Comic Lab

As he prepares to launch his new Kickstarter at newevilbook.com, Brad Guigar tells co-host Dave Kellett that he's decided to eliminate all international shipping except for Canada! Between VAT taxes, new regulations, tariffs, and other uncertainties, he's decided it's just too risky. But first, a listener wrestles with his new role as a comics publisher. Is he helping out some friends, or is he a greedy capitalist?Today's showBecoming a comics publisherIs it important to have an art style?Overseas shippingSummaryIn this episode, cartoonists Brad Guigar and Dave Kellett discuss the intricacies of comic publishing and the importance of ownership in the comic industry. They delve into the ethical considerations of being a publisher, the necessity of clear contracts, and the financial math behind comic sales. The conversation also touches on the significance of developing a personal art style. The comics uncles delve into the intricacies of drawing and artistic styles. To close out the show, the fellas talk about the challenges of international shipping for comic creators. They explore the evolution of personal style in art, the inevitability of developing a unique style, and the complexities of managing multiple styles. The conversation also addresses the current issues surrounding international shipping and tariffs, particularly for creators looking to launch Kickstarter campaigns. The hosts offer valuable insights and guidance for navigating these challenges while upholding artistic integrity and achieving profitability.   You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Many singers do a key change in the middle of a song to indicate drama. Dave Kellett is so good, he does it right in the middle of a word! Brad Guigar and Dave Kellett learn too much about each other while sharing a hotel room with his friend at the National Cartoonists Society Conference and Reuben Awards. Dave and Brad return from Boston brimming with stories from a week of cartooning camaraderie and community.Here's how to join the NCS. If you're under the age of 27, your membership is only $27!Cartoonists Brad Guigar and Dave Kellett reflect on their experiences at the NCS Conference and Reuben Awards sharing insights on the importance of community, networking, and the evolving landscape of cartooning. They discuss the joy of meeting fellow cartoonists, the impact of online creators, and the significance of new voices in the industry. The conversation also touches on travel tales, humorous anecdotes, and the camaraderie that defines the cartooning community.TakeawaysThe NCS Conference and Reuben Awards is a vital event for networking.Community and camaraderie are essential in the cartooning world.New voices in cartooning are crucial for the industry's evolution.Online cartoonists face unique challenges and opportunities.Travel experiences can lead to unexpected adventures.Meeting fellow cartoonists fosters a sense of belonging.The importance of supporting new members in the NCS.Humor and storytelling are key elements of the Comic Lab podcast.The future of cartooning is bright with diverse voices.Networking at events can lead to valuable connections. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Dave Kellett and Brad Guigar hosted a live performance of ComicLab at the 79th annual National Cartoonists Society Conference and Reuben Awards. Joining them onstage to talk about the business of comics were three marvelous cartoonists:Jason Chatfield, a remarkably talented cartoonist who is as comfortable doing stand-up comedy as he is sitting down to create cartoons for The New Yorker. His new book, “You’re Not a Real Dog Owner Until…”, is a danged delight, and belongs on your shelf.Sean Wang, the creator of Runners, a wonderful sci-fi comedy about alien smugglers. Its most recent Kickstarter launched a couple days before the recording of the show, and was funded shortly thereafter — which is 100% a coincidence, but we’ll be claiming credit nonetheless.Cassidy Wasserman, whose debut graphic novel, On Guard, was published by Random House earlier this year to rave reviews. She has also illustrated no fewer than three delightful children’s books.On the show...What's working — and what's not working — in your comics business?What should you do when subscriptions stagnate?What's the best way to use Patreon without burning out on complex rewards?What is the best use of Print On Demand?How can I use Substack to publish/monetize my comic?Is social media declining? — And if so, how are you compensating? You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

