Gig Gab - The Working Musician's Podcast

You’re invited into a legacy family audio business that refused to accept “good enough” on feedback control and instead chased the impossible: a truly zero‑latency, AI‑driven way to push your PA louder without squeals. You follow Devin Sheets from growing up on sound gigs to roaming European stages, then back home to build De‑Feedback plugin for working musicians, a live sound feedback plugin and on‑the‑fly impulse‑response generator that listens like a seasoned engineer: separating human voice, room reverb, background noise, and feedback in real time so you can grab at least 6 dB more gain before things start to howl. Along the way you see how NAMM sparked the idea, how inverse impulse responses and probability math beat old EQ and gate tricks, and how “homebrew AI” meant sneaking into every empty church at 3 a.m. just to teach the model what real rooms actually sound like. You also learn how to think like a modern working musician: using social media to find the right AI programmers across the world, leaning on LLMs to translate, collaborate, and even rate contractor work so you can move faster without losing control. You come away knowing you can drop a dedicated De‑Feedback box or plugin into almost any rig, from churches to touring consoles to tiny clubs, take it with you even when someone else is behind the board, and quietly stack the deck in your favor. In the end, it’s a roadmap for how you run your own gigs and career: stay curious, embrace new tools, protect your sound, and Always Be Performing. 00:00:00 Gig Gab 524 – Monday, March 9th, 2026 March 9th: National Meatball Day Guest co-host: Devin Sheets from Alpha Labs 00:02:12 Let’s Grow this Legacy Family Business Grew up doing sound Also a musician Lived in Europe Then came back and said, “let’s grow this family business!” 00:03:44 We haven’t “just solved” this feedback problem Went to NAMM for the first time, and was inspired There are automated EQ-based or gate-based systems PSE plugin from Waves 5045 for feedback 00:04:57 Why isn’t there a “balanced audio”-type solution for Feedback Balanced Audio fixes hums and it just works. 00:08:24 NAMM is a great inspiration…and it inspired Devin and his team to seek a feedback plugin solution People get entrenched Inverse Impulse Response methodology 00:12:35 Training the AI to listen for three things: human voice, reverb, and feedback Created a de-reverb algorithm and went beyond that A probability calculation does the math 00:16:05 Truly zero latency for the plugin Workflow latency remains 00:19:32 I don’t have any coding or AI background, but I have a gut feeling AI will fix this feedback problem Others: It’s harder than you think Devin: I knew that it needed to happen 00:20:58 Finding an AI programmer who was interested in doing Experimented with some programmers, failed, learned some things! 00:21:09 Social Media to the rescue! Late 2023: Devin found a group of AI programmers who would be interested Sending large amounts of money to China…it’s a risk! 00:26:30 At 3am, a text message: I think I’ve done it. Devin immediately started testing it himself “It seemed to work.” 00:27:17 Installing De-Feedback in Churches Sponsors 00:30:57 SPONSOR: Claude.ai – Ready to tackle bigger problems? Sign up for Claude today, which includes access to Claude Cowork, too, when you visit Claude.ai/giggab 00:32:43 SPONSOR: Squarespace. Check out https://www.squarespace.com/GIGGAB to save 10% off your first purchase of a website or domain using code GIGGAB. 00:34:20 What is an impulse response? Impulse Response: An audio picture of how the room sounds Popping balloons in a room/environment and recording the sound is a common approach for creating impulse responses 00:38:33 De-Feedback is an on-the-fly IR generator …and analyzer that’s trained on the human voice, room reverb, background noise…and feedback 00:41:55 Finding the right programmers was the key …in addition to actually having the idea and the bullheaded persistence to make it happen. 00:44:46 Mind-melding was necessary And LLMs helped with translation! 00:48:39 Using AI to make it possible to collaborate with other humans 00:50:03 Using an LLM to rate the work of your contractors and employees 00:51:54 How do we get De-Feedback into the hands of working musicians US$499 for the De-Feedback plugin VST3 or AU plugin A higher-end Windows laptop can likely run it on its own Apple’s Core Audio tech makes it difficult, but they’re working on it. De-Feedback also sells a perfectly-tuned headless computer to do this Alpha Labs tried tons of interfaces that the Focusrite Scarlett keeps glitches out of the mix Waves SuperRack LiveBox 01:01:37 Where do we expand? Allen & Heath mixers? Midas/Behringer mixers? Paul Falcone, mixing Mariah Carey, wanted to use it! Robert Scovill talking Rock Hall on Gig Gab 01:05:18 Homebrew AI! Training EVERY room he could find “Can you let me into your empty church at 3am?” – To record IR to then train the data set for De-Feeback 01:07:25 Creating your own AI model 01:08:13 What’s the future look like? Acquisition? Demands for security? – Planning for it all 01:09:26 You can get this and bring it with you to gigs where someone else is doing sound De-Feedback Option 1 Allen & Heath Qu-5’s Feedback Eliminator De-Feedback gets at least as 6dB more gain before feedback 01:17:46 Gig Gab 524 Outtro Follow Devin Sheets And Alpha Labs Facebook and Instagram YouTube for Alpha Labs Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List   The post De-Feedback Plugin for Working Musicians: More Gain, Less Feedback – Gig Gab 524 with Devin Sheets appeared first on Gig Gab.

You get dropped into a two-show day where you’re juggling festival chaos, a paramedic emergency during set change, and a mysteriously mudded-out bass that turns out to be a rogue low‑pass filter at 90 Hz, all while keeping the gig on the rails because you Always Be Performing. Then you pivot into first‑timer survival tactics for attending SXSW: locking in reservations weeks out, over‑planning so you can gleefully abandon those plans, and treating the whole thing as a marathon and a sprint while your calendar app becomes your best friend…and your worst enemy. Throughout it all, you’re thinking like a pro: dialing in efficient monitor setups for festival stages, dealing with sketchy solder joints on a microphone (or is that a mic cable issue?), staying sane amid SXSW security, and never underestimating the power of great brisket, BBQ, and a solid spot to reset your brain. You’ll also get the practical stuff no one tells you: what to wear, why you always keep your badge on you, and how finding a seasoned SXSW Sherpa can save your week (and your feet) before you ever hit your first line. ​From Festival Gigs to SXSW: Essential Survival Tips for Musicians and Attendees 00:00:00 Gig Gab 523 – Monday, March 2nd, 2026 March 2nd: International Rescue Cat Day Guest co-host: Lisa Hamilton 00:01:41 Two Show Day for Dave First gig, Bitter Pill – Festival And there was a paramedic Bitter Pill: It’s Rock and Roll… It’s Rockabilly… It’s Blues… I don’t know! 00:10:43 Second gig – somehow the bass got a low-pass filter set at 90hZ! Problem solved, gig a success! 00:18:23 SPONSOR: Gusto. Get three months free when you run your first payroll when you start at https://gusto.com/giggab 00:20:00 Attending SXSW for the first time 00:25:45 Learning how to manage SXSW 00:27:30 SXXpress passes become Reservations And now they’re 3-weeks out instead of 2 days! 00:33:21 Reserving things in advance 00:37:25 It’s all about planning in advance And then throwing away your plans and making a series of Sophie’s Choices 00:39:24 It’s a marathon…and a sprint 00:39:42 Managing the Calendar 00:43:39 With the App 00:48:43 Managing your monitor needs with efficiency at festival gigs 00:52:51 Security at SXSW 00:58:15 Luke Warm Solder Joint on the Microphone Heil PR-40 00:58:57 Eat good food! Brisket and BBQ Eastside Cafe in Austin 01:01:11 What should I wear? 01:06:36 Find a SXSW Sherpa! 01:07:58 Finding your badge? 01:08:59 Always have your badge with you 01:11:38 Gig Gab 523 Outtro Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List   The post From Festival Gigs to SXSW: Survival Tips for Musicians and Attendees — Gig Gab 523 with Lisa Hamilton appeared first on Gig Gab.

