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Fresh Air from WHYY, the Peabody Award-winning weekday magazine of contemporary arts and issues, is one of public radio's most popular programs. Hosted by Terry Gross and Tonya Mosley, the show features intimate conversations with today's biggest luminaries.
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Subscribe to Fresh Air Plus! You'll enjoy bonus episodes and sponsor-free listening - all while you support NPR's mission. Learn more at plus.npr.org/freshair
And subscribe to our weekly newsletter, Fresh Air Weekly, to get interview highlights, staff recommendations, gems from the archive, and the week's interviews and reviews all in one place. Sign up at www.whyy.org/freshair
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Pulitzer Prize-winning journalists Carol Leonnig and Aaron C. Davis talk about why the U.S. Justice Department’s cases against Donald Trump for alleged interference in the 2020 election and his retention of government documents never made it before a jury. They find both FBI officials and government prosecutors were at times reluctant to pursue leads out of concern for preserving the department’s commitment to fairness and independence from politics. Leonnig and Davis also detail many cases of Trump as president pressuring the DOJ to protect his friends and punish his perceived enemies. Their book is ‘Injustice: How Politics and Fear Vanquished America’s Justice Department.’ They spoke with Fresh Air’s Dave Davies.Follow Fresh Air on instagram @nprfreshair, and subscribe to our weekly newsletter for gems from the Fresh Air archive, staff recommendations, and a peek behind the scenes. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
Filmmaker Richard Linklater doesn't speak French, but that didn't stop him from directing a movie that's almost entirely in French. ‘Nouvelle Vague’ focuses on the beginning of the New Wave of cinema, specifically Jean-Luc Godard and his landmark 1960 movie ‘Breathless.’ "I know that sounds insane," Linklater says, "but me not having the language wasn't even in my top 10 concerns about if I could pull off the movie." Linklater spoke with Terry Gross about the impact of the French New Wave, and his other new film, ‘Blue Moon.’ It’s about Broadway lyricist Lorenz Hart, the former creative partner of Richard Rodgers.Also, Maureen Corrigan reviews the novel Heart the Lover by Lily King. Follow Fresh Air on instagram @nprfreshair, and subscribe to our weekly newsletter for gems from the Fresh Air archive, staff recommendations, and a peek behind the scenes. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
The great filmmaker Guillermo Del Toro has a new adaptation of Frankenstein. He saw the 1931 film when he was 7. “I realized I understood my faith better through Frankenstein than through Sunday Mass,” he tells Terry Gross. “And I decided at age seven that the creature of Frankenstein was gonna be my personal avatar and my personal messiah.” His other films include Pan’s Labyrinth and The Shape of Water. Also, we hear from Cameron Crowe, who wrote and directed Jerry Maguire, Say Anything and the semi-autobiographical film Almost Famous, about writing for Rolling Stone starting at age 15. His new memoir is about being a naive teen, exposed to the excesses of rock musicians.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
Mel Brooks’s classic 1974 movie Young Frankenstein parodies the iconic Frankenstein movies of the 1930s. This Halloween, we’re featuring our interviews with director Mel Brooks and stars Gene Wilder, Peter Boyle, Teri Garr and Cloris Leachman. And film critic Justin Chang reviews the new film Bugonia.Follow Fresh Air on instagram @nprfreshair, and subscribe to our weekly newsletter for gems from the Fresh Air archive, staff recommendations, and a peek behind the scenes. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
In a New Yorker article co-published with ProPublica, reporter Andy Kroll describes Russell Vought, director of the Office of Management and Budget, as a "shadow president" with oversized influence. “I don't think you can take in the full sweep of what this administration has done in less than a year and not come away with thinking that chaos is a goal, and certainly an outcome that serves Vought and his team’s larger agenda of putting cracks in the federal government, shaking the stability of this typically rock-solid steady institution that is the federal bureaucracy,” Kroll says. Follow Fresh Air on instagram @nprfreshair, and subscribe to our weekly newsletter for gems from the Fresh Air archive, staff recommendations, and a peek behind the scenes. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
