The Tonearm

Today, the Spotlight shines On organist, composer, and sound artist Hampus Lindwall.Hampus started as a guitarist who cut his teeth copying Steve Vai solos but who now sits behind a 78-stop church organ. He has been the organist at Saint-Esprit in Paris since 2005, but his latest album, Brace for Impact, throws tradition out the window. Recorded on a massive organ in Düsseldorf with guitarist Stephen O'Malley, this music draws on everything from experimental music pioneer Xenakis to heavy metal and more.Hampus takes us through this remarkable project, sharing how a Swedish metalhead became one of the most adventurous voices in contemporary organ music.If you enjoyed this episode, check out our discussion with Terence Hannum from earlier this year, or our 2024 interview with Hainbach, or even 2023’s with Brandon Seabrook, all available on spotlightonpodcast.com.(The musical excerpts heard in the interview are from Hampus Lindwall’s new album Brace for Impact)–Dig DeeperVisit Hampus Lindwall at hampuslindwall.com and follow him on Instagram and BlueskyPurchase Hampus Lindwall's Brace for Impact from Ideologic Organ, Bandcamp, or Qobuz and listen on your streaming platform of choiceDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, we're putting The Tonearm's needle on Michael Graves, a five-time Grammy-winning mastering engineer and the founder of Osiris Studio in Los Angeles.Michael's work is restoration as archaeology—pulling performances off deteriorating tapes, damaged acetates, and obsolete formats, then deciding how much intervention is too much. He's done this for recordings by Hank Williams, Aretha Franklin, Stax songwriters, and field recordings from Cambodia, Sudan, and Mississippi. His most recent Grammy came in 2024 for Written in Their Soul: The Stax Songwriter Demos.The deeper question his work raises is curatorial: where does restoration end and revisionism begin? What gets rescued, and what stays buried?—Dig Deeper• Michael Graves and Osiris Studio:Visit Michael Graves at osirisstudio.com and follow Osiris Studio on InstagramMichael Graves — Osiris Studio: AboutMichael Graves (sound engineer) — Wikipedia• Key Projects Discussed:Written in Their Soul: The Stax Songwriter Demos — 7-CD box set on Craft Recordings (2023), Grammy Award for Best Historical Album (2024)Blondie: Against the Odds: 1974–1982 — box set via Numero Group and UMe (2022)Chris Bell: I Am the Cosmos — definitive reissue on Omnivore Recordings (2017)Chris Bell: The Complete Chris Bell — 6-LP box set, Omnivore Recordings (2017)• Labels:Omnivore RecordingsNumero GroupDust-to-DigitalAnalog AfricaCraft RecordingsRhino Records• Artists and People Referenced:Chris Bell — Big Star co-founder; I Am the Cosmos recorded in the mid-1970sBig Star — Memphis power pop band co-founded by Chris Bell and Alex ChiltonGeoff Emerick — engineer and producer; produced and recorded Chris Bell's post-Big Star sessionsEddie Floyd — Stax recording artist and songwriter; known for "Knock on Wood"Johnny Mercer — American lyricist, songwriter, and Capitol Records co-founder; his archive is held at Georgia State UniversityLeonard Cohen — Canadian singer-songwriter; Graves worked on his personal archive• Institutional Archives and Collections:Johnny Mercer Collection — Georgia State UniversityAlan Lomax and George Pullen Jackson Collection of Sacred Harp Music (1942) — Library of CongressSacred Harp singing — WikipediaStax Records — WikipediaStax Museum of American Soul Music• Professional Organizations:The Recording AcademyAssociation for Recorded Sound Collections (ARSC)Audio Engineering Society (AES)The Dust-to-Digital Foundation (Graves is a board member and technical advisor)• Other References:Mobile Fidelity Sound Lab (MoFi) — audiophile reissue label referenced in the source tape discussionThe Sacred Harp Publishing CompanyGrammy Award for Best Historical Album—Dig into this episode's complete show notes at podcast.thetonearm.com—• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice. • Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn. • Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today we’re putting The Tonearm's needle on musician and composer Erik Hall.Based in Michigan, Erik Hall has spent the last five years doing something that sounds simple