You’re riding along with Kaitlyn Raitz as she breaks down the real mechanics of touring at scale: staying human on a bus, finding tiny routines that keep you sane, and surviving the sleep math when you’re one of twelve buses on a massive run. Then it’s straight into the onstage reality of modern country arena production: 24 musicians, a full string quartet, choir, and horns, plus the challenge of making strings translate in a loud arena. You get the practical gear-and-tech layer too: DPA mics and pickups, dynamic EQ, managing cello loudness, and how tools like ToneDexter fit into keeping tone consistent when the room is working against you. You also get the career side, unfiltered: how the Eric Church gig happened through the Nashville relationship web, why being excellent and easy to be around matters, and why “Nashville is a ten-year town” if you want longevity. Kaitlyn’s stories span arranging and learning charts mid-tour from iPads, to the whiplash of getting a Grammy call with barely any runway, to recording in LA and wondering how anyone actually functions there. The episode closes with the mindset and performance skills that keep pros durable: protecting your brain and nervous system, flipping a stage persona on and off, and the practical win of transitioning to IEMs for a cellist when monitors are run well. Bottom line: this is how you keep your craft sharp, your head steady, and your show consistent night after night. Always Be Performing.​ 00:00:00 Gig Gab 522 – Monday, February 23rd, 2026 February 23rd: Curling Is Cool Day Guest co-host: Kaitlyn Raitz 00:01:55 Protein and Joy on the bus 00:02:14 Passing the time productively on the bus…and on the tour Swimming Swimply OR PlacesToSwim.com Thrifting 00:05:53 Sleeping on the bus! Twelve tour busses on this tour 00:07:26 24 Musicians on stage String Quartet 8-Person Choir Horn/Woodwind Quartet 00:09:45 Micing a string quartet in an arena DPA Mics AND pickups Dynamic EQ 00:14:47 Cellos and Loudness ToneDexter 00:18:50 Writing, arranging and learning charts mid-tour! Reading from iPads Eleanor Denning, String Lead and Arranger on the Eric Church Tour Bitter Pill has a cellist, too! 00:21:33 Getting the Eric Church gig Sub list for the Nashville Symphony Everything in Nashville is relationship-based Be good at what you do, and also be a pleasant person that people want to be around Nashville is a ten-year town 00:25:07 SPONSOR: Squarespace. Check out https://www.squarespace.com/GIGGAB to save 10% off your first purchase of a website or domain using code GIGGAB. 00:26:55 You played on the Grammy’s? Used to play with Brandy Clark, and occasionally gets a one-off gig call still. AND, a week-and-a-half before the Grammy’s, the call came in Do you want to play the Grammy’s with me? Kaitlyn has questions for LA-denizens: How do you live in LA? Do you see people that you know? Do you take public transportation? Recorded at Sunset Sounds in LA 00:33:05 Protecting your brain and nervous system Take on a persona “You are Kaitlyn Motherfucking Raitz” “We are bad bitches, we have earned this” Gary Cherone is the master of turning the stage persona on AND OFF Let the lights blind you 00:40:25 Transitioning to IEMs It’s great for a cellist! IEMs are better than having to use bone conduction Kaitlyn’s IEM mix – she hears the band It comes down to who’s running monitors Ultimate Ears UE7 Pros IEMs 00:47:06 Kaitlyn Raitz’s Music 00:48:52 Gig Gab 522 Outtro Follow Kaitlyn Raitz On Instagram On Facebook Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post From the Eric Church Tour to the Grammys: On the Bus with Cellist Kaitlyn Raitz – Gig Gab 522 appeared first on Gig Gab.

You kick off this week with Dan Ray by reframing failure as a tool, not a verdict. Instead of obsessing over the “vanity listen” after a gig or rehearsal, you do the check-in listen and extract the lesson. You learn to fail fast the right way by making small bets that generate real data quickly, including testing demand before you invest rehearsal time. That mindset carries into band direction changes and the leadership realities that come with them: different people want different levels of ownership, and the job is to be a benevolent dictator who listens widely but decides cleanly. You also get practical about managing public perception and egos, taking cues from bands that protected the brand by being intentional about roles and visibility. Then you dig into Dan’s origin stories and the nuts-and-bolts that keep working musicians moving: starting a band young, landing monthly gigs, and learning obvious-in-hindsight lessons like not running a vocal mic through a guitar amp. You hear how scrappy tools like a Tascam 4-track can solve real problems, why running a PA from the stage demands discipline, and why the room you rehearse in changes what you think you’re hearing. From there it gets wonderfully nerdy with quick hits that matter in real life, like using low-pass filters aggressively and remembering that time alignment starts with where sound sources physically live. You close in the feels with theater life and the emotional punch of closing night, a reminder that the tech and the business serve the same goal: show up ready, stay present, and Always Be Performing. 00:00:00 Gig Gab 521 – Monday, February 16th, 2026 February 16th: National Rationalization Day 00:02:08 Guest co-host: Dan Ray Last visit: July 19, 2020 for GG 265 and CBC 100 00:03:23 Having a productive relationship with failure Failure can a lesson you lean into After gigs or rehearsals: the check-in listen vs. the vanity listen Fail fast the right way: “make a bet” by setting up something that you can quickly get data from 00:08:47 Transitioning a band’s direction Dan’s Big in the 80s band 00:10:10 Test your market before committing too much Book the gig before you rehearse the songs. Make sure there’s demand and interest. If not… move on! (You failed fast!) Cover Band Confidential 00:12:52 AI solves the blank page problem – use it often! 00:14:28 Leading bands (and people) Be ready for people who want to engage with different levels of ownership Learning how to be a benevolent dictator… but also learn to be the leader, and the decision-maker, the ultimate arbiter. Don’t do it in a vacuum, but I’ll be the last word. The Pork Tornadoes are a democracy-ish. But decision-makers are pre-decided by a healthy division of labor. Learning to manage the public perception of your band (and your egos) like R.E.M. and RUSH did. 00:22:37 Do you name your band after yourself? My Thanks to Our Sponsors 00:25:09 SPONSOR: Claude.ai – Ready to tackle bigger problems? Sign up for Claude today and get 50% off Claude Pro, which includes access to Claude Cowork, too, when you visit Claude.ai/giggab 00:26:50 SPONSOR: Factor, America’s #1 Ready-To-Eat Meal Kit, can help you fuel up fast with flavorful and nutritious ready-to-eat meals delivered straight to your door. Visit FactorMeals.com/giggab50off and use code giggab50off for 50% off! 00:28:38 First kid in high school to start a band Grew out of the school-run rock band Decided to play some originals and covers at home, and got a gig! The school librarian booked them monthly! Lesson: don’t put a vocal mic through the guitar amp Tascam 4-Track cassette recorder to use as a mixer 00:33:27 Dan Manages the PA from the stage We rehearse in a 15×20 indoor, climate-controlled storage unit 00:36:32 Quick Tip: Use Low Pass Filters on everything 00:37:35 Time Alignment: A reminder that sound source locations matter Check out the 16-minute mark of this episode with Robert Scovill for more 00:40:36 Having theater kids Stagelights in Greensboro, NC 00:43:05 The emotions during closing night in musical theater 00:50:12 Gig Gab 522 Outtro Follow Dan Ray @DanRayMusician @CoverBandConfidential Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List   The post Cover Band Confidential’s Dan Ray: Test the Market, Then Rehearse – Gig Gab 521 appeared first on Gig Gab.

You jump into this episode balancing the reality of working gigs with the mindset that keeps musicians moving forward. From Dave’s recent experiences playing atypical rooms with Bitter Pill to cramming new material for Casual Gravity, you’re reminded that momentum matters even when the crowd is small. Always Be Performing is not about scale, it’s about consistency. That theme carries straight into the conversation with Laura Whitmore, whose career has been shaped by connecting people, creating opportunities, and knowing when to pull back just enough to build a sustainable life alongside the work. As Laura walks you through the birth and growth of the She Rocks Awards, you hear what it actually takes to build something lasting. It started small, grew through trust and partnerships, and evolved by treating the event like a show, with pacing, flow, and intention. You dig into what real visibility looks like, how to define success on your own terms, and why borrowed platforms are never enough to build a career. The takeaway is practical and clear: start with a big vision, set measurable goals, build community deliberately, and own your audience. This episode is a reminder that longevity comes from intention, preparation, and showing up with purpose, gig after gig. 00:00:00 Gig Gab 520 – Monday, February 9th, 2026 February 9th: National Pizza Day 00:01:00 Dave’s Gig Updates Playing atypical venues with Bitter Pill Learning new songs with Casual Gravity Always Be Performing…even for the small crowds! 00:17:10 SPONSOR: Squarespace. Check out https://www.squarespace.com/GIGGAB to save 10% off your first purchase of a website or domain using code GIGGAB. 00:18:34 Guest co-host: Laura Whitmore 00:22:20 The love of connecting people and making things happen 00:23:08 Pulling back a little…to have a life Backstory in partnership with Guitar World and Parade 00:26:28 The green room at The She Rocks Awards is the ultimate networking event! 00:29:33 The Birth of the She Rocks Awards Writing a women-in-music blog at Guitar World, realizing the women in music didn’t know each other… yet! Started as a breakfast (with sponsors…the cheapest meal of the day!). Orianthi performed, serendipitously. After two successful years, NAMM invited She Rocks into the event officially, and The Bangles performed. “You don’t really know what you’re capable of until you’re challenged and take that leap of faith.” – Laura Whitmore 2026 was the 14th year of She Rocks Awards. 170 She Rocks Awards have been presented in the last 14 years. 00:34:51 “Is this ever going to come together?” is scary Reframe it with “how is this ever going to come together?” It takes a village, folks! 00:38:12 Having good partners helps 00:38:59 Create the event for yourself as an audience member That way you’ve got a stake in how it “feels” to attend, which means the audience is represented 00:41:16 Assembling the featured women Nominations at TheWimn.com Crafting the arc of the night by slotting the right people at the right spot. It’s a show! 00:43:49 Managing the flow of the night She Rocks Awards YouTube Channel 00:46:58 People whose names became known after they were on She Rocks Queen Herby (as Amy Heidemann) Beaches PRS Guitars brings in the opening act, with a fantastic Artist Relations team 00:49:40 Defining valuable visibility What’s your end goal? What are your metrics? What defines success? For your band, those might be: Did I get contact information? Did I build on success that I had before? Did this exposure opportunity help me grow to a new place/level? Start with big vision, small goals 00:54:16 You don’t own social media platforms, so don’t leave your audience there. Facebook used to let you message all your followers. Used to! If your audience is a subset of Facebook’s audience, that’s not your audience. Give them a reason to give you their email address. Gather those email addresses. Keep those pieces of paper – scan them! Spam laws might require you to prove it! 01:00:18 Gear Gab! Laura Whitmore is Sr. VP of Marketing at Positive Grid Spark practice amps (with an app!) Project BIAS X – Standalone or Plugin 01:07:36 Designing high-quality technology for a market with a budget 01:13:02 Gig Gab 520 Outtro Follow Laura Whitmore Check out TheWIMN.com (sign up for the mailing list for free! On Instagram On LinkedIn Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post Creating the Room You Want to Be In: Laura Whitmore and the She Rocks Story – Gig Gab 520 appeared first on Gig Gab.