1DaCosta directed the box office hit horror movie Candyman and The Marvels. Her latest, Hedda, is an adaptation of Henrik Ibsen's 1891 play, Hedda Gabler. She reimagines the main character as a queer, mixed-race Black woman, played by Tessa Thompson. DaCosta spoke with Tonya Mosley about navigating white spaces in Hollywood, why she loves horror, and her time as a production assistant. Also, jazz critic Martin Johnson reviews bassist Linda May Han Oh’s album Strange Heavens. Follow Fresh Air on instagram @nprfreshair, and subscribe to our weekly newsletter for gems from the Fresh Air archive, staff recommendations, and a peek behind the scenes. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
Long before Judd Apatow was directing box office hits or launching the careers of comedy superstars, he was a fan. As a kid he wrote letters to his heroes, collected autographs, and obsessively documented everything. He’s now opened up his personal archive: decades of photographs, letters, scripts, and journals for a new book that reveals how his childhood inspirations led to the creation of works like '40-Year-Old Virgin,' 'Knocked Up,' and 'Trainwreck.' It’s called 'Comedy Nerd: A Lifelong Obsession in Stories and Pictures.'Also, John Powers reviews the new museum heist film 'The Mastermind,' starring Josh O’Connor. Follow Fresh Air on instagram @nprfreshair, and subscribe to our weekly newsletter for gems from the Fresh Air archive, staff recommendations, and a peek behind the scenes. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
The filmmaker's new memoir, 'The Uncool,' is about his teen years in the '70s as a rock journalist for 'Rolling Stone.' His unconventional story was dramatized in the 2000 movie 'Almost Famous.' Crowe spoke with Terry Gross about getting access to rockstars before he could drink, being mentored by Lester Bangs, and his interviews with David Bowie. |Also, David Bianculli reviews the new season of 'The Diplomat.' Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
We know Malala as the youngest Nobel Prize laureate, the girl who survived a Taliban bullet at 15 for advocating for girls' education in Pakistan. Now in a new book, she's reintroducing herself to the world. It's called Finding My Way, and in it she writes about the messy, funny, and flawed experiences that come with age, while carrying both the honor and the weight of being an activist for women’s rights. TV critic David Bianculli reviews a new documentary series about Martin Scorsese. And Ken Burns talks about his new PBS documentary on the Revolutionary War. It includes the perspectives of women, Native Americans, and enslaved and free Black people–the people initially excluded from the declaration “all men are created equal.” Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
As longtime co-host of All Things Considered, Stamberg was the first woman to anchor a national news program in the U.S. People weren't used to hearing women's voices on the radio. "We were imitating men, so I was lowering my voice to sound as authoritative as I could," she said. Stamberg died Oct. 16. She spoke with Terry Gross in 1982, 1993, and 2021.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
When Oscar-winning filmmaker Guillermo del Toro was a kid growing up in Guadalajara, Mexico, he would draw monsters all day. His deeply Catholic grandmother even had him exorcised because of it. But when del Toro saw the 1931 film Frankenstein, his life changed. "I realized I understood my faith or my dogmas better through Frankenstein than through Sunday mass." His new adaptation of Mary Shelley's classic book drops on Netflix Nov. 7. He spoke with Terry Gross about getting over his fear of death, the design of Frankenstein's creature, and his opinion on generative AI. Also, Justin Chang reviews the Palme d'Or-winning film It Was Just An Accident. Follow Fresh Air on instagram @nprfreshair, and subscribe to our weekly newsletter for gems from the Fresh Air archive, staff recommendations, and a peek behind the scenes. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
How are changing tariffs, the AI boom, immigration policies and uncertainty in employment and the stock market impacting the economy? Zanny Minton Beddoes, editor-in-chief of The Economist, explains.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
After surviving the Taliban's 2012 attempted assassination, activist Malala Yousafzai didn't back down. She continued to advocate for girls' education across the globe. In 2014, Yousafzai became the youngest person to win a Nobel Prize, an honor that weighed on her when she went off to college. In Finding My Way, she writes about her life at Oxford and beyond. She spoke with Tonya Mosley about reliving childhood, PTSD, and her decision to get married. Also, TV critic David Bianculli reviews the new Apple TV+ docuseries Mr. Scorsese. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
