Edinburgh International Book Festival

Local writers and poets from across Edinburgh come together to create a collective love letter to the city they call home. Episode 3: Flic McCann Jacqueline Gilchrist Hilary Birch Anne Hogarth

Local writers and poets from across Edinburgh come together to create a collective love letter to the city they call home. Episode 2: Elaine Harris Sylvia Trotter Janet Lewis Susan Cheney

Local writers and poets from across Edinburgh come together to create a collective love letter to the city they call home.    Episode 1: Barbara Munro Anna Phillips Anne Milne Billy Cornwall

Marian Keyes didn’t start writing until her twenties, she felt that she was ‘all washed up at 30.’ But readers have had a love affair with Keyes that has lasted over two decades now. It’s hard to imagine a greater, more reliable comfort than a new book by Marian Keyes landing solidly in your lap, promising all the qualities that have come to define her work: complicated family dynamics, bountiful quantities of laughter, skeletons in the closet and uncomfortable moments of truth that lie close to the bone. Her latest, Grown Ups, centres around Cara Casey, who after a bang on the head finds herself incapable of keeping mum on the family secrets. With more than 35 million copies sold of her 13 novels to date, Keyes’s own brand of irrepressible, generous, hilarious storytelling goes from strength to strength. Join Keyes and writer Jenny Colgan for an hour of unforgettable grown-up fun in this event recorded live at the 2020 Book Festival.  

‘You were always sitting in character, you were just never sure which one.’ So says Norah to the memory of her mother in Actress, the new novel by Anne Enright. The mother in question is Katherine O’Dell, who died aged 58 – the same age Norah has now reached. Actress is a portrait of life in the theatre, of one woman’s rise to fame and her subsequent decline, with all the challenges that women on stage faced in the years before the #MeToo movement shone light on them. But this novel is also a tender examination of the relationship between mother and daughter – the reconstruction of an emotional landscape in which fame has left a trail of newspaper articles, photographs and public performances. For this event, recorded live at the 2020 Book Festival, the Booker Prize-winning novelist is joined by Vicky Featherstone, Artistic Director of the Royal Court Theatre and the first Artistic Director of the National Theatre of Scotland, to discuss this sensitive portrayal of a life lived in the spotlight.

While the Summer of Love is about to unfold across the Atlantic, life in 1967 isn’t so easy for a young would-be musician in London’s shabby Charing Cross Road. Yet from this modest starting point, David Mitchell builds a joyful fictional biography of a band that will take the world by storm. Utopia Avenue is the finest prog-folk band you have never heard of, and the novel of the same name is a stylish romp through the rags-to-riches lives of drummer Griff, singer Elf, guitarist Jasper and bass player Dean. Organised around the song titles of the band’s albums, Utopia Avenue's clever structure also gives it a powerful narrative drive – with added zest from a series of cheeky cameo appearances by real-life rock legends including David Bowie and Leonard Cohen. Funny, whip-smart and occasionally veering into the fantastical, it is one of the most compellingly entertaining reads of 2020. Join Mitchell in this event recorded live at the 2020 Book Festival as he shares his notes with folk singer and musician Sam Amidon, who also plays some of his most recent music.

Funny Weather: Art in an Emergency is more than just a collection of Olivia Laing’s essays over decades. Ranging from interviews and profiles to reflections and confessionals, Laing’s characteristic generosity of spirit and optimism of purpose inspires hope in the midst of the unsettling weather of the present emergency. But this book is also a manifesto for the power, the value and the need for art: ‘Art is… political in the sense of being available as a tool for protest and activism… but it’s also political in that it continually offers new perspectives, new ways of seeing, other consciousnesses with which to view reality.’ With Fiona Bradley, Director of the Fruitmarket Gallery in Edinburgh, Laing unpacks our political, emotional and creative selves in this event recorded live at the 2020 Book Festival, drawing us in to her career-spanning conversations with art, with artists, and with herself.

2020 was, without doubt, a banner year for challenging our understanding of what constitutes a global problem and how equipped we are to address that task collectively. At the start of that year — what feels like an age ago — after generations of scientific findings and urgent calls to action, a unified, collective response to the global climate crisis remained elusive. But there were some green shoots of hope. Late in 2019, the European Commission announced the formation of the European Green Deal, a body that Commission President Ursula von der Leyen declared was Europe’s ‘Man on the Moon moment’: a plan to make Europe the first climate-neutral continent. Dutch politician and diplomat Frans Timmermans was named Executive Vice-President for the project and planning, and began negotiating with vigour. Then the pandemic hit. In this special conversation recorded live at the 2020 Edinburgh International Book Festival, Timmermans sits down with former UK Prime Minister Gordon Brown to discuss the politics of environmental change. How much action is needed for meaningful change? What are the roadblocks to genuinely ending Europe’s dependence on fossil fuels? And what does a green recovery from COVID-19 look like?

