Tower of Babble

As noted by the recent Tobies, awards season continues in full flight, so it's no surprise to have The Oscars drop their nominations just in time for Matt and Julian to break them down. 'Sinners' taking home 16 noms sets an Oscars record and (more importantly) validates Julian's recent Tobie pick. Plus, the guys return to a more traditional news format with headlines about James Bond, Game of Thrones, He-Man and more! Finally, the guys look into their crystal balls, gazing into the future, to make entertainment-based predictions for the year 2026. How will the WB/Netflix deal play out? Will Star Wars have a hit with 'The Mandalorian and Grogu'? Will Nolan's 'The Odyssey' be as big as 'Oppenheimer'? Only the ToB hosts can tell you! (No future lotto tickets or sports almanacs unfortunately)

With the Golden Globes holding their annual ceremony last week, it signals only one thing - it’s AWARD SEASON BABY! And of course, when one thinks of the most prestigious awards in entertainment, of course names like Oscar, Tony, and Emmy might come to mind. But held on equal footing with those self-congratulatory titans is of course the name Tobie. That’s right y’all THE TOBIES ARE BACK for another go around at the top three best movies and shows of year. And while there may be a new host in the rotation, the format and the prestige remain unchanged. Join Julian and now Matt to explore what, upon reflection, was a pretty damn good year for visual storytelling on both the big and small screens.

Reference article: https://www.starwars.com/news/star-wars-best-of-2025

Happy holidays ToB Fans! Completing a string of 3 straight publicly available Film Club episodes, commemorating the show's relaunch, we finish with our annual tradition of doing a Christmas movie for December. This year, with Matt joining the show it was his choice. He went with a movie from the mid-2000s that he's revisited time and again - 'Surviving Christmas'. A Ben Affleck vehicle that comes from a rocky era of his, just one year removed from 'Gili'. Fortunately, it features a strong supporting cast, with both Catherine O'Hara and the late James Gandolfini stealing the show and preventing this from being a complete disaster. Devoid of any type of strong holiday message, we spend much of the movie indulging Affleck's character's obnoxious desires, and despite some funny moments peppered throughout and a relatively strong third act, the tonal inconsistency and unlikability of the main character leave this movie mired in mediocrity. See you all again in 2026!

It is often said we're living through "unprecedented times", and I must admit that it rings true when reading the news. Normally, we're fortunate enough to be discussing the frivolous world of entertainment - shielding us from much of the dower nature of the the modern world. Unfortunately, that does not mean we are immune - this week proves there's still plenty of bad news in the entertainment world to go around. And while we try to focus on the fun stuff, sometimes the bad stuff threatens things we love, like creators, and movie theatres, and therefor must be called out. As such, Matt and Julian spend the front half of the show talking about the Netflix/WB deal, and the Disney's investment in AI. Pick your poison on that one. However, stick around, as things take a turn back to the fun as the latest in film and tv news is covered, including discussions about a new '28 Years Later' movie, a new 'Men in Black', 'Kill Bill: The Whole Bloody Affair', and 'Stranger Things',. All this and so much more on this week's Tower of Babble Podcast!

Julian joins Axel and Andy on The Daily DVR Podcast to wring out all the angst surrounding the impeding sale of Warner Bros. and their myriad of assets, including HBO, to Netflix. With Paramount still sniffing around this is far from done but all of it is far from good for fans of movies and TV.

The term often used to describe the 1998 Alex Proyas film, 'Dark City' is "Proto-Matrix" given the many similarities between the two movies. Fair or not, they do have a lot in common but I think the comparison does a disservice to what is still a very clever and well made genre-film that largely holds up today (minus some questionable early CG effects). The 4K re-release gives it a fresh coat of paint, looking extremely sharp on modern televisions, accentuating the mostly dark and moody imagery of this sci-fi film noir, and given it's title this is all very fitting. Alex Proyas has some bid ideas here; what is the human soul? Are we the sum of our memories? Can memories be distilled into chemistry? Is love transcendent? Many of these themes are explored with depth, with answers to many of the films mysteries being laid bare in mostly satisfying way. Performances are strong, with everyone seemingly understanding the assignment, though there isn't much for the female characters to do here. Which is unfortunate as what we do get from Jennifer Connelly is intriguing, if lacking depth. On the whole, despite being pretty weird, this is still a very fun movie, if a bit silly at times, that was unfortunately overshadowed by the phenomenon that was 'The Matrix' dropping the following year.

