Broad Street Review, The Podcast

In this episode of the Broad Street Review Podcast, host Darnelle Radford welcomes director Morgan Green to discuss the Philadelphia Theatre Company's adaptation of Shakespeare's Julius Caesar. They explore the shared leadership model in Philadelphia theatre, the unique interpretations of the cast, and the relevance of the play in today's society. The conversation delves into character analysis, choreography, and the audience's engagement with the production, highlighting the emotional and political themes that resonate with contemporary issues.A Bold and Modern New AdaptationCaesarAdapted by Tyler Dobrowsky From Julius Caesar by William Shakespeare Directed by Morgan GreenWhat would you do to protect your home?Shakespeare’s classic political tragedy is reborn as a gripping contemporary thriller in this bold new adaptation by Tyler Dobrowsky. Caesar stays true to Shakespeare’s original language but trims the story to its leanest, most urgent core—cutting to the heart of ambition, authoritarianism, and the cost of protecting democracy.Brutus, a principled Roman senator, joins a conspiracy to assassinate Julius Caesar, fearing the rise of tyranny. But once the deed is done, the fragile dream of liberty spirals into violence, unrest, and civil war. As alliances shift and Rome descends into chaos, the play asks: Who gets to hold power? And at what price?Running just 95 minutes, Caesar is fast-paced and fiercely relevant, inviting audiences to draw parallels between ancient Rome and the political tensions of our world today.In a season about what it means to be home, Caesar asks: who gets to shape the future of a nation? And what are we willing to risk to defend the place—and people—we love?ABOUT MORGAN CLAIRE GREENPTC: Debut. Off-Broadway: Five Models in Ruins, 1981, LCT3; Staff Meal, Playwrights Horizons; School Pictures, Playwrights Horizons. Regional: Hilma (Opera), Eternal Life Part 1, School Pictures, Fat Ham (digital; Pulitzer Prize for Drama), Wilma Theater. Additional premieres include Five Models in Ruins and The Karamazovs (film). Awards: Obie Award. Leadership: Co-Artistic Director of Philadelphia’s Tony Award–winning Wilma Theater, where she has directed numerous world premieres and new theatrical collaborations.FOR TICKETS AND INFORMATION: https://philadelphiatheatrecompany.org/caesar/

In this episode of the Broad Street Review podcast, host Darnelle Radford speaks with actors Brandon Tyler and Max Lynch about their upcoming production of 'Dear Jack, Dear Louise' by Ken Ludwig. The conversation delves into the characters, the historical context of World War II, and the emotional depth of the story, which is based on real letters exchanged between the two main characters. They discuss the rehearsal process, the significance of letter writing in building connections, and the parallels between past and present relationships. The episode concludes with reflections on what audiences can take away from the production.Chapters00:00 Introduction to the Podcast and Guests02:19 Exploring 'Dear Jack, Dear Louise'05:09 Character Insights and Rehearsal Process09:59 Thematic Connections to Modern Relationships16:05 Audience Expectations and Emotional Moments22:59 Final Thoughts and TakeawaysKen Ludwig's Dear Jack, Dear LouiseDirected By Peter Reynolds
February 11 - March 1, 2026Regional Premiere. 
A love story begins when two strangers meet by letter during World War II. U.S. Army Captain Jack Ludwig, a military doctor stationed in Oregon, begins writing to Louise Rabiner, an aspiring actress and dancer in New York City, hoping to meet her someday, if the war allows. Tony Award-winning playwright Ken Ludwig tells the joyous, heart-warming story of his parents’ courtship during World War II, and the results are anything but expected.Max Lynch as Louise
Brandon Tyler as JackFOR TICKETS AND INFORMATION: https://hedgerowtheatre.org

In this episode of the Broad Street Review podcast, host Darnelle Radford welcomes the cast and director of 'Jesus Hopped the A Train' to discuss the themes, characters, and relevance of the play. The conversation explores the journey of the characters, the impact of community and accountability, and how the play resonates with current social issues. The guests share their personal experiences with the material and the importance of storytelling in theater.Chapters00:00 Welcome to Season 1003:58 Introduction to Jesus Hop the A Train05:37 Character Insights and Table Read Reactions09:14 Exploring Themes of Redemption and Accountability14:42 Relevance of the Play in Today's Society21:17 Community, Power, and the Role of Money25:58 Character Development and Personal Growth28:15 Final Thoughts and Audience TakeawaysJesus Hopped the “A” TrainA young man with little hope, Angel, has shot a cult leader for brainwashing his best friend; his confession to the public defender then cripples Angel’s defense when the cult leader dies. Ironically, while in The Tombs, the serial killer in the next cell sparks Angel’s spiritual conversion.Directed By: Dave EbersoleCAST:Carlos Jiga - AngelJon Owens - LuciusMonica Guest - Mary JaneBrandon Tabb - ValdezEric Jarrell - D’AmicoFOR TICKETS AND INFORMATION: https://thestagecrafters.org/production/jesus-hopped-the-a-train/

