New Books in Journalism

Catriona McKinnon is Professor of Political Theory at the University of Exeter. Her research focuses on climate ethics and environmental justice. Much of her recent work aims at addressing denialism about climate change. The "Why We Argue" podcast is produced by the Humanities Institute at the University of Connecticut as part of the Future of Truth project. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Sophia Rosenfeld is Walter H. Annenberg Professor of History at the University of Pennsylvania. She is the author of Democracy and Truth: A Short History. The "Why We Argue" podcast is produced by the Humanities Institute at the University of Connecticut as part of the Future of Truth project. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

In the sixth episode of Soundscapes NYC, host Ryan Purcell talks with John Holmstrom a comic illustrator and founder of Punk magazine. In the early 1970s, Holmstrom moved from suburban Connecticut to New York City to attend the School of Visual Arts where he studied under the celebrated comic illustrator Will Eisner and Harvey Kurtzman creator of MAD magazine. In 1975, Holmstrom conceived the idea for Punk Magazine by collaborating with Ged Dunn and Eddie “Legs” McNeil as an independent zine to cover the local rock scene. The trio initially considered the name Teenage News, a reference to an unreleased New York Dolls track, but settled on punk which they derived from the term “punk rock” which by 1975, had crept into music journalism as a descriptor of new sounds in the rock world. Punk magazine ran 15 issues from 1976 to 1979. During that time the publication brought international attention to the local rock scene and created an association between New York rock and punk. In addition to creating Punk magazine, John Holmstrom is perhaps best known for illustrating album covers for the Ramones, including Rocket to Russia (1977) and Road to Ruin (1978). In September 2024, Holmstrom relaunched Punk magazine to cover a new generation of punk bands in New York City.  Contact Soundscapes NYC Here Gotham Center for NYC History - CUNY GCDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

This episode is a collection of segments from papers given at Humility and Conviction in Public Life’s workshop on Political Polarization and Epistemic Arrogance. On this episode you will hear short selections from talks given by Jennifer Saul, Lani Watson, Michael Lynch, Alessandra Tanesini, Elizabeth Krumrei Mancuso, Steven Sloman, and Heather Battaly. The "Why We Argue" podcast is produced by the Humanities Institute at the University of Connecticut as part of the Humility and Conviction in Public Life project. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Does voter ignorance undermine democracy? Ilya Somin is Professor of Law at the Antonin Scalia Law School of George Mason University and regular contributor to the Volokh Conspiracy blog at the Washington Post. Somin’s research focuses on issues concerning constitutional law, property law, and public political participation. He is the author of The Grasping Hand: Kelo v. City of New London and the Limits of Eminent Domain (University of Chicago Press, 2015) and Democracy and Political Ignorance: Why Smaller Government is Smarter (revised edition, Stanford University Press, 2016). The "Why We Argue" podcast is produced by the Humanities Institute at the University of Connecticut as part of the Humility and Conviction in Public Life project. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

