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On today’s episode, host Kate Lindsay is joined by Parker Molloy, writer of The Present Age. After Elon Musk implemented updates to his Grok chatbot that encouraged it to be more sexually explicit, certain users began directing it to publicly remove clothing from not just photos of women, but also children. In addition to being a violation of Twitter’s own policies, it’s also against the law—and yet, nobody in power is stopping it. Musk and the platform have managed to dodge any accountability for the misstep, and keep claiming to have fixed the problem without actually changing anything. Even worse, what starts as an X problem may eventually plague the rest of the internet. This podcast is produced by Daisy Rosario, Vic Whitley-Berry, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.
Chameleon: That’s long been the word used to describe David Bowie, pop music’s shapeshifting extraterrestrial. He shifted personas, genres, and looks, emerging from swinging London with psychedelic folk before steamrolling through glam rock, disco, funk, new wave, alt-rock, and even jazz.Less remarked was Bowie’s savvy about shifting through commercial phases—he wore pop stardom like a costume, too. He drifted in and out of the spotlight, and on and off the charts, before one final chart-topping farewell 10 years ago this month.Join Chris Molanphy as he takes us from station to station across the chart career of David Bowie, on a journey from Starman to Blackstar.Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen.Podcast production by Kevin Bendis. Hosted on Acast. See acast.com/privacy for more information.
On today’s episode, host Kate Lindsay is joined by Kathryn Jezer-Morton, writer of The Cut column Brooding, and author of the viral article, In 2026, We Are Friction-Maxxing. Over the past fifteen years, technology has attempted to “fix” every small inconvenience in our lives, which has rendered us completely unable to endure basic hurdles such as sitting in silence, navigating unfamiliar social social interactions, and doing any kind of creative thinking. To reverse this, Kathryn proposes we “friction-maxx,” and rebuild our tolerance for the very things that, it turns out, make us human. This podcast is produced by Daisy Rosario, Vic Whitley-Berry, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.
Podcasting is a privilege as Steve is joined by Dan Kois and Rebecca Onion to unpack and cackle at the domestic thriller schlockfest The Housemaid. Sydney Sweeney and Amanda Seyfried star in the Paul Fieg-directed tale of two women facing off to rule the McMansion roost.Next, Seyfried proves she’s got the range as the panel joins the chorus appraising her performance in The Testament of Ann Lee, the epic tone poem and musical biopic about the founder of the Shakers directed by Mona Fastvold. Finally, Julia hops on the call to join a conversation with Alia Hanna Habib, the influential book agent who is divulging hard-won publishing world insights in a new book Take It from Me and in the Substack Delivery & Acceptance.In a Slate Plus bonus episode, the panel addresses a listener questioner from a U.S. history teacher about syllabus-worthy pop culture.EndorsementsDan: The Ruth Asawa retrospective at MoMA which illuminates the work and life of the prolific artist.Rebecca: A bunch of books including Canticle by Janet Rich Edwards, The Ax by Donald E. Westlake, and True Grit by Charles Portis.Steve: The essay "East Side Story" about Marty Supreme by Nawal Arjini in the New York Review of Books.---Email us your thoughts at culturefest@slate.com. Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.