After discussing the best lettering techniques for shouts and whispers, Brad and Dave talk about plateaus. Is it possible to plateau for too long? Can they actually be beneficial? PLUS... Dave shares his experience after the first week of taking the ComicLab Social Media Challenge. This may be the best time-management tool yet!Today's ShowThe best lettering techniques for shouts and whispersSusan MacTaggart's Personal AffirmationAre plateaus... good?Is it possible to plateau for too long?The ComicLab Social Media Challenge ... is it your time management solution?SummaryIn this episode of Comic Lab, hosts Brad Guigar and Dave Kellett explore various themes related to creativity, comic artistry, and the challenges artists face. They discuss the importance of improv in everyday situations, the nuances of comic lettering, and the significance of legibility in comics. The conversation also explores the role of boredom as a catalyst for creativity, the inevitability of plateaus in artistic development, and the necessity of challenging oneself to avoid burnout. Additionally, they touch on the impact of social media on productivity and the importance of effective time management for artists.TakeawaysImprov can enhance experiences like open houses.Comic lettering styles can convey a range of emotions.Legibility is crucial in comic art.Visual metaphors help communicate emotions in comics.Boredom can spark creativity and new ideas.Plateaus in artistic growth are common and can lead to breakthroughs.Challenging oneself can reignite creativity.Social media can distract from productivity.Time management is essential for artists.Burnout can be mitigated by seeking new challenges.   You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Today's show is brought to you by Dreamhost! It's the first step in owning and controlling your own work. Check out the special offers at dreamhost.com/comiclab . Once again, Dave Kellett returns from Comic-Con International with a full report featuring actual numbers from his time spent exhibiting at his booth. He'll share what worked, what didn't, and what he has planned for next year. Next, it's the COMICLAB SOCIAL MEDIA CHALLENGE! After Brad challenges Dave to remove the social-media apps from his phone and charge the phone on the other side of the room at bedtime, the guys decide to make this a group experiment. Do YOU accept the challenge?SummaryDave reflects on the success of his booths, strategies for engaging with fans, and the importance of presentation. The conversation shifts to a new social media challenge, where they explore the impact of social media on productivity and creativity. They encourage listeners to join them in reducing social media usage and share their experiences. The episode concludes with a focus on future plans and the importance of community engagement.TakeawaysComic-Con was a success for both hosts, with increased sales and engagement.Preparation and presentation are key to a successful Comic-Con booth.The hosts discuss the importance of original art and its display.Social media can be a significant time sink, impacting productivity.The hosts challenge each other to reduce social media usage for a week.Engaging with the Comic Lab community is important for accountability.The hosts reflect on their experiences and lessons learned from Comic-Con.They emphasize the importance of personal connections at conventions.The episode encourages listeners to take control of their social media habits. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

This episode is sponsored by Dreamhost — your first step in owning and controlling your own work! Visit them at https://www.dreamhost.com/comiclab . This week, Brad and Dave are joined by Greg and Karen Evans, who are celebrating the 40th anniversary of their syndicated comic strip, Luann. Karen — then, a toddler — was the inspiration for the strip when Greg launched it in 1985. Twenty-seven years later, Karen joined her father to co-write the comic. They'll discuss that journey, their collaborative process, the significance of reader interaction, and more.SummaryIn this engaging conversation, Greg and Karen Evans reflect on their 40-year journey with the comic strip Luann. They discuss the challenges and triumphs of the submission process, the evolution of their characters, and the importance of collaboration in their creative process. The conversation also touches on their experiences at Comic-Con, the significance of reader interaction, and the unique challenges of adapting 2D characters into 3D models. Throughout, they emphasize the joy of storytelling and the impact of their work on fans and the cartooning community.Takeaways40 years of Luann is a tremendous achievement.The early submission process was filled with frustration.Character development is crucial in storytelling.Collaboration has enhanced the creative process.Reader interaction has shaped the strip's evolution.Comic-Con provides a unique opportunity for connection.3D modeling presents new challenges for cartoonists.Aging characters allows for deeper storytelling.The importance of humor in everyday life.The joy of creating and sharing stories with fans. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Today, YOU are the star of the show. We asked ComicLab listeners to help us celebrate our 400th episode by calling in with favorite memories from our seven years of podcasting. And — WOW! — did you ever deliver! Today's show will put a smile on your face for the rest of the day.ComicLab has been cranking out episodes about making comics — and making a living from comics — every week since January 2018. (Twice a week, if you count the Patreon-exclusive Pro Tips episodes!) A show that set out to share shop talk, advice, and friendship has become a weekly favorite of cartoonists, comic creators, and people who simply enjoy hearing people share their passion for comics. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

