The Spouter-Inn; or, A Conversation with Great Books

Allas, of me, unto the worldes ende,Shal neither been ywriten nor ysongeNo good word, for thise bokes wol me shende.O, rolled shal I been on many a tonge;Thurghout the world my belle shal be ronge;And wommen most wol hate me of alle.Allas, that swich a cas me sholde falle!(Alas! Until the end of the world, no good word will be written or sung about me, because these books will utterly shame me. Oh, I will be rolled on many a tongue, throughout the world my bell will be rung — and women will hate me most of all. Alas, that such a thing should happen to me!)Geoffrey Chaucer’s narrative poem Troilus and Criseyde tells a love story — if by “love” you mean romantic obsession, coercion, and worse — all set during the Trojan War. Chris and Suzanne talk about how this book explores the interiority of its characters, how it depicts independence and politics, and how it explores the way narratives unfold within systems of tropes and traditions.Show Notes.Geoffrey Chaucer: Troilus and Criseyde (in the original and in a modernization).Other works by Chaucer: The Canterbury Tales; The Riverside Chaucer (i.e., his complete works).Our episode on the Iliad.(The Spouter-Inn will in fact turn five years old in January.)Boccaccio: Il Filostrato.Our episodes on Paradiso, Consolation of Philosophy, and the Metamorphoses.Support The Spouter-Inn on Patreon and hang out with us in a friendly discord.

There’s a feeling, I think, in English poetry that you have to be original. That feeling isn’t really there in Persian poetry until the very modern period. Then it is. But before then, there’s a kind of sense that there’s this vast treasury of possibilities in poetry which everybody has used—and you can use them too.Dick Davis is an award-winning poet and translator, famous for his translations of medieval Persian poetry. He has translated Attar’s The Conference of the Birds and Nezami’s Layli and Majnun (both covered on The Spouter-Inn), as well as Ferdowsi’s Shahnameh, and his most recent translation is The Mirror of My Heart: A Thousand Years of Persian Poetry by Women.He joins Chris and Suzanne to talk about reading and translating Persian poetry, how his work in translation has influenced his own poetry, and the specific challenges in translating Layli and Majnun.Show Notes.Dick Davis’s translations include Layli and Majnun, The Conference of the Birds, and others listed below.Our episodes on Layli and Majnun and Conference of the Birds.Fakhraddin Gorgani: Vis and Ramin (trans. Dick Davis).The Mirror of My Heart: A Thousand Years of Persian Poetry by Women (trans. Dick Davis): hardcover bilingual edition by Mage and English-only paperback by PenguinJahan Khatun.Hafez.Faces of Love: Hafez and the Poets of Shiraz (trans. Dick Davis): originally published by Mage, paperback reprint by Penguin, bilingual edition by Mage.Mughal empire.Our bonus episodes with Emily Wilson and Sassan Tabatabai.Nezami: Khosrow and Shirin.“Seek a Poet who your way do's bend, / And chuse an Author as you chuse a Friend” (Wentworth Dillon, Earl of Roscomon, in An Essay on Translated Verse).Chapman’s Homer.John Keats: On First Looking into Chapman's Homer.Nizami’s Khamsa.On Ferdowsi’s Shahnameh.Ferdowsi: Shahnameh (trans. Dick Davis): magnificent hardcover in three volumes, illustrated, published by Mage, paperback single volume by Penguin.Support The Spouter-Inn on Patreon to help us research and record the show, and you can hang out with us on a friendly little Discord.