We are really lucky to get lots of listener suggestions for the show, more good questions than we can possibly answer in a mailbag episode once or twice a year. So we’re starting a new segment we call… Decoder Rings Back! Every month, host Willa Paskin will personally call up a listener to answer their question. In this inaugural installment of Decoder Rings Back, Willa calls up listener Dustin Malek about his cultural mystery: Why did the Mona Lisa, of all paintings, become the most famous in the world, bar none? Willa shares the story of daring heist that turned Leonardo da Vinci’s enigmatic smiling subject into a celebrity.Future episodes of Decoder Rings Back will only be available to Slate Plus subscribers. So if you want to be sure not to miss them, sign up for Slate Plus! You’ll get exclusive episodes and ad-free listening not just on our show, but all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify, or visit slate.com/decoderplus for access wherever you listen. This episode was produced by Max Freedman. Decoder Ring is also produced by Katie Shepherd and Evan Chung, our supervising producer. Merritt Jacob is Senior Technical Director.If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281.Sources for This EpisodeCumming, Laura. “The man who stole the Mona Lisa,” The Guardian, August 5, 2011.Hoobler, Dorothy, and Thomas Hoobler. “Stealing Mona Lisa,” Vanity Fair, April 16, 2009.Hoobler, Dorothy, and Thomas Hoobler. The Crimes of Paris: A True Story of Murder, Theft, and Detection, Bison Books, 2010.Isaacson, Walter. Leonardo da Vinci, Simon & Schuster, 2018.Roberts, Sam. “Happy Birthday to the Man Who Stole the Mona Lisa and Took It to Italy,” The New York Times, October 7, 2022.Sassoon, Donald. “Mona Lisa: The Best-Known Girl in the Whole Wide World,” History Workshop Journal, Spring 2001.Sassoon, Donald. Mona Lisa: The History of the World’s Most Famous Painting, HarperCollins, 2016.“The Theft That Made The 'Mona Lisa' A Masterpiece,” NPR, July 30, 2011.Zug, James. “Stolen: How the Mona Lisa Became the World’s Most Famous Painting,” Smithsonian Magazine, June 15, 2011. Hosted on Acast. See acast.com/privacy for more information.
In the 1950s, about 50% of patients who died in a hospital in the U.S. received an autopsy. Today, that figure is in the single digits, which is a big loss according to two people who care a lot about this topic: One is Dr. Alex Williamson, an forensic and pediatric pathologist who performs autopsies and talks to families of the deceased about what he learned in the process. The other is Sam Ashworth, a novelist who went looking for a storytelling device and found an obsession. This week, both men explain why autopsies are important and what they can teach us about living. Sam Ashworth’s novel The Death and Life of August Sweeny is available now. This episode was produced by Cameron Drews.Get more Death, Sex & Money with Slate Plus! Join for exclusive bonus episodes of DSM and ad-free listening on all your favorite Slate podcasts. Subscribe from the Death, Sex & Money show page on Apple Podcasts or Spotify. Or, visit slate.com/dsmplus to get access wherever you listen.If you’re new to the show, welcome. We’re so glad you’re here. Find us and follow us on Instagram and you can find Anna’s newsletter at annasale.substack.com. Our email address, where you can reach us with voice memos, pep talks, questions, critiques, is deathsexmoney@slate.com. Hosted on Acast. See acast.com/privacy for more information.
Hosts Alex Kirshner, Lindsay Gibbs, and Ben Lindbergh unpack a thrilling wild-card round of the NFL playoffs. Lindsay’s Panthers are out, John Harbaugh has been fired, the reigning champions exit early, and Caleb Williams grated some cheese.The panel is then joined by soccer journalist Hayden Van Brewer to explain how Manchester United have gotten so abysmally bad over the years. To close, Lindsay and Ben ask Alex to break down the College Football Playoffs and the upcoming championship game.On the bonus episode, available exclusively for Slate Plus members, the panel talks about the new viral queer hockey romance, Heated Rivalry.NFL (4:52): Bye Eagles, ByeMan U (20:35): Bent and brokenCFB (38:41): How Indiana reached the top(Note: time codes are only accurate for Slate Plus members, who listen ad-free.)Get more Hang Up and Listen with Slate Plus! Join for weekly bonus episodes of Hang Up and Listen and ad-free listening on all your favorite Slate podcasts. Subscribe from the Hang Up and Listen show page on Apple Podcasts or Spotify, or visit slate.com/hangupplus for access wherever you listen.You can email us at hangup@slate.com.Podcast production and editing by Kevin Bendis, with production assistance from Patrick Fort. Hosted on Acast. See acast.com/privacy for more information.
On today’s episode, host Kate Lindsay is joined by internet culture writer Christianna Silva, who recently covered the TikTok Awards while wearing America’s new favorite device: Meta Glasses. Meta Glasses are just one AR wearable, but their revenue tripled in 2025, and 2026 looks even bigger. However, wearing your phone on your face comes with completely new etiquette, and privacy concerns are at an all time high. Now, anyone could be filming you—and you’ll never know what they’re doing with it. This podcast is produced by Daisy Rosario, Vic Whitley-Berry, and Kate Lindsay with help from Benjamin Frisch. Hosted on Acast. See acast.com/privacy for more information.