In this episode of the Broad Street Review Podcast, host Darnelle Radford welcomes playwright Phaedra Michelle Scott to discuss her upcoming world premiere production, Plantation Black, presented by Interact Theatre Company. The conversation delves into Phaedra's background, her motivations for writing the play, and the unique structure that allows for multiple beginnings and endings. They explore the rehearsal process, the dynamics of the cast, and the importance of audience engagement. Phaedra emphasizes the significance of storytelling in understanding identity and legacy, while also addressing the challenges faced by Black Americans in connecting with their history. The episode concludes with details about the production and Phaedra's excitement for sharing her work with audiences.Chapters00:00 Introduction to the Podcast and Guest00:57 Phaedra's Background and Journey to Playwriting02:37 Exploring Identity and Family History05:36 The Importance of Storytelling in Understanding History08:29 Overview of 'Plantation Black' and Its Inspiration11:16 The Unique Structure of 'Plantation Black'13:44 The Rehearsal Process and Collaboration with the Cast16:26 Engagement and Audience Experience in Theater19:17 Themes of Safety and Representation in Storytelling21:26 The Power of Storytelling and Audience Engagement26:32 Exploring Unique Storytelling Techniques27:42 Art as a Reflection of Society28:53 Connecting with Family and Ancestry33:54 The Importance of Momentum in TheatreTwo centuries after a murky agreement binds a Civil War era plantation family to the enslaved people working the land, the white and Black Prioleau descendants must finally determine who is the rightful heir.A cast of six actors play both the Civil War and present-day characters, and each night the play begins at a different point in the timeline when a cast member spins a drum bearing the names of all the scenes in the play.PLANTATION BLACK’s innovative structure evokes the way history repeats itself, and the (sometimes) random ways we learn about our national and personal history.PLANTATION BLACK has six potential starting points. About 20 minutes before each performance, we will pull a ball from the raffle drum to see where we'll start. If you want to return for the chance to see the play start in a different place (no guarantees!), you can purchase a $12 return ticket at boxoffice@interacttheatre.org or call 215-568-8079.

In this conversation, Joshua Crone discusses the various programs and initiatives at Yellow Bicycle, a theater space in Philadelphia. He shares insights on community engagement, the challenges of running a small venue, and the importance of planning and research in theater management. Crone also highlights the upcoming Fringe Theater Masterclass, aimed at educating aspiring theater artists on the intricacies of production and collaboration in the arts.Chapters00:00 The Birth of Yellow Bicycle02:27 Community Engagement and Support05:25 Navigating the Challenges of Theater Production08:08 Lessons Learned in Venue Management10:47 The Importance of Business Acumen in the Arts13:43 Building a Collaborative Artistic Community16:29 The Journey of Creating a Theater Space19:08 Fringe Theater Masterclass Overview21:49 The Value of Diverse Skills in Theater24:27 Engaging with the Audience and Community27:18 Final Thoughts and Future AspirationsThe original yellow bicycle was a vintage Schwinn rescued from an LA landfill. It served as a commuter bike, camera dolly, and grip truck during YBC founder Joshua Crone’s first two years in Hollywood. When actors came by the studio they would find it parked outside to make room for rehearsal or filming. Over time the yellow bicycle became a signpost, a symbol of the collective: a loose-knit group of theater and film artists committed to doing ambitious work, even under humble circumstances. A group that was going places, even if it meant cycling uphill against the wind. When Crone moved to New York in 2018, the bike stayed behind in Joshua Tree. But its spirit lives on in its successor, a 1975 Raleigh (pictured here at Lyons Falls, NY), and in its namesake: Yellow Bicycle Collective.As a resident theater company of the new Yellow Bicycle Theater in Center City, Philadelphia, Yellow Bicycle Collective is now a Pennsylvania-based nonprofit corporation committed to producing edgy new writing, experimental reworking of classic plays, and training in all aspects of fringe theater and indie film production. Its mission, as outlined in its Articles of Incorporation, is to enrich, educate and entertain the community by providing unique experiences at the interface of theater and film.FOR MORE INFORMATION: https://yellowbicycle.org | https://yellowbicycle.com/  