This week's show is brought to you by Dreamhost — your first step in owning and controlling your own work. This week, the fellas wonder what it would be like to win the lottery. Then, Brad shares stories from the American Library Association conference in Philadelphia. Finally, Brad and Dave explain why placing white text on a black background can cause eye fatigue.Today's ShowWhat if we won the lottery?No more Susan MacTaggartDreamhost.com/ComicLabUPDATE: The American Library Association conference in PhiladelphiaWhite type on a black backgroundSummaryIn this episode of ComicLab, hosts Brad Guigar and Dave Kellett discuss the joys and challenges of cartooning, the impact of wealth on creativity, and the importance of connecting with one's audience. They explore what they would do if they won the Powerball, emphasizing the value of investing in others and creating opportunities for future cartoonists. The conversation also explores the balance between art and commerce, the role of stress in creativity, and the importance of community support in the comic industry.TakeawaysThe dream of a flexible schedule is a common aspiration for cartoonists.Winning the Powerball would not change the core of who they are as creators.Investing in others can create significant opportunities for struggling artists.A billion dollars can be used to create programs for future cartoonists.Wealth can impact creativity, but it can also lead to a loss of touch with humanity.Maintaining a connection with the audience is crucial for creators.Stress can sharpen creativity and drive success in the comic industry.The use of text in comics should be carefully considered for readability.Community support is invaluable for cartoonists and creators.Ownership of one's work is essential in the comic industry.    You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

The episode is sponsored by Dreamhost —the first step in owning and controlling your own work! Today, a listener asks how he can develop an art style as quickly as possible! Your Humble Hosts have some very bad news for him. Next, a cartoonist asks whether it's a good idea to start a second social-media account to share personal views.Today's ShowI need an art style — quick!Susan MacTaggart's Personal AffirmationsSponsor: Dreamhost.com/comiclabA second social-media account for posting personal viewsSummaryIn this episode of ComicLab, hosts Brad Guigar and Dave Kellett delve into the challenges of learning to draw and developing an art style. Later, the conversation turns to the impact of social media on personal branding and mental health.TakeawaysCreating an art style takes time and dedication.There are no shortcuts to developing artistic skills.Social media can complicate personal branding.Engagement with the community is more impactful than online noise.It's essential to consider the purpose of sharing opinions online.Taking social media off your phone can improve productivity.Personal accounts can still affect professional branding.Every day is a blank canvas for creativity. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

How do you stop polishing and start publishing? Our strategies for overcoming perfectionism! Also — Dave has a little good news about the tariffs on imported books.Today's ShowDave Kellett at San Diego Comic-Con: Booth 1228How to conquer perfectionismHow to introduce a new dialogue font into your comicUPDATE: Tariffs on imported booksSusan MacTaggartDecreasing image size without losing quality.SummaryIn this episode of ComicLab, hosts Brad Guigar and Dave Kellett share humorous anecdotes about Father's Day mishaps, discuss the importance of deadlines in combating perfectionism, and provide insights on changing fonts in comics. They also touch on the impact of ego on creativity, share updates on Comic-Con, and delve into the intricacies of file preparation for digital comics. The episode features a guest appearance by Susan McTaggart, who offers personal affirmations, and concludes with a discussion on Patreon strategies and the challenges of maintaining subscriber support.TakeawaysBrad shares a humorous story about his disastrous Father's Day.The importance of deadlines in overcoming perfectionism is emphasized.Perfectionism can be defeated by focusing on the next project.Respecting past work is crucial for growth as an artist.Ego can hinder creativity and progress in comics.Changing fonts in comics requires careful consideration and communication with readers.Import taxes on books can be manageable if planned for.Susan McTaggart provides uplifting affirmations for listeners.Patreon strategies should focus on providing value to subscribers.File preparation for digital comics is essential for quality presentation. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

