Feminist Frequency Radio

Halfway through our season of Musical Mayhem, we decided to dive deep into the shallow waters of 2021's Dear Evan Hansen. After covering Glee last week, we felt like we had no other choice. This full-length episode is a special bonus for Patreon supporters at the "Fearless Feminist" level and above, but it's also available as a one-time purchase for non-subscribers.>> Listen to the full episode HERE <<Discussed in this episode:The promotional art for Ben Platt's Reverie tourPlatt's cover of "Diet Pepsi"Find Kat:letterboxd.com/katexmachinabsky.app/profile/katexmachina.bsky.socialtwitter.com/kat_ex_machinaFind A.C.:letterboxd.com/aclambertyinstagram.com/aclambertyFind Us:Support Our PatreonOur WebsiteSubscribe to FFR on Apple PodcastsTwitterInstagramLetterboxdNEW: bsky.app/profile/femfreq.bsky.social

Never has the micro-generational divide between Kat and A.C. been sharper than in their relationships to Glee, arguably the most influential musical series ever on television. It's hard not to get glib in our discussion of the "issues" the show attempted to tackle over the course of its six seasons. Especially when the show's tone varied from mean-spirited to earnest representation politics throughout the course of the series.Discussed in this episode:‘Glee’ 15th Anniversary: Looking Back at a Cultural Moment Never to Be Repeated by Erin Strecker for IndieWire in 2024Don't Rain on My Parade (Plasma's Version)Find Kat:letterboxd.com/katexmachinabsky.app/profile/katexmachina.bsky.socialtwitter.com/kat_ex_machinaFind A.C.:letterboxd.com/aclambertyinstagram.com/aclambertyFind Us:Subscribe to Our PatreonOur WebsiteSubscribe to FFR on Apple PodcastsTwitterInstagramLetterboxdNEW: bsky.app/profile/femfreq.bsky.social

Is this the first "perfect" movie we've covered on this podcast? This was Kat's first time watching Bob Fosse's 1979 self-referential musical drama All That Jazz, one of A.C.'s absolute favorites. There's something compelling about the way Joe Gideon, Fosse's stand-in for himself, is far from being the hero in his own larger-than-life story of addiction, perfectionism, and womanizing. And though the ending is foreshadowed from the opening scene, it's still jaw dropping when it happens.Discussed in this episode:"Le Jeune Homme et La Mort," the opening ballet from White Nights (1985).Find Kat:letterboxd.com/katexmachinabsky.app/profile/katexmachina.bsky.socialtwitter.com/kat_ex_machinaFind A.C.:letterboxd.com/aclambertyinstagram.com/aclambertyFind Us:Join Our PatreonOur WebsiteSubscribe to FFR on Apple PodcastsTwitterInstagramLetterboxdNEW: bsky.app/profile/femfreq.bsky.social

For the first full episode of our new "Musical Mayhem" season, we watched the 1955 film Guys and Dolls. The gender expectations and relationship dynamics between the central two couples in this movie feel like they'd be right at home in today's modern "trad wife" resurgence as certain segments of society seek to backslide into authoritarianism. Even the series finale of the Sex and the City follow-up And Just Like That... portrays established, successful women post-middle age wringing their hands about whether a man will propose. Unsurprisingly, Guys and Dolls' thin handling of race and class leaves a lot to be desired. But, there's joy to be had in many of the song-and-dance numbers, especially "Pet Me Poppa" featuring Vivian Blaine as showgirl Adelaide.Discussed in this episode:Tituss Burgess performing "Sit Down, You're Rockin' the Boat" at the 2009 Tony AwardsCarrie Coon talking about the training that sets theater performers apart in a time when arts programs are underfundedFind Kat:letterboxd.com/katexmachinabsky.app/profile/katexmachina.bsky.socialtwitter.com/kat_ex_machinaFind A.C.:letterboxd.com/aclambertyinstagram.com/aclambertyFind Us:Join Our PatreonOur WebsiteSubscribe to FFR on Apple PodcastsTwitterInstagramLetterboxdNEW: bsky.app/profile/femfreq.bsky.social

Kat and A.C. are back from an extended hiatus in the Heavyside Layer to bring you an all-new season of Feminist Frequency Radio! This time, we're being critical about the media we love while tapping our toes: the screen musical. Join us for a preview episode where we discuss the season ahead and what you can expect from our movie and TV selections, new Letterboxd lists themed to each episode, and special full-length bonuses for Patreon supporters.Discussed in this episode:The Ethel Merman Disco AlbumFind Kat:letterboxd.com/katexmachinabsky.app/profile/katexmachina.bsky.socialtwitter.com/kat_ex_machinaFind A.C.:letterboxd.com/aclambertyinstagram.com/aclambertyFind Us:Join Our PatreonOur WebsiteSubscribe to FFR on Apple PodcastsTwitterInstagramLetterboxdNEW: bsky.app/profile/femfreq.bsky.social