As a war correspondent in the Balkans, through to her time as senior policy advisor to Barack Obama, and her appointment in 2013 as US Ambassador to the United Nations, Samantha Power has spent her career committed to resolving international conflict and protecting human dignity. In her intimate and candid memoir, Education of an Idealist, Power offers an urgent response to the pressing question of our times, ‘What can one person do?’. The Pulitzer Prize-winning writer and Professor of Human Rights talks with Allan Little in our annual Frederick Hood Memorial Lecture, recorded live at the 2020 Book Festival.

‘Though passion may have strained, it must not break our bonds of affection. The mystic chords of memory will swell when again touched, as surely they will be, by the better angels of our nature.’ So said Abraham Lincoln in one of his rousing speeches, but it is a sentiment that could come straight out of the playbook of popular Dutch historian Rutger Bregman. Bregman's compelling ‘hopeful history,’ Humankind, is a bracingly optimistic account of human nature. Essentially, in his view, the vast majority of people are pretty decent. He contrasts this idea with biologist Frans de Waal’s ‘veneer theory’ which posits that beneath a thin skin of human decency, there’s a savage waiting to burst forth. Superbly readable and full of fascinating evidence, Bregman’s book also looks at how his optimistic analysis of human nature could play out in policy terms. Hyper-local participatory democracy? Schools with little or no curriculum? A change to the tough treatment of people serving time in prisons? In this event recorded live at the 2020 Book Festival,  Bregman shares his invigorating thesis with Lee Randall.

Earmarked as ‘the voice of our communal consciousness’ by Edinburgh International Book Festival’s 2018 Guest Selector Afua Hirsch, it’s hard to believe that Roger Robinson hasn’t been a staple of British public life since time immemorial. A fixture of the UK spoken word scene for many years, Robinson rocketed to national prominence in 2019 when his third poetry collection, A Portable Paradise, bagged the prestigious T S Eliot Prize. Firmly rooted in the dub poetry tradition of his Trinidadian heritage, Robinson’s plain-speaking, fizzy, often joyous verse journeys through our contemporary preoccupations with a seasoned insight few could replicate. From the ongoing injustices of Grenfell to the pains and pleasures of family life, he unpacks the cosmos of ideas that make up A Portable Paradise with fellow poet Kei Miller in this event recorded for the 2020 Book Festival.

With Val McDermid’s iconic detective soon set to hit our screens, it couldn’t be a more perfect time to revisit Police Scotland's Historic Cases Unit and the savvy, no-nonsense DCI Karen Pirie. A thrilling new head-scratcher from the undisputed ‘Queen of Crime,’ Still Life sees the much-loved detective inspector confronted by a decade-old cold case, drawing her into a historical cover-up that someone would do anything to keep under wraps. With all the dizzying narrative trickery and canny characterisation we’ve come to expect from one of our finest literary minds, this sixth instalment in the bestselling series is Val McDermid at the top of her game. Inspired in part by the wildly popular Portrait Artist of the Year competition, the ever-inventive author teases the mysterious connection between Still Life and the Sky Arts series in a conversation with one of its widely-admired presenters, Dame Joan Bakewell, recorded live at the 2020 Book Festival.

‘Life is just a party, and parties weren’t meant to last.’ The post-punk protagonists of Andrew O’Hagan’s Mayflies would probably describe the lyrics of Prince’s hit pop song 1999 as ‘Yankee pish,’ but O’Hagan’s novel catches exactly the mood of the song. The ephemeral nature of life, burning brightly and then so soon extinguished, lies at the heart of this soulful story of two lads from small-town Scotland. Tully and James are growing up in Irvine, steeped in the music of the Fire Engines, the Fall and the poetry of John Cooper Clarke. Together they rush towards the climax of their youth in an unforgettable, friendship-defining weekend in Manchester. Thirty years later, Tully calls his old pal with some troubling news. The fine grain of working-class teenagers’s lives; the blether, the binge-drinking and nights on the pull: Mayflies sees Andrew O’Hagan in scintillating, heartbreakingly good form. He talks with fellow Scottish writer, columnist and doyen of the literary salon, Damian Barr in this event recorded live at the 2020 Book Festival.

One of Scotland’s most gifted and unpredictable writers, Michel Faber has always defied categorisation. His previous novels including Under the Skin, The Crimson Petal and the White and The Book of Strange New Things have been described as ‘unbelievably clever,’ ‘wildly entertaining’ and ‘impossible to put down.’ Now he returns with D, his most shape-shifting book yet. Like The Wizard of Oz, Faber’s novel is a political adventure that will be enjoyed by children and adults alike. Its heroine is brave, resourceful Dhikilo who lives in a faded English seaside town. When the letter ‘d’ suddenly disappears from the alphabet and only Dhikilo notices it’s gone, she embarks on a journey to the land of Liminus to get the ‘d’ back. Reminiscent of Charles Dickens and of Lewis Carroll, Michel Faber’s fable is a delightful sideways look at the evils of our times. He joins us to discuss Dhikilo’s wild odyssey with literary critic Stuart Kelly in this event recorded for the 2020 Book Festival.

