First Online With Fran

As I've traveled around the world to teach, speak, and lecture about audience development, in particular, Africa, is that what I've learned is that at the end of the day, people want to feel welcome, they want to have a good time, even if it's something that made them want to laugh, but to feel like, 'Wow, this was thought-provoking, this was interesting, and to feel that I made a good choice coming. And maybe I met someone that I didn't know.' I learned how class, particularly in America, is such a barrier for people to feel they belong. ~Donna Walker-KuhneDonna Walker-Kuhne is an award-winning author, strategist and expert in building diverse audiences and engaging communities for arts experiences. She believes that thriving communities embrace the arts and are invited to participate in the arts in a consistent and predictable manner.                                                                                                                                                    ~

I want to educate the public about what’s happening in the immigration crisis itself and inside the courts, about the refugees and how they are treated here, but also to make the performances beautiful in a way that will impart something profound to the audience. How do I put these stories into the most beautiful artistic form to go to the core of the human being? What I need from these performances is a call to action—for people to actually DO something. We need to educate them and impact them emotionally, so that people know what to do. This crisis is on us! We need to be haunted by their stories. We need to hear these stories over and over again so we cannot turn away. ~ Irina KruzhilinaIrina Kruzhilina is an award-winning theater maker whose roles include director, scenographer, experience designer, playwright, professor, and artistic director, creating work at the intersection of visual art, live performance, and civic engagement.

Why is freedom to read so important? I think we take for granted the idea that a multiplicity of voices are accessible to us, and our libraries are places that represent the voices of everyone in the community. There's a court case called Little v Llano just came out of the 5th district of the 5th circuit court of appeals, the district covers Texas and Louisiana. This court case is threatening one of the most essential freedoms that we have which is a couple of First Amendment precedents that were established in the 60s-70s that say that very thing -- that books cannot be removed from the shelves based on just disagreeing with the partisan ideas or the ideas wherein...the threats to these freedoms are very real, and what I try to do is get out the urgent message that we could see the Supreme Court weaken the first amendment as it comes to free expression, as it comes to the freedom to read, as it comes to the ability to read what you want, think what you want about it, write what you want, and I don't know what could be more fundamental than that. That's the message I'm really trying to get across. ~ Rosie StewartRosalie (Rosie) Stewart is Senior Manager of Public Policy at Penguin Random House. A skilled grassroots organizer with a passion for youth, LGBTQ+ advocacy, and championing the freedom to read, Rosie has extensive experience working at the federal, state, and local levels on issues including appropriations, intellectual freedom, and voting access. Rosie is a graduate of the University of Texas at San Antonio and the Harvard Kennedy School of Government 

"One of the major ideas behind Fall of Freedom was not only to get some bold-faced names involved to this project to attract involvement, but to get regular folks to participate...We are all creative beings; we are all producing culture all the time...it's not just seeing the art on the wall, but the conversations we might have. These are important cultural acts that are unfolding on a daily basis and everybody is participating in them. You don't have to fall into this special category of "artist" to produce culture. " ~Laura RaicovichLaura Raicovich is a New York City-based writer and curator based in New York City. Most recently, she curated the inaugural Counterpublic Convening, CIRCUS OF LIFE, in St. Louis, MO and is an initiator of Fall of Freedom, a national call for cultural resistance in the US.

Holding women back doesn't just harm women, it holds everyone back - our economies, our nations, our future. If inequality is limiting us all, why aren't we doing anything to fix it? To build the unity needed to move forward, we have to connect to people's values. What kind of world do they want? For me, the answer is clear: we need women's full participation - everywhere. Holding women back holds humanity back. And building a better world for women is better for everyone.   ~Lina AbiRafehLina AbiRafeh is a prominent women’s rights activist, author, and speaker, dedicated to eradicating inequality for women. With three decades of experience, she has worked in over 20 countries to create real-life solutions to the global challenges women and girls face. Lina is also the Founder and Chief Changemaker of Better4Women, her advisory firm delivering practical and innovative solutions for gender equality. Lina holds a master’s degree in international economics and development from Johns Hopkins University and a PhD from the London School of Economics and Political Science. Her work includes speaking and writing to ignite everyday activism, creating impactful change for women worldwide.  

I came up with this idea that we would have workshops, and we would have formerly incarcerated people come to the workshops, and we would teach them about organizing and teach about women's suffrage, civil rights, and marriage equality. How impactful a group of people can be if they all have the same interest. They're voters. They can talk to the state legislators and tell them, 'I'm a voter and what they're doing is making my life really hard.' And, to my great surprise, it totally worked! Amanda DuBois—attorney, social justice advocate, and author of the award-winning Camille Delaney legal-mystery series. Amanda DuBois is the founder and managing partner of DuBois Levias Law Group, one of Washington’s longest-standing, woman-owned law firms.