You walk into NAMM 2026 thinking you will just wander and see what grabs you. You leave reminded that wandering works best when paired with a plan and a willingness to torch a few sacred cows along the way. This episode is a fast-moving field report from the floor, where the real takeaway is not just gear but mindset. You hear why talking with people matters more than chasing booths, why listening beats pitching, and how staying flexible turns a chaotic show into a productive one. NAMM rewards curiosity, but only if you stay intentional and remember that Always Be Performing is not about being loud, it is about being present. From there, you get a tight rundown of what actually stood out. You hear about clever mic and monitoring solutions, portable PA ideas that punch above their weight, smart tools for managing stage volume and feedback, and electronic drums and keyboards that feel less like compromises and more like real instruments. There is a clear throughline here: gear is getting smaller, smarter, and more musician-centric, solving real problems instead of adding features for the spec sheet. By the end, you are not just caught up on what Dave saw at NAMM 2026, you are thinking differently about how to approach shows, stages, and decisions long after the badges come off. 00:00:00 Gig Gab 519 – Monday, February 2nd, 2026 February 2nd: National Tater Tot Day NAMM Coverage Sponsors Ultimate Ears Pro Earthworks Audio Rock-N-Roller Carts 00:02:23 NAMM Guidance Wandering is fun. But have a plan also. Be ready to abandon sacred cows Talk with people… share and listen 00:05:11 DPA Microphones on the Yamaha Stage 00:13:12 JBL BANDBOX Solo ($250) and BANDBOX Trio ($600) 00:18:37 D’Addario IR Mic Mute 00:21:05 Card Chords 00:24:55 UE 350 from Ultimate Ears 00:27:57 Sensaphonics IEM dB Check Pro 00:35:27 Efnote Electronic Drums Efnote 3 (with optical hi-hats) – $2,499 00:36:52 KickPort KickTone Pro microphone 00:40:12 Alpha Labs De-Feedback in action 00:43:57 Nord Electro 7 00:46:27 Allen & Heath Qu-5 00:49:49 iCON P1-M (on Amazon) 00:52:31 QSC CB10 00:55:21 Gig Gab 519 Outtro Thanks to Parthenon Huxley for today’s outro song. And thanks, Hux, for everything you gave us all while you were here on this earth! Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post Gear, Gimmicks, and the Good Stuff at NAMM 2026 – Gig Gab 519 appeared first on Gig Gab.

Dave’s back from NAMM 2026 and has a little something to share about that. Actually three little somethings, so that’s where we start. But there’s more to say about that, and it’s not yet time, so we’ll extend the NAMM discussions into next week (and beyond?). For today, well, you don’t become the Sauce Boss by chasing a gimmick. You hear how Bill Wharton built a real, working-musician career by leaning hard into what felt natural to him, starting with a Datil pepper, a pot of gumbo, and a simple idea: turn the gig into a gathering. From cooking onstage on New Year’s Eve 1989 to feeding hundreds of people at festivals and never charging a dime for the food, Bill shows how blending music and food transformed shows from transactions into shared experiences. By creating a kitchen onstage, he stopped entertaining people just long enough to take their money and run, and instead built something with a life of its own, something that keeps audiences leaning in and coming back. As the conversation unfolds, you trace Bill’s path from top-40 bar gigs to one-man-band independence, full-band firepower, and stages as far-flung as Saudi Arabia. You hear why learning your strengths and ruthlessly discarding what doesn’t matter is not selfish, it’s survival. From dynamics, gear choices, and in-ear monitors to the lessons behind Blind Boy Billy, Bill makes the case that longevity comes from clarity, connection, and doing your thing without apology. The message for working musicians is direct and empowering: build the show you want to play, build the life that supports it, and keep showing up ready to give. Always Be Performing. 00:00:00 Gig Gab 518 – Monday, January 26th, 2026 January 26th: National Spouse Day Guest co-host: Bill Wharton NAMM Coverage Sponsors Ultimate Ears Professional Earthworks Audio Rock-n-Roller 00:14:31 SPONSOR: Squarespace. Check out https://www.squarespace.com/GIGGAB to save 10% off your first purchase of a website or domain using code GIGGAB. 00:16:21 Guest co-host: Bill Wharton 00:18:41 How to become a sauce boss magnate…while also being a musician Bill found the Datil pepper. Spicy and flavorful. People would eat all the sauce at his house So he made Liquid Summer hot sauce But he wanted to sell hot sauce at gigs. December 31, 1989 – made a pot of gumbo on stage to demo the hot sauce No one would ever have to pay for for my gumbo… 240,000 bowls later, here we are! 00:23:26 Blending music and food. It’s better than entertaining people, taking the money, and run! 00:25:12 Food and music are good together Every good party has everyone hanging out in the kitchen Bill creates the kitchen on stage 00:26:33 That first Sauce Boss gig 00:28:16 It has a life of its own and takes care of itself It took 3.5 hours to know that this was going to work long-term 00:30:38 Bill: “Always looking for something distinctively mine…something unique” It’s hard to do your own thing. 00:33:15 The typical sauce boss gig means cooking for 100 (or more) people 400 people at a festival (it took TWO pots of gumbo) 00:35:07 From Florida to Saudi Arabia Sauce Boss plays/cooks at an Air Force base in Saudi Arabia 00:37:09 A soul-shouting picnic of Rock and Roll Brotherhood One or two 75-minute sets The show never ends 00:40:16 Learn, and then KNOW your strengths Started playing top-40 gigs as a kid …and then realized that’s a rat trap. Bill made a point of putting only the stuff that matters to him in his day…and his show. Being “greedy” about putting my thing out there. If I can do this, you can do this Discard the things you don’t enjoy, embrace the things you do. Story Time, it turns out! 00:43:23 Jimmy Buffett wrote a song about the Sauce Boss – “I Will Play For Gumbo” Playing a gig at Jimmy Buffett’s club in New Orleans… and Jimmy was there! “This is the best (bar) band I’ve seen in a long time.” 00:47:13 Where did “Sauce Boss” come from? Tobacco Road, in Miami 00:49:47 Bread and Butter is the One Man Band “But I have a music problem, and I like jammin’ with my buds!” There’s something that happens when you have a little more firepower of a full band 00:53:13 Bill is his own funky one-man band with a kick drum, hi-hat, and a guitar 00:55:16 Dynamics are everything in terms of keeping a crowd 00:57:09 Bill’s thoughts on in-ear monitors Future Sonics 01:02:17 Gear Gab: Create a portable screen/keyboard/mouse for your home studio 01:06:24 The Life and Times of Blind Boy Billy A songbook, a recipe book, and Bill’s memoir. 01:09:29 Gig Gab 519 Outtro Follow Bill Wharton, the Sauce Boss Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post Gumbo, Gigs, and Grit: Bill Wharton’s Sauce Boss Path — Gig Gab 518 appeared first on Gig Gab.