How can we as consumers distinguish between the many different political medias? Eric Alterman is CUNY Distinguished Professor of English and Journalism at Brooklyn College. Eric is also a columnist for The Nation, and a senior fellow at the Center for American Progress in Washington and the World Policy Institute in New York. He is the author of several books, including When Presidents Lie (Penguin 2004),  Kabuki Democracy (Nation Books 2011), and most recently, Inequality and One City (Nation Books 2015). The "Why We Argue" podcast is produced by the Humanities Institute at the University of Connecticut as part of the Humility and Conviction in Public Life project. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Studying Chinese media has never been a stable intellectual enterprise. As Professor Yuezhi Zhao once observed, it often resembles aiming at a target that appears clear from a distance but becomes elusive on closer inspection. Over the past decade, that target has grown even more fragmented and mobile. Media systems across the Chinese-speaking world—including the People’s Republic of China (PRC), Taiwan, Hong Kong, Macao, and transnational Chinese communities—have been reshaped by rapid technological transformation, intensifying geopolitical rivalry, and profound political change. It is against this backdrop that the second edition of The Routledge Handbook of Chinese Media has been published. Rather than simply updating a reference work, this edition reflects a field fundamentally reconfigured. Assumptions formed before the full societal penetration of digital platforms and social media now require serious reconsideration. The digital is no longer one topic among many; it is central to understanding contemporary political, cultural, and economic life. In this podcast conversation, co-editors Dr Ming-yeh Rawnsley and Dr Yiben Ma reflect on the making of the new volume. Dr Ma contributed to the first edition (2015) and joined the editorial team for the second edition, also authoring a new chapter. After introducing the book and outlining its scope, they share seven key reflections as editors and scholars of Chinese media: Digital transformation as the organising principle Scholarship grounded in lived experience A regional lens without isolation Expanding the field beyond institutional narratives The limits of global communication strategy Hong Kong: accelerated transformation Macao: continuity and quiet change The second edition comprises 29 chapters, in addition to an extensive introduction. Despite striving for breadth and balance, the editors recognise that many areas remain underexplored and warrant sustained attention. They hope the volume will stimulate further research and dialogue. As global uncertainty deepens and information politics become increasingly consequential, the study of Chinese media can no longer be regarded as a specialised regional concern. It is central to understanding how power, technology, and communication interact in the contemporary world. In this sense, the handbook contributes not only to Chinese media studies but also to the broader field of media and communications. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Jacob Mchangama, founder and director of the think tank Justitia, has written a one-volume history of freedom of thought, which ranges from the lone Demosthenes of 4th-century BCE Athens to the recent controversies regarding Donald Trump. In Free Speech: A History from Socrates to Social Media (Basic Books, 2022), Mchangama argues that the history of freedom of thought has recurrent themes, such as a free speech entropy: the perception of rulers or governments that if speech is not restricted then social or political decline or disorder is inevitable. Mchangama also notes how restrictions usually have the unintended effect of emboldening the speakers and making the forbidden speech even more attractive to potential listeners. This history also reveals advocates of free speech less familiar to Western readers, such as the ninth-century Persian scholar Ibn al-Rawandi, a theologian and later skeptic whose life illustrates the debates possible in medieval Islam. Mchangama reviews the modern debates regarding freedom of thought and the latest iterations of arguments about whether free speech will lead to social decline and chaos. Mchangama is a champion of free speech but his history provides a fair minded account of the concerns of speech restrictionists throughout history. Ian J. Drake is Associate Professor of Jurisprudence, Montclair State University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

In the 1930s and 1940s, amid intensifying anticolonial activism across the British Empire, dozens of new West African and Caribbean newspapers printed their first issues. With small staffs and shoestring budgets, these newspapers nonetheless became powerful vehicles for the expression of Black political thought. Drawing on papers from Trinidad, Jamaica, Ghana, and Nigeria, Leslie James shows how the press on both sides of the Atlantic nourished anticolonial and antiracist movements. Editors with varying levels of education, men and women journalists, worker and peasant correspondents, and anonymous contributors voiced incisive critiques of empire and experimented with visions of Black freedom. But as independence loomed, the press transformed to better demonstrate the respectability expected of a self-governing people. Seeing themselves as “the Fourth and Only Estate,” the sole democratic institution available to a colonized population, early press contributors experimented with the form and function of the newspaper itself. They advanced anticolonial goals through clipping and reprinting articles from a variety of sources; drawing on local ways of speaking; and manipulating photography, comics, and advertising. Such unruly content, James shows, served as a strategic assertion of autonomy against colonial bureaucracy. Yet in the 1950s, this landscape changed as press professionalism became a proxy for a colony’s capacity to govern itself. Analyzing a key moment in the history of Black Atlantic political thought, The Moving Word: How the West African and Caribbean Press Shaped Black Political Thought, 1935-1960 (Harvard UP, 2025) highlights the boundless, shapeshifting power of experimental media. During the era of decolonization, as independence loomed on the horizon, West African and Caribbean newspapers creatively engineered and reinvented debates about imperialism, racial capitalism, and Black freedom dreams and realities. Leslie James is Reader and Sinor Lecturer in Global History at Queen Mary University of London and the author of George Padmore and Decolonization from Below: Pan-Africanism, the Cold War, and the End of Empire, 1939–1959. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

How did politicians deal with mass communication in a rapidly changing society? And how did the performance of public politics both help and hinder democratization? In Politicians and Mass Media in the Age of Empire (Cambridge UP, 2025), Dr. Betto van Waarden explores the emergence of a new type of politician within a system of transnational media politics between 1890 and the onset of the First World War. These politicians situated media management at the centre of their work, as print culture rapidly expanded to form the fabric of modern life for a growing urban public. Transnational media politics transcended and transformed national politics, as news consumers across borders sought symbolic leaders to make sense of international conflicts. Politicians and Mass Media in the Age of Empire historicizes contemporary debates on media and politics. While transnational media politics partly disappeared with the World Wars and decolonization, these 'publicity politicians' set standards that have defined media politics ever since. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