LITTLE WOMENby Kate HamillAdapted from the novel by Louisa May AlcottDirected by Abby WeissmanNovember 26 - December 28, 2025Step into the heart of the March family, where sisters Jo, Meg, Amy, and Beth grow up together amid the American Civil War. Brave, bright, and endlessly imaginative, each sister faces the challenge of balancing her dreams with the weight of society’s expectations. Through moments of laughter, loss, and love, they discover that the true strength of family lies in unity, even when the world around them feels uncertain. Hedgerow presents the regional premiere of playwright Katie Hamill’s fresh adaptation of Louisa May Alcott’s beloved classic featuring live musical accompaniment. This holiday season, gather with your loved ones to celebrate a timeless tale of family, friendship, and the bonds that hold communities together.Cast
Jo…………………………………...……... Marissa Emerson
Beth……………………………...………….. Olive Gallagher
Laurie…………………………………….…………... Leo Mock
Marmee, Aunt March……... Emily-Grace Murray
Hannah, others……………………….. Katherine Perry
Meg………………………………….... Minou Pourshariati
Mr. Brooks, others……………... James Arthel Reilly
Mr. Laurence, others……………………... Bob Weick
Amy…………………………….. Jameka Monet WilsonProduction Team
Stage Manager Jessica Beaver • Assistant Stage Manager Ella Namour • Scenic Designer/Scenic Charge Sarah Schunke • Lighting Designer Lily Fossner* • Props Manager Kevin Ruehle • Music Director/Sound Designer/Composer Matthew Mastronardi • Costume Designer Leigh Paradise • Intimacy Choreographer Melanie Julian • Fight Director Ilana HuiYa Lo • Costume Shop Manager Elizabeth Hanson • Technical Director Pat Ahearn • Set Builder Karl McClellan • Director of Production Kate Fossner • Audio Description Gina PisasaleChapters00:00 Introduction to the Artists and Their Roles02:48 Exploring the Adaptation of Little Women05:40 The Role of Music in Storytelling08:07 The Unique Rehearsal Process11:02 Casting and the Ensemble13:30 Design Elements and Thematic Representation19:21 Audience Connection and Emotional Impact24:43 Personal Reflections and Takeaways29:55 Closing Thoughts and Final ReflectionsFOR MORE INFORMATION: https://www.hedgerowtheatre.org/little-women

HANSEL & GRETEL written by Paul KuhnDirected By Mya FloodCurio brings you another Make/Partake Theatre Experience following the great success of JACK AND THE BEANSTALK and THE THREE LITTLE PIGS. For ages 3 and up!Get in on the action: making props, sound effects, shadow puppets and even controlling the weather. A fun time for all participants and audience members.Runs: December 20 to 31 (11am and 3pm)Chapters00:00 Introduction to Curio Theatre and Guests03:30 Maya Flood's Background and Experience06:52 Exploring Hansel and Gretel: An Immersive Experience10:39 Planning the Make and Partake Series14:16 Audience Engagement and Feedback18:04 The Cast and Their Roles21:31 Future of Children's Theatre at Curio25:09 Potential Future Productions and ThemesFOR MORE INFORMATION: https://curiotheatre.org

Chapters00:00 Introduction and Background of Darnelle Radford04:37 Darnelle's Journey into Theater09:08 The Importance of Live Theater13:33 Theater as a Community Experience18:21 Challenges in the Theater Industry23:03 The Future of Theater and New Works27:33 Darnelle's New Role at Theater Philadelphia32:05 Closing Thoughts and ReflectionsABOUT DARNELLE RADFORDDarnelle Radford is a Philadelphia-based theater producer, media entrepreneur, and arts administrator with a significant presence in the local theater community. He is the founder of Represented Theatre Company and Em3ry, a media company that produces podcasts like the Broad Street Review Podcast, Rep Radio, The Business of Theater, A Working Title where he hosts or co-hosts the shows. He is the outgoing Director of Operations at Theatre Exile, South Philadelphia’s only theater company. Radford's work often involves supporting and promoting the arts, including managing technical systems and producing arts-focused content.Darnelle has also worked in cultural organizations such as The Franklin Institute, Philadelphia Art Museum, Freedom Theatre, Historic Philadelphia, Inc., The College of Physicians of Philadelphia and the COVID Containment Division of The City of Philadelphia’s Health Department.Darnelle studied Multimedia and Web Design at the Art Institute of Philadelphia and Arts Administration at New York University.ABOUT THEATRE PHILADELPHIATheatre Philadelphia unites, celebrates, and promotes the Philadelphia region's diverse and growing theatre community. We lead efforts that expand audiences and engage the public to participate in this community's work. Theatre Philadelphia envisions an equitable and inclusive region that champions and nurtures local artists. We aim to raise our city’s profile as a world-class city and enrich the lives of Philadelphia-area citizens.FOR MORE INFORMATION: https://theatrephiladelphia.org/about-theatre-philadelphia

