About Art

Nicholas Baume is the Artistic & Executive Director at Public Art Fund in New York City since 2009. A native of Australia, his career began in Sydney with Kaldor Public Art Projects and later the Museum of Contemporary Art. He was Contemporary Curator at the Wadsworth Atheneum in Hartford, Connecticut, before moving to Boston to join the Institute of Contemporary Art as Chief Curator. He and I discuss being artist centric, the American museum industry, the moment his eyes opened to contemporary art, how art can catalyze feelings you don’t know you have, creating moments of access, sharing art with the world and serving the public, what defines success, what public art needs, authentic experiences, fundamental values, civic scale projects, the importance of diplomacy, and risk taking!

Bjorn Geldhof is Director of the PinchukArtCentre. Founded in September 2006 by businessman and philanthropist Victor Pinchuk, the PinchukArtCentre is an international hub for contemporary art committed to developing the Ukrainian art scene while generating critical public discourse as a whole. Since war broke out in Ukraine in 2022 they have held important exhibitions including When Faith Moves Mountains, a major group exhibition with over 45 artists opening 143 days after the beginning of the full-scale Russian invasion, focused on Ukraine as a country open to the world and celebrating its deep roots and relation to Europe. The PinchukArtCentre invests in the next generation though the Future Generation Art Prize and the PinchukArtCentre Prize, awards for young contemporary artists aged 35 or younger. Their collateral Venice Biennale project this year, Daring to Dream in a World of Constant Fear, will be held at the Palazzo Contarini Polignac from April 20th until August 1st, 2024. The exhibition weaves a tapestry of stories and dreams gathered from artists affected by war globally.He and Zuckerman discuss sharing risk, how art saves lives, art not as leisure but also essential part of living life, cultivating a next generation of artists, changing the way people think, the urgency of making art, offering the opportunity to speak, think and feel, knowing that today can be your last day, the urgency of having great thoughts, the role of hope, and the opportunity to dare to dream!

Digital content creator Amanda McCreight specializes in digital storytelling, utilizing photography and filmmaking as her medium to challenge conventional norms, guide discourse, and foster meaningful connections. McCreight started the brand Aytuhzee noting that she “wanted to create a persona around feeling free to try everything from A to Z. Aytuhzee is many things…the Full Expression of whatever medium I’m feeling called to!” Additionally, she is the Co-Founder and Creative Director of All Day Running Co. where she collaborates with entrepreneur Jesse Itzler to curate immersive wellness and running experiences. Together they craft unforgettable events that leave participants not only with memories, but also with a newfound sense of empowerment. McCreight is a self-described lover, dreamer, and existential thinker dedicated to living the full spectrum of life’s color and emotions in art and in business.She and Zuckerman discuss course correcting your life, saying yes, living a life full of color, finding middle ground, creating brands, giving things your all, flow state, balancing consumption and creation, what we deserve, a vision board coming to life, the first yes, speaking things into existence, public pitching ideas, practicing looking, and why art matters!

Since the early 1990’s, Charles Long has explored the possibilities of sculpture through a rich vocabulary of materials, colors, images and shapes. Incorporating references to art history, popular culture, nature and his own experiences, Long’s work embraces modernist convention as a means of connecting inner and outer realities, forming pathways between one’s mental and bodily experiences and the surrounding environment. Through his many bodies of work over the years, the artist has consistently confronted formal parameters associated with sculpture as obstacles to push beyond, seeing modernism’s trajectory as unfinished and full of possibility.He and Zuckerman spoke about metaphysical research, why things are happening, the secret of teaching, refinding art on his own terms, psychedelics, Donald D. Hoffman of UC Irvine, “wisdoms of the masters” and access to pure being, what it’s like to die, what he has to offer, wanting everything he makes to be sacred, not finishing anything, and making art that you don’t have to talk about!

New York-based writer LJ Rader is the person behind the social media account ArtButMakeItSports, which features images of sports compared to fine art. He works full-time in the sports world as a Director of Product at a sports data and technology company.He and Zuckerman discuss his curatorial choices, unique moments, a sports related lens, sports equality, feedback he gets, his favorite artists, his image filing system, feelings on AI, meme fuel, the legacy of art, and of course why art matters!

American artist Rodney McMillian’s paintings, sculptures, videos, and performances address the African-American experience while examining race, gender, and class in a broader political context. Aspects of his work negotiates between the body of a political nature and the politic of a bodily nature. McMillian modifies familiar and found objects into new – he offers an alternative reality that reveals how past ideas relate to the present. He is now a professor of sculpture at the School of Arts and Architecture at UCLA. McMillian’s work can be found in the permanent collections of the Los Angeles County Museum of Art, UCLA Hammer Museum, and the Museum of Contemporary Art Los Angeles, The Orange County Museum of Art, among others.He and Zuckerman discuss the role of chance in his paintings, intimacy and residue, what landscape can mean, issues of class and taste, retitling, existing within uncomfortable contexts, “hitting it on the one,” napping, the physicality of making art, the present moment, working with a voice coach, and the thrill of accomplishing hard things!