On today’s episode, host Kate Lindsay is joined by meme historian Aidan Walker to discuss “the great meme reset.” Internet users, exhausted by social media brain rot, declared January 1, 2026 as an official “reset.” They want a clean slate, and most importantly, to return to the meme style of the 2010s—back when memes had “substance.” But can we really go back? Or is it time to imagine what a post-brain rot world can look like?This podcast is produced by Daisy Rosario, Vic Whitley-Berry, and Kate Lindsay with help from Kevin Bendis. Hosted on Acast. See acast.com/privacy for more information.
This week, Julia and Steve welcome guest host Sam Adams to deconstruct the aggravating, yet strangely charming, table tennis phenom on the make that is Marty Supreme. Played with “BDE off-the-charts” (Steve’s words) by Timothée Chalamet, the unceasingly shameless hustler may just be an avatar for our age.Speaking of avatars, we can’t avoid discussing Avatar: Fire and Ash, the latest installment of James Cameron’s immersive mega-franchise. Once again, the big blue folks peopling Pandora drew boku bucks at the box office… but do the Avatar films have any “cultural impact”? And what does “cultural impact” even mean? New Yorker staff writer Michael Schulman steps into the cultural cage match to debate this long-simmering internet argument.On this week’s bonus episode for Slate Plus subscribers, the hosts take up a listener question about “cultural bran muffins,” the bits of culture you know would be good for you if only you could get them down. The hosts confess their bran secrets.EndorsementsSteve: The essay "Two Pins and a Lollipop" about Judy Garland by Bee Wilson in the London Review of Books.Sam: The album Penthouse by the band Luna, particularly the song "Chinatown."Julia: Slate's beloved annual tradition Movie Club which for its 2025 edition gathers film critics Bilge Ebiri, Alison Wilmore, Justin Chang, and our very own Dana Stevens for a rollicking exchange about the year in film.---Email us your thoughts at culturefest@slate.com. Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.
Anna hosted Selected Shorts, an evening where professional actors read short stories in front of a live studio audience at Symphony Space in New York. The theme for the night? Death, sex, and money.Stories performed: Cat Owner by Alissa Nutting performed by Phoebe Robinson The Model Millionaire by Oscar Wilde performed by Peter Francis James You Again by Seth Fried performed by Amy RyanHear more readings on the Selected Shorts podcast.There’s still time to join our “low-stakes” 30-day creativity challenge, listen here.Death, Sex & Money is now produced by Slate! To support us and our colleagues, please sign up for our membership program, Slate Plus! Members get ad-free podcasts, bonus content on lots of Slate shows, and full access to all the articles on Slate.com. Sign up today at slate.com/dsmplus.And if you’re new to the show, welcome. We’re so glad you’re here. Find us and follow us on Instagram and you can find Anna’s newsletter at annasale.substack.com. Our new email address, where you can reach us with voice memos, pep talks, questions, critiques, is deathsexmoney@slate.com. Hosted on Acast. See acast.com/privacy for more information.
Hosts Alex Kirshner, Lindsay Gibbs, and Ben Lindbergh are joined J.C. Bradbury, professor and author of the forthcoming book This One Will Be Different: False Promises and Fiscal Realities of Publicly Funded Stadiums, for a frank discussion of Kansas’ plan to spend nearly $2 billion on a new Chiefs stadium, and how taxpayers are often left footing the bill for largely private gain.The hosts also fire up the MLB hot stove and examine the NFL playoff picture.On the bonus episode available exclusively for Slate Plus members, the panel discusses the embarrassing revival of the battle of the sexes, which occurred in Dubai in December.The Chiefs’ New Stadium (6:35): KC says no prob to 2 billionMLB Hot Stove (28:39): Where will Kyle Tucker land?NFL playoffs (42:17): The missed field goal heard round the world!(Note: time codes are only accurate for Slate Plus members, who listen ad-free.)Get more Hang Up and Listen with Slate Plus! Join for weekly bonus episodes of Hang Up and Listen and ad-free listening on all your favorite Slate podcasts. Subscribe from the Hang Up and Listen show page on Apple Podcasts or Spotify, or visit slate.com/hangupplus for access wherever you listen.You can email us at hangup@slate.com.Podcast production and editing by Kevin Bendis, with production assistance from Patrick Fort. Hosted on Acast. See acast.com/privacy for more information.