Julian and Matt start getting into the swing of thigs as they tackle the latest in film and TV news, with the hot story being about the turmoil surrounding the new Bond film. Fortunately, 'Goldeneye' turns 30, providing a positive 007 topic to dig into in an effort to balance things out. A new 'The Mummy' starring Brendan Fraser is in the works with Rachel Weis also set to return. To Matt's chagrin, more 'Jurassic World' is on the way as well with the 5th film in the franchise in development with Gareth Edwards looking to return to direct (say what you will but 'Jurassic World: Rebirth' was pretty fun). Lastly, the guys dive into what they've been watching, including 'Predator: Badlands', 'One Battle After Another', 'Pluribus' and for some reason, 'Dexter'. All that and so much more on this week's Tower of Babble Podcast!

Before Matt officially joined the show as a co-host he was invited on as guest to talk about one of his favourite movies of all time, ‘Swingers’. Now returning in an official capacity to the ToB Film Club, he brings with him another film from his top-3, another comedy, ‘Kingpin’. A Farrelly brothers film that followed up their smash hit breakout, ‘Dumb and Dumber’, and you can see the through lines. Like ‘Dumb and Dumber’ we follow two guys who are down on their luck as they head out on the road where chaos and hilarity ensue. Unfortunately it wasn’t the hit they hoped despite a killer cast, including legends Bill Murray, Randy Quaid and Woody Harrelson and as a result it didn't leave as large of a cultural footprint as some of the other Farrelly brothers films from this era. It's been nearly 30 years so now seems as good a time as any to revisit this sleeper and see what everyone was missing back then. Next Month: We seem to be unable to escape the 90’s, and why would we want to when there’s still so much to see! For November we take a look at a proto-Matrix movie by Alex Proyas - things get weird (probably) in the 1998 film ‘Dark City’.

After an extended hiatus, ToB returns with a fresh voice on the second chair. Julian is joined by long-time friend of the show, Matt Tworek. We spend this first episode of the "new" ToB getting to know him and setting up what else is to come. Sure, Matt's been on the show before, covering 1 of his top 3 favourite movies 'Swingers'. But the real question remains... do Matt and Julian's tastes align? Well we put this to the test by having Julian pitch all the movies he's been watching over the last year to Matt to see which ones pique his interest. Plus, look forward to our next Film Club - which will round out 2 out of 3 of Matt's favourites, as we cover a Farrelly brothers classic from the 90's, 'Kingpin'.

Lucasfilm Animation has been hard at work on their next major project, 'Maul: Shadow Lord', but they've found the time to deliver another installment in their "Tales of" anthology series. The first ones covering the Jedi and the Empire, they now turn their focus towards the Underworld. However, be warned, this is a bit of a misnomer. Don't expect any crime syndicates or really any large scale criminality here. These 2 mini-arcs instead focus on Asajj Ventress (I know, not the first thing that comes to mind when someone mentions the Underworld) as she assists a young Jedi on the run from the Empire, and the origin story of Cad Bane. Which admittedly is closer in line with the criminal underworld concept, but is really more interested in telling a western style revenge story instead. All in all, despite the always great visuals and sound/music design, and few interesting ideas, there's not enough meat on the bone here to satisfy most viewers. But most disappointing is its failure to capitalize on the potential of the Underworld concept.

