Claim OwnershipAMPS Podcast
Subscribed: 11Played: 108
Subscribe
© All rights reserved
Description
Podcast by Association of Motion Picture Sound
32 Episodes
Reverse
"I took a day to record a chainsaw in the middle of the Kent countryside" .....
In this episode Martyn Harries (@martynthemixer) talks all things gore with the Supervising Sound Editor Ryan Hatton (@ryanhattonn) and the Re-Recording mixer Rob Ackerman (@ackerman.rob) behind Winnie-the-Pooh: Blood and Honey 2
This episode is sponsored by URSA Straps https://ursastraps.com/
In this Special AMPS Podcast celebrating nominees in the 11th AMPS Film Awards, Sound Designer / Supervising Sound Editor Richard King talk to Ian Haydn Smith about the role of sound on OPPENHEIMER.
The podcast discusses working with director Christopher Nolan and creating the sound for the Trinity explosion.
In this Special AMPS Podcast celebrating nominees in the 11th AMPS Film Awards, Production Sound Mixer Chris Munro and Supervising Sound Editor James Mather talk to Luke Reed AMPS about their work on the sound for MISSION IMPOSSIBLE: DEAD RECKONING.
The podcast discusses working with star and producer Tom Cruise and the challenges of producing sound on huge stunts.
In this Special AMPS Podcast celebrating nominees in the 11th AMPS Film Awards Production Sound Mixer Nina Rice AMPS and Sound Designer and Supervising Sound Editor Dan Kenyon talk to Martyn Harries AMPS about their work on the sound for BARBIE.
The podcast discusses working with Director Greta Gerwig, collaborating with teams across production, and the challenges of working in the plastic world of Barbie.
In this Special AMPS Podcast celebrating nominees in the 11th AMPS Film Awards Production Sound Mixer Tarn Willers AMPS and Re-recording mixer, Sound Designer, Supervising Sound Editor Johnnie Burn AMPS talk to Ian Haydn Smith about their work on the sound for THE ZONE OF INTEREST.
The podcast discusses working with director Jonathan Glazer, the research that went into recreating the sound of Auschwitz and finding creative solutions to challenges.
In this Special AMPS Podcast celebrating nominees in the 11th AMPS Film Awards, supervising Sound Editor Nina Hartstone AMPS and Re-recording Mixer Adam Scrivener talk to Martyn Harries AMPS about their work on the sound for SALTBURN.
The podcast discusses working with director Emerald Fennell, how to work with comic timings, and using sound design to create the journey of the central characters.
Martyn Harries talks with James Parnell, Supervising Sound Editor and Re-recording Mixer about his work bringing Twisted Metal, an exciting, action packed, award winning playstation game adaptation to our screens, his career in both London and LA and much, much more.
Our very own Rob Walker gets a mention and James has advice for those starting out in the industry.
For this Episode AMPS Council member Martyn Harries talks to Peter Albrechtsen about his Sound Design for Evil Dead Rise - the latest instalment in the Evil Dead film series (in Cinemas now)
Kate Davis and Andrew Wilson are joined by the sound team for All Quiet on the Western Front - winner of the 10th AMPS Award for Film Sound. They share all kinds of insights on their collaborative and creative process for the films' soundtrack.
We are joined by Paul Isaacs and Gary Trenda - wireless technology experts at Sound Devices - who tell us all about the latest developments in the Sound Devices wireless range. Prod. Sound Mixer John Rodda is also with us to provide his professional insight as a Sound Devices user with decades of experience in the field.
www.sounddevices.com
https://www.sounddevices.com/spectraband-explained/
An AMPS Award special, featuring the Dune sound team.
After receiving their AMPS Award trophies ahead of the BAFTAs, they sat down with us to share some thoughts on their creative process on the film
It's International Womens Day, and we are joined by Prod. Sound Mixer Nina Rice, who tells us all about capturing the sound for the BBC drama series 'This is going to hurt'
Production Sound Mixer Erwan Kerzanet joins the podcast to tell us all about his work capturing the unique live performances in Annette - a dynamic musical from visionary director Leos Carax, with music by Sparks
For this episode, we are joined by Tim Harrison, Adele Fletcher and Michele Woods who tell us all about their creative processes on the soundtrack for the feature-film 'Censor'.
We also demonstrate the 'Windkiller SE', a great new windshield solution for handheld recorders created by Bubblebee Industries
https://www.bubblebeeindustries.com/collections/the-windkiller-se
This episode features an interview with Sound Designer and Re-Recording Mixer, Ben Baird, of Aquarium Studios. We ask Ben about his career and focus on his work on the feature film 'LIMBO'.
uni.pictures/Limbo
Ben talks in detail about his creative, technical and thought processes as a Sound Designer and discusses his collaboration with the Director of LIMBO, Ben Sharrock.
The AMPS Podcast is presented and produced by Owen Peters and Owen Shirley
For this episode we chat to Cara Sheppard, Managing Director of Twickenham Film Studios, and learn all about the past, present and future plans of TFS (who have long supported AMPS as a 'Sustaining Member').
As a widely-experienced and successful individual, Cara also gives us her insights into the changing nature of UK film and TV production and her hopes of increasing diversity in our industry.
We speak to Sound Designer Jeremy S Bloom and Foley Artist Joanna Fang about their work on the podcast drama series 'Hot White Heist'
Presented and produced by Owen Peters and Owen Shirley
In this episode we talk to Ulrika Akander, Stephen Fitzmaurice and David DiPietro, the post-production team on Bridgerton.
Following our chat with Bridgerton's production sound team in Episode 12, Ulrika, Stephen and David reflect on their experiences of working with the location sound and building overall mix of the hit Netflix series.
The AMPS Podcast is presented by Owen Peters and Owen Shirley.
In this episode, we host a remote roundtable discussion between dialogue editors Michele Woods, Iain Anderson, Marc Specter and Vince Tennant. The panel discuss the techniques, workflows and technologies of dialogue editing for film and TV.
The AMPS Podcast is presented by Owen Peters and Owen Shirley.
Having won the 7th AMPS Award for Factual Film Sound, Eric Milano joins us to talk about designing the soundtrack of the historic documentary 'Apollo 11'
Comments
Download from Google Play
Download from App Store
United States