Launch your holidays by celebrating a beloved model of a modern major comedic opera! On his 21st birthday, a dashing young pirate apprentice prepares to finally be freed from servitude. Arriving back on land for the first time, he plans to live a dutiful and honorable adulthood. But there’s a snag - check his birth certificate! A bevy of local beauties,  conscientious pirates and their King, a wily and witty old waiting woman, an incompetent madcap Major General, a troop of troglodyte policemen, and a parade of ingenious paradoxes all portend to make Quintessence your delightful winter destination! NOV 19, 2025 - JAN 4, 2026ABOUT TREVOR MARTINTrevor Martin is a versatile actor, singer, and musician currently based in NYC. Described as a “classically-trained baritone, perfect for the Golden Age of musical theater,” Trevor has made a comfortable home both in the operatic and musical theater genres. He was winner of the prestigious Lotte Lenya Competition sponsored by the Kurt Weill Foundation in 2019, and was selected as a quarterfinalist for the American Traditions Competition for 2021.Most recently, Trevor performed in two back-to-back productions of My Fair Lady as Henry Higgins — one with Union Avenue Opera, and the other at Ivoryton Playhouse. Earlier this year, he made his role debut as Dan Goodman in Next to Normal with Revival Theatre Company and as Nick/Low Righteous Brother in Beautiful at Riverside Theatre. Last year he performed the role of Thomas Andrews in Titanic with North Shore Music Theatre and in two back-to-back productions of Carousel as Billy Bigelow — one with Intermountain Opera Bozeman, and the other at The Wick Theatre in Boca Raton, FL.  He opened the Global Tour of Jack O’Brien’s production of The Sound of Music as Captain Von Trapp in 2022 and 2023 and made his Indianapolis Symphony Orchestra debut as Commander Harbison in their concert performance of South Pacific, as well as covering Nathan Gunn as Emile and Nick Adams as Lt. Cable.Chapters00:00 Introduction to the Podcast and Guests02:26 Exploring the Joy of Performing Pirates of Penzance05:58 Trevor's Journey from Music to Theater08:38 Thematic Elements of Pirates of Penzance11:32 The Humor and Social Commentary in the Show15:43 Rehearsal Dynamics and Cast Interactions18:55 Audience Reactions and Engagement24:29 The Impact of Live Theater in a Digital Age29:13 Trevor's Future Projects and Experiences in PhiladelphiaFOR TICKETS AND INFORMATION: https://www.quintessencetheatre.org/pirates

In this episode of the Broad Street Review podcast, host Arno Radford interviews young actor Raphael Sommer, who plays Ralphie in the Walnut Street Theater's production of A Christmas Story, the musical. Raphael shares his journey into theater, balancing school and performances, and the support he receives from his family. He discusses his audition process, favorite musicals, and the joy of performing live. The conversation highlights the importance of imagination in theater and the excitement of the holiday season.A CHRISTMAS STORY The MusicalBook by JOSEPH ROBINETTE · Music and Lyrics by BENJ PASEK and JUSTIN PAUL · BASED ON THE MOTION PICTURE A Christmas Story and on the book In God We Trust: All Others Pay Cash written by JEAN SHEPHERDNOW – JANUARY 4, 2026 RUNNING TIME: 2 HOURS 20 MINUTES INCL. INTERMISSIONget ticketsA CHRISTMAS STORY The Musical is Broadway’s musical comedy gift! A boy named Ralphie has a big imagination and one wish for Christmas, a Red Ryder BB Gun. A kooky leg lamp, outrageous pink bunny pajamas, the dogs stealing the turkey, a cranky department store Santa and a triple-dog-dare to lick a freezing flagpole are just a few of the obstacles that stand between Ralphie and his Christmas dream. Based on the classic movie, this musical captures holiday wonder with funny and heartfelt songs, show-stopping dancing, a pair of mischievous dogs, delicious wit and a heart of gold!FOR TICKETS AND INFORMATION: https://walnutstreettheatre.org/season/show/a-christmas-story-2025 

