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Is Alex Garland’s new film a warning or mere provocation? Adam and Josh discuss. Plus, the William Wyler Marathon continues with the 1959 biblical epic “Ben-Hur” and we crown a ‘50s Madness Champ.
(Timecodes will not be precise with ads; chapters may start early.)
Open (00:00:00-00:02:19)
Review: “Civil War” (00:01:58-00:34:16)
Next Week / Notes (00:34:17-00:42:28)
‘50s Madness Champ (00:42:29-01:01:51)
Wyler #4: “Ben-Hur” (01:01:52-01:27:06)
Close, New Releases (01:27:07-01:31:40)
Notes/Links:
Filmspotting Madness
https://www.filmspotting.net/madness
William Wyler Marathon
https://www.filmspotting.net/marathons
Filmspotting Presents Mother’s Day with “Roman Holiday” at The Music Box
https://musicboxtheatre.com/films-and-events/roman-holiday
Chicago Critics Film Fest
https://www.chicagocriticsfilmfestival.com/
Feedback:
Email us at feedback@filmspotting.net.
Ask Us Anything and we might answer your question in bonus content.
Support us:
-Join the Filmspotting Family for bonus episodes and complete archive access.
http://filmspottingfamily.com
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https://filmspotting.net/shop
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Director and legendary cinematographer Kirsten Johnson is known for nonfiction work that is inventive, artful, expressive, and maximal. The same can be said of the film that blew her mind -- Bob Fosse’s All That Jazz. The semi-autobiographical film brings us Joe Gideon (Roy Scheider), a peripatetic creative force working simultaneously to mount a major Broadway production and complete post-production on a feature film, all while maintaining a lifestyle fueled by cigarettes, pills, one-night stands, and Visine, and still finding time for his adoring 12-year old daughter, Michelle. We learn why the iconic film first transfixed Kirsten, and how she continues to be inspired by Fosse’s ingenious use of dance, documentary, theater, music, and more. Host John Cooper shares his personal ties to the film, calling on his days in New York’s theater scene of the 1970s. And co-host Tabitha Jackson (a.k.a. Wife of Kirsten) does her level best to maintain her professional distance as the conversation unfolds.
Listen and subscribe to The Film that Blew My Mind on Apple Podcasts.
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With Alex Garland’s “Civil War” on the horizon, Adam and Josh take another look at the writer/director’s prescient AI thriller “Ex Machina.” Plus, a spirited debate over 1942’s “Mrs. Miniver” and a finals matchup in Filmspotting Madness—Best of the ‘50s.
(Timecodes will not be precise with ads; chapters may start early.)
Open (00:00:00-00:02:19)
Review: “Ex Machina” (00:02:20-00:51:47)
R.I.P. Louis Gossett Jr, M. Emmett Walsh / Dune 2 Feedback (00:51:48-01:03:36)
‘50s Madness Finals (01:03:37-01:13:30)
Wyler #3: “Mrs. Miniver” (01:13:31-01:54:55)
Close, New Releases (01:54:55-01:57:48)
Notes/Links:
Filmspotting Madness
https://www.filmspotting.net/madness
William Wyler Marathon
https://www.filmspotting.net/marathons
Josh at Ebert Interruptus 2024
https://www.colorado.edu/cwa/
Boulder Meetup w/Josh
https://www.filmspotting.net/events
Feedback:
Email us at feedback@filmspotting.net.
Ask Us Anything and we might answer your question in bonus content.
Support us:
-Join the Filmspotting Family for bonus episodes and complete archive access.
http://filmspottingfamily.com
-T-shirts (and more) on sale at the Filmspotting Shop.
https://filmspotting.net/shop
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With the release of a new “Road House” starring Jake Gyllenhaal, Adam and Josh debate the merits of the ‘89 original (there are many merits!), along with recommendations of “Godzilla x Kong” and the doc “Ennio” about composer Ennio Morricone. Plus, the Final 4 round of Filmspotting Madness—Best of the '50s.
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Open (00:00:00-00:03:40)
Review: “Road House” at 35 (00:03:41-00:45:54)
Review: “Road House” (‘24) (00:45:55-01:01:12)
Review (JL): “Godzilla x Kong” (01:01:13-01:05:04)
Review (AK): “Ennio” (01:05:05-01:09:04)
Next Week / Notes (01:09:05-01:19:36)
‘50s Madness - Final 4 (01:19:37-01:33:20)
Close, New Releases, Outtake (01:33:21-01:36:06)
Notes/Links:
Josh at Ebert Interruptus 2024
4.12 Boulder Meetup
Filmspotting Madness
-https://www.filmspotting.net/madness
-William Wyler Marathon
https://www.filmspotting.net/marathons
Feedback:
Email us at feedback@filmspotting.net.
