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The BTS team discusses how Christopher Nolan brings his unique filmmaking style to the biopic genre, when structural complexity can help or hinder a story, and why a strong theme is necessary to hold it all together.
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The BTS team discusses the spectacle of a Denis Villeneuve cinematic experience, the film's structural choices, and what we might see from the future of the franchise.
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The BTS team discusses the film's strong tone, how its structure invests the audience in both sets of character relationships, and why the ending sequence hits so hard.
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Alex Calleros: https://twitter.com/Alex_Calleros
Produced by Vince Major: https://twitter.com/VinceMajor
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The BTS team discusses what makes a good performance, the different styles of acting, actor-director relationships, and what kind of performances we typically choose to award.
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Produced by Vince Major: https://twitter.com/VinceMajor
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The BTS team discusses the control of information, the constant raising of stakes and urgency, and question how exactly the French justice system works.
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The BTS team discusses all things Bella—from her character journey, her evolution, and of course her masterful portrayal by Emma Stone—as well as the film’s use of allegory and the surprise fourth act.
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Produced by Vince Major: https://twitter.com/VinceMajor
Website: http://beyondthescreenplay.com
For Inquiries and Booking: vincet.major@gmail.com
The BTS team counts down our favorite films of the 1970s, discusses how the decade forever changed the cinematic landscape, and perhaps mentions something about sharks and laser swords along the way...
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Produced by Vince Major: https://twitter.com/VinceMajor
Website: http://beyondthescreenplay.com
For Inquiries and Booking: vincet.major@gmail.com
We're launching our winter season, "Best Picture Winter" with a new episode releasing every Friday!
We're going to examine some awards season movies, dive into the craft of acting, and maybe discuss the whole awards *thing* along the way.
January 26th: Patreon-Exclusive — Chinatown
February 2nd: Our Favorite Films of the 1970's
February 9th: Poor Things
February 16th: Anatomy of a Fall
February 23rd: Patreon-Exclusive — A Conversation About Acting
March 1st: Past Lives
March 8th: Dune: Part Two
March 15th: Patreon-Exclusive — Fargo
March 22nd: Oppenheimer
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Alex Calleros: https://twitter.com/Alex_Calleros
Produced by Vince Major: https://twitter.com/VinceMajor
Website: http://beyondthescreenplay.com
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The BTS team discusses epic battle sequences, character motivations, accents, and whether or not the imminent director's cut can help tie up some loose narrative and thematic threads.
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Alex Calleros: https://twitter.com/Alex_Calleros
Produced by Vince Major: https://twitter.com/VinceMajor
Website: http://beyondthescreenplay.com
For Inquiries and Booking: vincet.major@gmail.com
The BTS team discusses Fincher's signature look and feel, attempts to unravel the film's themes, and examines the value of the pursuit of perfection.
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Alex Calleros: https://twitter.com/Alex_Calleros
Produced by Vince Major: https://twitter.com/VinceMajor
Website: http://beyondthescreenplay.com
For Inquiries and Booking: vincet.major@gmail.com
The BTS team discusses Sofia Coppola’s ability to capture a feeling, how restraint can make small moments feel powerful, and what we want from movies depicting real people.
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Produced by Vince Major: https://twitter.com/VinceMajor
Website: http://beyondthescreenplay.com
For Inquiries and Booking: vincet.major@gmail.com
The BTS team discusses Sofia Coppola's focus on character and emotion, the choice to view the Lisbon girls through the lens of other characters, and how the film lingers with you long after the credits roll.
AUTEUR AUTUMN release schedule: https://www.patreon.com/posts/announcing-our-90434879
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Alex Calleros: https://twitter.com/Alex_Calleros
Produced by Vince Major: https://twitter.com/VinceMajor
Website: http://beyondthescreenplay.com
For Inquiries and Booking: vincet.major@gmail.com
The BTS team discusses the film's infamous twist, when the web of mysteries works and when it doesn't, and how Scorsese can turn a B movie into something greater than it might have been in the hands of another filmmaker.
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Alex Calleros: https://twitter.com/Alex_Calleros
Produced by Vince Major: https://twitter.com/VinceMajor
Website: http://beyondthescreenplay.com
For Inquiries and Booking: vincet.major@gmail.com
In our season premiere, the BTS team discusses David Fincher's place as one of our greatest modern auteurs, how Se7en masterfully balances emotion with technical prowess, and how the bleak and hopeless narrative still manages to provide a glimmer of light.
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Alex Calleros: https://twitter.com/Alex_Calleros
Produced by Vince Major: https://twitter.com/VinceMajor
Website: http://beyondthescreenplay.com
For Inquiries and Booking: Vince@Plusfortyseven.com
We're launching our fall season, "Auteur Autumn" with a new episode releasing every Friday.