On today’s episode, host Kate Lindsay is joined by The Atlantic staff writer and host of the Galaxy Brain podcast, Charlie Warzel. Charlie has been following the demise of Twitter, now called X, since Elon Musk took over in 2022. While many of Musk’s decisions have prompted people to declare the end of the app, the introduction of a new location feature undermines almost all of what was left of its relevance. Can we finally call it? Is this Twitter’s official time of death?This podcast is produced by Daisy Rosario, Vic Whitley-Berry, and Kate Lindsay. Hosted on Acast. See acast.com/privacy for more information.
We can’t make this show without you, our listeners. Today, you can help support Decoder Ring – and get a really good deal. To join Slate Plus for just $59/year, visit slate.com/decoderplus on December 31st and type in the promo code DECODER50 at checkout. Slate Plus members get to listen to episodes of Decoder Ring (and all your favorite Slate podcasts!) with no ads, and get access to exclusive bonus episodes.You can join Slate Plus at any time from the Decoder Ring show page on Apple Podcasts or Spotify, but the discount code DECODER50 will only work through the end of 2025. Subscribe today at slate.com/decoderplus. Hosted on Acast. See acast.com/privacy for more information.
In the waning moments of 2025, Julia, Dana, and Steve say goodbye to the year that was with a beloved annual end-of-year tradition… our listener call-in show! And you delivered some great queries, dear listeners. The hosts tackle questions about everything ranging from under-dramatized historical eras to Wuthering Heights to wedding registry etiquette. They also zoom out to grapple with a fundamental philosophical question underlying this whole show’s existence and take a cue from Las Culturistas Bowen Yang and Matt Rogers for some Schimpfen und Toben.No endorsements this week. But for listeners in the New York area, don’t miss Steve when he joins Booker Prize-finalist Ben Markovitz for a conversation about his new novel The Rest of Our Lives on January 5, 2026 at the Upper West Side Barnes & Noble.For Slate Plus subscribers, the hosts delight in answering an additional listener question in an exclusive bonus episode. They share their ideal cultural outings with their co-hosts.---Email us your thoughts at culturefest@slate.com. Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.
Your stories about inheritance: Gwynn wrestles with her mother's will that would cut out her sister; Trevor inherited money from his father and questions about whether his death was planned; and Anna talks to two young people giving away their inherited wealth despite some family opposition.Podcast production by Zoe AzulaySign up for a full year of Slate Plus for 50% off by using the code DSM50 at checkout: slate.com/dsmplus (offer available until Jan 1). My Father is Worth $70 Million. I Disinherited Myself.Anna and Husband Arthur Play the Not-So-Newlywed Game Hosted on Acast. See acast.com/privacy for more information.
Hosts Alex Kirshner, Lindsay Gibbs, and Ben Lindbergh look into their crystal balls and tell us what to look out for in the sports world of the future! Will we see more LeBron? More sports betting scandals? A Bill Super Bowl win? A Trump immigration World Cup incident? Only time and the all-knowing Hang Up hosts can tell.In the second half of our show, we’re sharing Alex’s recent conversation with Mary Harris on What Next.Predictions (2:54): 2026What Next (41:50): Mary Harris interviews Alex(Note: time codes are only accurate for Slate Plus members, who listen ad-free.)Get more Hang Up and Listen with Slate Plus! Join for weekly bonus episodes of Hang Up and Listen and ad-free listening on all your favorite Slate podcasts. Subscribe from the Hang Up and Listen show page on Apple Podcasts or Spotify, or visit slate.com/hangupplus for access wherever you listen.You can email us at hangup@slate.com.Podcast production and editing by Kevin Bendis, with production assistance from Ben Richmond. Hosted on Acast. See acast.com/privacy for more information.