Art historian and curator Stephanie Stebich is the Margaret and Terry Stent Director of the Smithsonian American Art Museum. She was named director of the Smithsonian American Art Museum in January 2017. Stebich serves on the Smithsonian’s Capital Board as well as the Smithsonian-London Strategic Advisory Board. In May 2018, she was named co-chair of the Smithsonian American Women’s History Initiative. Before coming to Washington, D.C., Stebich was executive director of the Tacoma Art Museum for 12 years. Under her leadership, the museum underwent a major renovation that doubled its exhibition space, and secured major collection gifts, including the Haub Family Collection of Western American Art, 300 masterworks from the 1790s to the present by Charles Bird King, Thomas Moran, Frederick Remington, Georgia O’Keeffe and others. She was assistant director of the Minneapolis Institute of Arts from 2001 to 2004 and assistant director at the Cleveland Museum of Art from 1995 to 2001.She and Zuckerman discuss feeling at home in museums, taking risks, making a museum free, house favorites, why museums buy certain things, finding the optimal location for an artwork, having a broad definition of art to include craft, mentorship, how to get a job, speaking up while active listening, America as a hopeful experiment, artists as makers of hope!

Cliff Einstein is the founding partner of Dailey Advertising with a noted history of creating positions for some of the world’s major brands. Throughout a career spanning a half century he has received a long list of industry honors, among them, the American Advertising Federation naming him their Leader of the West.  Cliff is Chair Emeritus of the Board of the Los Angeles Museum of Contemporary Art (MOCA)  and a Trustee of Otis College of Art and Design. He is a recipient of the California Governor’s Victims’ Service Award for his work with the Rape Foundation, and he is the Marketing Chair of the Jewish Community Foundation. Cliff and his late wife, Mandy, have been listed in Art and Antiques “100 Collectors of America,” and they have been featured in a wide range of international publications as noted collectors and patrons of contemporary art.He and Zuckerman discuss his collection of 100 knives, the difference between commercial and fine art, his rules for collecting including meeting the art before you meet the artist, what roles he and Mandy each play in forming their collection, asking people what they like, not to be missed sites to shop for art, what work he bought back after selling it, being philanthropic and what people want back for what they give, his relationship with MoCA and an analysis of the current Los Angeles museum environment, and buying things you don’t instantly like!

Mindy Shapero creates lively, meticulous sculptural and canvas works comprised of materials as various as studio scraps, spray paint, gold, copper, and silver leaf. Her works on canvas are formed by stencils sourced from discarded sculptural bits, and portions of those stencils eventually find their way back into the artist‘s sculptural work. In this process, Shapero transmutes negatives from past sculptural pieces into positive shapes that form the bedrock of her cosmic abstractions. Shapero’s repeating motifs—irregular rectangles and ovals that resemble “scars” or ruptures in the surface— are highlighted through the artist’s application of delicate gold leaf, an adornment dating back more than 8,000 years in the canon of art history. She is interested  in the combination of old and new techniques. Shapero’s techniques harken back to the artist’s personal history rooted in the DIY aesthetics of punk counterculture.She and Zuckerman discuss her approach to narrative, spirituality, alchemy and transformation, surprising herself, the responsibility of being climate aware, repurposing, being a hoarder, titling as poetry, duality, color as everything, how hard it is to talk about art, the process of making, rules, and making what you want to see!

Sotheby's Principal Auctioneer Oliver Barker joined Sotheby’s in 1994 moving to the Contemporary Art department in 2001, rising to Chairman, Sotheby’s Europe, Senior International Specialist in 2016. He is a key figure on the rostrum at the major auctions in both London and New York. Barker oversaw the iconic sale of Banksy's "Love is in the Bin," famously shredded by the artist moments after hammering for $1.04 million in 2018. Additionally, Barker participated in the livestream hybrid auctions – The Webby Awards introduced during the pandemic. Notable achievements include the sales of Francis Bacon's "Triptych Inspired by the Oresteia of Aeschylus'' for $84.6 million, Botticelli's "Portrait of a Young Man Holding a Roundel" for $92.2 million, and this year, the sales of Impressionist, Modern, and Contemporary art that brought  $597 million in a single night.He and Zuckerman discuss three decades in a career, representing the company and the vendors, relationships with objects, the aesthetic experience, how should one start a collection, art as a place of solace, long term relationships, the YBA and the London art world of the early 1990s, the work that happens outside of the sales, the profound influence of art, and little know aspects of how he spends his personal life!