You’ve done gigs where nothing goes according to plan, but this episode reminds you that chaos is often the classroom. From sleeping on road cases at the Puerto Rican Day Parade to riding a flatbed packed with servo-driven subs that overwhelmed even earplugs and shooting cans, you hear how real-world pressure forges real skills. Mike deAlmeida walks you through learning to roll with it, figuring out systems on the fly before tools like Smaart were common, and walking into unknown gigs where the unknown singer/songwriter turns out to be Shawn Colvin. The lesson is clear: when you don’t know the band, communication is everything. Ask how they sound, listen closely, and remember that for that moment, you are part of the band. You’re playing the “mixing keyboard” today, so Always Be Performing. As the night wears on, the room changes and so must you. Heat, humidity, and ear fatigue quietly shift the mix, especially in the highs and high-mids, and Mike explains why gradual adjustments beat drastic moves every time. You’re reminded to watch the show, not just the meters, and to listen first before using tools like Smaart to confirm what your ears already know. From sweating out microphones and treating them like EQ devices to protecting your hearing with custom molds, active earplugs, and smart exposure management, this episode ties craft, tech, and longevity together. Layer in legendary Celebrity Week stories, the Van Halen M&Ms lesson, and Beach Boys theatrics, and you’re left with one guiding principle: mix a good show, every time, because that’s how careers last. 00:00:00 Gig Gab 517 – Monday, January 19th, 2026 January 19th: Tin Can Day Guest co-host: Mike deAlmeida, Program Director, Audio Engineering at University of Hartford NAMM coming up! GG Coverage Sponsor: Ultimate Ears Pro! 00:01:50 Puerto Rican Day Parade Sleeping on road cases overnight An insane number of speakers Earplugs + Shooting cans STILL were too loud Servo drives – highly efficient, but not fast. They have motors in them. Security wouldn’t let us off the truck. 00:06:43 Gig learning vs. classroom learning Learning to roll with it 00:08:52 When you don’t know the band A little jazz band…as wallpaper Sussed out the system manually (before the Smaart Live days!) And a singer/songwriter… who turned out to be Shawn Colvin 00:12:52 Communicating with a band you’ve never seen Very helpful tips: “Here’s how our band sounds.” Guitar players who manage their levels between rhythm and solos As an engineer, you are a member of the band (for that moment) “You play mixing keyboard today” 00:20:37 Teaching the foundation in class, students often seek practical experience on their own Finding practical applications WHILE you’re in class is gold. You learn so much. It all comes back to communication skills For FOH engineers, watch the show! Pay attention to the band members 00:24:30 Sound changes throughout the night Heat and humidity will cause ebbs and flows (especially outdoors, but even inside) Watch the highs and high-mids Sound travels faster through a thick medium Gradual adjustments so it sounds better Increasing the mains throughout the show to keep the perceived level due to ear fatigue Smaart Live for tweaking live sound Listen first, then use the gear to confirm what you’re hearing 00:31:35 When I mix, I want to hear a good show So I tell the sound guy (me) to mix a good show 00:32:57 Using the tech to isolate live to find (and fix) problems Beyerdynamic MM1 – a measurement mic AND a podcast mic 00:33:48 Learning the nuances of problems 00:35:24 Hot lights to add to the sun! Sweating out microphones… heat shrink tubing plus medical tape solves it Microphones are EQ devices – Matt from Roswell Audio 00:39:38 Mixing with earplugs? Westone custom mold earplugs with 15dB Etymotic filters Hearing protection vs. exposure time US Navy study on hearing health with submarine crew Huberman Lab episode on hearing health 00:44:39 AirPods Pro “active earplugs” (aka Hearing Protection) Comply Foam tips for AirPods Pro DefendEar from Westone 00:52:25 Stories from Celebrity Week at North Shore Music Theatre Almost got into a rumble with Al Martino Face the wall when Wynona Judd walks by Gallagher (or his brother!) The Beach Boys Weird Al 00:56:04 The Van Halen M&Ms story 00:57:37 The Beach Boys surfing on the revolving stage 00:59:41 Gig Gab 519 Outtro Follow Mike deAlmeida Check the University of Hartford’s BS in Audio Engineering Technology Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post The Engineer Is in the Band: Instinct, Ears, and Live Sound with Mike deAlmeida — Gig Gab 517 appeared first on Gig Gab.

You jump straight into the deep end with Richie Castellano as you explore what happens when preparation collides with opportunity. You follow his path from mixing weddings to standing behind massive analog rigs, wrangling six guitar channels, chasing down mysterious hums, and learning fast that the gremlins always show up when you least expect them. When the call comes to go from being Blue Oyster Cult’s sub sound engineer to bass player in four days with 21 songs to learn, the lesson is clear: play something you know, rehearse smart, and build a Just In Case bag that saves the gig. Success is not luck. It is preparation meeting the moment, and you are either ready or you are not. In order to Always Be Performing you need to Always Be Preparing! As the conversation deepens, you learn how adaptability gets and keeps gigs, from joining the culture of a band to solving problems so painlessly you become indispensable. Richie breaks down the craft of learning, teaching, and arranging vocal harmonies, including Yes music at the highest level, where not nailing the vocals means the whole thing falls apart. You hear why simplifying is sometimes the smart move, how spreadsheets can ease rehearsals, and why blending matters more than showing off. The episode closes with practical wisdom on collaboration with front of house, constant communication inside the band, and surrounding yourself with people on the same mission. This is a masterclass in being prepared, predictable, drama-free, and trusted when it counts. 00:00:00 Gig Gab 516 – Monday, January 12th, 2026 January 12th: National Hot Tea Day Guest co-host: Richie Castellano NAMM coming up! GG Coverage Sponsor: Ultimate Ears Pro! 00:01:40 From mixing weddings to arenas overnight Called to sub as Blue Oyster Cult’s sound engineer Steve “Woody” La Cerra “Make them sound like a big bad rock band” 00:06:53 The differences doing sound in a big room? Six channels of guitar for 3 guitar players! Where’s the cowbell?!? 00:10:28 Arriving ten minutes before downbeat with the biggest system of my life And it’s analog! What’s that low hum 00:12:49 The Gremlins That Run Around On Stage When You’re Not Looking Play something you know 00:17:46 SPONSOR: Squarespace. Check out https://www.squarespace.com/GIGGAB to save 10% off your first purchase of a website or domain using code GIGGAB. 00:19:10 From sound to…playing bass in four days! Here’s 18 songs… I mean 21 songs. Be ready to play this by Friday Success is when preparation meets opportunity. Here’s the opportunity. Now you have to prepare for it! Buck Dharma on Gig Gab First gig was canceled… But that led to a rehearsal Time to talk about the JustInCase…aka the Idiot Bag! Plugged into the TV to rehearse 00:22:39 “If you can do this five times in a row, this will be your gig.” 00:25:02 Do you just want me to join the band? If you solve a problem for someone painlessly, you’re not likely to be replaced. Be Prepared and Predictable And No Drama 00:28:41 Joining the culture of a band Matt Beck on guitar for the recent Jon Anderson tour fit perfectly Being adaptable gets and keeps gigs 00:33:22 Learning and teaching harmonies Learning how to soften and blend 40th Anniversary of Agents of Fortune A trick: learn how to do impressions. “Sing this like Peter Gabriel”, “Sing this like Michael McDonald” 00:39:51 Arranging Harmonies for Yes music Don’t be afraid to simplify, folks Use a spreadsheet! Get it to “the best WE can do it” Then ask “how can we make this blend better?” 00:45:13 If we don’t nail the vocals, we suck! 00:48:29 The collaboration between band and front of house Ask front of house engineer: What do you need from me to sound good? End sound check with an a capella vocal moment 00:52:24 Talk to your bandmates and continually tweak things “Why does your snare drum sound different today?” 00:54:11 Surround yourself with bandmates who are on the same mission 00:59:58 When bands write vocal harmonies 01:04:18 Gig Gab 514 Outtro Follow Richie Castellano Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post Be Prepared and Predictable: How Richie Castellano Stays Gig-Ready — Gig Gab 516 appeared first on Gig Gab.

You step into the pressure cooker of elite live sound, where Robert Scovill shows you why chaos is often the best teacher. From mixing Rock and Roll Hall of Fame inductions with zero margin for error to handling full-band changeovers on the fly, you learn that perfection is worth chasing but dangerous to demand. You hear why live mixing beats the studio for him. It is about capturing ensemble moments, not polishing parts. Even when the doubt creeps in before showtime, the lights come up, the band hits, and the moment reminds you why you do this. This is the mindset of Always Be Performing. You also get practical, battle-tested tactics for surviving high-stakes gigs. Learn how to study a band fast, who sings, who solos, and when, using recordings and YouTube as prep tools. You hear what it takes to mix legendary harmony vocals, why artists like Def Leppard insist on singing live, and how those expectations shape your approach. Then it gets nerdy in the best way, with the evolution of De-Feedback, real-world use at the Rock Hall, and how tools like reverse impulse responses can clean up wedges, vocals, and even IEMs. The takeaway is clear. Preparation, adaptability, and relentless curiosity are what keep you in the game. 00:00:00 Gig Gab 515 – Monday, January 5th, 2026 January 12th: National Day of Dialogue Guest co-host: Robert Scovill 00:01:25 Mixing Rock and Roll Hall of Fame 10+ Acts… with full changeovers Trial by fire, with no time! 00:07:27 The enjoyment of the pressure of mixing live Perfection is a great thing to strive for, a terrible thing to achieve 00:09:00 Giving up on the studio in favor of live Way more interested in recording ensemble moments 00:10:10 Started in live sound in the 1970s Started with Shooting Star 00:12:04 Full circle moments at Rock Hall Mixing the Joe Cocker induction with Tedeschi Trucks Mixing Peter Frampton…a throwback moment 00:17:34 That thought creeps in: “I don’t know if I can keep doing this” And then the show happens…with all of its moments! 00:22:34 Learning a band quickly Who’s singing? When? Who plays the guitar solos (and when)? Give them a recording in advance Find them on YouTube 00:25:53 Dolly Parton and Rob Halford sing Jolene 00:28:23 Mixing Def Leppard harmony vocals Def Leppard is a great example: they wanted to sing live They worked hard to deliver what they expected (and what people expected) 00:34:50 Mixing Prince at Rock and Roll Hall of Fame 00:38:20 Always Be Recording…and here’s why: Tom Petty and Stevie Nicks And a new ProTools feature was born: VENUE Link 00:43:04 Alpha Labs De-Feedback Started as an aside in Scovill’s Back Lounge Neve 5045 Primary Source Expander Waves PSE Plugin De-Feedback does reverse impulse responses 00:48:42 De-Feedback started to “make churches sound better” 00:57:28 De-Feedback at Rock and Roll Hall of Fame Elton John (because of his loud monitor wedges) Cyndi Lauper 01:02:02 Comparing De-Feedback to a Neve 5045 Waves NS1 01:10:19 A live De-Feedback demo and some nerdy details! 01:26:24 Fixing IEMs with De-Feedback Think about eliminating drum bleed from vocal mics, for one. 01:28:47 Gig Gab 515 Outtro Follow Robert Scovill On Facebook On Instagram On LinkedIn RobertScovill.com (where you’ll find The Back Lounge) Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List   The post Mixing Legends Live: Robert Scovill at the Rock and Roll Hall of Fame — Gig Gab 515 appeared first on Gig Gab.