but definitely is not: recording landmark works of contemporary classical music entirely on his own.Erik’s 2020 solo reconstruction of Steve Reich's Music for 18 Musicians won the Libera Award for Best Classical Record. Reich wrote to tell him he'd reinvented the piece. A 2023 interpretation of Simeon ten Holt's Canto Ostinato followed, and now Hall has completed the trilogy. Solo Three came out in January on Western Vinyl, and it takes on works by Glenn Branca, Charlemagne Palestine, Laurie Spiegel, and Reich again—every note performed and recorded by Hall himself, no loops, no sequencers.Erik is here to walk us through the project and the thinking behind it. Enjoy.(The musical excerpts heard in the interview are from Erik Hall’s Solo Three) ---Dig DeeperArtist and AlbumsVisit Erik Hall at erikhall.net and follow him on Instagram, Bluesky, and Facebook.Purchase Erik Hall’s album Solo Three from Western Vinyl, Bandcamp , or Qobuz, and listen on your streaming platform of choiceListen to and purchase Music for 18 Musicians (Steve Reich) — Erik Hall's first volume — on BandcampListen to and purchase Canto Ostinato (Simeon ten Holt) — Erik Hall's second volume — on BandcampErik Hall's catalog at Western VinylComposers Featured on Solo ThreeSteve Reich — composer of Music for a Large Ensemble and Music for 18 MusiciansSteve Reich — "Music for a Large Ensemble"Steve Reich — Octet / Music for a Large Ensemble / Violin Phase Glenn Branca — composer of "The Temple of Venus Pt. 1"Charlemagne Palestine — composer of "Strumming Music"Strumming Music (original 1974 Shandar recording)Laurie Spiegel — composer of "A Folk Study"The Expanding Universe on Bandcamp — the album containing "A Folk Study"Bandcamp Daily — Laurie Spiegel feature — background on Spiegel's influence, relevant to Hall's treatment of her workEarlier Composer in the TrilogySimeon ten Holt — Dutch composer of Canto Ostinato, subject of Hall's second volumeThe Minimalist Composer Who Keeps Getting Left Out — article on Simeon ten Holt, minimalism, and Erik Hall’s solo recording Steve Reich — Referenced WorksSteve Reich — "Come Out" (1966) — early tape piece Hall encountered in his university musicology courseSteve Reich — Music for 18 Musicians — the composition that set Hall's courseCollaboratorsAaron Lowell Denton — designer of all three trilogy album covers; follow on InstagramNatalie Bergman — artist with whom Hall toured as drummer around the time of Solo Three's completionBrian Deck — producer and engineer at Narwhal Studio, Chicago; mixed Music for 18 Musicians with HallWarren Defever — mastering engineer at Third Man Mastering, Detroit; mastered all three volumes---Dig into this episode's complete show notes at podcast.thetonearm.com(https://www.podcast.thetonearm.com) ---• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice. • Looking for more? Visit podcast.thetonearm.comfor bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn. • Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, we're putting The Tonearm's needle on Toronto saxophonist Patrick Smith.Patrick has become a key player in the city's creative music scene. His new album, Words Underlined, came out in December on Lit Soc Records. It's the first release from the new label started by Sellers & Newell, a Toronto bookstore that moonlights as a music venue. Patrick recorded there with guitarist Dan Pitt and drummer Lowell Whitty. The trio plays without a bass, and the album alternates between composed pieces and full improvisations.A few episodes back, we featured a talk with Noah Franche-Nolan, who also collaborated with Dan Pitt. A link to that, and my November 2024 conversation with Dan, are both in the show notes.Patrick's here to talk about making music in the trio format, the Toronto scene, and why a bookstore was the right place to record.