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A Small Voice: Conversations with photographers and filmmakers
A Small Voice: Conversations with photographers and filmmakers
Author: Ben Smith
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Fortnightly in-depth interviews featuring a diverse range of talented, innovative, world-class photographers from established, award-winning and internationally exhibited stars to young and emerging talents discussing their lives, work and process with fellow photographer, Ben Smith. The most recent 50 episodes are on this free feed, 200+ more are in the archive!
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53 Episodes
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Reuben Wu is a multidisciplinary artist who explores new ways of telling compelling stories about the world we inhabit. His work with aerial lighting and long-exposure photography has defined a singular style in contemporary landscape photography and belongs in the Guggenheim Museum, The Metropolitan Museum of Art, and the MoMA.His practice spans fine art and creative collaborations with brands.Reuben was born in Liverpool to parents who had immigrated from Hong Kong. Following their guidance, he pursued Industrial Design at university, though his academic focus often took a backseat to DJing, collecting records and enjoying Sheffield’s vibrant music scene.After graduating, his passion for music led him back to Liverpool’s creative community, and with Daniel Hunt, Mira Aroyo, and Helen Marnie, he formed the band Ladytron in 1999. Their first single earned Single of the Week in the NME. Soon they were signed to a label and invited on a world tour, at which point Reuben left his job at an industrial design consultancy to dedicate the next decade to music.When Ladytron took a break, Reuben again faced the challenge of reinvention. Though uncertain, he committed to pursuing photography professionally. After years of persistence and occasional strokes of luck, he established himself in the field, bringing his own visual perspective shaped by his design and musical background.Reuben works globally and lives in Chicago, USA.
Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £4 per month.Need a website? Or someone you know does? EXCLUSIVE LISTENER OFFER: 15% off when booked by Christmas 2026! Go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.
Iva Sidash is an independent documentary photographer and visual storyteller from Ukraine. Born in 1995, she focuses on deeply personal narratives shaped by the realities of war. Since the onset of Russia’s full-scale invasion, she has documented intimate stories of fragility, resistance, and memory that unfold behind the frontlines.Her work merges artistic sensibility with documentary practice, revealing the human experience through a lens of emotion, nuance, and resilience.A graduate of the International Center of Photography in New York, Iva is a member of the Ukrainian Association of Professional Photographers and Women Photograph. She is the recipient of the 2024 Ian Parry Photojournalism Grant, a Women Photograph fellowship, and the Chris Hondros Award at the Eddie Adams Workshop.Her photographs have been published in The New York Times, The Wall Street Journal, The Atlantic, INSIDER, Der Spiegel, and The Financial Times. Her exhibitions span both solo and group presentations across the United States and Europe, highlighting her growinginternational recognition as a compelling voice in documentary photography.On episode 291, Iva discusses, among other things:Daily normality in KyivHow a car accident led her to street photographyHow she transitioned from street photography to documenting the warThe power of trying to portray life during wartimeEthical concernsHer project What Is Unseen and what the title meansWinning the Ian Parry Grant (and being in that ‘family’)...…And the Chris Hondras awardGoing to the ICP in New YorkHer story there about injured Ukrainian soldiers undergoing rehabilitation on Staten IslandFuture plans for other projects she’s interested in, including diaristic work
Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £4 per month.Need a website? Or someone you know does? EXCLUSIVE LISTENER OFFER: 15% off when booked by Christmas 2026! Go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.
Richard Sharum is an editorial and documentary photographer based in upstate New York. Mainly focusing on socio-economic or social justice dilemmas concerning the human condition, his work has been regarded as in-depth, up-close and personal. Selected exhibitions have occurred in Kyoto, Japan, Sao Paulo, Brazil, Reggio Emilia, Italy, New York City, Boston, Chicago and Dallas, and his work has been added to the permanent collection of the Jordan Schnitzer Museum of Art and The Wittliff Collection, as well as others.Richard's commissions include those by The Meadows Foundation, Centers for Community Cooperation, Harvard Law School, Student Conservation Association, Children's Medical Center (Oncology), Children's Cancer Fund. His publications include those by LFI (Leica International), British Journal of Photography, LensCulture, The Atlantic, Texas Monthly, Publico (Portugal), El Pais (Spain), Observer (UK), The Wall Street Journal, B+W Photo Magazine, Huck Magazine, Glasstire, PATRON, Creative Review, among others.Richard has published two photobooks, Campesina Cuba and Spina Americana, both with GOST. His third, American Homicide, will be released early in 2027, also by GOST. The last two of these titles will be joined in 2028 by American Avenue, to form a trilogy of books entitled Of Thee I Sing.He is represented by The Hulett Collection, Tulsa, Oklahoma. On episode 290, Richard discusses, among other things:His goal of reaching a wider audience among the general public.Team window vs. team mirrorHis new book American HomocideThe fascination for true crime among the publicHow murder affects all the groups involvedGetting access to the detective squad he embedded withThe portrayal of violence on screenHis obsession with timeThe need to be empathetic and openThe impact of being exposed so many murder victimsThe murder detectives he got to know and photographCorresponding with the perpetratorsPart three of his planned trilogy, American AvenueThe state of the photobook industry and the unfairness of the current systemReferenced:W Eugene SmithSebastião SalgadoJames NachtweyLarry TowellLeonard FreedSusan MeiselasGordon ParksWebsite | Instagram | Lecture at Columbia
Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £4 per month.Need a website? Or someone you know does? EXCLUSIVE LISTENER OFFER: 15% off when booked by Christmas 2026! Go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.