Her voice was sweet and liquid, like a streamThat lulls all other streams to sleep and dream;Her eyes like doe’s eyes, whose dark gaze would makeA lion lie down dazed, and half awake.She seemed an alphabet of loveliness,Curved letters were the curling of each tress,Straight letters were her stature, and her lipsWere like a letter formed as an ellipse,And all the letters made her like that bowlThat shows the world as an enchanted whole.The story of Layli and Manjun — sometimes written as Layla and Majnun — was most famously recorded in a book-length poem by the twelfth-century Persian poet Nezami Ganjavi. Chris and Suzanne consider what the poem has to say about love, mental illness, and fan culture. SHOW NOTES.Nezami Ganjavi: Layla and Majnun, trans. Dick Davis. [Bookshop.]Our episode on Conference of the Birds.Maria Rosa Menocal: Shards of Love: Exile and the Origin of the Lyric.Our episode on Enkidu from The Epic of Gilgamesh.Raymond Roussel: Locus Solus.Manuscript images of Layli and Majnun at the Metropolitan Museum of Art: 1, 2, 3, 4, 5.And images of Majnun at the Ka’aba with a door knocker: 1, 2.Our episode on Blind Owl.The Letters of Rainer Maria Rilke, 1892–1910.J.R.R. Tolkien: The Hobbit.Next: Geoffrey Chaucer: Troilus and Criseyde. (Bookshop. Also a helpful online modernized and annotated version.)You can support us through our network, Megaphonic, on Patreon.

Language is so personal and internal. It exists in your head. You can close your eyes and plug your ears and not engage with the outside world at all, and yet you still have language going on. So I think one of the things that attracts people to [etymology] is, it’s discussing something that they feel they have a part in.Mark Sundaram is a medievalist and linguist who specializes in the history of the English language. He’s the co-host of the podcast The Endless Knot and the main force behind the Alliterative YouTube channel. Mark has a PhD in Medieval Studies from the University of Toronto and teaches at Laurentian University.Aven McMaster is a Classicist who studies Latin poetry and Roman social history. She is the co-host of the podcast The Endless Knot Podcast and does production work on the Alliterative channel videos. Aven has a PhD in Classics from the University of Toronto and taught at Thorneloe University at Laurentian.They join Chris and Suzanne to talk all about etymologies, dictionaries, and etymological dictionaries. What pleasures are found in reading the dictionary? Why are some people so compelled by etymologies? How do etymologies and puns inform classical poetry?SHOW NOTES.The Endless Knot on Twitter.John Ayto: Dictionary of Word Origins.The Oxford Dictionary of English Etymology.Paul Anthony Jones (Haggard Hawks on Twitter): Why Is This A Question?On Webster’s Third New International Dictionary.Ernest Weekley: The Romance of Words.Alliterative’s video on nation.The etymology of feisty.Ernest Klein: A Comprehensive Etymological Dictionary of the English Language. Anatoly Liberman: Word Origins and How We Know Them.The Oxford Etymologist.Calvert Watkins: The American Dictionary of Indo-European Roots.Support The Spouter-Inn and our network, Megaphonic, if you can. Thanks!

The word “amicus” — meaning “friend” — comes from a derivation, as if it were “animi custos”, or “guardian of the soul”. And this is well put! The term for someone tormented by carnal desire is “amator turpitudinis”, a lover of wickedness. But “friend”, “amicus”, is from the word “hamus”, a hook — in other words, the chain of charity, since hooks hold on.The Etymologies, by the seventh-century polymath and theologian Isidore of Seville, is a massive medieval encyclopedia, with sections devoted to topics from grammar to farming, mathematics to war. And throughout the book, Isidore attempts to understand the world through etymology—that is, by poking and prodding at words until they reveal their histories and the other words that they’re made of. Chris and Suzanne revel in Isidore’s ear for the materiality of language, as well as his encyclopedic impulse to gather and organize everything.SHOW NOTES.Isidore of Seville: The Etymologies. [Bookshop.] [The text in Latin.]The only other book by Isidore available in English translation seems to be On the Nature of Things.Our episodes on the Hereford Mappa Mundi, The Aeneid, Beyond a Boundary, Gertrude Stein, and Georges Perec.Petrus Riga’s Aurora does not seem to be available in English translation.The Latin text of the opening quote:Amicus, per derivationem, quasi animi custos. Dictus autem proprie: amator turpitudinis, quia amore torquetur libidinis: amicus ab hamo, id est, a catena caritatis; unde et hami quod teneant.Suzanne wrote about encyclopedism (and Moby-Dick, naturally) for LitHub.The Glossa Ordinaria.The First Grammatical Treatise.Virgilius Maro Grammaticus.Next: Nezami Ganjavi: Layla and Majnun. [Bookshop.]Support The Spouter-Inn through our network, Megaphonic if you can. Thank you!