The conversation explores the profound impact of adoption stories on individuals and communities. Matthew Decker shares his experiences of discussing a play about adoption, revealing how it has encouraged others to open up about their own adoption stories. The dialogue highlights the beauty of connection and the emotional resonance of shared experiences among adoptees.Theatre Horizon presents Wishing to Grow Up Brightly, a genre-defying new musical co-created by Amanda Morton (The Color Purple, A New Brain, Into the Woods, Broadway’s Maybe Happy Ending, Gutenberg! The Musical! and KPOP) with longtime collaborator Theatre Horizon’s multi-time Barrymore Award-winning Interim Artistic Director Matthew Decker (The Few, A New Brain, Into the Woods, Broadway’s upcoming La La Land), Josh Totora, and Brenson Thomas. In this surreal and heartfelt story, South Korean adoptee Amanda Newton returns to her white childhood home after her father's death. There, she discovers her father's preserved memories through a futuristic service called reMemorex, launching her on a time-bendingjourney through grief, identity, sitcom nostalgia, and long-silenced questions. Morton, a three-time Barrymore Award recipient for Outstanding Music Direction for productions at Theatre Horizon and Wilma Theater, inspired this story, and Decker directs. Wishing to Grow Up Brightly has been supported by The Pew Center for Arts & Heritage. Performances run November 5 to November 23, 2025.FOR TICKETS AND INFORMATION: https://theatrehorizon.org

In this conversation, Khalil Munir discusses the transformative power of art in his life, emphasizing how it has become a vital tool for expression and personal growth. He reflects on his journey from using violence as a means of coping to embracing creativity through various forms of art, including tap dancing and acting. Khalil highlights the importance of vulnerability in artistic expression and how it has allowed him to explore and communicate his emotions freely.1 Pound 4 Ounceswritten & performed by Khalil Munir
directed by Amina Robinson
World Premiere | October 22 - November 2, 2025 - EXTENDED THROUGH NOVEMBER 9!
Louis Bluver Theatre at The Drake
Produced by Azuka Theatre & Simpatico TheatreThrough a tour-de-force tap performance, live music, and impassioned storytelling, Khalil shares his true tale of growing up and beating the odds in Philadelphia. This triumphant story of hope reveals the transformative power of art to change lives.Honorary Producers
Lyndsey & Kevin McCormickFOR MORE INFORMATION: https://azukatheatre.org

In this conversation, Amanda Morton shares her personal journey of adoption and how it shapes her identity. She discusses the process of returning home to help her mother pack up childhood belongings after a loss, which leads to profound realizations about her past and the universal nature of such experiences.WISHING TO GROW UP BRIGHTLYBook by Amanda Morton, Matthew Decker & Brenson ThomasMusic by Josh TotoraLyrics by Amanda Morton and Josh TotoraDirected by Matthew DeckerA bold new musical inspired by the real-life story of Amanda Morton (The Color Purple, Broadway’s Gutenberg! The Musical!, KPOP), co-created with longtime collaborator and Theatre Horizon co-founder Matthew Decker, alongside Josh Totora and Brenson Thomas. After the death of her father, Amanda Newton—a Korean-American adoptee—returns to her childhood home to help her mother pack up. There, she discovers a trove of his preserved memories, created by a tech company called reMemorex, and is pulled into a surreal and intimate journey through loss, identity, and the questions that have quietly shaped her life. As Amanda searches for connection in the fragments he left behind, she begins to confront a deeper longing: how do you create a sense of home when it was taken from you before you even knew what it was?Wishing to Grow Up Brightly has been supported by The Pew Center for Arts & Heritage.FOR MORE INFORMATION: https://theatrehorizon.org