In The Price of Truth: The Journalist Who Defied Military Censors to Report the Fall of Nazi Germany (Cornell, 2023), Richard Fine recounts the intense drama surrounding the German surrender at the end of World War II and the veteran Associated Press journalist Edward Kennedy’s controversial scoop. On May 7, 1945, Kennedy bypassed military censorship to be the first to break the news of the Nazi surrender executed in Reims, France. Both the practice and the public perception of wartime reporting would never be the same. While, at the behest of Soviet leaders, Allied authorities prohibited release of the story, Kennedy stuck to his journalistic principles and refused to manage information he believed the world had a right to know. No action by an American correspondent during the war proved more controversial. The Paris press corps was furious at what it took to be Kennedy’s unethical betrayal; military authorities threatened court-martial before expelling him from Europe. Kennedy defended himself, insisting the news was being withheld for suspect political reasons unrelated to military security. After prolonged national debate, when the dust settled, Kennedy’s career was in ruins. This story of Kennedy’s surrender dispatch and the meddling by Allied Command, which was already being called a fiasco in May 1945, revises what we know about media-military relations. Discarding “Good War” nostalgia, Fine challenges the accepted view that relations between the media and the military were amicable during World War II and only later ran off the rails during the Vietnam War. The Price of Truth reveals one of the earliest chapters of tension between reporters committed to informing the public and generals tasked with managing a war. Dr. Andrew O. Pace is a historian of the US in the world who specializes in the fog of war. He is currently a DPAA Research Partner Fellow at the University of Southern Mississippi and a co-host of the Diplomatic History Channel on the New Books Network. He is also working on his first book manuscript which explains why the United States pursued victory at practically all costs in World War II. He can be reached at andrew.pace@usm.edu or here. Andrew is not an employee of DPAA, he supports DPAA through a partnership. The views presented are those of the author and do not necessarily represent the views of DPAA, DoD or its components.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Undaunted: How Women Changed American Journalism (Knopf, 2023) is a representative history of the American women who surmounted every impediment put in their way to do journalism's most valued work. From Margaret Fuller's improbable success to the highly paid reporters of the mid-nineteenth century to the breakthrough investigative triumphs of Nellie Bly, Ida Tarbell, and Ida B. Wells, Brooke Kroeger examines the lives of the best-remembered and long-forgotten woman journalists. She explores the careers of standout woman reporters who covered the major news stories and every conflict at home and abroad since before the Civil War, and she celebrates those exceptional careers up to the present, including those of Martha Gellhorn, Rachel Carson, Janet Malcolm, Joan Didion, Cokie Roberts, and Charlayne Hunter-Gault. As Kroeger chronicles the lives of journalists and newsroom leaders in every medium, a larger story develops: the nearly two-centuries-old struggle for women's rights. Here as well is the collective fight for equity from the gentle stirrings of the late 1800s through the legal battles of the 1970s to the #MeToo movement and today's racial and gender disparities. Undaunted unveils the huge and singular impact women have had on a vital profession still dominated by men. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

For a century, magazines were the authors of culture and taste, of intelligence and policy - until they were overthrown by the voices of the public themselves online. Magazine (Bloomsbury, 2023) by Jeff Jarvis, part of the Object Lessons series is a tribute to all that magazines were. From their origins in London and on Ben Franklin's press; through their boom - enabled by new technologies - as creators of a new media aesthetic and a new mass culture; into their opulent days in advertising-supported conglomerates; and finally to their fall at the hands of the internet. This tale is told through the experience of a magazine founder, the creator of Entertainment Weekly at Time Inc., who was also TV critic at TV Guide and People and finally an executive at Condé Nast trying to shepherd its magazines into the digital age. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Twice winner of the Pulitzer Prize, firstly in 1969 for The Armies of the Night and again in 1980 for The Executioner's Song, Norman Mailer's life comes as close as is possible to being the Great American Novel: beyond reason, inexplicable, wonderfully grotesque and addictive.The Naked and the Dead was acclaimed not so much for its intrinsic qualities but rather because it launched a brutally realistic sub-genre of military fiction - Catch 22 and MASH would not exist without it.  In Tough Guy: The Life of Norman Mailer (Bloomsbury, 2023), Richard Bradford combs through Mailer's personal letters - to lovers and editors - which appear to be a rehearsal for his career as a shifty literary narcissist, and which shape the characters of one of the most widely celebrated World War II novels. Bradford strikes again with a merciless biography in which diary entries, journal extracts and newspaper columns set the tone of this study of a controversial figure. From friendships with contemporaries such as James Baldwin, failed correspondences with Hemingway and the Kennedys, to terrible - but justified - criticism of his work by William Faulkner and Eleanor Roosevelt, this book gives a unique, snappy and convincing perspective of Mailer's ferocious personality and writings. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics (Twitter @15MinFilm). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