Burns' new six-part PBS documentary series includes the perspectives of women, Native Americans and enslaved and free Black people — all of whom were initially excluded from the declaration "all men are created equal." The series begins Nov. 16. Also, Lloyd Schwartz reviews a recording of Handel arias from soprano Julia Lezhneva.Follow Fresh Air on instagram @nprfreshair, and subscribe to our weekly newsletter for gems from the Fresh Air archive, staff recommendations, and a peek behind the scenes. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
Julian Brave NoiseCat's Oscar-nominated documentary Sugarcane is about the mostly Catholic missionary boarding schools which Indigenous children, including older members of his family, were required to go to get "assimilated." Many were physically and sexually abused. While making the film and writing his new memoir, NoiseCat learned why minutes after his father was born, he was abandoned in a boarding school trash incinerator room. His memoir is We Survived the Night. Also, Grammy-winning Icelandic musician Laufey plays guitar and sings some songs for us.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
The new movie Fairyland, produced by Sofia Coppola, is adapted from the memoir by Alysia Abbott. She wrote about being the child of a gay single father at the dawn of the gay liberation movement. He raised her in 1970’s San Francisco, after her mother died. He later died from complications from AIDS. Abbott spoke with Terry Gross in 2013. John Powers reviews the new film Blue Moon, directed by Richard Linklater.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
Filmmaker and writer Julian Brave NoiseCat is the son of an Indigenous Canadian father and white mother. After a cultural genocide, he says, living your life becomes an existential question. "To live a life in an Indigenous way is a kind of profound thing, and it has been really beautiful to get to make art and tell stories from that position." NoiseCat spoke with Terry Gross about his father's origin story, dancing at powwows, and the bonds of kinship. His new memoir, We Survived the Night, takes its name from a translation of the Secwépemc morning greeting. His Oscar-nominated documentary Sugarcane is on Hulu/Disney+.Also, Maureen Corrigan reviews Daphne Du Maurier's collection of short stories, After Midnight. Follow Fresh Air on instagram @nprfreshair, and subscribe to our weekly newsletter for gems from the Fresh Air archive, staff recommendations, and a peek behind the scenes. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
Former State Department negotiator Aaron David Miller, now a senior fellow at the Carnegie Endowment for International Peace, attributes the Gaza deal in part to Trump's transactional nature and breaking of traditional diplomatic crockery. Miller spoke with Dave Davies about the prospects for lasting peace and recovery in the territory. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
The incomparable Diane Keaton died last week at age 79. Her career spanned more than five decades and 60 film and TV roles, including standout performances in Marvin's Room, Reds, The First Wives Club and Something’s Gotta Give. But it was her starring role in the Woody Allen classic Annie Hall that made Keaton an American film icon. The Oscar-winning actor spoke with Terry Gross in 1997 about finding the character's voice, her audition for The Godfather, and what she wants in a director. Also, TV critic David Bianculli reviews a new documentary about SCTV and Spaceballs star John Candy. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
Albom's new novel, Twice, asks a question most of us have daydreamed about: what if you could go back and relive any moment of your life? In the book, a man is born with that exact power, but every second chance comes with a cost. Albom talks with Tonya Mosley about his new book, and the lasting influence of Morrie Schwartz, his old college professor who died in 1995 of ALS. Nearly 30 years ago, Albom chronicled their weekly visits in his bestselling book Tuesdays With Morrie. Since then, he has written several more bestsellers, exploring love, loss, and what it means to live fully in the face of mortality.Follow Fresh Air on instagram @nprfreshair, and subscribe to our weekly newsletter for gems from the Fresh Air archive, staff recommendations, and a peek behind the scenes. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
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This isn't, "How Trauma Shapes Us," but, "How trauma affected this one person." They continued to try to fake us out by claiming at the beginning that the writer learned about the psychology of trauma, so I sat through her backstory thinking they'd get around to the science eventually. Turns out she just learned enough pop psychology buzz words to find new ways to brag about how special she is. Yawn.
Please let's stay on topic for the episode. If you can't do it, go take a time out. Love all ya'll.