In this episode of the Broad Street Review Podcast, host Darnelle Radford speaks with Susan McKey, a seasoned actor involved in Hedgerow Theatre's production of 'Fly Me to the Moon.' They discuss Susan's extensive experience in theater, the dynamics of the play, the challenges of rehearsals, and the themes of loneliness and connection that resonate throughout the performance. The conversation highlights the importance of humor in addressing serious topics and the audience's experience of live theater.Chapters00:00 Introduction to the Podcast and Guest02:37 Susan McKey's Journey in Theater05:10 Exploring 'Fly Me to the Moon'07:58 Rehearsal Dynamics and Challenges10:24 Character Dynamics and Relationships13:01 Themes of Loneliness and Connection15:24 The Role of Humor in Serious Topics17:41 Audience Experience and Expectations20:39 Conclusion and Final ThoughtsSusan McKey and co-star Marcia Saunders star as Loretta and Francis, two cash-strapped community care workers, are on their way to another routine visit to their patient, Davey McGee, a lonely man dedicated to his newspaper, horse races, and memories of Frank Sinatra. The day takes an unexpected turn for poor Davey, as Jones spins a sharply funny tale exploring what happens when ordinary people are tempted with extraordinary (if not slightly outrageous) opportunities.“Fly Me to the Moon is a play about making the wrong decisions and then making the right ones,” shared Gibson. “As with all good farce, Marie Jones has crafted two credible characters that we can’t help but fall in love with. While the play does speak to economic hardship and senior loneliness, what impresses me is the way Jones finds humor in their desperation. What charms me most about this play, however, is its optimism. The belief that, despite your circumstances, your life might just get better, Frank Sinatra might sing to you, or maybe your horse will finally come in.”FOR TICKETS AND INFORMATION: https://hedgerowtheatre.org

In this episode of the Broad Street Review podcast, host Darnelle Radford speaks with Nell Bang-Jensen, CEO and producing director of Fringe Arts, as they reflect on her first year in the role. They discuss the importance of Fringe Arts in supporting new and experimental work, the growth of the festival, and the significance of community engagement in the arts. Nell shares insights on the challenges faced by artists, the role of workshops, and the unique experiences offered by events like Feastival. The conversation also touches on funding challenges and the potential for more festivals in Philadelphia, emphasizing the need for continued support for the arts community.Chapters00:00 Introduction to Fringe Arts and Nell Bang-Jensen02:12 Reflecting on a Year at Fringe Arts04:06 The Importance of Fringe Festivals06:30 Supporting Artists and Workshops08:29 Navigating the Festival Landscape11:04 The Role of Community in the Arts14:19 Festival Growth and Audience Engagement15:29 Curated vs. Neighborhood Festivals17:54 Thematic Hubs and Community Engagement20:35 Challenges with Non-Traditional Spaces23:29 The Future of Fringe Arts25:59 Feastival: A Culinary and Arts Experience28:16 Planning for the Future of Fringe Arts33:51 Community Needs and Artist Support35:59 The Future of Festivals in Philadelphia38:56 Funding Challenges in the Arts39:48 Conclusion and Future AspirationsABOUT NELL BANG-JENSEN (CEO and Producing Director of FringeArts)Nell Bang-Jensen is a Philadelphia-based theater maker and the newly appointed Artistic Director of Theatre Horizon  She has created four full-scale, original works, in addition to directing and producing for many of Philadelphia’s major theater institutions, including Philadelphia Theatre Company, the Wilma, Pig Iron, and the Painted Bride.  Nell is a recipient of a  2019 Map Fund Award, a Next Stage Director’s Fellowship from the Drama League (2019), a  Thomas J. Watson Fellow (2011-2012), a Frank 5 Fellow for the Aydelotte Foundation (2017), and a participant in the Leadership U: One-on-One program, funded by the Andrew W. Mellon Foundation and administered by Theatre Communications group; a national fellowship given to eight individuals who TCG believes are the core and future of theater.   In October 2018, American Theatre magazine named her one of six "theatre workers to know" across the nation.FOR MORE ABOUT FRINGE ARTS: https://fringearts.com