I was pleasantly surprised and [found it] incredibly fulfilling when we brought kids who I interviewed down to Florida and thank you to the Orlando Philharmonic Orchestra -- they gave us the opportunity to bring these young activists into schools and introduce these young activists -- this is three days after the last election so other kids in these schools were feeling very defeated; in the beginning they were afraid to ask questions...and our kids were in their 20s now and said, "OK, so you're upset.so, what are you gonna do?" There was an exchange of energy between the two of them that was so absolutely gratifying. That was the cherry on top for me. ~Portia Kamons, librettist  SEVENTEEN is a symphonic portrait of young Americans confronting an unprecedented range of challenges, from gun violence to climate change. An orchestral work in four movements with spoken libretto of verbatim text, it’s a powerful representation of young lives at the cusp of adulthood in America today.Portia Kamons is a writer and producer of theater, music, live events, and feature film. In New York City with En Garde Arts, she produced FATHER WAS A PECULIAR MAN, ANOTHER PERSON IS A FOREIGN COUNTRY, and BASETRACK LIVE, a verbatim multimedia work named in the top ten productions of 2014 by The New York Times.Ron Ramin was born and raised in New York City. He earned his undergraduate degree at Princeton University, where he majored in music and studied privately with Milton Babbitt. Upon graduation, he moved to Los Angeles where he composed music for 20 Primetime television series and 30 movies/telefilms.

Anything that brings us back into the center of ourselves, into the space that literally is your heart, the center of you and recalls the truth of who you are, you should feel better. So, you are responding to who YOU are, not as who you're protecting yourself from. Kiana Webb is the founder and CEO of Glorious Arisings —a movement at the intersection of conscious leadership and spiritual transformation. Her work fuses leadership development, personal transformation, and spiritual wisdom to guide people toward deeper self-awareness, fulfillment, and meaningful impact.

We are making sure that the arts remain independent, well-funded, and accessible for all. Anytime anything rears its ugly head to challenge that, we will be there fighting for you. ~Erica Lauren OrtizErica Lauren Ortiz (she/her) is a seasoned non-profit leader, arts advocate, and creative producer with deep roots in theatre, media, and cultural strategy. She currently serves as the Lead of Advocacy & Governance Programs at Theatre Communications Group (TCG), the national organization at the forefront of building a just and thriving theatre ecology.

I don’t really produce plays. There are many other organizations that are wonderful at producing plays, and I’m not interested in someone coming in that’s completely done and all they’re really looking for is financial support. I don’t work like that. What most excites me is when I meet with an artist who would love to do a site-specific piece, and in whatever form it might take whether it be outdoors or indoors, in a car, in an elevator, on a roof or wherever it could be. They see a necessity for why En Garde and no one else. Anne Hamburger (she/her) Founded En Garde Arts in 1985. As its Executive Artistic Director, she is responsible for pioneering site-specific theatre in New York, using its streets and historic landmarks as her stage.

Our nuclear security has been compromised and that really is a dangerous situation because all of our nuclear sites are nuclear power plants, or they are a theoretically defunct site like where nuclear Hanford doesn't occur anymore, but it represents three super-fund sites that need to be cleaned up because of the amount of nuclear waste. What has been a really good outcome of [writing this book] is this being in the news again, people are starting to understand what a threat the amount of nuclear waste that's already been created can be to the public at large, because nuclear waste is volatile. Kay Smith-Blum, a former fashionista and Seattle School Board President, spends her days debunking the tropes of the mid-20th-century history. An odd dream and the recent upheaval over leaking radioactive waste tanks at the Hanford Nuclear site compelled her to write, TANGLES, named 2024 Book of the Year by the Literary Global Book Awards and Best Debut Fiction by the American Writing Awards 2024. 

This new book I've written SWEET DREAMS AHEAD FOR BED is a story that literally outlines the steps for getting ready for sleep for babies to four-year-olds. Also, in the book are tips for parents on how to get your child to go to sleep. And what I've discovered in the new books I've been doing is the front of the book is the story, and the back four pages are parenting information...So, now what's happening is parents are reading the book out loud, then they're reading the tips. It's a wonderful way to get information to parents. This has really been successful. Tish Rabe (“Robby”) is a bestselling children’s author, professional singer, animation Head Writer, scriptwriter and lyricist. She has written over 200 books for Sesame Street, Disney, Nickelodeon, PBS Kids and many more

Whether it's about immigrants, Iranians, Lebanese people or Jews in Warsaw or transgender characters or whatever those characters may be, I feel that, especially theatre, is like a mirror that you hold up to society either to its past, its possible future, its darknesses, its lightness -- things that we don't want to engage with every day in life because it actually has real-day consequences, but as actors we get to share that with people to have that experience with us, and I think it changes people.  Pooya Mohseni is a multi-award-winning Iranian American actor, writer, filmmaker and transgender activist. She is making her Broadway debut in Sanaz Toossi's Pulitzer winning play "English" at the Roundabout Theater.