The episode is sponsored by Dreamhost —the first step in owning and controlling your own work! Are you a shameless self-promoter? Brad thinks a little bit of shame might be a good thing. Also — how do you find good comics?Today's ShowWhose house are you in?Susan MacTaggart's personal affirmationDreamhost.com/comiclabOval vs rounded corber word balloonsFinding good comics.SummaryIn this episode of ComicLab, hosts Brad Guigar and Dave Kellett explore the nuances of self-promotion in the comic industry, using a humorous anecdote about a drop of water to illustrate how small events can have significant impacts on our mindset. They discuss the importance of understanding the context of promotion, emphasizing the idea of 'whose house are you in' to navigate social media and community interactions effectively. The conversation highlights the balance between promoting one's work and being a supportive community member, advocating for kindness and generosity as key strategies for building relationships and gaining visibility in the comic world.Next, they discuss the importance of word balloons, lettering techniques, and the challenges of discovering new webcomics. They explore the nuances of choosing the right shape for word balloons, the significance of readability in comics, and share personal strategies for finding new comics to read. The conversation also touches on the role of tastemakers in the comic community and the importance of supporting fellow creators through platforms like Kickstarter.TakeawaysA single drop of water can change your perspective.Understanding the context of promotion is crucial.It's important to know whose house you are in when promoting.Self-promotion should be done in a way that respects the community.Being kind and helpful can lead to better engagement.Not every post needs to be promotional; value can be given freely.Building relationships is more effective than aggressive self-promotion.Generosity in sharing others' work can enhance your own visibility.Reading the room is important, but knowing the room is even more so.Success often requires starting, even if you're not great at first.Word balloon shapes can significantly affect readability.Choosing the right word balloon is a blend of art and science.Lettering is crucial for maintaining the flow of a comic.Consistency in negative space around text enhances clarity.Discovering new webcomics can be challenging but rewarding.Tastemakers play a vital role in comic discovery.Supporting creators through platforms like Kickstarter is beneficial.Personal preferences influence the choice of word balloon shapes.Readability is essential for engaging the reader.Comic creation involves multiple stages of design and thought. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

What do you do when someone you looked up to turns out to be a jerk? Also, over a hundred years of comics history reveal a great deal about the importance of artists understanding business.Today's showI Met My Hero, and They're a ZeroSusan MacTaggart's Personal AffirmationWhat 100 Years of Comics History Tells Us  You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

While Dave was at Alaska Comics Camp, he had the opportunity to talk with Ryan North Gillian Goerz!Ryan North is the creator and author of Dinosaur Comics, and has written for the comic series of Adventure Time and Marvel Comics' The Unbeatable Squirrel Girl and Fantastic Four. His works have won multiple Eisner Awards and Harvey Awards and made New York Times Bestseller lists.Gillian Goerz (pronounced like “Jillian Gertz”) works in illustration, graphic recording, cartooning, writing and brush lettering. Her middle grade graphic novel Shirley & Jamila Save Their Summer spent 7 weeks on the Canadian Best Seller list, received stars from Kirkus and Publishers Weekly and was warmly reviewed by the New York Times Review of Books. Her follow-up book Shirley & Jamila’s Big Fall (Dial, 2021) won the Doug Wright Award for excellence in children's comics. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

While at Alaska Comic Camp, Dave Kellett had the opportunity to speak with cartoonist Lucy Knisley, a critically acclaimed and award-winning comic creator. She specializes in personal, confessional graphic novels and travelogues.LUCY'S BOOKSLucy has published more than a dozen books, with several fantastic publishers. These have included: Simon & Schuster, First Second Books, Fantagraphics, Chronicle, Random House Graphics, Knopf and Rocky Pond. She has also contributed to many collections and anthologies at various publishers and made work for many periodicals and publications. Here are a few...Ride Beside MeWoa: A Housecat's Story of DespairFrench MilkRelish: My Life in the KitchenStepping StonesApple CrushSugar Shack, the third in the Peapod Farm series, comes out August 2025!You can reach out to Lucy via her Patreon page  You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