In this episode of the Broad Street Review podcast, host Darnelle Radford speaks with director Damien Figueras about Curio Theater's upcoming production of 'Dracula: A Comedy of Terrors.' They discuss Figueras's background in sound design, the rehearsal process, the unique comedic adaptation of Dracula, and the collaborative nature of theater in Philadelphia. The conversation highlights the enduring appeal of the Dracula story, the importance of character dynamics, and the creative decisions behind the production's design elements.Chapters00:00 Introduction to Curio Theater and Dracula02:27 Damien Figueras: The Multi-Hyphenate Artist05:16 The Unique Approach to Dracula08:10 The Humor and Modern Resonance of Dracula11:03 Rehearsal Process and Creative Collaboration13:25 Design Elements: Blending Classic and Modern16:17 The Cast: Bringing Characters to Life18:52 The Enduring Appeal of Dracula21:37 Personal Favorites and Future Aspirations24:22 Closing Thoughts and Audience EngagementDRACULA: A COMEDY OF TERRORS is a Bram-new comedy you can really sink your teeth into. Filled with clever wordplay and anything-goes pop culture references, it’s a 90-minute, gender-bending, quick-changing, laugh-out-loud reimagining of the gothic classic, perfect for audiences of all blood types.Written by Gordon Greenberg and Steve RosenDirected by Damien FiguerasPreviews: October 15, 16, 17 at 8pmOpens: October 18 at 8pmRuns: October 22 to November 1 at 8pm(Two matinee performances at 3pm)Recommended for ages 13 and up due to mature humor.Warning: There will be some strobe lighting and haze/fog effects.FOR MORE INFORMATION: https://curiotheatre.org

In this engaging podcast episode, host Darnelle Radford speaks with Kaisheem Fowler-Bryant about his journey as a new artist in Philadelphia and his involvement in the production of 'FIRE,' a play centered around the life and works of Wallace Thurman. They discuss the significance of Thurman's contributions to literature and theater, the challenges and joys of bringing a new work to life, and the relevance of historical themes in today's society. Kaisheem shares insights from his rehearsal experiences, the importance of joy amidst adversity, and the audience's potential takeaways from the production.FOR TICKETS AND INFORMATION: https://www.quintessencetheatre.org/  

In this episode of the Broad Street Review podcast, host Darnelle Radford speaks with Kendyll Young and Grant Struble, founders of the Relic Theatre Company, about their journey in establishing a new theater company in Philadelphia. They discuss the challenges and excitement of starting a theater, the importance of branding, the current landscape of theater, and the need for community support. The conversation also touches on their production of 'Spring Awakening' and the significance of creating opportunities for local artists.Chapters00:00 Introduction to Relic Theatre Company02:51 The Journey of Starting a Theater Company05:45 Building a Foundation: Early Steps and Challenges08:22 The Importance of Branding and Identity11:21 Navigating the Current Theater Landscape13:53 Funding and Sustainability in Theater16:41 Casting and Team Dynamics19:40 The Creative Process and Production Insights22:31 Community Engagement and Support25:07 Final Thoughts and Future AspirationsBased on Frank Wedekind's controversial 1891 play, Spring Awakening opened on Broadway to mass acclaim in 2006, and has not lost an ounce of relevancy since. Exploring themes of sexuality, women’s reproductive rights, mental health, and the consequences of intellectual repression, the musical celebrates and mourns the invariable struggles young people face. With a blend of gritty, rock-infused melodies and poetic, poignant lyrics, the musical offers a raw and unflinching look at the journey into adulthood.October 9-26, 2025Christ Church Neighborhood House - 20 N American Street, Philadelphia, PA 19106At the Relic Theatre Company, we believe great theater has the power to change the lives of both the audience who experiences it and the artists who create it. But this power is only manifested when the work is relevant, passionate, and financially accessible. We aim to produce a wide range of plays and musicals that embody these three principles while utilizing the rich artistic landscape of Philadelphia as our greatest resource.Music Director - Jake CollinsChoreographer - Julianna BabbAssociate Producer / Dramaturg - Lizzie Newcomb GumlaCostume Designer - Asaki KurumaAsher Vaglica - Production Stage ManagerLighting Designer - Bless RudisillScenic Designeer - Chris HaigAssistant Stage Manager - Ronnie HernandezProps Designer - Emily SchumanSound Designer - Larry FowlerFight Director - J. Oliver DonahueDirector - Robi HagerFOR TICKETS AND INFORMATION: https://relictheatre.org 