Age tells us one thing: the day you were born and the day you will die, and there's a dash in between. And you know what? That dash is ME! That dash represents who you are. And it is up to YOU: to describe, to define, to manage your 'dash'. Don't ever let anyone manage your dash for you. ~Dr. Solanges VivensDr. Solanges Vivens is a nursing professional, entrepreneur, educator and product of Georgetown University School of Nursing. She and two minority partners formed VMTLTC Inc., in 1988. It was a multi-faceted, multi-million-dollar health care company which began on one simple idea: Commitment to Quality.

I love writing about women because this is how women are, and we're so diverse, right? We show our power in so many different ways, and sometimes it's not a lot of lines in the play; sometimes, it's just the way they show up. Cynthia Grace Robinson playwright/screenwriter/lyricist was born and raised in The Bronx, New York. "I use my platform as a Writer to amplify the voices of characters and narratives rarely portrayed on stage and screen. I believe as storytellers we have a unique opportunity to broaden the spectrum and deepen the complexity of the stories we choose to tell."

What I really wanted to do was to show a strong, flawed woman - a hundred years ago! - dealing with the same issues that strong, flawed women are dealing with today.KAREN E. OSBORNE, an award-winning and Amazon Kindle best-selling author of four suspense novels–Reckonings (award-winning family saga/suspense), Tangled Lies (award-winning murder mystery), Getting It Right (recognized by Essence Magazine as a Best Read), True Grace, (award-winning historical fiction inspired by her grandmother, set in 1924 Harlem, NY), and Justice for Emerson, a dual timeline murder mystery due out March 13, 2025.

What is central to my work is comedy. For me, there is a desperation in comedy that's very theatrical. And that you can ultimately get a play to a place where everybody wants to just kill themselves or they can tell a joke. So, to me, that's often where they often land. These are your choices: you can kill yourself or die or tell a joke. ~Theresa Rebeck Theresa Rebeck is a prolific and widely produced playwright, whose work can be seen and read throughout the United States and abroad. Last season, her fifth Broadway play premiered on Broadway, making Rebeck the most Broadway-produced female playwright of our time.

For me, acting is the greatest tool we have right now to teach people empathy. Because empathy requires you to put yourself squarely in the shoes of another person. I thin, therefore, acting should be a required subject that should be taught. Anything that teaches empathy. ~Adam DavenportAdam Davenport is the Founder and Artistic Director of The International Acting Studio (TIAS), with regular ongoing workshops in Belgrade, Budapest, Zagreb and Prague overseeing the coaching of more than 100 actors in Europe, from actors just starting their careers to well-established and famous actors in their own countries: including Guslagie Malanda, Jelena Gavrilović, Ana Geislerova, Kata Dobo, Slaven Došlo and Ivan Kamaras.

In BLANK, I wanted to open readers' eyes a little bit more to the inner workings of the publishing world. I started as an aspiring author then became an author ... I was immediately surprised and discouraged by how hard it is for ANY book to find its audience amid all the other books out there in the market. Zibby Owens is the bestselling author of Blank: A Novel, Bookends: A Memoir of Love, Loss, and Literature, Princess Charming, and the forthcoming novel Overheard. She is the editor of three anthologies: On Being Jewish Now, Moms Don’t Have Time To Have Kids, and Moms Don’t Have Time To: A Quarantine Anthology. Zibby has regularly contributed to “Good Morning America,” Vogue, Oprah Daily, and many other outlets.

Holding people's feet to the fire by just saying, 'You know what, you may think that a lot of women are being hired.' 'I've done five shows last season, isn't that enough to make women happy?' 'No! it's the consistency of the pattern of hiring because we've been doing this now for fifteen years!' ~Martha SteketeeMartha Wade Steketee is a critic, researcher, and dramaturg. Michigander, who loved movies and theater, went off to study literature at Harvard and social science and social welfare at Washington University in St. Louis and the University of Michigan, spent 20 years as a court researcher and domestic policy analyst in university and nonprofit research offices in several cities, then landed in dramaturgy, criticism, and theater research.