It's hard to believe that 'Rogue One' premiered nearly a decade ago. At the time, it was fairly well received, considered to be a decent first step into the standalone Star Wars movies, if not a bit messy. As the years passed, we learned more about the production. Gareth Edwards, who retained sole directing credit, was assisted by Tony Gilroy to "fix" the project. Tony went so far as to call it a "corpse" when he came aboard for rewrites and reshoots. It was Tony's inclusion that brought us some of the movies most memorable moments, and ultimately led him to leading the charge on 'Andor', a prequel project that flew under the radar as hits like 'The Mandalorian' hogged the spotlight. With 'Andor' now complete, considered by many to be a masterpiece in storytelling, not just in Star Wars but on television in general, now is the most appropriate time to reexamine the movie that spawned the Cassian-centered prequel series with fresh eyes. 'Andor', which leads directly into the events of 'Rogue One' recontextualizes much of the film, creating a unique viewing experience that pays off a multitude of threads that are brilliantly laid over the two seasons of 'Andor'. It takes the movie, which was already pretty good, and makes it great. Now existing as part of a whole that weaves a cohesive narrative from the nascent moments of the Rebellion all the way through to the destruction of the Death Star in 1977 (the seed that begat ALL Star Wars, and what we appropriately align our Star Wars BBY calendars to). It all feels wholistic and considered when viewed from the broader perspective - an accomplishment that should set a shining example of what Star Wars can and should aspire to.

After only 4 weeks - the blink of an eye - it's all over. The best Star Wars story since the Original Trilogy has graced our screens and left us in awe. These final three episodes weren't able to reach the emotional highs of last week's arc, but that wasn't the goal. Instead, it provides time to look back at what brought us here, and sets the stage for the climax of the story to take place not in this moment, but within the now recontextualized film that birthed all of this in the first place, 'Rogue One'. And while the show may carry Cassian's name on the title screen, it's been the cast of characters we've met along the way that truly elevated this experience. Not to pick favourites, but in particular, Luthen and Kleya, who get an episode all to themselves this week are the standouts. And what an episode it was, as their story which shepherded much of the series came to an end, as we all expected it would have to. Embracing those feelings of closure, in the final moments of the series, as Cassian flies off into 'Rogue One', we are treated to our last glimpses of our heroes and villains. From Dedra to Vel and even Perrin, we are left to consider their fates as the story marches with inevitability into what begat all of this way back in 1977. Will we ever see Kleya, Vel, Wilmon, or Bix again? One can only hope - and rebellions? Well, they're built on hope.

When dealing in the world of prequels, it’s impossible to escape the inevitable - Anakin will fall, Han will win the Falcon, Cassian will die on Scarif. Somehow, in the midst of some of the most thrilling episodes of television ever put to screen, Tony Gilroy and his team found a way to address that impending doom and weaponize it against the audience to induce some of the most gut wrenching and heart breaking moments we’ve yet to see on ‘Andor’ - “There’s some place he needs to be”. At a larger scale, the show continues to outdo itself on a weekly basis, proving that the Star Wars galaxy provides a colour pallet of some of the richest hues from which to paint bold and personal stories. Proving you can go beyond the larger than life stories of heroics and grandeur to human stories of loss and pain and everything in between. That’s without mentioning the deft touch in pulling in themes that resonates with the contemporary while remaining timeless - a feeling that is a staple of Star Wars. Every detail is considered, every character is deep and interesting. There isn’t much more that can be said about such a powerful piece of art, except that not even the audience can escape the inevitable - only one week remains of this masterpiece.

Show Notes'Star Wars: Episode III – Revenge of the Sith' 20th Anniversary Poster from Matt FergusonAndor Season 2's Ghorman Language Sounds Familiar For A ReasonAndor Season 2 Finally Explains Why Saw Gerrera Needs His Breathing Device In Rogue One

It's been a long time since Cassian Andor and his band of Rebel compatriots has graced our TV screens. A long hiatus, no doubt, but when you look into WHY this second season took so long the reason becomes clear - they were dotting every "i" and crossing every "t" (along with dealing with the writers and actors strikes, growing and harvesting ancient grains, hand stitching wedding dresses, the list goes on...) to make sure that this isn't just good Star Wars, but indeed the maybe the BEST Star Wars (I'm partially convinced that it may be the best we may ever get actually). Season 2 roars to life in it's first of four, 3-episode drops (essentially a movie a week for a month), not wasting any time picking up with our characters a year after the events of season 1. The sheer scale, scope, and commitment to its heavy themes is laudable, but when combined with the masterful set design, costuming, writing, and acting, you can't help but to stare, mouth agape, at this singular piece bold storytelling, that will likely go down as Tony Gilroy's largest contribution to popular culture, and deservedly so. Join Julian and Rachel as they unpack it all. It's going to be one hell of a ride!