We're going to examine some of our most iconic directors' unique styles and voices by looking at an early film from their portfolio and then a new film that they have coming out.
October 13: Se7en (David Fincher)
October 20: Shutter Island (Martin Scorsese)
October 27: Patreon-Exclusive — Killers of the Flower Moon (Martin Scorsese)
November 03: Virgin Suicides (Sofia Coppola)
November 10: Priscilla (Sofia Coppola)
November 17: The Killer (David Fincher)
November 24: Patreon-Exclusive — Prometheus (Ridley Scott)
December 1: Napoleon (Ridley Scott)
🎧 Listen to our patron-exclusive episode on Rear Window: https://www.patreon.com/posts/patron-exclusive-89996529
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Produced by Vince Major: https://twitter.com/VinceMajor
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In our season finale, the BTS team discusses the juxtaposition between Barbieland and the real world, the similar conflict between Barbie and Ken's character arcs, and how Greta Gerwig manages to take a movie about Barbie and make it as thematically rich as it is pink.
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Produced by Vince Major: https://twitter.com/VinceMajor
Website: http://beyondthescreenplay.com
For Inquiries and Booking: Vince@Plusfortyseven.com
The BTS team discusses how Christopher McQuarrie redirected the franchise, when the extreme in-camera action sequences work best, and what makes Ilsa Faust such a compelling character.
SUMMER: IMPOSSIBLE release schedule: https://www.patreon.com/posts/summer-release-83919760
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Produced by Vince Major: https://twitter.com/VinceMajor
Website: http://beyondthescreenplay.com
For Inquiries and Booking: Vince@Plusfortyseven.com
The BTS team discusses what works and what doesn't work about Indy's final ride, how James Mangold's directing style pays homage to the original trilogy, and why less is more when it comes to the magic at the heart of every Indiana Jones film.
SUMMER: IMPOSSIBLE release schedule: https://www.patreon.com/posts/summer-release-83919760
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Produced by Vince Major: https://twitter.com/VinceMajor
Website: http://beyondthescreenplay.com
For Inquiries and Booking: Vince@Plusfortyseven.com
The BTS team discusses how J.J. Abrams and Brad Bird helped cement the look and feel of the franchise, the differences between the heist and action genres, and the importance of developing emotional character relationships.
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SUMMER: IMPOSSIBLE release schedule: https://www.patreon.com/posts/summer-release-83919760
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Produced by Vince Major: https://twitter.com/VinceMajor
Website: http://beyondthescreenplay.com
For Inquiries and Booking: Vince@Plusfortyseven.com
The BTS team discusses the film that launched a multi-billion dollar movie franchise—Brian De Palma's stylish direction, the paranoia and distrust at the heart of the plot, and why the vault mission may be the greatest heist sequence of all time.
SUMMER: IMPOSSIBLE release schedule: https://www.patreon.com/posts/summer-release-83919760
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Find us on Twitter
Beyond the Screenplay: https://twitter.com/BTScreenplay
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Alex Calleros: https://twitter.com/Alex_Calleros
Produced by Vince Major: https://twitter.com/VinceMajor
Website: http://beyondthescreenplay.com
For Inquiries and Booking: Vince@Plusfortyseven.com
I feel like I watched a different show than you because I have no idea what your talking about in it feeling supernatural in anyway.
i looked at supposedly he does go blind in one eye, just not much hullabaloo is made of it. there is the line thst says "in the land of the blind the one eyed man is king"
if your feel something is pretentious it probably has more to do with your than with them
paul thomas anderson is striving toward abstraction i feel.
i think we also have to put into context we are in a generation who had been conditioned to have shorter attention spans
Re: the lobby scene. They are not people. That is the point of the movie. It the construct. For the bodies that are batteries. That’s why they can manipulate everything.
ABSOLUTELY appreciated this conversation! I'm beyond thrilled to know there are people to discuss such a great film and story so well🙌🙌🙌
thank you for helping me love this movie more. The film making techniques but have struggled to understand that reason I felt this was great beyond that. Apathy. Wow thank you! just moved up my list. I love movies who tell a story in a world that continues when then end (ie. blade runner 2049) new subscriber
Aliens gave my the movie making bug with trauma. Seeing that lady on the wall and the chest burster at a young age blew my mind and made want to know how that was done. The chest burster in Aliens was so much better than Alien. It looked alive. Also the loose face hugger scene is epic. Such a great movie.
really enjoyed this episode
Great Episode! Searching really did a fantastic job at transforming an idea that could have easily come off as gimmicky into a thrilling, original experience. I also loved how the format didn't distract from the actual story at all.