“Now I know,” she said, “that other, more serious cause of your sickness: you have forgotten what you are. So I really understand why you are ill and how to cure you. For because you are wandering, forgetful of your true self, you grieve that you are an exile and stripped of your goods; since indeed you do not know the goal and end of all things, you think that evil and wicked men are fortunate and powerful; since indeed you have forgotten what sort of governance the world is guided by, you think these fluctuations of fortune uncontrolled. All these are quite enough to cause not merely sickness but even death. But I thank the author of all health that you have not yet wholly lost your true nature.”The Consolation of Philosophy by the sixth-century Roman author Boethius has a little of everything: poetry and prose, autobiography and philosophy; bright and lively writing and… maybe some boring bits, especially in the last two sections. But it was written by a man who found himself thrown in jail and condemned to death; who can blame him for trying to use philosophy—or, a dialogue with the personification of Philosophy herself—to make sense of his life? Chris and Suzanne discuss how this complex poem intersects with a lot of other literary works, and argue about the uneasy marriage of philosophy and poetry.SHOW NOTES.Boethius: The Consolation of Philosophy. [Bookshop.]Our episodes on The Symposium, Augustine’s Confessions, The Book of the City of Ladies, Paradiso, and The Autobiography of Malcolm X. The Wikipedia page for The Consolation of Philosophy has a nice medieval depiction of Fortune’s wheel.Rainer Maria Rilke: Archaic Torso of Apollo. (The original German text. See also Mark Doty talking about this poem.)Next: Isidore of Seville: The Etymologies. [Bookshop.]Support The Spouter-Inn and our network on Patreon — it helps us make the show, and it gives you access to our friendly Discord!

I come to my garden, my sister, my bride;I gather my myrrh with my spice,I eat my honeycomb with my honey,I drink my wine with my milk.Eat, friends, drink,And be drunk with love.The Song of Songs is a work of lyric poetry which is notably and undeniably erotic in focus. And yet it has also been a key religious text within both Judaism and Christianity, and has been read and commented upon for thousands of years within those contexts. Chris and Suzanne read this poetry both within and without these traditions of interpretations — and also luxuriate in its intensity (and spiciness).SHOW NOTES.The Song of Songs is part of the Hebrew Bible and the Christian Bible, and is available in many translations. Chris was primarily looking at the Jewish Publication Society translation; Suzanne at the Revised Standard Version.Our episodes on Walt Whitman, the allegorical Conference of the Birds, and Times Square Red, Times Square Blue.Bernard of Clairvaux: Commentary on the Song of Songs.Alain of Lille’s commentary, Elucidatio in Cantica Canticorum, doesn’t seem to be easily available in English, but here’s the Latin.Rupert of Deutz’s Commentaria in Cantica Canticorum also doesn’t seem to have been translated into English.Next: Boethius: The Consolation of Philosophy.