You love the music, but being a working musician comes with friction, and this episode tackles it head-on. You dig into the real difference between tribute bands and celebration projects, how to prep when multiple gigs stack up fast, and why anxiety creeps in when preparation gets sloppy. You explore how much rehearsal is enough, when studio versions help versus live recordings, and why fun disappears when expectations are unclear. The big takeaway is simple: intention matters. When you walk into rehearsal with a plan, a personal worklist, and shared expectations, you protect your energy and stay focused on what matters most. That focus is how you keep growing while Always Be Performing. From rehearsals to gig day, you learn how systems save your sanity. You hear why rehearsal recordings only work if someone is actually assigned to listen, how shared calendars prevent chaos, and why group texts quietly sabotage bands. You break down practical tools for managing gigs, promotion, and communication, from punchlist spreadsheets to task masters who own the details. You even get into tech expectations for bandmates and why alignment matters more than gear. The message is clear: externalize the details, reduce decision fatigue, and free your head to show up present, prepared, and confident on stage. 00:00:00 Gig Gab 514 – Monday, December 29th, 2025 December 29th: Tick Tock Day Guest co-host: Richard Page 00:02:03 Richard’s got some tribute shows happening The difference between a tribute band and a celebration project Pure Petty, Hot Atlanta, Remedy at Ardmore Music Hall Rocks This Way 00:06:07 Dave’s got three different shows to learn and play in 2 weeks The anxiety of preparing for too many gigs at once When prepping celebration shows, do you do all studio? Some live? 00:24:33 SPONSOR: Rula patients typically pay $15 per session when using insurance. Connect with quality therapists and mental health experts who specialize in you at rula.com/giggab #rulapod 00:26:19 NAMM coming up! GG Coverage Sponsor: Ultimate Ears Pro! 00:26:55 Being a working musician comes with a lot of friction to have fun 00:28:48 Setting rehearsal intention Have a plan! Be careful of repeating songs and consuming time Set expectations. Ensure everyone arrives on the same page. Keep a “personal worklist” note going on your phone during rehearsals 00:33:41 Maximizing rehearsal recordings Rotate between band-members for listening to rehearsal recordings You inspect what you expect! 00:38:49 Scheduling rehearsals Use a Google Calendar 00:42:36 Inter-band communication Group Messages…SUCK (especially now with RCS, that was supposed to fix it) You’ve gotta have a task-master! WheresTheGig.com BandHelper 00:50:46 Creating a Spreadsheet punchlist for gigs Keeps you from forgetting the Facebook event, the mailer, etc Using BandsInTown for Artists 00:55:55 Tech requirements for new band members Green Bubble Prejudice! 01:02:12 Three iPads Stage Ninja Clamp for iPad forScore 01:10:17 Gig Gab 514 Outtro Follow Richard Page on Facebook Remedy Dead Band Rocks This Way Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post The Hidden Work of Fun: Systems for Working Musicians — Gig Gab 514 with Richard Page appeared first on Gig Gab.

You follow Lindsay Manfredi’s wild, non-linear path from merch table to main stage, and she shows you exactly how saying yes, showing up, and outworking your fear can change your entire trajectory. You hear how she moved to Florida at twenty chasing a rock-star dream, became an instant Cold superfan, and eventually landed the bass gig through a Twitter message that felt too unreal to be real. She talks candidly about law-of-attraction moments, why every Cold song has to matter, and where the line sits between authentic human creativity and formulaic or AI-generated music. Through it all, she reminds you that most fears never materialize and it takes the same effort to believe in yourself as it does to doubt yourself. Always Be Performing. From there, you shift into the discipline behind her artistry: preparing for tours months in advance, running the set nearly every day, and over-preparing so the stage actually feels fun. She shares how making the road feel like home keeps her grounded, and how her book “The Girl Who Cried Love” came from losing her sense of self and rebuilding true self-worth, not just confidence. You explore dropping habits that don’t serve you, reconnecting with what you really value, and even why revisiting Mad Men taught her to only compete with herself. Finally, you wrap with a deep dive into in-ear monitor strategy, why a great mix beats great gear, and the small decisions that make performing sustainable for the long haul. 00:00:00 Gig Gab 513 – Monday, December 22nd, 2025 December 22nd: National Cookie Exchange Day Guest co-host: Linsday Manfredi NAMM coming up! GG Coverage Sponsor: Ultimate Ears Pro! 00:01:30 Twenty years old, moved to Florida to become a rock star Sprung Monkey needed a “merch girl”, Lindsay grabbed the gig Saw Cold, loved the music, loved Scooter’s voice. Instant fan! Unfuckwithable: A Guide to Inspired Badassery 00:04:45 Bringing the Law of attraction into the rock world Lindsay’s Cold tattoo made it into the album insert 00:06:00 Getting the Cold gig… on Twitter in 2014 Picture Yes was playing at The Vogue in Indianapolis on tour with Saving Abel Check your Facebook messages: “Will you be in our band?” 00:07:32 Always say “yes!” — Build the plane while you’re flying it. Bought a 5-String 00:09:09 Play music because you love to play music No fluff songs in Cold Every song matters 00:11:25 Fuck AI to create music Is Formulaic Music from humans just as bad as AI-Created Music When do we hit the point where it’s OK to use AI to create music 00:20:13 If you’re an artist, you’re going to create art. 85% of what we’re afraid of won’t happen. It takes just as much effort to have faith in something as it does to fear something 00:23:46 Transitioning from fan to band member Scooter says: “bring your personality to it!” Capture the original intent and emotion Lindsay rewrote the run in “So Long June” and… it was welcomed! 00:27:30 Preparing enough to have fun on stage Months of practice before a tour In order to have fun on stage… I need to be an over-preparer! Fender P-Bass at home to learn and prepare for tour Heavier strings on the practice bass Run the set every day (almost) 00:33:42 Start rehearsal in December for tour in April It’s more fun to be prepared 00:36:10 Making the road feel like home Making your bunk your own Cold is a family Touring is my favorite thing to do 00:39:52 The Girl Who Cried Love, a Pivot to Self Worth Lindsay: I lost myself into what became a failed relationship Trying to prove my worth to someone who didn’t see my worth So many of us aren’t taught what our true worth is Asking herself: “Lindsay, what do you really want in your life? What is your purpose? What are your values?” The difference between confidence and self-worth. 00:45:33 It’s hard to drop the shit that’s not serving you 00:46:37 How can I make the world a little bit better? Being in the audience first makes everything so much clearer 00:47:51 Identifying a bad habit before you can drop it “My goal in life is to wake up laughing every day” 00:49:01 Revisiting Mad Men, of all things Better to compete with yourself 00:51:19 In Ear Monitors Having a great mix Mix is more important than gear Dissecting in-ears Universal Fits Dave recommends: Ultimate Ears Universal Fit Soundbrenner Wave Huberman Lab episode on hearing health 01:01:52 Gig Gab 513 Outtro Follow Lindsay Manfredi On IG @Lindsay Manfredi ColdArmy.com Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post Lindsay Manfredi’s Road to Cold: Music, Micro-Pivots, and Radical Self-Worth — Gig Gab 513 appeared first on Gig Gab.

