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The Tone Mob Podcast
The Tone Mob Podcast
Author: Blake Wyland & Sound Talent Media
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© Blake Wyland & Sound Talent Media
Description
The year was 2015. Show host Blake Wyland intended to start a podcast where he took a deep dive with his guests from the guitar world to explain their rigs. What happened was that, but also a whole lot more. The show quickly evolved into discussions about people's lives. Guitars, pedals, amps, etc. are the central hub of the show, but it really is more about the PEOPLE behind all of it. Both the musicians who use the gear, and the folks that create these magical tools of expression. You can expect chats about songwriting, favorite bands, family, loss, addiction, conspiracy theories, philosophy, and most of all....... food. This podcast goes all over the place. Come take a ride.
538 Episodes
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Oh baby! We have a special one for you. Another, rather ridiculous story from the Tape Spaghetti vault for ya!
Elvis Presley had money, fame, private jets, guns, karate skills, and basically anything else a human being could reasonably want.
But there was one thing he couldn’t seem to get: a federal narcotics badge.
So, naturally, he went to the President.
In this episode of Tape Spaghetti, Scott and Blake dig into the wonderfully bizarre story behind one of the most famous photographs in American pop culture: Elvis Presley shaking hands with Richard Nixon in the Oval Office.
What begins with an argument at home turns into a cross-country odyssey involving commercial flights, loaded guns, handwritten letters to the White House, a surprise presidential meeting, an attempted career as a “federal agent at large,” complaints about the Beatles, and Elvis trying very hard to convince the United States government that he was exactly the man they needed to infiltrate the counterculture.
And somehow, against all reasonable expectations, he actually got the badge.
Throw in J. Edgar Hoover, the FBI, prescription drugs, a commemorative Colt .45, and one extremely determined King of Rock and Roll, and you’ve got one of the strangest side quests in music history.
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You know that guitar you passed on years ago and still think about? Imagine telling that story to someone… and realizing they might be the person who bought it.
Mike Ball of Mike N Mike’s Guitar Bar joins me to talk about building one of Seattle’s most inspiring guitar shops, starting with a single guitar in a garage. We dig into Fender offsets, Japanese “lawsuit” guitars, obscure Gibsons, and creating a space where people feel welcome to actually play the good stuff. There’s also a surprising amount of Disneyland influence involved… including an indoor trailer park.
Mike shares stories from sourcing gear in Japan, bringing a smashed 1963 Gretsch White Falcon back to life over ten years, and rescuing a fire-damaged Rickenbacker. We also discuss when restoring a vintage guitar makes sense, when its weird old modifications deserve to stay, and why the right instrument sometimes takes a decade to find you.
Plus, my sticker-covered Mustang apparently had quite the fan club, we compare pizza notes, and a Jazzmaster story I’ve told on this show for years takes a wildly unexpected turn.
Check out the good stuff HERE https://mmguitarbar.com/
Support The Show And Connect!
The Text Chat is back! Hit me up at (503) 751-8577
You can also help out with your gear buying habits by purchasing stuff from Tonemob.com/reverb Tonemob.com/sweetwater or grabbing your guitar/bass strings from Tonemob.com/stringjoy
Learn more about your ad choices. Visit megaphone.fm/adchoices
Emily Wolfe was riding home from a brutal tour, looking up what she could get for her gear on Reverb, and seriously considering calling it quits. Then a text came through that helped change everything.
One of my favorite artists (and guests) returns to the show for an incredibly honest conversation about the realities of making music for a living. Emily shares how connecting with producer Gavin Brown helped her rediscover her excitement for songwriting, learn to accept some help, and find a new direction. We dig into her single “Kill Me with a Kiss,” her upcoming record, and the emotional whiplash of touring… including the stuff musicians rarely want to admit out loud.
We also get into her incredible Billie Eilish-meets-Black Sabbath performance, attempt to figure out what Rick Rubin actually does, and discuss whether I should buy a van and start recording podcasts in parking lots. Naturally, Power Rangers, Dread Zeppelin, and a medically questionable amount of Diet Coke also enter the conversation.
Go check out Emily's stuff HERE https://www.emilywolfemusic.com/
Support The Show And Connect!
The Text Chat is back! Hit me up at (503) 751-8577
You can also help out with your gear buying habits by purchasing stuff from Tonemob.com/reverb Tonemob.com/sweetwater or grabbing your guitar/bass strings from Tonemob.com/stringjoy
Learn more about your ad choices. Visit megaphone.fm/adchoices
When somebody asks what you do for a living, sometimes the easiest answer is simply... “guitar.”
This week, Emily Harris of Get Offset returns for a long overdue catch-up! We dig into her journey from podcasting to gear demos, the changing landscape of guitar YouTube, and how she’s pieced together a career around the stuff she loves. Along the way, Emily explains how French pastry videos inspired her guitar interview series and why enjoying the process matters when the algorithm decides to ignore your hard work.
We also get into the guitars we actually reach for, her surprisingly practical gigging pedalboard, and the experience of plugging an Acoustasonic into a wall of Marshall stacks. Plus, stories from her days working Formula 1 events, my questionable ability to visit guitar stores without buying something, and her band Golden West’s forthcoming album.
Naturally, there’s also hot sauce, car trouble, and a little pizza talk. We covered a lot of ground on this one!
Check out Emily's Channel HERE https://www.youtube.com/c/GetOffset
Support The Show And Connect!
The Text Chat is back! Hit me up at (503) 751-8577
You can also help out with your gear buying habits by purchasing stuff from Tonemob.com/reverb Tonemob.com/sweetwater or grabbing your guitar/bass strings from Tonemob.com/stringjoy
Learn more about your ad choices. Visit megaphone.fm/adchoices
My buddy Philip Carter from the 40 Watt Podcast is back, and this one started the way a lot of our conversations do... We were talking about guitars before hitting record and eventually realized we should probably be recording this nonsense.
It all starts with a surprisingly complicated question: What actually makes a guitar vintage?
Is it age? Rarity? Desirability? Or have we all just gotten old enough that the stuff we grew up with is suddenly considered collectible?
Philip and I dig into the strange psychology of vintage guitars, why people pay ridiculous amounts of money for old instruments, and whether modern guitars are actually better than their vintage counterparts. We also get into the musicians who shaped our tastes, the power of nostalgia, and why a 60-year-old guitar can be worth a fortune even when a brand-new one might objectively perform better.
Naturally, this leads us into discussions about old Subarus, muscle cars, Blockbuster Video, the questionable state of Pizza Hut, and the financial consequences of being both a guitar enthusiast AND a car enthusiast.
We also catch up on Philip's ambitious recording studio project in Mississippi, which leads to a great conversation about making music, building communities, and why getting musicians together in a room might be more important than ever.
Old guitars, new studios, and two guys slowly coming to terms with the fact that we're becoming vintage ourselves.
Check out 40 Watt Podcast stuff HERE https://40wattpodcast.com/
Support The Show And Connect!
The Text Chat is back! Hit me up at (503) 751-8577
You can also help out with your gear buying habits by purchasing stuff from Tonemob.com/reverb Tonemob.com/sweetwater or grabbing your guitar/bass strings from Tonemob.com/stringjoy
Learn more about your ad choices. Visit megaphone.fm/adchoices