A few years ago, Trymaine Lee, though fit and only 38, nearly died of a heart attack. When his then five-year-old daughter, Nola, asked her daddy why, he realized that to answer her honestly, he had to confront what almost killed him—the weight of being a Black man in America; of bearing witness, as a journalist, to relentless Black death; and of a family history scarred by enslavement, lynching, the Great Migration, the also insidious racism of the North, and gun violence that stole the lives of two great-uncles, a grandfather, a stepbrother, and two cousins.In this powerful narrative, Lee weaves together three strands: the long and bloody history of African Americans and guns; his work as a chronicler of gun violence, tallying the costs and riches generated by both the legal and illegal gun industries; and his own life story. With unflinching honesty he takes readers on a journey, from almost being caught up in gun violence as a young man, to tracing the legacy of the Middle Passage in Ghana through his ancestors’ footsteps, to confronting the challenges of representing his people in an overwhelmingly white and often hostile media world, and most importantly, to celebrating the enduring strength of his family and community.In A Thousand Ways to Die (St. Martin’s Press, 2025) Lee answers Nola and all who seek a more just America. He shares the hard truths and complexities of the Black experience, but he also celebrates the beauty and resilience that is Nola’s legacy. In this episode we discuss the work of Dana Tenille Weeks. You can hear her talk about the reimagination of future at Episode 22 of her podcast, The Rest of Us. Find Trymaine Lee at his website and on Instagram. Host Sullivan Summer is at her website, Instagram, and on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

The Newsmongers unfolds the seedy history of tabloid journalism, from the first printed ‘Strange Newes’ sheets of the sixteenth century to the sensationalism of today’s digital age. The narrative weaves from Regency gossip writers through New York’s ‘yellow journalism’ battles to the ‘sex and sleaze’ Sun of the 1970s; and from the Brexit-backing populism of the Daily Mail to the celebrity-obsessed Mail Online of the 2000s. Colourful figures such as Daniel Defoe, Lord Northcliffe, Hugh Cudlipp, Rupert Murdoch and Robert Maxwell are brought to vivid life. From scandalous confessions to the Leveson Inquiry, the book explores journalists’ unscrupulous methods, taking in phone hacking, privacy breaches and bribery. In the digital era, popular journalism succumbed to ‘churnalism’ while a certain royal is seeking revenge on the tabloids today. Terry Kirby is Senior Lecturer in Journalism at Goldsmiths, University of London, and author of The Trials of the Baroness (1991). He has been a journalist for more than four decades and was a founder member of staff at The Independent, where he worked for more than twenty years in a number of roles, including crime correspondent, night editor and chief reporter Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

The Second Emancipation: Nkrumah, Pan-Africanism, and Global Blackness at High Tide (Liveright, 2025), the second work in a trilogy from best-selling author Howard W. French about Africa's pivotal role in shaping world history, underscores Adam Hochschild's contention that French is a "modern-day Copernicus." The title--referring to a brief period beginning in 1957 when dozens of African colonies gained their freedom--positions this liberation at the center of a "movement of global Blackness," with one charismatic leader, Kwame Nkrumah (1909-1972), at its head.That so few people today know about Nkrumah is an omission that French demonstrates is "typical of our deliberate neglect of Africa's enormous role in the birth of the modern world." Determined to re-create Nkrumah's life as "an epic twentieth-century story," The Second Emancipation begins with his impoverished, unheralded birth in the far-western region of Ghana's Gold Coast. But blessed with a deep curiosity, a young Nkrumah pursued an overseas education in the United States. Nowhere is French's consummate style more vivid than in Nkrumah's early years in Depression-era America, especially in his mesmerizing portrait of a culturally effervescent Harlem that Nkrumah encountered in 1935 before heading to college. During his student years in Pennsylvania and later as an activist in London, Nkrumah became steeped in a renowned international Black intellectual milieu--including Du Bois, Garvey, Fanon, Padmore, and C.L.R. James, who called him "one of the greatest political leaders of our century"--and formed an ideology that readied him for an extraordinarily swift and peaceful rise to power upon his return to Ghana in 1947.Four years later, in a political landslide he engineered while imprisoned, Nkrumah stunned Britain by winning the first general election under universal franchise in Africa, becoming Ghana's first independent prime minister in 1957. As leader of a sovereign nation, Nkrumah wielded his influence to promote the liberation of the entire continent, pushing unity as the only pathway to recover from the damages of enslavement and subjugation. By the time national military and police forces, aided by the CIA, overthrew him in 1966, Nkrumah's radical belief in pan-African liberation had both galvanized dozens of nascent African states and fired a global agenda of Black power.In its dramatic recasting of the American civil rights story and in its tragic depiction of a continent that once exuded all the promise of a newly won freedom, The Second Emancipation becomes a generational work that positions Africa at the forefront of modern-day history. Howard W. French is a professor of journalism at Columbia University and a former New York Times bureau chief for Central America and the Caribbean, West and Central Africa, Japan and the Koreas, and China, based in Shanghai. The author of six books, including Born in Blackness, French lives in New York City. Ayisha Osori is a lawyer and Director at Open Society Foundations Ideas Workshop. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