Journalist Charlotte Burns is the founder of Studio Burns, which creates and commissions original editorials and provides strategic advice. She is also the co-founder of the Burns Halperin Report, which analyses equity in museums and the art market. She also produces the weekly podcast "The Art World: What If...?!" for Art& at the New York advisory, Schwartzman&. The second season of the show launches 18 January 2024. Previously the executive editor of In Other Words, a weekly newsletter and podcast (2016-20), she was the US news and Market editor for The Art Newspaper (2009-16) and has written for publications including The Guardian, Cultured and Monocle magazine. Before that she worked for galleries including Anthony d’Offay and Hauser & Wirth. She and Zuckerman discuss podcasting, grace in space, the imagined idea of America, not feeling at home, maternity, having ego leave, living life, how dreams need to evolve, hope and dread, an appetite for conversations, and talking about feelings!

Fred Tomaselli has shown his work in museums, biennials and galleries around the world, including MoMA, MoCA, the MET and SFMoMa. Biennials include the Whitney Biennial, Berlin Biennial, and the Lyon Biennial. Solo museum shows include the Whitney Museum at Philip Morris, The Aspen Art Museum, The Brooklyn Art Museum, and the Orange County Art Museum. Tomaselli is known for his intricate, engulfing images of earthly and cosmic realms made by suspending collage and painted imagery as well as an unorthodox array of real-world materials in thick layers of clear, epoxy resin. These works on wood panels mix snippets of botanical, ornithological and anatomical illustrations cut from books and magazines, prescription pills, medicinal herbs and psychoactive plants with the artist’s own designs. Tomaselli sees his mixture of psychedelic imagery and substances as windows into hallucinatory universes: “It is my ultimate aim to seduce and transport the viewer into the space of these pictures while simultaneously revealing the mechanics of that seduction.”He and Zuckerman discuss a shared love of nature, what art can do, what drugs and birding have in common, the shelf life of art, altering perception and dislocated, settling for oblivion, nocturnal experiences, community, a sample choir, and AI!

Tim Griffin is the Executive Director of the Industry. He joined the organization in June 2023 and continues the organization’s commitment to reimagining art’s relationship with its publics. Previously, Griffin was executive director and chief curator at The Kitchen (2011–2021) where he developed projects across disciplines with artists such as Chantal Akerman, ANOHNI, Charles Atlas, Abraham Cruzvillegas, Joan Jonas, Ralph Lemon, Aki Sasamoto, Wadada Leo Smith, Tyshawn Sorey, and Danh Vo, among others.  On the occasion of The Kitchen’s 50th anniversary, Griffin initiated a capital campaign to renovate its building as a platform for the next generation of artists, raising roughly $22 million. From 2003 to 2010, Griffin was editor of Artforum, organizing special issues on performance; the museum in a contemporary context; art and poetry; and art and commerce. His own writing has appeared in publications from Bomb to Vogue, including catalogue essays on choreographer Maria Hassabi (MoMA, 2016), artist Ralph Lemon (Guggenheim Museum, 2016), and John Baldessari (Tate Modern, 2009). Griffin also edited a volume of selected writings on Wade Guyton (JRP), and has a forthcoming book on artists’ changing engagement with site-specificity (Sternberg Press). In 2015, he was awarded the insignia of chevalier of the Order of Arts and Letters.He and Zuckerman discuss contemporary opera, popular audiences, how we know what we see, the luxury of clarity, art criticism, proximity, anxiety around popular culture, being in partnership in the art world and rethinking your own habits!

Writer and curator Ebony L. Haynes, originally from Canada, is a Director at David Zwirner gallery in New York and runs 52 Walker. Haynes was a recent visiting curator and critic for Yale School of Fine art in the Painting and Printmaking class of 2021. She also runs an online “school” where free professional practice classes are offered to Black students, world wide.  Prior to joining David Zwirner, Haynes served as director at Martos Gallery and Shoot The Lobster NY & LA, and was responsible for many critically acclaimed exhibitions including Invisible Man, epigenetic, EBSPLOITATION, and The Worst Witch. Haynes sits on the boards of the New Art Dealers Association, and Cassandra Press.She and Zuckerman discuss sliding door moments, the pitching of 52 Walker, good versus great curating, the importance of a true team, approaching studio visits, research based practices, writing by hand, and what she hopes for!