are you mockers of meyou grabbing old menare you laughers at methough I’m not yet goneO springs of the rivers of ThebesO reaches of the plains of Thebesbear me witnessno one sheds a tear for meas I go to my strange new graveno one knows what kind of laws they are that sentence menor what kind of tomb it is I go toI’m a strange new kind of inbetween thing aren’t Inot at home with the dead nor with the livingSophocles’s play Antigone asks many questions about our relationship to the law, to the state, to our families, and to the dead. The new king in town, Creon, wants his nephew Polynices’s body to go unburied, as he died an enemy of the state. Polynices’s sister Antigone says she will bury the body herself, because that is the right and necessary thing to do. Things escalate.Chris and Suzanne revisit this work and its world—how it depicts the gods and the dead, and how we might read the struggles of a king trying to rule and a young woman trying to do right by her brother. They also explore two different translations by the poet and classicist Anne Carson.SHOW NOTES.Sophocles: Antigone. [Bookshop.]Anne Carson: Antigonick and its less fancy edition.Also by Anne Carson: Autobiography of Red; Nox; Grief Lessons: Four Plays by Euripides; and many more.Elizabeth Wyckloff’s translation of Antigone.Euripides: Hippolytus, translated by Sean Gurd, recreates the Greek (lack of) punctuation.Our episode on the Iliad.And our episode on To the Lighthouse.Walter Benjamin: The Task of the Translator.Will Aitken: Antigone Undone: Juliette Binoche, Anne Carson, Ivo van Hove, and the Art of Resistance.Next: Song of Songs.Support The Spouter-Inn on Patreon. Thanks!

‘My friend, whom I loved so dear, who with me went through every danger,my friend Enkidu, whom I loved so dear, who with me went through every danger:‘the doom of mortals overtook him. Six days I wept for him and seven nights.I did not surrender his body for burial, until a maggot dropped from his nostril.‘Then I was afraid that I too would die, I grew fearful of death, and so wander the wild.‘What became of my friend was too much to bear, so on a far road I wander the wild;what became of my friend Enkidu was too much to bear,] so on a far path I wander the wild.‘How can I keep silent? How can I stay quiet? My friend, whom I loved, has turned to clay,my friend Enkidu, whom I loved, has turned to clay. Shall I not be like him and also lie down,never to rise again, through all eternity?’The Epic of Gilgamesh is a very old poem. The Standard Babylonian version of it was redacted over three thousand years ago by an editor and poet named Sîn-lēqi-unninni, but much of the material he compiled was even older than that. The poem describes Gilgamesh, the king of Uruk, two-thirds divine and one-third human, who is so superior to everyone else that the gods must create a companion for him. That companion is Enkidu, a bestial man who must be carefully brought into civilization. Their relationship — and the questions that arise after the gods condemn Enkidu to an early death — are still compelling several thousand years later. Chris and Suzanne explore this fragmentary monument of ancient literature, and think about what choices a translator (and a reader!) have to make when engaging with it.SHOW NOTES.The Epic of Gilgamesh, as translated by Andrew George, N.K. Sandars, Sophus Helle, and David Ferry. [Many others are available!]Our episode on The Iliad.On cuneiform writing.In a very different context, Chris has talked about Gilgamesh on a podcast before.Michael Schmidt: Gilgamesh: The Life of a Poem, an accessible book-length overview of the poem.Next: Sophocles: Antigone. [Bookshop.]And our 2023 reading list, if you want to read ahead! (Some books may change. We are fickle.)Support The Spouter-Inn on Patreon. Thanks!

In classical narrative poetry, there’s these formulaic repetitions that come up, right? And then we have these very weird formulaic repetitions that come up in Blind Owl. And I think the function is completely the opposite in the classical works and in this modern work. [In classical poetic narratives, repetitions] keep the reader kind of grounded. It’s that same familiar signpost that keeps you on the right track. When we get to Blind Owl, when we get these very odd repetitions … it unhinges the reader, right? It makes you feel like you’re in some weird dream and you can’t get up.Sassan Tabatabai is a poet, translator, and scholar of Medieval Persian literature. He is Master Lecturer in World Languages and Literatures and the Core Curriculum, and Coordinator of the Persian Language Program at Boston University. His translations of Persian poetry have appeared in numerous journals, and he is the author of Father of Persian Verse: Rudaki and His Poetry, Sufi Haiku, and Uzunburun: Poems. He is also the translator of the novel Blind Owl by Sadeq Hedayat, published by Penguin Classics. His forthcoming books, both scheduled for release in spring 2023 are Ferry to Malta: Poems and Translations, and a Persian translation of the poetry of David Ferry.He joins Suzanne and Chris to talk about the challenges in translating prose and poetry, and to further explore the influences and the intricacies of Sadeq Hedayat’s novel Blind Owl.SHOW NOTES.Sassan Tabatabai on Twitter.Sassan Tabatabai’s books and translations: Blind Owl. Father of Persian Verse: Rudaki and His Poetry. Sufi Haiku. Uzunburun: Poems. Also some translations of Rumi.Our episodes on Blind Owl, The Conference of the Birds, and Frankenstein.Support The Spouter-Inn on Patreon. Thank you!