A.C. and Kat are joined by director Sav Rodgers to discuss his documentary feature debut, Chasing Chasing Amy, and the complicated legacy of its subject matter, Kevin Smith's 1997 film Chasing Amy. Sav shares about the arduous process of becoming the central story in his own doc, and examining his relationship to the movie that saved his life as a young queer person. We explore how we take our various fandoms seriously, and what it means to blend loving a piece of media with making that love the focus of our work and/or our identities.Discussed in this episode:Sav's film CHASING CHASING AMY, which is also available on KanopyChasing Amyaction figuresFind Sav:bsky.app/profile/savrodgers.bsky.socialletterboxd.com/savrodgersFind Kat:letterboxd.com/katexmachinabsky.app/profile/katexmachina.bsky.socialtwitter.com/kat_ex_machinaFind AC:letterboxd.com/aclambertyinstagram.com/aclambertyFind Us:Support us on PatreonOur WebsiteSubscribe to FFR on Apple PodcastsTwitterInstagramLetterboxdNEW: bsky.app/profile/femfreq.bsky.social

A.C. and Kat are back from their first semester at Shiz University for winter break, and we just had to talk about Jon M. Chu's blockbuster Broadway adaptation of Wicked: Part One. Starring Cynthia Erivo and Ariana Grande in the story before the story we all know from The Wizard of Oz, this is a tale that was originally published as a novel by Gregory Maguire in 1995. On its face it's a movie about accepting yourself when you don't fit in, but it's much more so about the way marginalized communities are threatened by authoritarian governments and the complicit neighbors who don't want to "rock the boat." We were impressed by its portrayal of class consciousness and the added nuance brought by casting a Black actress in the role of Elphaba. Finally, we hold a mini state of the union on Hollywood movie musicals.Find Kat:twitter.com/kat_ex_machinaletterboxd.com/katexmachinaFind AC:instagram.com/aclambertyletterboxd.com/aclambertyFind Us:Support Our PatreonOur WebsiteSubscribe to FFR on Apple PodcastsTwitterInstagramNEW: Letterboxd

Kat's fighting a vicious cold, and only had enough raspy voice left to record a bonus mini episode with AC this week. We caught up on all of the random movies and TV Kat watched while traveling or coughing on the couch, from Hit Man and Trap to Love Again and Hot Frosty. AC shared what movies he rewatches annually on Thanksgiving, and yes—The Silence of the Lambs is first on his list. Plus, we talk about AC's new publication with Currant Jam: Gelée, a digital zine on pop culture from emerging journalists, writers, and tastemakers.Discussed in this episode:FFR's 2021 episode about The Manchurian CandidateAC's new digital zine via Currant Jam: GeléeFind Kat:twitter.com/kat_ex_machinaletterboxd.com/katexmachinaFind AC:instagram.com/aclambertyletterboxd.com/aclambertyFind Us:Support Our PatreonOur WebsiteSubscribe to FFR on Apple PodcastsTwitterInstagramNEW: Letterboxd

Luke Perry biographer Margaret Wappler joined us for a conversation about her hybrid memoir profiling the '90s heartthrob, and the impact Perry had on viewers from 90210 to Riverdale. We dug into Fran Rubel Kuzui's 1992 film Buffy the Vampire Slayer, starring Perry alongside Kristy Swanson and Donald Sutherland. We particularly loved the comedic swings of supporting cast members Paul Reubens and David Arquette. Overall, we think the movie's feminist message and uneven tone are almost anachronistic, but can't deny its lasting impact.Discussed in this episode:Margaret's latest book, A Good Bad Boy: Luke Perry and How a Generation Grew UpFind Margaret:instagram.com/margaretwapplermargaretwappler.comFind Kat:twitter.com/kat_ex_machinaletterboxd.com/katexmachinaFind AC:instagram.com/aclambertyletterboxd.com/aclambertyFind Us:Join Our PatreonOur WebsiteSubscribe to FFR on Apple PodcastsTwitterInstagramNEW: Letterboxd

Writer and musician Tara Giancaspro joins Kat and A.C. for a rootin' tootin' rip-roarin' review of Colin Higgins' 1982 movie musical The Best Little Whorehouse in Texas. We get lost in the fun and charm of the music, dancing, and wigs! We delight in the beauty of Dolly Parton and Burt Reynolds! And we get caught up in a discussion of whether a movie like this could be made today, with its light-hearted treatment of sex workers being unfairly persecuted. Plus, an unhinged installment of the "what's wrong with me" game returns, as we decide which famous men we'd let watch our drinks.Discussed in this episode:Feminist Frequency Radio's 2020 episode about 9 to 5DC-based harm reduction organization HIPSFind Tara:twitter.com/sweatylamarrtaragiancaspro.substack.comsweatylamarrmusic.bandcamp.comFind Kat:twitter.com/kat_ex_machinaletterboxd.com/katexmachinaFind AC:instagram.com/aclambertyletterboxd.com/aclambertyFind Us:Support our PatreonOur WebsiteSubscribe to FFR on Apple PodcastsTwitterInstagramNEW: Letterboxd