Chicago-based artist Tony Lewis’s practice focuses on the relationship between semiotics and language to confront social and political topics such as race, power, communication, and labor. Lewis creates drawings using graphite, pencil and paper, mediums the artist uses to trace and develop abstract narratives and reflections on the notion of the gestural. By pushing the boundaries of drawing and the possibilities of abstraction, he expands the use of the “material” of language. He currently has a solo exhibition at the Orange County Museum of Art/OCMA.He and Zuckerman discuss labor and work, changing the way you think about making art, saying yes, listening to music on repeat, “keep going,” things that exist outside of art, motivational language, caring enough, nicknames, and the precision of human nature!

American curator Lauren Haynes is Director of Curatorial Affairs and Programs at the Queens Museum. Prior to joining the Queens Museum, Haynes worked at museums across the United States including Crystal Bridges Museum of American Art and the Studio Museum in Harlem. Haynes is a specialist in contemporary art by artists of African descent – her curatorial vision aims to challenge traditional narratives and push boundaries within the art world, embracing both established artists and emerging talents, bridging the gap between tradition and innovation. Haynes was a 2018 Center for Curatorial Leadership fellow and a recipient of a 2020 ArtTable New Leadership Award. Since 2022, Haynes has been a member of the board of the Association of Art Museum Curators (AAMC) and AAMC Foundation.She and Zuckerman discuss having work study jobs at college museums, navigating artist interactions and needs, deliberate care, growing and developing a contemporary program, tv as a hobby, dreaming of rest and moments of pause, looking for patterns, and how kids confidently talk about art!

Shigeru Ban is a Pritzker Prize winning architect and humanitarian. Ban has developed a unique style known for its blend of traditional Japanese architecture with elements of American Modernism. One of Ban's notable achievements is his pioneering work in using recycled materials, particularly paper tubes, as building components. He believes that architecture should serve the needs of society, especially in times of crisis. Notable projects include the Paper Dome in Japan, which provided temporary housing after an earthquake, the Cardboard Cathedral in New Zealand, Centre Pompidou-Metz in France, the Japan Pavilion Expo 2000 in Germany, and the Aspen Art Museum. Ban’s architectural practice showcases a harmonious blend of functionality, aesthetics, and environmental consciousness.Ban and Zuckerman discuss humanitarian architecture, using wood, escaping from the influences of our teachers, inside and outside, experience sequencing, looking for problems to solve by design, form finding, not being about style, and humbleness!

Sumayya Vally is the founder and principal of Counterspace, a Johannesburg-based architecture and research studio. Counterspace is committed to developing a design language that acknowledges and resonates with the African continent. In 2019, Counterspace was invited to design the 20th Serpentine Pavilion in London, making Vally the youngest architect ever to win this internationally renowned commission. She recently curated the first Islamic Arts Biennale in Jeddah. Vally is currently collaborating on the design of the Ellen Johnson Sirleaf Presidential Center for Women and Development in Monrovia, Liberia, the first presidential library dedicated to a female head of state, where she will oversee the scenography, pavilions, and exhibition spaces. She and Zuckerman spoke about imagination, fear of design, metaphors of healing, dialogue with place, the first Islamic Arts Biennale, having a life in a city, ingredients of gathering, architecture of ritual, dynamic restoration, everyone is welcome, beauty, gathering and belonging, and having a practice of hope and optimism!

Pritzker Prize-winning American architect and educator Thom Mayne is the founder of Morphosis, an innovative architecture, urbanism, and design collective. Named after the Greek term for ‘to form or be in formation’ – Morphosis has gained recognition for its sustainable designs. Notable projects include the Perot Museum of Nature and Science in Dallas, Emerson College in Los Angeles, New York’s Cooper Union building, and the Orange County Museum of Art. Alongside his architectural practice, Mayne has been actively involved in education and academia, as he played a pivotal role in establishing the Southern California Institute of Architecture. He and Zuckerman spoke about how LA is a midwestern city, the museum as a cultured event, community making, formed architecture, American architects, having a voice, being what you are instead of what you do, license to dream, authentically seeing yourself, being a humanist, and the profound and enduring power of artistic activity!

Artist Sarah Cain creates playful, abstract paintings and installations that feature a bold use of color, improvisation, and a variety of perspectives. Cain redefines abstraction in feminist terms as an architecture for transformative, embodied, emotive experience – intentionally subverting male-dominated art historical traditions. Known for expansive, site-specific murals, often she makes decisions about the palette, gestures, and composition onsite. She and Zuckerman spoke about personal relationships with the past, site-specific projects, how color operates as a tool, physical space, engaging with art, the lineage of abstract painters, the relationship between titles and images, and how we can find awe in our daily lives!