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Pictorial
Author: Relay FM
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Copyright © 2024 Relay FM
Description
Quinn and Betty are two non-professional art enthusiasts who love art and want to learn more about it. They take turns researching interesting parts of art history and culture, and sharing those stories with each other. Hosted by Betty Chen and Quinn Rose.
85 Episodes
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Years after a controversial job posting sought to preserve the Indianapolis Museum of Art's "core, white" audience, the museum has finally hired a new director. Quinn and Betty discuss saying the quiet part loud and making change in museums.
Part 2 of our Venice Biennale Architecture series! We look at this year's entries, featuring stunning art, works pushing the boundaries of what architecture is, and a Facebook rant.
Pictorial returns from summer break with an overview of the International Architecture Exhibition in Venice and some favorite exhibits from over the years.
Quinn and Betty examine deaccessioning (specifically in the context of museums selling art) and then get distracted by how hard getting rid of anything is.
For Pictorial's diamond jubilee, we talk about the wide-ranging portfolio of architect and designer Liz Diller.
The fascinating biography and beautiful textiles of mid-century icon Ruth Adler Schnee.
Betty explains how to prove a painting was created by Rubens (and how to prove a painting was _not_ created by Peter Doig).
Let's talk about zines! What are they? Where did they come from? Where did they go? How hard is it to make your own? (this is foreshadowing)
Museums typically preserve and restore art using the best technology available to them, but what about when decay is part of the piece?
Local contemporary art enthusiasts learn about extremely contemporary art.
We are distressed.
(Part 2 of 2)
We are concerned.
(Part 1 of 2)
An art historian recently discovered that a Mondrian painting has been hung upside down for decades. How does something like that happen, and what made them realize the mistake? Plus: Quinn tries to guess which way abstract paintings are supposed to be oriented.
After Lynn Goldsmith took photos of Prince in 1981, she gave Andy Warhol permission to make a silkscreen illustration. However, she had no idea that he made a series of illustrations, some of which have been licensed for thousands of dollars. Now she has a case in front of the Supreme Court that may shape the future of copyright.