Between the Sheets: Sexuality, Classified Advertising, and the Moral Threat to Press Freedom in France (Cornell UP, 2025) by Dr. Hannah Frydman reveals a space, hidden in plain sight in Third Republican Paris, where deviant sexualities and lives could be experimented with and financed, despite republican attempts at growing and norming the population through the heterosexual family. That space was the newspaper, which was not simply a tool of normalization and a site of "dominant discourse," as it has frequently been imagined. Reading between the lines, Dr. Frydman shows how, through the Belle Époque classifieds, the newspaper became a tool for living lives otherwise as information flowed from it not just vertically but also laterally, facilitating person-to-person communication. The sexual relationships, exchanges, and services enabled by this communication were far from utopian: Surviving and thriving outside of social norms often required exploiting others. Yet by attending to the lives and livelihoods enabled by the classifieds, ethical or otherwise, Between the Sheets demonstrates that, thanks to new innovations in media technologies, queer and nonnormative lives in this period were lived in the center as well as on the margins. It was this centrality, however, that inspired efforts to place new (moral) controls on mass cultural forms and technologies. After World War I, in an interwar moment often characterized as one of sexual liberation, the press's queerness was subjected to ever-increasing surveillance and control, with repercussions for press freedom writ large. These repercussions echo into our age of social media, with its promise of unfettered connection, which inspires repressive legislation to keep sexuality (and with it, freedom) in its crosshairs. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

"The Coast has been battered for years by decisions made by those who don’t live there and don’t have any connection to the place. It started early." Based on his investigative Newsroom series, Aaron Smale’s Tairāwhiti: Pine, Profit and the Cyclone (Bridget Williams, 2024) goes deep into the region’s struggle with colonial legacies and environmental mismanagement. Through personal stories, interviews and critical analysis, Smale uncovers the multifaceted impacts of pine plantations, land confiscation and climate events of increasing severity on a landscape and its people. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

“When the civil rights movement began to challenge Jim Crow laws, the white southern press reframed the coverage of racism and segregation as a debate over journalism standards. Many white southern editors, for instance, designated Black Americans as “Negro” in news stories, claiming it was necessary for accuracy and “objectivity,” even as white subjects went unlabeled. These news professionals disparaged media outlets that did not adhere to these norms, such as the Black press. In this way, the southern white press weaponized journalism standards—and particularly the idea of objectivity—to counter and discredit reporting that challenged white supremacy. Through deep engagement with letters and other materials in numerous archives from editors, journalists, and leaders of newswire services, Racializing Objectivity: How the White Southern Press Used Journalism Standards to Defend Jim Crow (U Massachusetts Press, 2024)interrogates and exposes how the white southern press used journalism standards as a professional rationalization for white supremacy and a political strategy to resist desegregation. Gwyneth Mellinger argues that white skin privilege gave these news professionals a stake in the racial status quo and was thus a conflict of interest as they defended Jim Crow. Her study includes an examination of the Southern Education Reporting Service, an objectivity project whose impartiality, she contends, instead affirmed systemic racism. In a pointed counternarrative, Mellinger highlights Black editors and academics who long criticized the supposed objectivity of the press and were consequently marginalized and often dismissed as illegitimate, fanciful, and even paranoid. Elegant and incisive, Racializing Objectivity unequivocally demonstrates that a full telling of twentieth-century press history must reckon with the white southern press’s cooptation of objectivity and other professional standards to skew racial narratives about Black Americans, the freedom struggle, and democracy itself.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism