part and last minute (literally) bass part move the loop into a post-rock feeling, which is then completed with a melodic guitar solo on the top. Oliver plays with dynamics, creating moments of tension and release during his solo in the last few minutes and leaves us with the gentle warmth of the pads at the end.There’s more to Stereo Reverie ► https://www.stereoreverie.comSUBSCRIBE ► https://www.youtube.com/@stereoreverieSUPPORT ► https://www.patreon.com/stereoreverieLISTEN ON:ITUNES: https://podcasts.apple.com/us/podcast/10-minutes-to-make-a-loop/SPOTIFY: https://open.spotify.com/show/5sWrv2669f2DKdl6kfGRfeCASTBOX: https://castbox.fm/channel/10-Minutes-to-Make-a-Loop-id5587328AMAZON MUSIC: https://music.amazon.com/podcasts/25ad72ac-5c9d-4674-9f10-4b01d39ee9ab/10-minutes-to-make-a-loopIHEART RADIO: https://www.iheart.com/podcast/269-10-minutes-to-make-a-loop-123028790/  ADD ON:INSTAGRAM: https://www.instagram.com/stereoreverie/TIKTOK: https://www.tiktok.com/@stereoreverieTHREADS: https://www.threads.net/@stereoreverie Hosted on Acast. See acast.com/privacy for more information.

On Episode 2, the first installment of the new and improved ’10 Minutes to Make a Loop’, we give the new format and production a whirl. After trying to defy the Tempo Gods and evade a slow jam, Oliver gets started with a simple Rhodes part in F# Major at 77 BPM. A few technical difficulties emerge with his foot pedal that challenge him to an impromptu river dancing contest, but eventually a drum part is laid down. The jam comes alive once he finds a massive bass synth part which then causes a quick adjustment of the previous layers. It all ends with some simple Rhodes noodles over the top, delicious! It would’ve been nice to have found the bass synth sound sooner and to have gotten a few more layers added, particularly to fill some of the frequencies that were filtered out of the drums - but all in all it was fun to get the series off to a proper start.There’s more to Stereo Reverie ► https://www.stereoreverie.comSUBSCRIBE ► https://www.youtube.com/@stereoreverieSUPPORT ► https://www.patreon.com/stereoreverieLISTEN ON:ITUNES: https://podcasts.apple.com/us/podcast/10-minutes-to-make-a-loop/SPOTIFY: https://open.spotify.com/show/5sWrv2669f2DKdl6kfGRfeCASTBOX: https://castbox.fm/channel/10-Minutes-to-Make-a-Loop-id5587328AMAZON MUSIC: https://music.amazon.com/podcasts/25ad72ac-5c9d-4674-9f10-4b01d39ee9ab/10-minutes-to-make-a-loopiHEART RADIO: https://www.iheart.com/podcast/269-10-minutes-to-make-a-loop-123028790/  ADD ON:INSTAGRAM: https://www.instagram.com/stereoreverie/TIKTOK: https://www.tiktok.com/@stereoreverieTHREADS: https://www.threads.net/@stereoreverie Hosted on Acast. See acast.com/privacy for more information.

Where it all began! The original idea years before the 2nd episode and beyond. Please note that this is the pilot episode and here just for historic purposes! I recorded this episode and then took a couple of years to upgrade production quality before properly starting the series.On the pilot episode, we discover if Oliver remembers to go back to the reverse piano thing and whether or not he can come up with a guitar riff that he actually likes.There’s more to Stereo Reverie ► https://www.stereoreverie.comSUBSCRIBE ► https://www.youtube.com/@stereoreverieSUPPORT ► https://www.patreon.com/StereoReverieLISTEN ON:ITUNES: https://podcasts.apple.com/us/podcast/10-minutes-to-make-a-loop/SPOTIFY: https://open.spotify.com/show/5sWrv2669f2DKdl6kfGRfeCASTBOX: https://castbox.fm/channel/10-Minutes-to-Make-a-Loop-id5587328AMAZON MUSIC: https://music.amazon.com/podcasts/25ad72ac-5c9d-4674-9f10-4b01d39ee9ab/10-minutes-to-make-a-loopiHEART RADIO: https://www.iheart.com/podcast/269-10-minutes-to-make-a-loop-123028790/ ADD ON:INSTAGRAM: https://www.instagram.com/stereoreverie/TIKTOK: https://www.tiktok.com/@stereoreverieTHREADS: https://www.threads.net/@stereoreverie Hosted on Acast. See acast.com/privacy for more information.