The episode is sponsored by Dreamhost —the first step in owning and controlling your own work!While Dave Kellett was at Alaska Comics Camp, he had the opportunity to speak with Jarad Greene, a cartoonist who works on staff at The Center for Cartoon Studies and has helped color many graphic novels for younger readers. He is the author and illustrator of the graphic novels A-Okay, A for Effort, and Scullion: A Dishwasher’s Guide to Mistaken Identity — available wherever books are sold and through his affiliate Bookshop.org shop. He talked with Dave about the joys of learning to use a brush for inking.MORE ABOUT JARADWebsite | TikTok | Instagram | YouTube You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Dave Kellet returns from Alaska Comics Camp once more rejuvinated, recharged, and reinvigorated! He shares his joy-filled experiences from a week in Juno, Alaska, with about 60 other cartoonists sharing knowledge, friendship, and happiness. In the second half, a cartoonist shares her feelings of depression after losing a couple of cartooning contests.Today's ShowAlaska Comics CampSusan MacTaggart's personal affirmationComicLab LIVE at the NCS conference, Aug.14-16Rejection storiesSummaryIn this episode of ComicLab, hosts Dave Kellett and Brad Guigar share their experiences at the Alaska Comics Camp, a unique gathering of cartoonists that fosters creativity, community, and personal growth. They discuss the joy of disconnecting from technology, the enriching interactions among artists of all levels, and the cultural exposure provided by the camp. The conversation highlights the importance of friendship and collaboration in the creative process and the humorous challenges of camp life. In this conversation, the hosts discuss the enriching experiences at Comics Camp, where artists come together to learn, share, and create in a supportive environment. They highlight the importance of teaching and learning from one another, the joy of creative games, and the deep personal connections formed during the camp. The discussion emphasizes the altruistic nature of the event and its impact on the artists' personal and professional growth. In this episode of ComicLab, hosts Brad Guigar and Dave Kellett discuss personal affirmations, the importance of motivation, and the upcoming ComicLab Live stage show. They delve into the universal experience of rejection in the comics industry, sharing personal stories and insights on how to cope with setbacks. The conversation emphasizes the value of persistence in cartooning and the idea that true success lies in continuing to create, regardless of awards or recognition.TakeawaysAlaska Comics Camp is a joy-filled experience.The camp fosters community among cartoonists.Participants come from all over North America.The camp is hosted in a beautiful, pristine location.Disconnecting from technology is healing and refreshing.The camp encourages interaction between artists of all levels.Both experienced and new cartoonists teach classes.The camp runs under Chatham House rules for open discussion.Friendship and collaboration are key themes at the camp. Comic Camp fosters a unique environment for learning and sharing.Teaching at Comic Camp is driven by altruism and community spirit.Creative games enhance camaraderie and collaboration among artists.Personal stories shared at camp deepen connections between artists.The camp experience allows for genuine friendships to form quickly.Artists engage in hands-on activities that spark creativity.The isolation of the camp creates a unique bonding experience.Scholarships are available for those who may need financial assistance.The camp is a blend of professional development and personal growth.Comic Camp is considered one of the best experiences in the comics community. Your talent is undeniable, unless you're the one denying it.Stop denying yourself and embrace your creativity.Comic Lab Live is a highlight of the year for creators.Rejection is a universal experience for artists.Don't let rejection define your self-worth.Persistence is key in the world of cartooning.Awards don't determine your value as an artist.You can't let others dictate your happiness.True victory is continuing to create despite setbacks.Sometimes, not winning is a blessing in disguise.  You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Today's episode is sponsored by Dreamhost. The first step in owning and controlling your own work is building a website, and Dreamhost is there to make that simple, painless, and inexpensive. Go to www.Dreamhost.com/ComicLab for details.The life of a comic artist is often a solitary one. Brad and Dave discuss ways of maintaining social connections for mental health and creativity. Later, they discuss the dangers of setting an artificially low Kickstarter goal.ON TODAY'S SHOWThe lone life of a comic artistUPDATE: Susan MacTaggart's affirmationshttp://www.Dreamhost.com/comiclab for special offers on web hosting for listenersAn artist is reminded of the importance of artSetting an artificially low Kickstarter goalSUMMARYIn this episode of ComicLab, hosts Brad Guigar and Dave Kellett explore the themes of socialization and loneliness in the life of cartoonists. They share humorous anecdotes from a recent trip to San Diego Comic Con, discuss the challenges of working alone, and emphasize the importance of maintaining social connections for mental health and creativity. The conversation also touches on practical tips for finding community, engaging with other cartoonists, and the value of stepping outside one's comfort zone to meet new people. In this episode, the hosts explore the importance of socialization for cartoonists and the healing power of art. They discuss how creative spaces can