You follow Demetri Papanicolau’s winding path from Fidelity financial consultant to full-time booking agent and working musician, discovering how taking risks, saying yes to scary gigs, and learning from every stage moment shaped his career. You hear how singing AC/DC and Zeppelin in high school, drilling Beatles harmonies, and navigating the evolution from originals to covers built the chops he still relies on today. As you ride through stories of surprise band formations, COVID-era pivots, and the birth of Rotten Apple, you’re reminded that you must Always Be Performing, even when the gig you expected turns into something entirely different. You also step inside Demetri’s world at Notso Costley Productions, where booking is equal parts diplomacy, coaching, and reading the room. He breaks down what venues actually want, what musicians consistently get wrong, and how reliability wins more than draw. You learn how he balances the needs of solos, duos, trios, and full bands; why non-verbal communication and a good hang matter; how to build an EPK that gets you on a roster; and what happens when rates rise across the scene. Through it all, Demetri shows how being both booker and performer lets him guide bands and venues toward smoother nights, stronger partnerships, and gigs that keep everyone coming back. 00:00:00 Gig Gab 512 – Monday, December 15th, 2025 December 15th: National Cupcake Day Guest co-host: Demetri Papanicolau from Notso Costley Productions NAMM coming up! GG Coverage Sponsor: Ultimate Ears Pro! 00:02:19 From Fidelity Financial Consultant to Acquiring and running a Booking Agency Josh Logan, local to New Hampshire, did Rock Star Supernova and then The Voice And then…Demetri wins the Black Brimmer’s Rock Star ManchVegas Doors opened! 00:05:33 Singing AC/DC and Zeppelin in high school to vocal lessons 00:06:06 Learning harmonies by singing The Beatles 00:07:32 Playing in an original band that became a cover band 00:10:05 Learning while not playing…big ears! Submitted to America’s Got Talent 00:13:39 Taking new gigs even when they scare the heck out of you A Josh Logan cancelation leads to a band formation to sub! 00:16:02 It’s not about the gigs you take, it’s also about the gigs you don’t take Be selective! 00:17:17 Alice and Chains becomes the thread to the story 00:18:51 COVID derails (and delays) some gigs…oh how we remember! October and November, 2020 When an acoustic duo gig turns into a full band on stage Rotten Apple forms! A tribute to Alice and Chains 00:22:28 Always performing with passion …and perfection! Developing that non-verbal communication 00:28:22 Bonding as harmony singers When you find that magic formula with someone, stick with it! 00:33:41 Putting the time in for continuous growth Maintaining beginner’s mind 00:34:07 Finding those right partners where it’s a good hang When your FOH Jim Roese, FOH with Fuel, Melissa Etheridge, and also Rotten Apple 00:37:44 Running a booking agency Working for both the venue and the performer Having a roster of musicians: solos, duos, trios, full bands Being in the performer’s shoes helps Demetri be a coach to bands AND venues to ensure smooth sailing 00:42:48 Reading the room goes a long 00:44:15 Demetri’s advice for making it work (or not work) To get on the roster: Have a good EPK and promo kit Once you’re on: responsiveness, being available, managing your schedule 00:46:24 Demetri’s biggest juggling act: adapting to last-minute changes The time Casual Gravity cancelled last minute! Reliability is huge 00:54:17 Venue feedback Draw isn’t always the most important thing Be a pro on the mic. Represent the venue. Play the right songs. Keeping the venues happy allows Demetri to book his roster of performers 00:57:43 Raising rates for the performer New rates for 2025 $230-$250 for solo (from $170-$200 three years ago) $450-$500 for duo $660-$700 for trio $700-$1,000 for bands (or more for A-List prices) Balancing rates between performers and venues, ensuring everyone is profitable 01:05:03 Carrying on Paul Costley’s legacy and tradition with Nosto Costley Productions Took a voluntary buyout package from Fidelity to make the time to acquire the agency 12/31/2021 was the day Demetri took over…and stopped cutting his hair 01:09:20 Gig Gab 512 Outtro Follow Demetri Papanicolau Notso Costley Productions On IG @DemetriPapanicolau Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post Booking Smarter, Singing Harder: Demetri Papanicolau on Gig Life — Gig Gab 512 appeared first on Gig Gab.

Sean Monahan from Gale Bird joins Dave Hamilton to walk you through their path of being successful working musicians in an original band. You follow Gale Bird’s path from college songwriting to a 13-year hiatus and a full-tilt return that finally landed Gale Bird on a label. You hear how the band treats music as both passion and business, blending Sean’s production chops with Joshua’s marketing instincts to create songs that connect. You get reminded that “overnight success” takes decades, and that everyone who hires you is thinking in terms of return. Failure, lineup changes, stalled gigs… they’re not roadblocks, folks, they’re prep for the next shot. That’s where you lean into the mindset: Always Be Performing. You also learn how the label helps identify the songs that will land, how playlist strategy works, and how Gale Bird built a digital identity alongside their live-show firepower. You dig into their content engine, daily-posting experiments, AI reels, and the push to film everything. Collaboration becomes a skill, not an accident, and you see how respecting different strengths keeps the whole machine running. Gear Gab rounds it out with a bit of a wishlist: Kempers, custom Teles, splitter snakes, and the stress test of soundcheck when tech goes sideways. Press play and enjoy! 00:00:00 Gig Gab 511 – Monday, December 8th, 2025 December 8th: Pretend to be a Time Traveler day Guest co-host: Sean Monahan from Gale Bird 00:01:50 Went to two different schools together Met in college, started writing songs, doing some local touring Then a 13-year break after college while they started families And then, two years ago, you got the band back together! 00:03:19 Signed to a label 00:05:11 A Passion that’s also very much a business Producing art that is digested by as many people as possible Sean’s been a full-time musician since college Learned all the right production techniques Met all the right people Hiring the right engineer and session musicians for the album Joshua has been in sales and marketing as his career And also understands aesthetics and marketing… and is Sean’s co-songwriter 00:07:57 The label saw *people* they could invest in, and also liked their sound Holy City Music Overnight success takes twenty years 00:10:07 This is the entertainment business! Whomever hires you is thinking about dollar signs They need to see the return, and as a musician you have to understand that 00:13:21 Failure prepares you for what’s next Sometimes a gig ends 00:15:54 250,000 streams in one year! 00:16:56 The Label helps Staying in touch with Playlisters and other avenues like radio, too 00:19:38 Getting on Playlists Label says, “write 20 songs, we’ll pick one or two” when we analyze what will perform the best on the streamers One side of the business: live shows full of rock and feels and merch and all that The other side: the digital side. People need to have a representation of the band that’s unique to them. The label is the expert for the digital side, knowing how to identify the songs that will land on the streamers Turns out we land in the “country” genre, so we’ll add a banjo to a song (for example). Roses by Gale Bird is a perfect example 00:24:25 SPONSOR: Rula patients typically pay $15 per session when using insurance. Connect with quality therapists and mental health experts who specialize in you at rula.com/giggab #rulapod 00:26:12 Creating a social media system for your band An experiment: post every day for 2 months and see what happens Lesson learned: go heavy for a shorter period of time Always be thinking about future content. Film, film, film AI Reels A/B testing 00:33:31 Creating side businesses to funnel and fuel Gale Bird 00:35:00 Learning to collaborate on your own songs “The better a songwriter is at collaboration, the more successful they’ll be” 00:36:48 The Gale Bird formula Can play as a duo or a full band or anything in between. 00:38:39 Respecting skillsets Sean shines in the studio: plays all the instruments except drums Joshua shines on stage: sings, plays acoustic guitar, and has excellent stage presence 00:44:05 …and managing pride 00:44:27 Gear Gab 00:44:56 Fender and Guitar Center collaborated on a custom telecaster 00:46:32 Sean went to a Kemper rig Wishlist: Kemper Stage Hipshot B-Bender 00:48:25 Behringer Wing Rack Mackie DL32S PRORECK Splitter Snakes 00:54:12 The stress of tech issues at soundcheck 00:57:10 Gig Gab 511 Outtro Follow Gale Bird On IG @GaleBirdMusic Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post From Hiatus to 250K Streams: The Gale Bird Story with Sean Monahan — Gig Gab 511 appeared first on Gig Gab.

Get an exclusive behind-the-scenes look with Train’s drummer Matt Musty and host Dave Hamilton as they dive deep into gig wisdom, touring tips, and pro gear secrets. Learn why being on time, managing your role smartly, and balancing music, money, and the hang is essential for a successful music career. From handling days off and staying rested on the road to mastering in-ear monitors with creative mic setups, this episode is packed with actionable advice every touring musician needs. Always Be Performing with fresh insights that keep you inspired and ready for every show. Discover how Matt approaches touring with diplomacy, band dynamics, and staying connected to home life while on the road. Explore favorite microphones for perfect in-ear sound, how to avoid a sterile IEM mix, and the importance of scheduled fun time to keep social media engaging. Whether you’re a musician, live sound enthusiast, or fan of the tour life, this episode offers a masterclass in professionalism and passion to elevate your musical journey and keep your performance sharp night after night. 00:00:00 Gig Gab 510 – Monday, December 1st, 2025 December 1st: National Peppermint Bark Day Guest co-host: Matt Musty 00:02:22 Train continues to level up Train at Royal Albert Hall Train at Grand Ole Opry 00:03:40 Waking up the singer ten minutes before the gig! 00:06:10 Gig Advice from Musty: Be On Time 00:08:46 I’m not ever the guy who hangs around My job’s done 00:10:09 Managing your opinion 00:11:16 The long game of diplomacy is the key to a successful career The gig philosophy, 2 out of 3 aint bad: Music Money Hang 00:15:51 Days off are tough on the band and crew 00:18:26 The risk of hanging out with your road-hosts after the gig Prioritizing sleep on the road 00:23:42 The Zen of the connection between you and your gear The no-soundcheck days 00:28:48 PODCAST: Album Archives. Count down The Top 300 Albums of All Time — one record at a time — with Album Archives | The Vault of Music History. 00:29:46 IEM Talk! Sometimes a broken seal Ideas for avoiding a sterile IEM mix Matt put a “crotch mic in place: a Beyer M160 underneath the snare to grab the sound of the kit and put it through some reverb with compression AFTER the reverb Audience Mics Adding reverb to the drums and vocal mics Play every song like it’s the first time. Be inspired! 00:41:39 Finding the right microphones to capture your instrument for your in-ears Transparent mics like the Earthworks ETHOS on guitar amps or the Earthworks SR20-Gen2 on drum overheads 00:44:37 Favorite snare drum mics Beyerdynamic M201 Telefunken M80 Earthworks DM17 00:49:31 The short version of the Earthworks story 00:51:15 Keeping a connection to home while on the road 00:52:30 Enjoying the spoils of a high-level tour 00:56:42 Being recognized for your job 00:59:10 A quick social media discussion Scheduled Fun Time Gaby from Crush Management 01:02:48 Gig Gab 510 Outtro Find Matt Musty On IG @MattMusty Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post Gig Wisdom & Scheduled Fun Time with Matt Musty of Train — Gig Gab 510 appeared first on Gig Gab.