In this episode of the Broad Street Review podcast, host Darnelle Radford engages with Anna Snapp, a performer at the Philadelphia Fringe Festival, discussing her production 'I Found the Sun Will Rise Tomorrow.' They explore Anna's artistic journey, the evolution of her work, and the healing power of performance. The conversation delves into the importance of audience engagement, the role of direction in theater, and the personal growth Anna has experienced through her art. The episode highlights the significance of self-discovery and the necessity of checking in with oneself amidst the hustle of life.Chapters00:00 Exploring the Philadelphia Fringe Festival02:04 Anna Snapp's Artistic Journey04:05 The Evolution of 'I Found the Sun Will Rise Tomorrow'08:30 The Impact of Performance on Healing14:20 Shifting Perspectives: From Victimhood to Empowerment18:42 The Role of Direction in Artistic Expression22:00 Engaging with the Audience: The Emotional Connection27:32 Self-Discovery Through Art32:54 The Importance of Checking In with OneselfI FOUND THAT the SUN WILL RISE TOMORROWAnna Snapp boldly shares the deeply personal, painful, and earth-shattering details of her long-term battle with chronic disease, mental illness, and sexual trauma in “one of the bravest performances [I] have seen in a long time.” (“I Found That the Sun Will Rise Tomorrow is a Brave Emotional Rollercoaster” - All About Solo). Snapp takes the audience through her atypical and agonizing coming-of-age story through the lens of being a young woman who was forced to put a terrifying puzzle together without the picture on the front of the box.About the ArtistAnna Snapp is a Philly-based actor, writer, and content creator whose work has been seen at festivals and companies including but not limited to the Edinburgh Fringe Festival, Off-Broadway on Theatre Row at The United Solo Theatre Festival, the Capital Fringe in Washington, D.C., New York Shakespeare Exchange, The Brick Theater, Irish Heritage Theatre, Blunt Ensemble, and Rising Sun Performance Company, and various medical establishments nationwide. She studied at The American Academy of Dramatic Arts in New York, Temple University, and at the London Academy of Music and Dramatic Art. She has a deep passion for creating art for social change, eliminating stigma surrounding mental illness, and transforming the healthcare system from within through the telling of her experiences with health crises that changed her life forever.FOR MORE INFORMATION: https://phillyfringe.org/events/i-found-that-the-sun-will-rise-tomorrow/ 

In this episode of the Broad Street Review podcast, host Darnelle Radford speaks with Aaron Pang, a storyteller and performer whose production 'Falling, a Disabled Love Story' was featured in the 2025 Philly Fringe Festival. They discuss Aaron's multifaceted identity, his approach to storytelling, and the unique challenges and experiences of presenting disability in art. The conversation explores audience expectations, cultural differences in reception, and the importance of vulnerability in storytelling. Aaron shares insights from his experiences at the Edinburgh Festival and his aspirations for future performances.Chapters00:00 Introduction to Aaron Pang and Falling02:41 Aaron's Identity and Storytelling Style05:32 The Creative Process Behind Falling08:06 Audience Reception and Expectations11:02 Challenging Ableism in Theater13:53 The Role of Disability in Performance16:38 Experiences at the Edinburgh Festival19:22 Cultural Differences in Audience Reactions22:09 Adapting Stories for International Audiences25:00 The Importance of Vulnerability in Storytelling27:27 Future Plans for Falling30:24 What Artists Need to ShineABOUT AARON PANGAn Oakland native, Aaron Pang is just a guy telling stories to any one who will listen. A first generation child of Chinese immigrants, a choir boy, a tech guy, and a disabled person, Aaron hopes his stories will inspire others to embrace their multi-faceted identities.ABOUT FALLING - A DISABLED LOVE STORYOne accident, two stories: one you’ve heard a thousand times, one you’ve never heard before. Falling is an uncomfortably sexy and hilariously vulnerable stumble through Aaron’s misadventures searching for love, lust, and life after disability.Come to see if he falls on stage or if he falls in love!Edinburgh Fringe 2025 Most Thought Provoking Show - The Scotsman“sweet, sharp, and provocative.” - The Guardian“an intelligent original.” - The Stage“a tidal wave of good vibes” ★★★★★ - The Neurodivergence Review“Bold, intimate, and constantly subverting our expectations” ★★★★★ - FringeReview“stunning” ★★★★ - The List“unmissable” ★★★★ - Theatre Weekly“tender, intimate, and uncompromising... and very VERY funny” ★★★★ - Broadway Baby★★★★ - EdFringe Review★★★★ - Indiependent★★★★ - ThreeWeeks★★★★ - LondonTheatre1★★★★ - The RealChrisparkleEdFringe ‘25 - Brighton Fringe Excellence Award - RUNNER UPEdFringe ‘25 - Birds of Paradise Exceptional Theatre Award - ShortlistEdFringe ‘25 - NBC Writing Award - ShortlistHollywood Fringe ‘25 Top of Fringe - NomineeHollywood Fringe ‘25 Best Comedic Theater - NomineeHollywood Fringe ‘25 Movie Club Award - WINNERFOR MORE INFORMATION: https://phillyfringe.org/events/falling-a-disabled-love-story/