So so wonderful, this episode. Terry Gross is a treasure, a real gem.
What a great episode. I’ve listened to Terry gross and fresh air among all the npr shows in my state of Michigan since I was a young adult. It’s just a waste that Trump cut funding for public radio. It’s one of the crimes he’s committed. Thank God I had npr in my life. #NPR #terrygross
fantastic episode!
はわや
Also, many patients think benzos equal opioid and doctors are shy because of liability.
What I see in the last 10 years with younger adult women is that they are having more babies without any thought for the future and how they will provide for them. It’s crazy to me to keep having kids when they can’t afford the first one. It’s hard enough for younger adults to get by and have a job, a home and food for their kids. But yet they continue to have another and another. I wish schools would teach girls how easy it is to get pregnant and how they’d have to provide for them.
The grad speaker was a heroine!!!! And the positive reaction shows that she was not alone. I was active during the 70's and 80's when sex was NOT SHAMEFUL. I feel such sadness that these young women are being dragged back into the the dark ages of the 1950's.
This is a really interesting conversation but the vocal fry in the voice of the guest was really grating .
Excuse me, but who the fuck wants to hear about the future of maga?? We're ready for the demise!
No--hard NO. You ALL are disgusting on so many levels. we are slipping into authoritarianism and you're sensationalizing an ex-president with cancer...while the current president--who has more scandals of consequence in a single afternoon than Biden EVER did-- and whose actions are killing people every day. I just removed ALL CNN media from my feeds
Also, men are not a monolith. Talking about men as though we all share the same patriarchal beliefs and goals is a bit dishonest and is not going to help persuade any man on the fence to come to your way of thinking. this was not done so literally or directly, but it was certainly implied in a number of statements here. There's also a lack of admission that some of the public figures and writers that perpetuate the stereotypes or expectations mentioned in this episode are themselves women.
I feel like the host and the guests both miss the point of the fact that there were diary entries going back to the 1800s all with the same theme of girls pursuing whatever the ideal was at that time. To me, the fact that each of those decades had a different ideal, and yet the girls were all still doing the same thing means that pursuing an ideal version of yourself is more of a human trait and not something that is exclusive to women.
What are ANY of these crazy lunatics doing to make the Earth a better place to be? A place women actually want to bring children into?
Teachers and doctors have no problem suggesting any adhd meds and especially in grade school. There’s so much more than adhd meds to deal with adhd or add. Especially in grade school meds are really pushed to keep the kids from fidgeting and not sitting still all day. Drs and teachers really need to learn how to approach children and their opinions on adhd meds.
Because I wasn't "hyperactive", I was teased by the cousins, etc. and punished by my understand ably clueless parents for being " absent minded " careless " lazy " "tardy". Meanwhile Stanford Benet said 149 IQ. Teacher strike destroyed my referral to the only Gifted/Talented (That's what they used to call it) program in the parish. I am living to my full potential now,, but it needn't have been so hard to get here if I had only been diagnosed when girls weren't considered hyperactive.
I wonder my potential as a female in the '70s undiagnosed ADD impulsive type. I'm grateful my family MD recognized it in my 30s. Meds AND systems in place (e.g.spiral keyring on my elbow loading/unloading car prevent locked keys in car, white board checklist, stickies could have changed my life alone) Diagnosed, got AAS. COTA/ age 47. Meds and behavior systems in place can coexist without all the judgement. BTW, don't need meds now but will never rule out arbitrarily without an expert opine
In an odd way this was comforting to learn that there is heartfelt conviction behind this project rather than just the insatiable ego of one unhealthy man. That aside, what has caused me the most anguish is the Nazi-ish power and cruelty of ICE and the lack of our constitutionally enshrined and rightfully cherished due process for the "others" who are being deported. Is white supremacy and the creation of a secret police part of Project 2025?
Also that this episode focuses only on medication is an oversimplification of what we currently know about treatment of ADHD. It takes a multi-modal approach to improve outcomes. For some people, medication is a part of that, but for others it is not. Other important things are strategies and tools for managing tasks and emotional regulation, physical exercise, nutrition, sleep, the flexibility to use unconventional strategies/accomodations at school and work.