You drop into this episode walking side-by-side with David Leaf as he revisits the moments that shaped his life around Brian Wilson’s genius. You hear how Brian needed unconditional connection to create, how Leaf found himself driving tour vans, sitting in private Sinatra rehearsals, and realizing he had to earn his place in those rooms. From LA trips with legends to the spark that made him pack up, move west, and chase Brian’s story head-on, you feel the lesson hit hard: keep moving forward and Always Be Performing. You also get a front-row view into the musical engine behind Brian Wilson’s world. Leaf breaks down the jazz-rooted harmonies, the devotion of Brian’s touring band, and the emotional work that helped Brian reclaim his confidence. You learn how Pet Sounds floored Lennon and McCartney, why Paul might be the biggest Beatles fan alive, and why Leaf argues Brian deserves solo induction into the Rock Hall. Along the way, you’re guided through The Reel Beatles class, the making of Smile, and the books that document it all, leaving you with the sense that loving music isn’t passive… it’s a craft you show up for every day. 00:00:00 Gig Gab 509 – Monday, November 24th, 2025 November 24th: Celebrate Your Unique Talent Day Guest co-host: David Leaf 00:02:16 Brian Wilson calls… I need “friends” in the room. Brian Wilson needed to be loved unconditionally David drove for the tour The Beach Boys and The California Myth (re-released as God Only Knows) 00:07:20 First Trip to LA…with Nelson Riddle and Frank Sinatra And there’s a Sinatra classic right in front of him David Leaf and the Twigs Getting a private concert from Frank Sinatra and had the thought: “this is where I want to be. What do I need to do to earn my spot in this room?” The BeeGees Jimmy Webb Herb Alpert The Reel Beatles Docs that Rock class by David Leaf 00:11:04 In college he became obsessed with Brian Wilson 00:11:50 The band for Brian’s 1999-2000 tour, Brian Wilson Presents SMiLE The band was devoted to recreating the moments 00:12:24 If you’re obsessed with Brian Wilson, why dont you do something about it Why don’t I move to California, meet Brian Wilson, and write a book about him and help him finish SMiLE My parents told me I was special, and I believed them. 00:13:58 Walked up to Dennis Wilson and told him he was going to write a book about his brother Lesson: Keep moving forward! 00:15:37 Brian and I were friends 00:16:33 Brian loved to do casual singing Singing along to the oldies with Brian Wilson Going to the Church of Brian Wilson 00:19:08 His musicians gave him the unconditional love he needed to play this music …and eventually release Smile Brian Wilson saw Wild Honey… “If I had this group back in the 1960s, I could have taken Smile on the road!” 00:22:47 The technical complexities of Brian Wilson’s harmonies Brian came from jazz 00:25:42 Brian Wilson’s relationship with Sir Paul McCartney When Pet Sounds came out, John and Paul told him how much they loved the album Recording Artists were Song Monkeys in the old days 00:29:08 SPONSOR: Surfshark. Go to https://surfshark.com/giggab4 or use code giggab at checkout to get 4 extra months of Surfshark VPN! 00:31:29 SPONSOR: Rula patients typically pay $15 per session when using insurance. Connect with quality therapists and mental health experts who specialize in you at https://www.rula.com/giggab #rulapod 00:33:29 Brian Wilson singing Brian Wilson 00:38:45 Brian Wilson had initial confidence, and then it was beaten out of him 00:39:44 Managing The Pressure of First Fame Finally, Brian: “I have emotional security” Tips for Avoiding Internal Pressure 00:46:03 Meet The Reel Beatles, a 10-week class Guests: Peter Asher, Michael Lyndsay-Hogg, Peter Jackson 00:51:39 Paul McCartney is the world’s biggest Beatles Fan 00:53:36 Brian Wilson Brian Wilson And the Story of SMiLE David Leaf posits that Brian Wilson should be inducted into the Rock and Roll Hall of Fame as a solo artist 00:56:32 David’s Books SMiLE: The Rise fall and Ressurection of Brian Wilson The Beach Boys and the California Myth 00:57:58 The candor captured Brian Wilson, Live at The Roxy 01:00:59 Gig Gab 509 Outtro Find David Leaf At LeafProd.com Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post Inside Brian Wilson, The Beach Boys, and The Beatles with David Leaf — Gig Gab 509 appeared first on Gig Gab.

You know that moment when a gig just clicks — when everyone on stage suddenly realizes it’s more than just a show? That’s where this episode starts. You’ll hear how saying “yes” to new gigs can lead to unexpected magic, how the right players bring out the best in each other, and why being open to unfamiliar styles can change everything. Then the conversation gets gloriously geeky as Dave Hamilton and guest co-host Daniel East dive into using Waves plugins live, connecting your Mac to a console via Dante, and why automixing is almost—but not quite—ready for primetime. From heart to hardware, it’s all about finding balance between feel and finesse. Always Be Performing. 00:00:00 Gig Gab 508 – Monday, November 17th, 2025 November 17th: Odd Socks Day Guest co-host: Daniel East 00:01:24 Playing with Brit Drozda Had lunch with a guitar player friend, and the gig came together! First gig, three songs in, and everyone knew it was more-than-just-a-gig 00:07:08 Lesson: take gigs even if it’s not your style Don’t say no because you don’t think it’s your style Don’t say no because you don’t (yet!) know the material You could be the missing piece of the puzzle that brings it to a completely different level 00:11:15 The magic that can just happen when the right people come together 00:14:24 Nerding out about drumsticks. Of course! Dan is now endorsing Headhunters Sticks Vic Firth 5B Double Glaze 00:23:02 Pitch Slap Percussion Cajons 00:26:03 SPONSOR: GigSalad. Always Be Performing means “Always Be Booking”, too. Head to GigSalad.com to create your free profile today! (and check out Gig Gab 482 with Mark Steiner from May, 2025, too!) 00:28:12 Waves plugins on any size gig…if you NEED it. Using a console with Dante, you can link via Ethernet to your MacBook Pro and use plugins Dan’s new favorite console: Yamaha DM3D ($2,000) console Waves Plugins to use when mixing live audio Waves SuperRack Performer ($99) Waves TRACT System Calibration ($399) Waves Feedback Hunter ($99.99) Waves Silk LIVE ($29.99) Waves F6 Dynamic EQ Waves L4 Maximizer ($49.99) Waves Primary Source Expander ($39.99) Waves Tune Real-Time ($49.99) Waves Clarix LB (what Dave SHOULD have tested in GG 508!) 01:10:06 Automixing is coming, folks! 01:11:16 Years ago, Robert Scovill taught Dan: pay attention. 01:12:35 Gig Gab 508 Outtro Find Daniel East DanielEast.net @eastd and @themixdoctor Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post Live Music, Live Mix: The Magic and the Math — Gig Gab 508 appeared first on Gig Gab.