foster social interaction and the necessity of getting out of the studio.The conversation shifts to the emotional impact of art, particularly in times of personal grief, highlighting how art can provide escapism and comfort. The hosts reflect on their own experiences with art as a source of healing and the responsibility of artists to connect with their audience. In this episode, Brad Guigar and Dave Kellett discuss the significance of the arts in education and the joy of discovering new authors like John Scalzi.The show ends with discussing practical strategies for running successful Kickstarter campaigns. They emphasize the importance of understanding costs, setting realistic goals, and the potential risks of lowering funding targets. The hosts also explore the concept of urgency in crowdfunding and how to engage backers effectively, including leveraging early releases and creating special offers for supporters.TAKEAWAYSCartoonists often face loneliness in their profession.Finding a balance between solitude and socialization is crucial.Social interactions can enhance creativity and humor.Engaging with other cartoonists can provide support and inspiration.Joining groups like the National Cartoonist Society can foster connections.Participating in local meetups can improve mental health.Volunteering can introduce you to diverse perspectives.Maintaining friendships is essential for personal growth.Stepping out of your comfort zone can lead to new opportunities. Cartoonists can benefit from socializing in creative spaces.Art serves as a vital escape during tough times.Engaging with the community can enhance creativity.Walking a dog can lead to unexpected social interactions.Art can be a source of emotional healing.Creativity can be a daily practice, like brewing coffee.Comics can have a profound impact on readers' lives.Doom scrolling can be countered with engaging literature.Art can help maintain mental health and balance.Every artist contributes to the larger narrative of humanity. The arts are often undervalued in education.Discovering new authors can enhance escapism.Kickstarter strategies can significantly impact success.Setting realistic funding goals is crucial.Understanding costs is essential for Kickstarter campaigns.Lowering goals can be risky and detrimental.Project We Love may not significantly boost funding.Engaging backers early can create a sense of urgency.Special offers can incentivize early support.Learning from failed campaigns is part of the process.  You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Now that comic creators are returning to websites, SEO (search engine optimization) is once again a hot topic. We'll talk about methods to help search engines index comics. Also, if Brad and Dave were to design a four-year degree for cartoonists, what classes would be on the curriculum?Today's showSEO for webcomicsShould you use alt text on social media posts?Susan MacTaggart's personal affirmationUPDATE: Comiclab Live stage show at the NCS conference, Aug. 14-16UPDATE: Apple loses its 30% cash grabUPDATE: Superfan Ray Michels does it againWhat would Dave and Brad's comics BFA degree include?SummaryIn this episode, Dave Kellett and Brad Guigar discuss the importance of SEO for comic creators, particularly in 2025, highlighting best practices for optimizing webcomics. The episode concludes with practical tips for improving website performance and audience engagement through effective content strategies. In the mid-show updates, Dave Kellett and Brad Guigar promote their upcoming ComicLab LIVE stage show at the NCS convention in August, examine the implications of Apple's recent court loss, and thank superfan Ray Michaels for updating Dave Kellett's Wikipedia page.In the second half, they explore what an ideal art degree for cartoonists might look like, emphasizing the balance between craft and business education. They discuss the ideal curriculum for aspiring comic artists, focusing on creative writing, business skills, art techniques, and the importance of real-world experience. They explore various classes that would benefit students, including humor writing, long-form storytelling, digital tools, and color theory. The discussion emphasizes the need for a well-rounded education that combines artistic skills with practical knowledge to prepare students for a successful career in comics.TakeawaysSEO is crucial for comic creators to reach their audience.Transcripts can enhance SEO and accessibility for comics.Alt text is essential for improving search engine visibility.Optimizing image metadata can boost website performance.Creating a 'Start Here' page can guide new readers effectively.Regularly updating meta descriptions can improve SEO rankings.Engaging with your audience through alt text can enhance their experience.Content creation should be efficient and serve multiple purposes.SEO tactics can often be misleading and should be approached with caution.Linking to other webcomics can create a supportive community.Quality content is more important than SEO for attracting readers.Personal affirmations can provide motivation and encouragement.Events like the Reuben weekend are valuable for networking in the comic