Anita Sarkeesian returns to the podcast this week to discuss Coralie Fargeat's buzzy body horror film The Substance, starring Demi Moore and Margaret Qualley. Anita gives the movie 5 out of 5 stars, but she, Kat, and A.C. all find something uniquely different to love about it. After an electrifying in-theater experience, we couldn't stop thinking about its storytelling on the panopticon of the patriarchal gaze. Not to mention its gonzo gross-out creature work!Find Anita:twitter.com/anitasarkeesianinstagram.com/anitasarkeesianletterboxd.com/anitasFind Kat:twitter.com/kat_ex_machinaletterboxd.com/katexmachinaFind AC:instagram.com/aclambertyletterboxd.com/aclambertyFind Us:Support our PatreonOur WebsiteSubscribe to FFR on Apple PodcastsTwitterInstagramNEW: Letterboxd

Film critic and podcast host Alonso Duralde previously joined us for a discussion about 1950s Hollywood, and it was such a treat to have him return to the show. He recently published the film history compendium Hollywood Pride: A Celebration of LGBTQ+ Representation and Perseverance in Film, so what better film for us to watch together than William Wyler's 1961 opus of lesbian shame, The Children's Hour, starring Audrey Hepburn and Shirley MacLaine.Discussed in this episode:The Celluloid Closet (1995)Our podcast episode about the film SecondsFind Alonso:instagram.com/alonso.duraldeThe Film Library, a Kanopy podcastFind Kat:twitter.com/kat_ex_machinaletterboxd.com/katexmachinaFind AC:instagram.com/aclambertyletterboxd.com/aclambertyFind Us:Join our PatreonOur WebsiteSubscribe to FFR on Apple PodcastsTwitterInstagramNEW: Letterboxd

We were so excited to welcome author and journalist Emma Specter to the show, that we asked them if we could talk about their favorite movie. Join us as we traverse journalism onscreen in James L. Brooks' 1987 film Broadcast News, starring Holly Hunter, William Hurt, and Albert Brooks. We also ask Emma about the process of writing her reported memoir, More, Please, and what she might say about elements of the movie "as a private citizen," versus in her official capacity as culture writer for Vogue.Discussed in this episode:More, Please: On Food, Fat, Bingeing, Longing, and the Lust for EnoughEmma's review of She Said: https://dirt.fyi/article/2022/12/all-the-things-she-saidFind Emma:emmaspecter.comtwitter.com/EmmaSpecterinstagram.com/specteremmaFind Kat:twitter.com/kat_ex_machinaletterboxd.com/katexmachinaFind AC:instagram.com/aclambertyletterboxd.com/aclambertyFind Us:Join our PatreonOur WebsiteSubscribe to FFR on Apple PodcastsTwitterInstagramNEW: Letterboxd

Kat and A.C. are starving for a blockbuster to make them feel something, as if the movies are actually, finally back. So, they saw Lee Isaac Chung’s Twisters, and unfortunately—they’re still hungry. Listen in as they hypothesize about what Glenn Powell’s character was doing in the years before the events of this film took place (while Anthony Ramos’ was “working for the military” and Daisy Edgar-Jones’ was Being A City Girl). Could the tornado wrangler have been doing crunches? Optimizing his SEO? We just want cinema to try something new, please!Find Kat:twitter.com/kat_ex_machinaletterboxd.com/katexmachinaFind AC:instagram.com/aclambertyletterboxd.com/aclambertyFind Us:Join our PatreonOur WebsiteSubscribe to FFR on Apple PodcastsTwitterInstagramNEW: Letterboxd

Kat and A.C. ~*witnessed*~ the fifth installment in George Miller’s apocalypse epic, Furiosa: A Mad Max Saga and… we found it completely unnecessary. We know that movies about women are not by default inherently feminist (Anita tweeted about this specifically related to Fury Road back in 2015), but it’s always a bummer when we’re more invested in the male characters in a movie centered around a female protagonist. Then, we played another round of our “What’s Wrong With You?” guessing game, this time with a Pride Month theme (of sorts).Find Kat:twitter.com/kat_ex_machinaletterboxd.com/katexmachinaFind AC:instagram.com/aclambertyletterboxd.com/aclambertyFind Us:Join our PatreonNEW: LetterboxdOur WebsiteSubscribe to FFR on Apple PodcastsTwitterInstagram