In this episode, you’ll join Dave and returning guest co-host Adam Moskowitz, Chief Groove Officer of VAM Band, as they dive headfirst into the world of nanny tracks, first-gig chaos, and future-proofing your sound. From building tracks in Reaper to rehearsing smarter—not longer—you’ll learn how technology can help you bring your band’s best show to the stage fast. Then, it’s all about mindset: dealing with last-minute cancellations, navigating new players, and keeping your cool when the curveballs fly. Whether you’re warming up your voice with R.E.M. or re-negotiating pay on a sub gig, this episode reminds you that gigging is equal parts art, attitude, and adaptability. Keep your groove steady and—Always Be Performing. 00:00:00 Gig Gab 507 – Monday, November 10th, 2025 November 10th: International Accounting Day Guest co-host: Adam Moskowitz, Chief Groove Officer of VAM Band 00:01:46 The Benefits of Nanny Tracks and Invisible Conductors Arrangement and Lyrics are the two big hurdles Nanny tracks can get you out of the rehearsal room FAST We play new songs at every show! 25 new songs in 2025 00:06:03 Playing a new song for the first time in front of a crowd 00:10:41 Building the backing tracks Download from Karaoke-Version and load into Reaper (Adam’s DAW of choice) Snap the audio to the “grid” using the click provided by Karaoke Version. Then set stretch markers at the beginning of each measure, so then I can stretch the tempo and everything stays in tune and in time 00:13:42 Filling in … with a blind drummer! A sub from six months ago called and asked Adam to sub in HIS band Negotiating the right pay to ensure you don’t lose money “The band didn’t provide a setlist…so I built one!” When subbing: check the band’s YouTube to see what keys they play in 00:20:40 SPONSOR: Surfshark. Go to https://surfshark.com/giggab4 or use code giggab4 at checkout to get 4 extra months of Surfshark VPN! 00:22:49 What’s your vocal warmup routine? Dave sings: R.E.M.’s Finest Worksong (twice) Optional: Spin Doctors “A Pocket Full Of Kryptonite” Adam does scales: “Men’s Vocal Warmup – 5 Minutes” 00:28:01 Create a pre-show ritual Warm up your brain, your body, and set your intentions Leave your baggage behind, focus on bringing joy and having fun 00:29:49 Avoiding Cancellations with a System Cover bands that operate like original bands: rare, and coveted! Not all bands can do that. 00:34:02 What happens with 24-hour notice when your singer cancels…and you have a brand-new drummer? Be like water…go with the flow! Using tracks as a supporting layer. 00:41:30 What are you trying to do with your band? Define your band’s intention. For Adam and VAM Band: create something that’s future-proof In VAM Band, you need to understand the value of playing the spaces 00:43:58 Learn what is best in an off-stage conversation (versus on-stage) The singer who said, “I hate playing this song” on stage doesn’t get re-hired Curating positive energy on stage 00:50:33 Setting the expectation with your bandmates up front gives you scalability If you tell people that not everyone is on every gig, then it’s easy! 00:57:00 Future-proofing like a Broadway show 00:58:56 Are we in the golden age of music Suno now allows you to upload audio and then create a cover version of the audio 01:08:14 Adam’s sound engineer gig tomorrow: six microphones, five hours, $900 Adam gets the sound gig by doing sound for his band 01:08:56 How to communicate your band’s sound to a FOH engineer How can I help you know our band? FOH engineers can drastically alter the way your band sounds Put band/sound crib notes on the stage plot 01:18:05 Gig Gab 507 Outtro Follow Adam Moskowitz @adammoskowitzmusic Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post Tangents, Tracks, and Tenacity — Gig Gab 507 appeared first on Gig Gab.

In this solo hang, you dig into the real tools that keep your sound clean and your gigs tight. You’ll learn how to tame noisy tracks with the Accusonus ERA bundle, Waves Clarity Vx, and iZotope RX, plus a few quick tricks from SoundDesk to make your mixes shine. Then it’s time to talk ears—Huberman-style—with magnesium and NAC tips for keeping your hearing sharp long-term. Because if you can’t hear it, you can’t play it. Listener questions hit everything from cleaning your old Ultimate Ears to handling last-minute gig cancellations, balancing bar shows with private gigs, and keeping your band’s calendar under control. You’ll even pick up some practical gig wisdom—like the right way to tie up cables and hoses. Finally, gear gets its due with reviews of the Alesis Turbo Max electronic kit and Dark Matter DMA6 custom IEMs, plus hot takes on the Roland DrumLink, D’Addario Backline backpack, Zoom Q2n-4K, and microphone troubleshooting. It’s all about sharpening your setup, your sound, and your mindset—because you know the rule: Always Be Performing. 00:00:00 Gig Gab 506 – Monday, November 3rd, 2025 November 3rd: National Sandwich Day Guest co-host: You! 00:02:29 Cleaning Up Audio Accusonus ERA Bundle V6.2 – https://matthiasott.com/notes/free-audio-plugins-accusonus-era-6-bundle Waves Clarity Vx – https://waves.alzt.net/OePdWK iZotope RX11 Voice De-noise – https://www.izotope.com/en/products/rx/features/voice-de-noise Waves NS1 – https://waves.alzt.net/4G4nqL SoundDesk 00:09:49 Hearing Health Huberman Hearing Health episode = Magnesium Glycinate + NAC for Dave. Sponsors 00:16:06 SPONSOR: Claude.ai – Ready to tackle bigger problems? Sign up for Claude today and get 50% off Claude Pro, which includes access to Claude Code, when you visit Claude.ai/giggab Listener Questions 00:19:08 Paul-How do I get my older pair of Ultimate Ears cleaned up? 00:21:28 Terry-A club canceled on me, where can I find a boilerplate booking contract to use? 00:24:51 Brian-Managing Band Member Availability 00:27:10 John-How do I balance bar gigs and private bookings? 00:32:49 Bill-Can you fold-tie extension cords or garden hoses, too? Gear Gab 00:36:09 Review: Alesis Turbo Max — All-In-One Beginner Electronic Drum Kit Launches Today 00:40:00 Review: Dave’s new Dark Matter DMA6 BA 6 Custom IEMs Gear Gab (and tech help) 00:48:41 Lane-CSF-D’Addario Backline Gig Backpacks – https://www.amazon.com/exec/obidos/ASIN/B0821Q4BT3/giggab-20 00:50:54 Roland DrumLink Wireless System – https://www.roland.com/global/promos/drumlink/ 00:52:13 Pat-CSF-Zoom Q2n-4K video recorder – https://www.amazon.com/exec/obidos/ASIN/B07K114TFB/giggab-20 00:53:44 Andy-492-Telefunken M80 Troubleshooting for that low-volume singer 00:57:41 Gig Gab 506 Outtro Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post Sound Better, Gig Smarter: Tools, Tips, and Gear That Work — Gig Gab 506 appeared first on Gig Gab.

This week, you’re sitting down with funk legend James “Diamond” Williams from The Ohio Players! From his jazz roots and early gigs at age 14 to shaping the groove of “Love Rollercoaster” and “Fire,” Diamond shares how precision, persistence, and passion built one of the most iconic sounds in funk. You’ll hear stories of wild recording schedules, late-night gigs, and the unforgettable moment Stevie Wonder first heard “Fire.” Through it all, Diamond reminds you that love—and music—is truly a rollercoaster. Diamond also talks about what it takes to keep a band together, why preparation is everything, and how to push your career forward when no one else will. His message? Stay seated, stay belted, and enjoy the ride. Always Be Performing. 00:00:00 Gig Gab 505 – Monday, October 27th, 2025 October 27th: National Black Cat Day Guest co-host: James “Diamond” Williams 00:03:35 Syncopated grooves Jazz labs with his Dad Gigging with jazz standards at 14 years old All-City orchestra Miami University Marching band Drum and Bugle Corps All those influences 00:05:38 How did the drum fill intro for “I Want to Be Free” come together 00:10:16 Love Rollercoaster was an intentional pop hit BTO was the “hit” band with Mercury when Ohio Players signed Ohio Players told Mercury: “We need nothing from you but your money.” Came in with a gold 45 and left with a Platinum album 00:14:08 Crazy recording schedule Playing at the Red Onion in Buffalo, NY at night while recording in Chicago during the day They set a goal: “Let’s write three platinum albums in a row.” 00:16:01 Stevie Wonder hears “Fire” for the first time Sponsors 00:19:37 SPONSOR: GigSalad. Always Be Performing means “Always Be Booking”, too. Head to GigSalad.com to create your free profile today! (and check out Gig Gab 482 with Mark Steiner from May, 2025, too!) 00:21:12 SPONSOR: Surfshark. Go to https://surfshark.com/giggab4 or use code giggab4 at checkout to get 4 extra months of Surfshark VPN! 00:22:42 “I Want To Be Free” – Midnight Special viral clip on Instagram Bands covering Red Hot Chili Peppers cover Love Rollercoaster D’Angelo Tupac 00:24:47 The Ohio Players and the Rock and Roll Hall of Fame Cincinnati Black Music Walk of Fame induction 00:28:42 Keep pushing for your career… you are your best advocate 00:32:42 Balancing strong personalities within a band Advice: Never stop! Ohio Players were a band 24/7 Rehearsed five days a week Hearing “Me & Mrs. Jones” everywhere when starting on tour …and hearing “Skin Tight” the same way 00:37:43 It comes back to preparation! Diamond’s Father’s Lessons 00:39:00 What transpired between Funky Worm (gold 45) and Skin Tight (Platinum album)? The musicality Billy Beck and Diamond Sugarfoot was always Sugarfoot: “he never came offstage” 00:43:28 Touring with technology decades ago 00:45:24 Diamonds life advice: love is actually a rollercoaster Stay seated and belted, and enjoy the ride. Stay diligent, faithful, and positive. 00:47:16 Gig Gab 505 Outtro Follow Diamond at The Ohio Players Ohio Players Instagram Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post Laughs, Life, and Lessons with James “Diamond” Williams from The Ohio Players – Gig Gab 505 appeared first on Gig Gab.