Clémentine Schneidermann is a French photographer living and working between Paris and South Wales. She recently completed a practice-based PhD at the University of South Wales, Cardiff entitled Photographing Children in a Social Context: Narratives and Strategies (2021). Clémentine works on long term projects & commissions and is interested in new creative practices in social documentary photography. Her approach is collaborative and playful, with an interest in communities and childhood, as well as our relationship to identity and culture. She is a co-founder of Bleak Fabulous with Charlotte James, a photography-based creative studio working across different disciplines with an emphasis on communities and collaboration.
On episode 289, Clémentine discusses, among other things:
How having a camera made it acceptable to stare at people
Studying in Switzerland… and then Newport, Wales
Falling in love with Wales immediately
Her book project, I Call Her Lisa Marie
Her project Ffasiwn
Collaborating with kids… and Charlotte James
Getting involved with Alexander MacQueen
Her forthcoming book marking ten year of Ffasiwn
Bleak Fabulous - trying to create stable income
Winning the Taylor Wessing Portrait Prize
Work she has done in Greenland
Her other collaboration: The Emmas
Referenced:
Mary Ellen Mark
Sebastian Bruno
Bruce Davidson
David Barnes
Ken Grant
Paul Reas
Lina Hashim
Jacob Aue Sobol
Website | Instagram
Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £4 per month.Need a website? Or someone you know does? EXCLUSIVE LISTENER OFFER: 15% off when booked by Christmas 2026! Go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.
Aria Shahrokhshahi (b. 1996) is a British-Iranian multi-disciplinary artist, whose practice has been shaped by a deep fascination with the intricate dynamics of diverse communities and the complexities of the human condition. With a focus on social structures and the human experience, Shahrokhshahi's work serves as a critical exploration of the relationships and power dynamics that inform everyday life.
Aria’s debut photobook, Wet Ground, featuring images from Ukraine shot over a period of several years both before and after the Russian invasion in Feburary 2022, was published in April 2026 by Loose Joints.
He is currently putting the finishing touches to a feature documentary film entitled While We Heal, which also focusses on the war in Ukraine and explores the themes of healing, loss, and resilience.
On episode 288, Aria discusses, among other things:
Formative experiences (11 different schools!) growing up in Nottingham
How walking around the city with a camera was the start of his photography journey
Negative feedback Facebook group / YouTube channel
Early education at the Photo Parlour lab (later named Sequence) from Dan Wheelan
Using large format and why the decision to shoot B&W came out of the cost of film
Falling in love with Ukraine
It not being enough to just take pictures
Why ‘Ukraine, I guess?’ was an informal category of picture during editing
Having nothing to say about war but being interested in what happens around it
The way in which war rearranges the social hierarchy
Poem by Charlotte Shevchenko-Knight
How the title ‘Wet Ground’, and the book itself, came about
The importance of collaboration
The feature length doc he is making in Ukraine
The importance of having a commercial practice
Referenced:
Lee Friedlander
Laytoya Ruby Frazer
Don McCullin
Tim Hetherington (Which Way Is The Front Line From Here)
Shelby Lee Adams
Minor White
Alec Soth
Gregory Halpern
Nigel Shafran
Alessandra Sanguinetti
Myriam Boulos
Sohrab Hura
Lightwork
Website | Instagram
Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £4 per month.Need a website? Or someone you know does? EXCLUSIVE LISTENER OFFER: 15% off when booked by Christmas 2026! Go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.