Rarely does a novel set the Scottish literary scene abuzz in the way Scabby Queen has, counting amongst its fans figures as wide-ranging as Janice Galloway, Ian Rankin and Nicola Sturgeon. Sexy rock starlet, veteran political activist, symbol of a nation in decline — who really was Clio Campbell? In Kirstin Innes’s effervescent follow-up to her Not the Booker Prize-winning Fishnet, she invites you on a whistle-stop tour of the fictional Glasgow chanteuse’s life in the days following her suicide, so that someone might finally be able to answer that question. Written from the perspective of those who loved (and hated) her most, and taking in everything from Top of the Pops to IndyRef along the way, Scabby Queen will have you hooked. Kirstin Innes joins Heather Parry in this event recorded live at the 2020 Book Festival, to discuss how she ended up creating a novel that zips between daffy state-of-the-nation meditation and fantastic, elastic character study.

‘When we read and write, when we love our fellow creatures, when we walk on the beach, when we just listen and notice, we are not little cogs in the machine, but part of the remedy.’ These luminous words by Kathleen Jamie form part of the introduction to Antlers of Water, an outstanding collection of contemporary Scottish writing about nature and landscape. The generosity of Jamie’s approach as editor of the collection goes beyond the stellar selection of contributors such as Amy Liptrot, Karine Polwart and Malachy Tallack: she also invokes the agency of readers to make a difference. ‘If, by reading, you are encouraged or confirmed in your love of the natural world, if you’re inspired simply to… look outside, then our job is done.’ In a discussion recorded live at the 2020 Book Festival and led by the BBC's Clare English, Jamie is joined by award-winning journalist Chitra Ramaswamy as well as visual artist and writer Amanda Thomson – both contributors to the anthology – to discuss Scotland, landscape and the more-than-human world around us.

‘Hamnet and Hamlet are in fact the same name, entirely interchangeable in Stratford in the late sixteenth century.’ This epigraph to Maggie O’Farrell’s new novel, Hamnet, dispels any doubt that Shakespeare’s son and his most celebrated character are meaningfully linked. In a short but scorchingly emotional book, O’Farrell brings us into the 16th century world of Shakespeare’s family living in Stratford. It is the time of the bubonic plague and with one of the family members falling into a fever, the novel charts the emotional journey of Shakespeare’s wife Agnes as trauma approaches. Surely Maggie O’Farrell’s most accomplished novel to date, Hamnet centres around the emotional life of a deeply intuitive woman, charting the terrain of her grief at the loss of a child. Join the Edinburgh-based writer as she discusses her latest critically acclaimed novel with Scottish author and journalist Stuart Kelly in this event recorded live at the 2020 Book Festival.

Following on from his acclaimed trilogy about the American soul music scene in the 1960s, much-loved Scottish broadcaster and writer Stuart Cosgrove returns to the American post-war era with his highly topical new book. In Cassius X: Six Months That Shaped The Sixties, Cosgrove charts the journey of a young Kentucky boxer named Cassius Clay. Alongside his rise as a fighter, Clay begins to embrace the ideas of the Black Power movement and the teachings of Malcolm X. Thus, Clay changes his name to Cassius X, before eventually changing it again to his Islamic name: Muhammad Ali. As well as documenting the meteoric rise of one of the all-time sporting greats, Cosgrove shows how soul music formed a soundtrack to an era of social and political turmoil. Join him in this event recorded for the 2020 Book Festival as he talks to Scottish author Val McDermid about this landmark moment for American culture, and its parallels with the USA today.

When Shokoofeh Azar received the news that she was the first ever Iranian writer to be shortlisted for the International Booker Prize, she was transported back to when she was 15 years old, ‘in the village, surrounded by rainforest and rice fields, and dreamed of someday I would win this award as an Iranian writer.’ The Enlightenment of the Greengage Tree is an incandescent novel that intertwines Persian history and folklore with magical realism, to tell the story of one family in the decade following the 1979 Iranian Revolution. It is a celebration of life and imagination in the face of chaos and brutality, as well as a lyrical response to curbs on freedom of expression. Azar herself settled in Australia as an asylum seeker in 2011, but her translator — shortlisted alongside her for the prize — wishes to remain anonymous, for fears for their safety. She talks to Marjorie Lotfi Gill in this event recorded for the 2020 Book Festival.

In Maaza Mengiste’s latest novel, the shadowy nature of figures from the past is played out in complex and interlocking ways. The Shadow King is powerful, stirring historical fiction that centres women within stories of war and battle that have traditionally excluded them, eliding their contribution and their fight. Against the backdrop of Italy’s 1935 invasion of Ethiopia, this is a story of Africa and Europe, of resistance and exile, of tradition and modernity, that is sweeping in vision and intimate in affect. A Fulbright scholar and the author of Beneath the Lion’s Gaze — named by the Guardian as one of the 10 best contemporary African books — Mengiste talks to Jess Brough in this event recorded live at the 2020 Book Festival about giving life to the stories of her parents and grandparents, and unpicking ‘faded documents’ to better understand the heroism and loss of the past.