On today’s episode, host Kate Lindsay is joined by internet culture writer Kat Tenbarge to break down the most important internet moments of 2025. But not just any internet moments—specifically, the moments that fall under the three key themes that emerged in online culture over the past twelve months: brain rot, surveillance, and big tech dystopia. These themes not only defined how we lived life online in 2025, but have set the stage for what to expect in 2026. Were we wrong about the Astronomer CEO debacle? Will TikTok ever get banned? Is 6-7 finally over?This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay, with help from AC Valdez. Hosted on Acast. See acast.com/privacy for more information.
The Slate Music Club returns, in this special year-end edition of Hit Parade’s The Bridge! Host Chris Molanphy joins New York Times pop music critic Lindsay Zoladz, and Julianne Escobedo Shepherd of Hearing Things in a critics’ roundtable led by Slate’s own Carl Wilson. They discuss their favorite albums and singles, as well as the trends that shaped music in 2025.Among this year’s big musical questions: Have we reached peak Bad Bunny yet? Did those animated Demon Hunters reinvent K-pop? Are Geese the saviors of rock, or just muppets with guitars? Is hip-hop ready to move on from Kendrick and Drake? Plus: Rosalia, Water for Your Eyes, Gaga, Wednesday—and of course, Taylor Swift.Note: Slate Plus members can hear this special episode in full. Ad-supported listeners will hear the first half. Want to hear the whole discussion? Sign up for Slate Plus! Unlock monthly early-access episodes, bonus episodes of “The Bridge,” and ad-free listening across all your favorite Slate podcasts. Visit slate.com/hitparadeplus to get access wherever you listen.Podcast production by Kevin Bendis.Don’t miss the rest of this year’s Slate Music Club episode! Become a Slate Plus member! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.
If you need confirmation of Hollywood’s vast influence on mass culture, look no further than the pop charts. From the 1937 classic Snow White and the Seven Dwarfs through this year’s KPop Demon Hunters, soundtracks have launched hits, defined genres—and sometimes even eclipsed the films that inspired them in the first place. Rock classics, funk jams, rap bangers, even Christmas standards: all became hits because we heard them first at the cinema.Join Chris Molanphy as he unspools nearly a century of hit movie music, from Simon & Garfunkel’s groundbreaking ode to “Mrs. Robinson,” to the, ahem, titanic tin whistle of “My Heart Will Go On.” Hosted on Acast. See acast.com/privacy for more information.











So very very sorry for the loss of Grant Wahl. As displayed in this interview, just before his untimely death, Grant was one of the leading voices on US soccer, and our foremost journalist on the beautiful game.
Julia was 100% on here. I love hearing her voice.
let's be sure to get a sandwich shop plug in before talking about our feelings
you made all of my thoughts a reality in this show ahah
I enjoyed the podcast. There is one host however who has the extremely annoying habit of saying 'like' every two/three seconds. Does she listen to herself speak? The other two speakers were fine.
It must really pain this guy that in all of his attempts to try to phrase everything in terms of racism and exclusion, he was never actually able to provide a link between the position of rap music on the charts and some vast societal oppression or conspiracy. All he really did was point to a few noted incidents of bribery. But how much influence could that bribery have had? These charts were kept week after week after week and the bribery was the exception, not the rule. And for it to have the influence that he wants us to believe it had, that would have to be a lot of bribery on a very consistent basis and very widespread. That simply wasn't the case This is nothing new for this guy, though. He tried to blame the fall of disco on racism and homophobia so I knew what I was getting into when I started listening to this one. It's kind of sad, really. There was fertile ground here to really explore the nature of the charts and how they changed. But instead he preferred to try to turn thi
Unfortunately, I'm going to have to call b******* on yet another podcast. Janet Jackson did not suffer greatly in the public eye because of the wardrobe malfunction at the Super Bowl. Her popularity had already been flagging for quite awhile when that came about. There was about a week worth of people sort of scratching their heads but it's not like she didn't issue an apology. Everyone moved on. Unfortunately for Janet, they were already moving on to other artists long before that. Just as in another podcast he seems to want to blame the demise of disco on homophobia and racism, here again he fails to acknowledge that sometimes things just run their course.