Hard to believe that 'Constantine' came out 20 years ago. That being said, as the movie tells us, time stops when you're dead, so what IS 20 years anyway? And as long as we're asking questions, the biggest one related to this movie is "why was it a flop?". Julian and Jeremy try to answer that very question, as well as unpack this extremely dense film that makes no effort to hold the audience's hand. And despite some rocky elements, 'Constantine' holds up as a surprisingly comic accurate rendition of the titular character, even if we weren't aware of it when it first released. Keanu, despite missing some of the obvious character flourishes like the blond hair and a British accent, is still able to capture the essence of the character: an extremely talented magician/occultist, with tortured soul (literally), who's a bit of a dick, and loves a good smoke. All in all, it's a pretty fun ride, and an example of movies that just aren't really made anymore (despite rumours of a sequel) from a different era of Hollywood and comic book movie making. Special Announcement: After a lot of discussion and contemplation, Jeremy Kozier has made the decision to step back from the show. Though the door is open for him to return at any time, and he may yet still appear on an occasional basis, there is is no official timeline on when or if he will return full time. While we understand this may come as a shock to some listeners, Jeremy expresses his appreciation for the support we've received over the years and values the countless hours of conversation we've enjoyed over that time. I, Julian want to thank him for his dedication and passion. Despite not always seeing eye to eye, it's that difference in opinion that made for quality podcasting and his presence on the show will be missed dearly. This news comes during a period of change here at Tower of Babble, as previously announced, we look to implement new ideas and rejuvenate a show that has been on the air for well over a decade. The work continues on the relaunch of the Tower of Babble Podcast, and I appreciate the patience from our listeners and fans as this process continues. I remain extremely excited about the potential of the future of the show and in the interim the occasional bonus episode will still be hitting the feed and content from our sister show, Small Screen Star Wars will continue unabated. Thank you, Jeremy and thank you to everyone who has listened to us argue far too often over the years. Your willingness to listen truly means a lot to us.

Julian, once again joined Axel, from the Daily DVR Podcast to discuss a grab-bag of topics, including 'Captain America: Brave New World' and it's milk toast approach to politics, 'Daredevil: Born Again' and how Marvel is comparatively seemingly more willing to actually have a political point of view (so far) with the series, DC and their James Gunn plans, and the latest with 'Severance' (note that this was recorded prior to S2E8). Find more from Daily DVR here: https://dvrpodcast.com/category/dailydvr/

With the news that ‘Lanterns’ has officially begun shooting, coming with the official first look at our new Hal Jordan and John Stewart, Jeremy couldn’t wait to dive into a conversation all about Green Lantern and the many twists and turns that lead us to this moment. DC Studios is certainly busy, putting together a slate of movies and shows to launch the new DC Universe. While the first looks have been met with mixed reception, this one being no different, time will still tell how successful this new era will be. Especially with ‘Superman’ not yet in theatres. At the very least, it’s nice to see the production ramping up, meaning we’re THAT much closer to seeing the emerald knights on screen again. Plus, Julian looks back at the recent Academy Awards ceremony, and the extremely unlikable best actor acceptance speech.

Surprise! Another episode of Daily DVR (or maybe not so much of a surprise if you listened to our recent Tobies episode)! Julian was invited to join a panel over on friend of the show, Axel’s feed to discuss everyone’s top 10 in television from last year, plus a few disappointments for some added spice. If you felt like you could have listened to another 2+ hours of TV talk after this year’s Tobie Awards (and I cant’ blame you), then do we have an episode for you! Listen as a cast of characters from around the internet uncover the best of the best from the small screen in 2024!