I had thought about death and the decomposition of all the particles in my body many times—to the extent that it didn’t frighten me—in fact, my true wish was to be completely annihilated. The only thing that frightened me was that the atoms in my body would mix with the atoms in the bodies of the vulgar. This was an insufferable thought. Sometimes I wished that after death I would have long arms and extended fingers with which I could gather all my own atoms and hold them with both hands so that the atoms that belong to me would not enter the bodies of the vulgar.Sadeq Hedayat’s novel Blind Owl is brief, curious, and often disquieting. It tells the tale of a man who paints pen-case covers, who paints the same image again and again—and old man sitting beneath a cypress tree, an alluring young woman offering him a water lily, a stream running between them. And he is haunted by this image, and especially by the woman in this image—who may also be his wife, his cousin, his mother? The setting of the novel keeps shifting, the props in the novel keep reappearing, and the characters all seem like hazy echoes of the two figures in the painting. Chris and Suzanne try to stay grounded as they discuss this marvellous gem of Iranian modernism.Content warning: The book contains some potentially disturbing imagery, and so does our discussion.Thank you to Michael Collins for helping us edit this episode.SHOW NOTES.Next: Sadeq Hedayat: Blind Owl. [Bookshop.] (We read the translation by Sassan Tabatabai.)Not enough of Hedayat’s other work is available in English, but see also Three Drops of Blood (a collection of short stories) and The Fable of Creation (a play).Previous episodes that we mention: Invisible Man. Persepolis. Symposium. Paradiso. Frankenstein.An example of a nineteenth-century painted pen case from Iran.Lingam puja.Edgar Allan Poe: Berenice.Junji Ito: Frankenstein and The Enigma of Amigara Fault.Support The Spouter-Inn on Patreon. Thank you.

I know the rest of the night will be as devoted to work as love as I’m now resting in this expensive sentence and in the end I’ll spend it fast writing to you anyway, addressing you and a solution or night beginning like a letter, just a few words more freely seeing everything more clearly than the rest of life and love tends to be like windows facing mostly south but surrounding us, I’m thinking of you.Bernadette Mayer’s Midwinter Day is a book-length poem entirely written on December 22, 1978. It documents her day—early morning dreams, midday chores with her toddlers, late night all-night writing sessions with her partner—in a panoply of poetic modes. Chris and Suzanne read the poem alongside some of the other books they’ve read this year, and consider Mayer’s works and days.SHOW NOTES.Bernadette Mayer: Midwinter Day. [Bookshop.]Other books by Bernadette Mayer: Memory. Studying Hunger Journals. Eating the Colors of a Lineup of Words: The Early Books of Bernadette Mayer. Sonnets. A Bernadette Mayer Reader. The Helens of Troy, NY. Milkweed Smithereens. 0 to 9: The Complete Magazine, 1967–1969.Bernadette Mayer’s pages at the Poetry Foundation and PennSound.Some of her early works can be found at Eclipse.Obituaries in the New York Times and Artforum.Our episodes on Times Square Red, Times Square Blue, Ulysses, Mrs. Dalloway, the Metaphysical Poets, the Iliad, and The Waste Land.Catullus.Geoffrey Chaucer: The House of Fame.Ted and Alice are Ted Berrigan and Alice Notley. John Donne: A Nocturnal upon St. Lucy’s Day.Sonnet [You jerk you didn’t call me up].Bernadette Mayer’s Writing Experiments.Next: Sadeq Hedayat: Blind Owl. [Bookshop.]Support The Spouter-Inn on Patreon and hang out with us in a private Discord.