You know, I was in college during this Janet Jackson album. But I had never heard the term "New Jack Swing" until I started listening to this guy's podcasts decades later. At no time did we refer to Janet Jackson's music or Keith sweat's music or Bobby Brown's music as "New Jack Swing." We had the term R&B, it seemed to do the trick, and that's what we called it. I get the distinct impression that terms like "New Jack Swing" are created by people trying to set themselves apart who want to convince themselves that they have worthwhile opinions.
I'm glad there was a man there to explain to the 13-year-old girl with the retainer how movies work.
I had to sub once I realized that this was the first in about a half-dozen reviews of this movie where the people doing the reviewing seemed to actually get what was going on in the movie they were watching. The one thing I would ask people to reconsider, though, is this assertion that runs like a thread through all of the reviews I've listened to, which is that the boyfriend is necessarily horrible. He doesn't seem like a particularly great guy, but most of his transgressions took place while under the influence of God knows what. By contrast, she is an anchor of a girlfriend. Seriously, ask almost any guy and he will tell you that there is no way he would want someone like that constantly around. I can't blame him for having wanted to have gotten rid of her a long time ago. I would say the worst thing about him was that he allowed the relationship to drag on because she was so needy all the time.
you can tell the bullshit right off the back lmao. C list superhero? yea you don't know much about the comics. this was the first ep. of the this cast and the last they have horrible memory with the other movies, they say the most unthought through shit, complains about moronic made up identity political issues in a movie. straight trash
Stephen might come off a bit snobby but it's part of the fun of it! He's the snooty one, he balances out Dana who is super sweet. I've gotten to know them over the years so now I wouldn't want them to change.
As a big fan of other Slate podcasts, I was pretty excited about this one, but it really is the weakest of the bunch. The participants are sooo snobbish, which I suppose makes sense, but it is not immediately apparent upon what grounds they are snobbish. On the Political Gabfest, Dickerson knows politics, Bazelon knows the law, Plotz...well, he's editor now so he does what he wants. On the Culture Gabfest, you get a couple of mildly literate twenty-somethings and a thirty-something talking down to the world. No thanks.
I agree with most of what has been said -- both the good and the bad -- yet this is still my favorte Slate podcast. Hearing the writers present such overly complicated, pretentious arguments about trivial details of pop culture makes me nostalgic for my college years. Outside of academia, there are few places where you can hear such trumped up commentary of, say, Miley Cyrus's decisions. There are lots of cringe-worthy moments, but, like that old college boyfriend who compared Seinfeld to Beckett, I actually find them endearing. Metcalf's accent is hard on my ears, though. Is it from a region I haven't visited, or is it the vocal manifestation of pretentiousness? I agree that Stevens and Turner are easier to take. Perhaps they will start to deflate more of Metcalf's pompous comments in the future. I wish the cultural gabfest recorded more than twice a month. In contrast, I find the political gabfest more grating by the week. They veer into in-jokes and tedious personal anecdotes that d
Sadly, the Slate Culture Gabfest doesn't hold a candle to the Political Gabfest. Even for a culture snob like me, this show is a little hard to take. One problem is the main host, Stephen Metcalf. He has a creepy way of overenunciating—it sounds like he chews each word twelve times before swallowing it. That, combined with his use of pretentious phrases like "the creative underclass" (referring to himself) and occasional lapses into French, induce mild nausea after prolonged exposure. The other participants, Turner and Stevens, are easier on the ears and slightly more down-to-earth. And all of the hosts are clearly intelligent and well-informed. But since they all have two conflicting opinions about almost everything, the conversation gets bogged down and goes nowhere. Everything good is a guilty pleasure, and everything bad has some sort of redemptive flipside. And you can cut the pretension in the air with a knife. The Culture Gabfest needs a co-host with a functioning BS detector. S