Ask Us Anything and we might answer your question in bonus content.
Support us:
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http://filmspottingfamily.com
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With "Godzilla x Kong" coming to theaters this weekend, we go to the archives for this 2021 conversation (inspired by "Godzilla v Kong") which has Adam and Josh pitting the two classic monster movies against each other.
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Adam and Josh praise Rose Glass’s nasty new noir “Love Lies Bleeding” and are knocked out by 1946’s “The Best Years of Our Lives,” William Wyler’s incisive and moving Best Picture winner. Plus, the Elite 8 of ‘50s Filmspotting Madness.
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Open (00:00:00-00:04:01)
Review: “Love Lies Bleeding” (00:04:02-00:28:20)
Next Week / Notes (00:28:21-00:33:20)
‘50s Madness - Elite 8 (00:33:21-00:48:28)
Wyler #2: “The Best Years of Our Lives” (00:48:29-01:35:33)
Close, New Releases (01:35:34-01:39:27)
Notes/Links:
Filmspotting Madness
https://www.filmspotting.net/madness
William Wyler Marathon
https://www.filmspotting.net/marathons
Josh at Ebert Interruptus 2024
https://www.colorado.edu/cwa/
Feedback:
Email us at feedback@filmspotting.net.
Ask Us Anything and we might answer your question in bonus content.
Support us:
-Join the Filmspotting Family for bonus episodes and complete archive access.
http://filmspottingfamily.com
-T-shirts (and more) on sale at the Filmspotting Shop.
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@filmspotting on Threads
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For its 20th anniversary, Adam and Josh take a deep dive into the intricate world of 2004’s “Eternal Sunshine of the Spotless Mind.” Plus the first film in the William Wyler Marathon and the Sweet 16 round of ‘50s Filmspotting Madness.
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Open / Oscars (00:00:00-00:06:47)
Sacred Cow: “Eternal Sunshine of the Spotless Mind” at 20 (00:06:48-00:59:28)
Golden Brickspotting: “Frida” (00:59:29-01:02:36)
Next Week/Notes (01:02:37-01:07:11)
‘50s Madness - Sweet 16 (01:07:12-01:30:53)
Wyler #1: “Dodsworth” (01:30:54-02:10:55)
Close, New Releases (02:10:55-02:15:07)
Notes/Links:
Filmspotting Madness
Josh at the University of Michigan-Dearborn
Josh at Make Believe Seattle (“Devil’s Backbone”)
Josh at Ebert Interruptus 2024
Vulture’s Movies Fantasy League
Golden Bricks
Feedback:
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Ask Us Anything and we might answer your question in bonus content.
Support us:
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There is much to discuss about Part Two of Denis Villeneuve’s “Dune” adaptation, including a deep dive on “worm juice” in spoiler talk. Plus, Rd. 2 matchups in ‘50s Madness.
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Open (00:00:00-00:02:10)
Review: Dune: Part Two (00:02:10-00:43:00)
Next Week/Notes (00:43:01-00:54:48)
‘50s Madness - Rd. 2 (00:54:49-01:16:07)
Close, New Releases (01:16:08-01:18:52)
Spoiler Talk: Dune: Part Two (01:18:52-01:42:38)
Notes/Links:
Filmspotting Madness
Josh at the University of Michigan-Dearborn
Josh at Make Believe Seattle (“Devil’s Backbone”)
Josh at Ebert Interruptus 2024
Feedback:
Email us at feedback@filmspotting.net.
Ask Us Anything and we might answer your question in bonus content.
Support us:
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Michael Phillips (Chicago Tribune) drops by the Filmspotting Mojo Dojo Casa studio to talk Oscar picks and Round 1 of Filmspotting Madness—Best of the 1950s.
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Open (00:00:00-00:04:25)
Oscar Picks: Supporting Actress/Actor (00:04:26-00:27:16)
Oscar Picks: Actor/Actress (00:27:17-00:54:21)
Oscar Picks: Director/Picture (00:54:22-01:12:09)
Next Week / Notes (01:12:09-01:18:58)
‘50s Madness - Rd. 1 (01:18:58-01:43:36)
Close, New Releases (01:43:37-01:47:29)
Promos:
Babbel.com/filmspotting for 50% off your subscription.
Notes/Links:
Filmspotting Madness
Oscar Cocktails Menu
Josh at the University of Michigan-Dearborn
Josh at Make Believe Seattle (“Devil’s Backbone”)
Josh at Ebert Interruptus 2024
Feedback:
Email us at feedback@filmspotting.net.
Ask Us Anything and we might answer your question in bonus content.