community.Recent legal victories can benefit creators financially on platforms like Patreon.Understanding analytics is crucial for independent artists.Business courses should be a core part of an art degree for cartoonists.Branding and legal knowledge are essential for success in the comic industry.Grant writing can be a valuable skill for artists seeking funding.A creative writing class specifically for comics is essential.Rhetoric and composition should be included in the curriculum.Understanding humor is crucial for all writers, not just humorists.Long-form storytelling should be taught with a focus on serialization.Art classes should cover visual storytelling and mark-making techniques.A history of mixed media communication is important for understanding comics.Digital tools and their applications should be part of the curriculum.Color theory and management are vital for storytelling in comics.Internships provide valuable real-world experience for students.A well-rounded curriculum should balance art, writing, and business skills.Brad's Comics BFAThis is Brad Guigar's wishlist for a full 4-year BFA-style degree for comics creators, assuming a 120-credit hour program, broken down into approximately 40 classes (3 credits each). I’ve grouped them by category and semester.YEAR 1 – FoundationFall SemesterIntro to Visual Storytelling (Art)Creative Writing for Comics I (Writing)Foundations of Marketing (Business)Composition & Rhetoric (Gen Ed)Digital Tools for Creatives (Art/Tech)Spring SemesterDrawing for Sequential Art (Art)Creative Writing for Comics II (Writing) Entrepreneurship 101 (Business) Intro to Media Studies (Gen Ed)Social Media Strategy (Business)YEAR 2 – Skill BuildingFall SemesterNarrative Structure & Pacing (Writing)Lettering & Typography (Art)Branding for Creators (Business)  Art History for Comic Artists (Gen Ed/Art History)Accounting & Taxes for Freelancers (Business) Spring SemesterPanel Layout & Visual Flow (Art)Character Development & Dialogue (Writing) Marketing Campaigns & Analytics (Business) Legal Issues in Creative Careers (Business) Psychology of Storytelling (Writing/Gen Ed) YEAR 3 – Integration & Professional PrepFall SemesterWriting humor (Writing) Coloring (Art)Crowdfunding & Direct Sales (Business) The Comic Industry: History & Trends (Gen Ed/Art History)Pitching & Proposal Writing (Business/Writing) Spring SemesterAdvanced Sequential Storytelling (Art)Long-Form Storytelling & Serialization (Writing) Client & Commission Work (Business)Internship or Industry Mentorship (Business)Elective: Animation, Game Art, or PodcastingYEAR 4 – Capstone & LaunchFall SemesterCapstone Project Planning (Writing/Art)Publishing & Distribution Models (Business)Teaching & Workshops for Creators (Business)Grant Writing & Residencies (Business/Writing)  Elective: Zines, Erotic Comics, or Experimental FormsSpring SemesterCapstone Execution & Exhibition (Writing/Art)Webcomic Design & User Experience (Art/Tech)Pre-Press (Art/Tech)Collaborative Studio Project (All)Exit Interview & Career Planning (Business) You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Today's show is sponsored by Dreamhost. The first step in owning and controlling your own work is creating a website, and Brad and Dave have relied on Dreamhost for years. Check out Dreamhost.com/comiclab to find out how you can lock in a rate of $2.59/month for three years!Every beginning cartoonist agonizes over drawing eyes! Why is that — and while we're at it, what's the right way to do it? Next, we'll talk about why we hate anthologies, and answer a listener who suspects his webhost is throttling his traffic.Today's showHow to draw eyesSusan MacTaggart's personal affirmationDreamhostAnthologies"Is my host blocking my traffic??"SummaryIn this engaging conversation, Dave Kellett and Brad Guigar explore the nuances of cartooning, focusing on the art of drawing eyes and the importance of expressiveness in comics. They share personal anecdotes, discuss the evolution of their styles, and provide valuable insights for aspiring cartoonists. The discussion highlights the balance between maintaining a unique style and adapting to the needs of storytelling, emphasizing that style often emerges from solving artistic challenges over time. In this conversation, Brad Guigar and Dave Kellett explore various aspects of comic art, including the importance of flexibility in artistic style, the significance of character-specific design choices, and the challenges associated with comic anthologies. They emphasize the need for experimentation in developing a unique style and the forgiving nature of comics as a medium. The discussion also touches on personal affirmations, sponsorships, and the humorous dynamics between the hosts. In this conversation, Brad Guigar and Dave Kellett delve into the complexities of anthologies in the comic industry, discussing the dynamics of collaboration, the challenges faced by creators, and the reader's perspective on anthologies. They also touch on the importance of portfolio sites and the misconceptions surrounding web traffic and SEO. The discussion highlights the frustrations and joys of comic creation, emphasizing the need for professionalism and the impact of collaboration on the final product.TakeawaysThe way eyes are drawn can significantly impact a character's expressiveness.Cartoonists often obsess over how to draw eyes more than other features.Style in cartooning is often discovered in hindsight, not planned.Using simple eye representations can be effective in storytelling.Different expressions can be conveyed through variations in eye design.It's important to adapt eye styles based on the emotional context of the scene.The dot is a versatile starting point for drawing eyes in comics.Cartooning styles can evolve significantly over time.  