Summer surprised us, coming over the StarnbergerseeWith a shower of rain; we stopped in the colonnade,And went on in sunlight, into the Hofgarten,And drank coffee, and talked for an hour.Bin gar keine Russin, stamm' aus Litauen, echt deutsch.And when we were children, staying at the archduke's,My cousin's, he took me out on a sled,And I was frightened. He said, Marie,Marie, hold on tight. And down we went.In the mountains, there you feel free.I read, much of the night, and go south in the winter.T.S. Eliot’s poem The Waste Land is a monument of modernist poetry built out of fragments. But the poem also turned 100 in 2022, and so Chris and Suzanne wonder: What does it mean to read this poem today? What still delights us, and what frustrates us? And what are the various languages, dialects, and registers all doing in this poem, rubbing up against each other like that?SHOW NOTES.T.S. Eliot: The Waste Land. (And Eliot’s endnotes, usually published alongside the poem.)Also a new edition of a facsimile of the original drafts of The Waste Land, with Ezra Pound’s notes, was published for the centenary.And you can listen to Eliot reading the poem.Other works by Eliot: The Love Song of J. Alfred Prufrock. The Hollow Men. Four Quartets. Murder in the Cathedral. The Cocktail Party.Support us on Patreon and hear Chris and other Megaphonic hosts talking about the 1965 epic The Greatest Story Ever Told.Jessie Weston.The Beatles: Revolution 9.Our episode on Ulysses.Rothenberg & Joris, eds.: Poems for the Millennium, Vol. 1.Some books that have been published for the centenary:Matthew Hollis: The Waste Land: A Biography of the Poem.Jed Rasula: What the Thunder Said: How The Waste Land Made Poetry Modern.Robert Crawford: Eliot After The Waste Land.Next: Bernadette Mayer: Midwinter Day. [Bookshop.]Support The Spouter-Inn on Patreon and hang out with us in a friendly little Discord.

Encodings were precious. The little girls heard the stories at their mother’s knees, when their mothers had time to tell them…. How women, in the long ago time when women could vote and be doctors and fly spaceships—a fantasy world for these girlchildren, as fabulous and glittering as any tale of castles and dragons—how women, even then, had begun the first slow gropings toward a language of their own.The tales were told again and again, and embroidered lovingly with detail; and prominent in their ornament were the jewels of the Encodings. A word for a perception that had never had a word of its own before. … [Encodings were] precious because they were truly newborn to the universe of discourse. … “A woman who gives an Encoding to other women is a woman of valor, and all women are in her debt forevermore.”Suzette Haden Elgin’s novel Native Tongue is a feminist science-fiction novel first published in 1984. The future it describes features an America in which women are considered biologically (and thus legally) inferior to men. But it’s also taking place in a time when humans are in contact with aliens, and only a handful of families have the ability to communicate in their alien languages. And the women of these linguist families are constructing a language that should make it easier for women to express their thoughts—which in turn will have powerful political implications. Suzanne and Chris explore the tremendous world-building of this novel.Thank you to Michael Collins for helping to edit this episode.SHOW NOTES.Suzette Haden Elgin: Native Tongue. [Bookshop.]Other words by Elgin: Judas Rose. Earthsong. The Gentle Art of Verbal Self-Defence. A Third Dictionary and Grammar of Láadan.The Science Fiction & Fantasy Poetry Association.The homepage for Láadan.The Sapir-Whorf Hypothesis.An article on Láadan and emotional labour.Another article on Elgin’s influence.Diane Wilson: The Seed Keeper.Next: T.S. Eliot: The Waste Land.Support The Spouter-Inn on Patreon. Thank you!