Who’s in the mood for a little June Gloom? We finally watched John Frankenheimer’s 1966 film Seconds, starring Rock Hudson, in a feature segment we’re calling “Retro Featurism.” Kat and A.C. wonder what its Frankenstein-esque plotline in which viewers could find gay or trans messaging, says about the current moment where stories like Poor Things and Severance (and Maggie Gyllenhaal’s upcoming The Bride) are resonating with audiences. Plus, the return of our celebrity guessing game “What’s Wrong With Me?”!!!Discussed in this episode:Fortnightly Freq-Out episode about the documentary Rock Hudson: All That Heaven Allowed: https://feministfrequency.com/video/ffr-presents-fortnightly-freq-outs-mini-ep-1-with-special-guest-a-c-lamberty/FFR “Machos: Fully Loaded” episode about mental health vis-a-vis masculinity in media: https://feministfrequency.com/video/machos-on-the-verge-of-a-nervous-breakdown-machos-fully-loaded-episode-4-ffr-229/The fascinating life story of “Bride of Frankenstein” Elsa Lanchester: https://en.wikipedia.org/wiki/Elsa_LanchesterNote: In this episode, Kat erroneously and incorrectly uses the term “plus sized” in description. Apologies for this misuse of the phrase!Find Kat:twitter.com/kat_ex_machinaletterboxd.com/katexmachinaFind AC:instagram.com/aclambertyletterboxd.com/aclambertyFind Us:Join our PatreonOur WebsiteSubscribe to FFR on Apple PodcastsTwitterInstagramNEW: Letterboxd

In this week’s episode, Kat holds court on the movie that seemed uniquely designed just for her (which she ultimately found fairly disappointing): The Fall Guy. Directed by longtime stunt performer David Leitch and starring Ryan Gosling and Emily Blunt, A.C. and Kat predominantly found the movie… “cute.” Which is fine! But Kat was really hoping for a lot more about the love of stunts, all things considered. Then, A.C. debuts a new, extremely unhinged game entitled “Nightmare Blunt Rotation,” and Kat has a lot to answer for.Find Kat:twitter.com/kat_ex_machinaletterboxd.com/katexmachinaFind AC:instagram.com/aclambertyletterboxd.com/aclambertyFind Us:Join our PatreonOur WebsiteSubscribe to FFR on Apple PodcastsTwitterInstagramNEW: Letterboxd

Join Kat and A.C. for a discussion of Monkey Man, the directorial debut of star Dev Patel. We talk about action movie tropes, what happens when actors get to make their first feature behind the camera, and the “internet boyfriend”-ification of British boys in the 2010s. Plus, the return of our ill-advised celebrity guessing game entitled, “What’s Wrong With Me?”Find Kat:twitter.com/kat_ex_machinaletterboxd.com/katexmachinaFind AC:instagram.com/aclambertyletterboxd.com/aclambertyFind Us:Join our PatreonOur WebsiteSubscribe to FFR on Apple PodcastsTwitterInstagramNEW: Letterboxd

Join Kat and A.C. for a discussion of one of their most hotly anticipated movies of 2024, Luca Guadagnino’s Challengers starring Zendaya, Josh O’Connor, and Mike Faist. The FFR hosts were mixed on their reactions, but both saw opportunities where it could have ascended to greater heights than it ultimately did—in particular with the underwritten female character in the middle of the film’s central love triangle. While we love the craft accomplishments of this movie, we can’t help but wonder what Paul Verhoeven might have done with this story.Plus, we check in on this spring’s film festivals, from the recently debuted Los Angeles Festival of Movies presented by Mubi to the 77th annual festival in Cannes, which just kicked off.Discussed in this episode:FFR "Cyberpunk Summer" episode on Strange Days w/ Emily St. JamesFind Kat:twitter.com/kat_ex_machinaletterboxd.com/katexmachinaFind AC:instagram.com/aclambertyletterboxd.com/aclambertyFind Us:Join our PatreonOur WebsiteSubscribe to FFR on Apple PodcastsTwitterInstagramNEW: Letterboxd

This week, we’re releasing the first bonus episode of the season on the main feed so that everyone can get a teaser of the new format of extra content typically reserved exclusively for our supporters on Patreon! In this bonus episode, we’re discussing Pedro Almodóvar’s short film Strange Way of Life starring Pedro Pascal and Ethan Hawke.Discussed in this episode: Former FFR guest Inkoo Kang’s podcast “All About Almodóvar.”Find Kat:twitter.com/kat_ex_machinaletterboxd.com/katexmachinaFind AC:instagram.com/aclambertyletterboxd.com/aclambertyFind Us:Join our PatreonOur WebsiteSubscribe to FFR on Apple PodcastsTwitterInstagramNEW:  Letterboxd