Comics allow for flexibility and experimentation in art.Don't lock yourself into a specific style too early.Your artistic style will evolve over time.Character design should reflect the moment and emotion.Comics can be forgiving in terms of artistic rules.Anthologies can be challenging due to varying contributor commitment.It's important to find what works best for your characters.Trust your instincts and do what looks best in the moment. Anthologies often succeed when creators are in a specific career stage.The dynamics of collaboration can lead to frustration in anthologies.Reader experiences with anthologies can vary widely.Portfolio sites serve a different purpose than high-traffic sites.SEO may not be the primary issue for low traffic on portfolio sites.Social media can drive traffic to portfolio sites effectively.The quality of contributions in anthologies can greatly affect the overall product.Professionalism and deadlines are crucial in collaborative projects.The importance of having a clear theme in anthologies is often overlooked.Creatives should focus on their own work rather than anthologies.   You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.

Today's show is sponsored by Dreamhost. The first step in owning and controlling your own work is creating a website, and Brad and Dave have relied on Dreamhost for years. Check out Dreamhost.com/comiclab to find out how you can lock in a rate of $2.59/month for three years!Your social media profile needs to answer three questions clearly: Who are you? What do you do? And why should I care? If you're wasting time being cute, you're missing out of opportunities. Also, the NCS releases the nominees for Outstanding Cartoonist of the Year, and a person hired to illustrate a children's book faces a tough question from the writer: How do we sell this thing??Today's ShowBranding on your social media profileSusan MacTaggartShow sponsor: Dreamhost dreamhost.com/comiclabUPDATE: NCS Outstanding Cartoonist nominationsWe made the book... now what?"Have we ever considered not doing free content?SummaryIn this conversation, Brad Guigar and Dave Kellett discuss the importance of branding for cartoonists on social media, emphasizing the need for clear communication in profiles. The conversation wraps up with insights on navigating new platforms like Bluesky and the importance of straightforward messaging in promoting one's work. They discuss the evolving nature of social media presence, and the value of reliable hosting services like DreamHost. They also engage in a light-hearted personal affirmation segment and provide updates from the National Cartoonist Society. The conversation culminates in practical advice for illustrators on how to sell their work, emphasizing the importance of understanding one's role in the creative process. In this episode, Brad Guigar and Dave Kellett discuss the importance of branding in book promotion, the exploration of new intellectual properties (IP) for original graphic novels, and the value of audience engagement and product testing in the creative process. They also touch on the resurgence of physical media in a digital age, emphasizing that quality content will always find an audience.TakeawaysBranding is crucial for self-publishing cartoonists.Social media profiles should clearly state who you are.Consistency is more important than creativity on social media.Cartoonists often struggle with self-promotion due to imposter syndrome.Blue Sky may not have the same algorithmic restrictions as other platforms.Direct communication is key in branding and marketing.It's okay to promote your work without feeling like you're bragging. Put some of the creative thought into solving business problems.This change is 100% not permanent.You can change it tomorrow.We're big fans of DreamHost.This is the perfect opportunity for you.A 97-day money back guarantee.You are a limitless well of creativity.This is not your job, Jay.You should run as far away from him as you can.Your job is to use the book to promote Jay. Your job is to use the book to promote your next gig.Selling books, marketing books, promoting books, that's not Jay's brand.The responsibility of selling this book is not your job.This is a time management issue.You can use this to get to the next stage in your career.We have both done this with IP that the world has never seen.You'd better have previews and sample images that look incredible.People will absolutely buy that thing because they know it's good.People will buy your book. Absolutely.You can absolutely make that work. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.