The Two Towers’ landscape passages… a lot of the book is from Sam’s POV, and he’s the gardener, and Ithilien is packed with flower names in a way that not even the Shire is when he’s not the viewpoint character. So there’s so much lore that he clearly is collecting as he goes. Which I think is so beautiful.Jared Pechaček is a writer and artist whose recent work includes illustrating the acclaimed horror novel Red X by David Demchuk. He’s also one of the hosts of By-The-Bywater, a podcast here on the Megaphonic network that’s about all things Tolkien. He lives in Seattle, where he can generally be found either tweeting about fashion or drifting over the beach at low tide.Jared joins Chris and Suzanne for a wide-ranging discussion on The Two Towers, including a look at the characters of Sam and Frodo, a reading of the landscape of Ithilien, and a sampling of rabbit stew.SHOW NOTES.Follow Jared on Twitter or Patreon, or listen to him on By-The-Bywater.By-The-Bywater episodes on food, the Ents, and Orcs.Jared made rabbit stew for a Kitchen Party livestream (which happens occasionally on the Megaphonic twitch channel).Support The Spouter-Inn on Patreon.

The second part of J.R.R. Tolkien's The Lord of the Rings.

“I want to know everything, everything,” screeched Harriet suddenly, lying back and bouncing up and down on the bed. “Everything in the world, everything, everything. I will be a spy and know everything.” [Ole Golly said,] “It won’t do you a bit of good to know everything if you don’t do anything with it. Now get up, Miss Harriet the Spy, you’re going to sleep now.”Louise Fitzhugh’s Harriet the Spy is a novel about a young girl who wants to be a writer — or maybe a spy. She constantly writes her candid observations about other people in her private notebook, and she is given love and attention by her nurse, Ole Golly. But what would happen if Ole Golly were to leave? Or if her notebook got into the hands of her classmates, and they read her unfiltered thoughts about them? Suzanne and Chris reconnect with a book that meant a great deal to them as children, appreciating its careful and striking construction, and teasing out the queerness in the book.SHOW NOTES.Louise Fitzhugh: Harriet the Spy. [Bookshop.]Other books by Louise Fitzhugh: The Long Secret. Nobody’s Familiy Is Going to Change. Sport.Sandra Scoppettone: Suzuki Beane.Leslie Brody: Sometimes You Have to Lie: The Life and Times of Louise Fitzhugh, Renegade Author of Harriet the Spy. (An excerpt.)Our episodes on other children’s books: Little Women. Charlie and the Chocolate Factory. Charlotte’s Web.Our episode on Invisible Man.Next episode: J.R.R. Tolkien: The Two Towers. [Bookshop.]Support The Spouter-Inn on Patreon. Thanks!

In the South everyone knew you, but coming North was a jump into the unknown. How many days could you walk the streets of the big city without encountering anyone who knew you, and how many nights? You could actually make yourself anew. The notion was frightening, for now the world seemed to flow before my eyes. All boundaries down, freedom was not only the recognition of necessity, it was the recognition of possibility.Ralph Ellison’s monumental novel Invisible Man is a picaresque coming-of-age story. Our unnamed narrator grows up in the American South between the World Wars. After a series of incidents gets him a scholarship to—and then expelled from—college, he travels to New York City. There, in the bustling, anonymous city, he realizes he has been invisible all along—which is to say, that no one seems to be able to see him for him. Suzanne and Chris explore this powerfully written book, and how sight, sound, and taste can connect its narrator, even as the city isolates him.SHOW NOTES.Ralph Ellison: Invisible Man. [Bookshop.]Also by Ralph Ellison: Juneteenth; Essays (Includes “Living with Music”).Our episodes on: Gertrude Stein, Dante’s Inferno, Moby-Dick, Ernest Hemingway, the Decameron, The Book of the City of Ladies, and The Jungle.Voltaire: Candide.Jane Jacobs: The Death and Life of Great American Cities.Walter Benjamin: The Arcades Project.China Miéville: The City and the City.Charles Dickens: A Tale of Two Cities.Italo Calvino: Invisible Cities.Next: Louise Fitzhugh: Harriet the Spy. [Bookshop.]Support The Spouter-Inn on Patreon. Thanks!