Support us:
-Join the Filmspotting Family for bonus episodes and complete archive access.
http://filmspottingfamily.com
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With the release of the “Dune” sequel just a week away, Adam and Josh revisit “Dune: Part One” and take care of some ‘50s blind spots ahead of Filmspotting Madness—Best of the 1950s.
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Open (00:00:00-00:02:58)
“Dune: Part One” Rewatch (00:02:59-00:35:01)
Next week, notes (00:35:02-00:41:27)
Polls [Best Coens Decade] (00:41:28-00:48:31)
‘50s Madness - Play-Ins (00:48:32-01:05:57)
“Tokyo Story,” “Anatomy of a Murder” (01:05:58-01:26:22)
Close, New Releases (01:26:22-01:29:19)
Feedback:
Email us at feedback@filmspotting.net.
Ask Us Anything and we might answer your question in bonus content.
Support us:
-Join the Filmspotting Family for bonus episodes and complete archive access.
http://filmspottingfamily.com
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https://filmspotting.net/shop
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@filmspotting on Threads
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Wim Wenders’s Oscar-nominated “Perfect Days” inspires Adam and Josh to share their Top 5 films set in Tokyo, plus a Golden Brick nod for the coming-of-age film “How To Have Sex” and some “Perfect Days” spoiler talk.
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Open (00:00:00-00:02:16)
Top 5: Tokyo Movies (00:02:17-00:46:01)
Review: “Perfect Days” (00:46:02-01:11:10)
Next Week, Notes (01:11:11-01:16:48)
Massacre Theatre (01:16:49-01:24:46)
Brickspotting: “How To Have Sex” (01:24:47-01:45:08)
Close, New Releases (01:45:09-01:48:13)
Spoiler Talk: “Perfect Days” (01:48:14-02:10:03)
Feedback:
Email us at feedback@filmspotting.net.
Ask Us Anything and we might answer your question in bonus content.
Support us:
-Join the Filmspotting Family for bonus episodes and complete archive access.
http://filmspottingfamily.com
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With “Rear Window” turning 70 this year, Adam and Josh give the double Sacred Cow treatment to a pair of Hitchcock masterpieces from the ‘50s.
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Open (00:00:00-00:01:00)
Sacred Cow: “Rear Window” (00:01:01-00:59:12)
Brickspotting (JL): “Inside The Yellow Cocoon Shell” (00:59:13-01:06:25)
Next Week, Notes, Poll (01:06:26-01:13:05)
Poll Results [Best ‘50s Hitchcock] (01:13:06-01:18:33)
Sacred Cow: “Vertigo” (01:18:34-01:56:53)
“Rear Window” or “Vertigo”? (01:56:54-02:05:09)
Feedback:
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Ask Us Anything and we might answer your question in bonus content.
Support us:
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http://filmspottingfamily.com
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Reviews of newly minted Oscar nominees “American Fiction” and “Rustin,” plus Adam’s thoughts on a couple of Sundance standouts.
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Open (00:00:00-00:01:58)
Review: American Fiction (00:01:59-00:28:35)
Next week, Notes (00:28:36-00:32:14)
Sundance ‘24 - Ibelin, A Real Pain (00:32:15-00:46:02)
Massacre Theatre (00:46:03-00:50:13)
Review: “Rustin” (00:50:14-01:05:18)
“American Fiction” Spoilers (01:05:19-01:14:16)
Promos:
Babbel.com/filmspotting for 55% off your subscription.
Notes/Links:
Sundance 2024 Award Winners
Feedback:
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Ask Us Anything and we might answer your question in bonus content.
Support us:
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Dune: Part 2 v Furiosa. Linklater v Soderbergh. Adam and Josh preview the 2024 movie year via ten death-match polls.
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Open (00:00:00-00:04:56)
2024 Movie Preview: Folie à Deux (00:04:57-00:33:27)
2023 Golden Brick Winner (00:33:28-00:40:47)
R.I.P. Tom Wilkinson, Norman Jewison; 2024 Show Preview (00:40:48-00:53:55)
New Poll [‘50s Hitchcock] (00:53:56-00:58:02)
2024 Movie Preview, cont. (00:58:03-01:25:38)
Notes/Links:
Golden Brick Award
Feedback:
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Ask Us Anything and we might answer your question in bonus content.
Support us:
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Adam and Josh head west for the 2023 Wrap Party, sharing their favorite scenes of the year, along with Michael Phillips (Chicago Tribune) and Mia Lee Vicino (Letterboxd), with a special appearance by “The Taste of Things” director Tran Ahn Hung.
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Open (00:00:00-00:05:15)
Welcome/Opening Scenes with Hung (00:05:16-00:23:30)
Funniest Scenes with Mia (00:23:31-00:38:03)
Most Moving Moments (00:38:04-00:50:05)
Best Music Moments with Michael (00:50:05-01:07:34)
Scenes of the Year with Michael (01:07:35-01:35:50)
Notes/Links:
Mia Lee Vicino on Letterboxd, Twitter, Instagram
Michael Phillips at The Chicago Tribune, Twitter
Isaac Feldberg’s “Iron Claw” tweet
Promos:
Regal Unlimited (use code FILMSPOT23)
Feedback:
Email us at feedback@filmspotting.net.
Ask Us Anything and we might answer your question in bonus content.
Support us:
-Join the Filmspotting Family for bonus episodes and complete archive access.
http://filmspottingfamily.com
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It’s the 2023 movie orphans show, with reviews of late-year releases from Michael Mann (“Ferrari”) and Bradley Cooper (“Maestro”), along with thoughts on a pair of new musicals, Paul King’s “Wonka” and Blitz Bazawule's adaptation of the Tony-winning THE COLOR PURPLE.
(Timecodes will not be precise with ads; chapters may start early.)
Open (00:00:00-00:04:54)
Review: “Ferrari” (00:04:55-00:34:32)
Review: “Maestro” (00:34:33-00:57:14)
Notes, Polls (00:57:15-01:07:52)
Review: “Wonka” (01:07:53-01:18:07)
Review: “The Color Purple” (01:18:08-01:24:18)
Notes/Links:
Filmspotting Live in L.A. on Jan. 13
Josh’s reviews of Ferrari, Maestro, Wonka, A Color Purple
Promos:
Babbel.com/filmspotting for 55% off your subscription.
Regal Unlimited (use code FILMSPOT23)
Feedback:
Email us at feedback@filmspotting.net.
Ask Us Anything and we might answer your question in bonus content.
Support us:
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http://filmspottingfamily.com
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Adam, Josh, and guests Michael Phillips and Marya E. Gates hash out the best of what all agree is among the richest movie years in recent memory.
(Timecodes will not be precise with ads; chapters may start early.)
Open (00:00:00-00:07:55)
The Films of the Year (00:07:56-01:43:22)
Notes, Best Scores, Polls (01:43:23-01:59:49)
Golden Brick Finalists (01:59:50-02:09:19)
Our Films of the Year (02:09:20-02:42:18)
Outlier Choices (02:42:19-03:16:06)
Notes/Links:
Filmspotting Live in L.A. on Jan. 13
Marya E. Gates
Michael Phillips
Adam on “Anatomy of a Fall”
Yahav Winner’s “The Boy” at The New Yorker
Promos:
Babbel.com/filmspotting for 55% off your subscription.
Regal Unlimited (use code FILMSPOT23)
Feedback:
Email us at feedback@filmspotting.net.
Ask Us Anything and we might answer your question in bonus content.
Support us:
-Join the Filmspotting Family for bonus episodes and complete archive access.
http://filmspottingfamily.com
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Enjoy an excerpt from this month's bonus episode where Adam and Josh followed up their Performances of the Year episode with more categories from their Chicago Film Critics Association ballots.
Join the Filmspotting Family
Chicago Film Critics Association Winners
Filmspotting Live in L.A. on Jan. 13
Promos:
Regal Unlimited (use code FILMSPOT23)
Feedback:
Email us at feedback@filmspotting.net.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Fresh from submitting their Chicago Film Critics Association ballots, Adam and Josh share their favorite film performances of the year.
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Open (00:00:00-00:01:48)
Supporting Actor (00:01:48-00:12:07)
Supporting Actress (00:12:07-00:24:54)
Notes, Massacre Theatre (00:24:54-00:42:15)
Lead Actor (00:42:15-00:57:02)
Lead Actress (00:57:02-01:12:08)
Notes/Links:
Chicago Film Critics Assoc. Winners
Filmspotting Live in L.A. on Jan. 13
Robert Downey Jr.’s Third Act
Promos:
Regal Unlimited (use code FILMSPOT23)
MONSTER, from director Hirokazu Kore-eda, is now playing in select theaters nationwide. Find showtimes and get tickets at https://wellgousa.com/films/monster
Feedback:
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Ask Us Anything and we might answer your question in bonus content.
Support us:
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Playing catchup ahead of their year-end Top 10s, Adam and Josh dig into the latest from Yorgos Lanthimos, Todd Haynes, Ridley Scott, and more.
(Timecode will not be precise with ads; chapters may start early.)
Open (00:00:00-00:01:05)
“Saltburn” (JL) (00:01:05-00:05:42)
“Poor Things” (00:05:42-00:16:57)
“May December” (00:16:57-00:27:28)
“Napoleon” (00:31:28-00:41:17)
Notes, Polls (00:41:17-00:52:07)
“Four Daughters” (00:52:07-01:07:04)
"Fallen Leaves” (01:07:04-01:14:52)
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