—Mr Brandes accepts it, Stephen said, as the first play of the closing period.—Does he? What does Mr Sidney Lee, or Mr Simon Lazarus as some aver his name is, say of it?—Marina, Stephen said, a child of storm, Miranda, a wonder, Perdita, that which was lost. What was lost is given back to him: his daughter’s child. My dearest wife, Pericles says, was like this maid. Will any man love the daughter if he has not loved the mother?—The art of being a grandfather, Mr Best gan murmur. L’art d’être grand...—Will he not see reborn in her, with the memory of his own youth added, another image?Do you know what you are talking about? Love, yes. Word known to all men.James Joyce’s novel Ulysses is sometimes considered the greatest novel of all time, and sometimes considered an impenetrable brick of a book. In celebration of its centenary and on the anniversary of the day the book is set (Bloomsday!) Chris and Suzanne trace the paths of its characters through the streets of Dublin, revel in its sensuous writing, and consider what approaches to reading the book encourages.SHOW NOTES.James Joyce: Ulysses. [Bookshop. Project Gutenberg.]Also by Joyce: Chamber Music. Dubliners. A Portrait of the Artist as a Young Man. Finnegans Wake.We refer to several books we’ve discussed in previous episodes: The Odyssey; Mrs. Dalloway; The Divine Comedy; Middlemarch; A Moveable Feast; W; I Am Woman.Don Gifford: Ulysses Annotated.Harry Blamires: The New Bloomsday Book.Patrick Hastings: Ulyssesguide.com and The Guide to James Joyce’s Ulysses.The Joyce Project offers a heavily annotated copy of the text.An overview of the censoring of Ulysses in the US.An image of the edition with giant letters.A lecture by Johnna Purchase on graphic design and Ulysses.Écriture feminine.James Heffernen on Woolf’s reading of Joyce. The pharmacy mentioned in Ulysses.Tracing Stephen Dedalus's gay desires.Kate Bush is having a moment right now, so let’s add her adaptation of Molly’s speech, The Sensual World.Next: Ralph Ellison: Invisible Man. [Bookshop.]Support The Spouter-Inn on Patreon.

Clarissa had a theory in those days—they had heaps of theories, always theories, as young people have. It was to explain the feeling they had of dissatisfaction; not knowing people; not being known. For how could they know each other? You met every day; then not for six months, or years. It was unsatisfactory, they agreed, how little one knew people. But she said, sitting on the bus going up Shaftesbury Avenue, she felt herself everywhere; not “here, here, here”; and she tapped the back of the seat; but everywhere. She waved her hand, going up Shaftesbury Avenue. She was all that. So that to know her, or any one, one must seek out the people who completed them; even the places.Virginia Woolf’s Mrs. Dalloway is a novel that traces the lives of several characters over the course of a single day in June 1923. The novel jumps between characters, tracing their inner monologues and their memories as they go about London, reminisce about their younger days, and worry about where their lives have brought them. Suzanne and Chris explore this web of connections and parallel lives, and dwell on particular moments of intensity: an overheard conversation at a party, an unexpected kiss, or even riding a bus.[Content warning: the novel and the episode contains discussion of mental illness and suicide.]SHOW NOTES.Virginia Woolf: Mrs. Dalloway. [Bookshop.]Some annotated editions of Mrs. Dalloway have come out recently.Our episodes on To the Lighthouse and Orlando.The Hogarth Press.We didn’t talk about the effect of the pandemic on the book, but here’s an article about reading Mrs. Dalloway in the shadow of our own pandemic.Ned Blackhawk: Violence over the Land: Indians and Empires in the Early American West.Charles Wilkinson: Blood Struggle: The Rise of Modern Indian Nations.Bram Stoker: Dracula.Chris talks about Dracula on another podcast.Dracula Daily.Our episode on John Donne.Next: James Joyce: Ulysses. [Bookshop.]Support The Spouter-Inn on Patreon. (Thanks!)