(The musical excerpts heard in the interview are from the album Words Underlined by The Patrick Smith Words Trio)–Dig DeeperArtist and Album:Visit Patrick Smith at patricksmithsax.com and follow him on Instagram and FacebookPurchase The Patrick Smith Words Trio's Words Underlined from Lit Soc Records, Bandcamp, or Qobuz and listen on your streaming platform of choiceListen to Patrick's fusion project Pangea: Rebirth on BandcampSellers & Newell and Lit Soc Records:Sellers & Newel Secondhand Books — Toronto's beloved College Street bookstore and performance spaceLit Soc Records on BandcampWhy this Toronto bookstore is starting its own record label — Toronto Today, November 2025Toronto bookstore is moonlighting as an underground live music venue — BlogTO, September 2021The Musicians:Dan Pitt — guitarist and composer, TorontoBetween the Lines of Dan Pitt's 'Horizontal Depths' - The Tonearm, November 2024Lowell Whitty — drummer and founding member of the Heavyweights Brass BandMentors and Influences:Mark Shim — saxophonist; Patrick's primary teacher in New YorkMark Shim at Manhattan School of MusicDave Young — Order of Canada recipient; Oscar Peterson's longtime bassist, now based in TorontoDavid Liebman — saxophonist, educator, and major post-Coltrane voiceDeveloping a Personal Saxophone Sound by David Liebman — available via J.W. PepperJeff Coffin — saxophonist; source of the Sonny Rollins quote relayed in the episodeMusical References:Paul Motian — the drummer whose bassless trio recordings were the direct inspiration for this projectPaul Motian Trio — It Should've Happened a Long Time Ago (ECM, 1985) — with Bill Frisell and Joe LovanoPaul Motian Trio — Time and Time Again (ECM, 2007) — with Bill Frisell and Joe LovanoJohnny Cash — My Mother's Hymn Book — the stripped-down solo Cash record Patrick cites as a model for songwritingSonny Rollins — saxophone icon; his advice about creativity as resistance runs through the episodeFrom Sacred Space to Silent Film — Noah Franche-Nolan Serves the Music - The Tonearm, February 2026 - Noah also collaborates with guitarist Dan Pitt–Dig into this episode's complete show notes at podcast.thetonearm.com–• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice. • Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn. • Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, we’re putting The Tonearm's needle on Stephen Vitiello.Stephen is an electronic musician and media artist. His sound installations are in the permanent collections of MoMA, the Whitney, and the Museum of Contemporary Art in Lyon. He's worked with Pauline Oliveros, Ryuichi Sakamoto, and Joan Jonas. By day, he teaches Kinetic Imaging at Virginia Commonwealth University.Stephen’s latest project is Trinity, a collaborative album with Lawrence English, who you heard on last week's show. Each of Trinity's five tracks brings in a different third musician: Brendan Canty from Fugazi, Chris Abrahams from The Necks, Marina Rosenfeld, Aki Onda, and the late Steve Roden. The album came out last November.Stephen shares how this project came together, what it's like to work with each of these artists, and how he's built a career turning everyday sounds into sonic experiences.(The musical excerpts heard in the interview are from Lawrence English & Stephen Vitiello’s album Trinity)–Dig DeeperArtist and AlbumVisit Stephen Vitiello at stephenvitiello.com and follow him on Soundcloud, Instagram, and BandcampPurchase Lawrence English & Stephen Vitiello’s Trinity from American Dreams, Bandcamp, or Qobuz and listen on your streaming platform of choicePrevious collaborations: Acute Inbetweens (2011) and Fable (2014) with Lawrence EnglishStephen Vitiello & Brendan Canty: Second (with Hahn Rowe)Trinity CollaboratorsLawrence English and Room40 RecordsBrendan Canty - drummer (Fugazi, The Messthetics)Chris Abrahams - pianist (The Necks)Marina Rosenfeld - turntablist and composerAki Onda - electronic musician and sound artistSteve Roden - late sound artist and visual artistWorld Trade Center ProjectWorld Trade Center Artist Residency - Lower Manhattan Cultural CouncilWorld Trade Center Recordings: Winds After Hurricane Floyd (1999)Bright and Dusty Things - album featuring WTC recordingsStephen Vitiello: Listening With Intent - documentary by ABC-TV AustraliaEducational InstitutionVCU Kinetic Imaging - Virginia Commonwealth UniversityKinetic Imaging Graduate Program at VCUInfluences and Collaborators MentionedNam June Paik - video art pioneerPauline Oliveros - composer and accordionistRyuichi Sakamoto - composer and musicianFred Frith - guitarist and composerIkue Mori - drummer and electronic musician (DNA)Maryanne Amacher - sound artist and composerR. Murray Schafer - composer and writer on acoustic ecologyRobin Rimbaud (Scanner) - electronic musicianColin Newman - Wire guitarist and vocalistTaylor Deupree - 12k Records founderKey Venues and InstitutionsThe Kitchen - New York performance spaceElectronic Arts Intermix - video art distributorAnthology Film Archives - New York cinemaMASS MoCA - Massachusetts Museum of Contemporary ArtThe High Line - New York elevated parkWhitney Museum of American Art - 2002 BiennialMuseum of Modern Art - Soundings exhibition (2013)Punk and No Wave ReferencesFugazi - influential post-hardcore bandDNA - no wave bandThe ClashNo Wave movement - late 1970s NYCMusic Theory and PracticeFluxus movement - experimental art movementJohn Cage and prepared pianoAmbisonic audio - spatial sound formatDolby Atmos - immersive audio formatArticles and InterviewsSteve Roden and Stephen Vitiello conversation in Bomb magazineThe Collaborative Recent History of Stephen Vitiello - Fluid Radio interview-Dig into this episode's complete show notes at podcast.thetonearm.com–• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice. • Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn. • Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Show NotesAustralian composer Lawrence English has spent over two decades treating sound as something that occupies your body, not just your ears. Putting The Tonearm's needle on Lawrence English means entering a sonic world where you're never quite sure what you're hearing or where it's coming from, and if you are a listener like our host, that will suit you just fine.Lawrence’s recent album Trinity pairs him with Stephen Vitiello and guests like Brendan Canty from Fugazi and Chris Abrahams from The Necks. Each track builds what English calls "impossible trios," turning geographic and other constraints into creative fuel.Lawrence is here to discuss collaboration, the art of curation, and what it means to make meaningful work in an age drowning in content.(The musical excerpts heard in the interview are from Lawrence English & Stephen Vitiello's album Trinity)–Dig DeeperArtist and AlbumVisit Lawrence English at lawrenceenglish.com and follow him on Bluesky, Instagram, Facebook, and BandcampPurchase Lawrence English & Stephen Vitiello's Trinity from American Dreams, Bandcamp, or Qobuz and listen on your streaming platform of choiceLearn more about Room40, Lawrence English's label celebrating its 25th anniversaryCollaborators on 'Trinity'Chris Abrahams (The Necks) - pianistStephen Vitiello - sound artist and composerAki Onda - multidisciplinary artistMarina Rosenfeld - turntablist and composerBrendan Canty (Fugazi, The Messthetics) - drummerThe late Steve Roden - artist and lowercase musicianBooks and TheoryPeter Szendy - 'Listen: A History of Our Ears'Neil Postman - 'Amusing Ourselves to Death: Public Discourse in the Age of Show Business'Lauren Berlant - Cruel Optimism theoryMark Fisher - cultural theoristPlaces and ConceptsGunkanjima (Battleship Island) - abandoned coal mining island off NagasakiHashima Island history - most densely populated place in historyJapanese Metabolist architecture - architectural movement English researchedArt Gallery of New South Wales - collected English's bell workMusical Groups and EnsemblesThe Necks - Chris Abrahams' improvisational jazz trioTenniscoats - Japanese duo Saya and Takashi UenoAcademic and Philosophical ConceptsRelational listening - English's PhD theory on reconciling psychological and technological auditionAcid nostalgia - English's working concept on how contemporary nostalgia corrodes the pastNatsukashii - Japanese concept of longing for a time/place you were never part ofTsundoku - Japanese word for collecting books you don't readMa - Japanese concept of the space between elementsRelated WorksLawrence English - 'Cruel Optimism' (Room40)Lawrence English - 'Wilderness of Mirrors' (Room40, 2014)Chris Abrahams - 'Thrown' (Room40)Chris Abrahams - 'Appearance' (Room40, 2020)–Dig into this episode's complete show notes at podcast.thetonearm.com–• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice. • Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn. • Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today we're putting The Tonearm's needle on pianist and composer Noah Franche-Nolan.Noah's latest album, Rose-Anna, is named after his Acadian great-grandmother, a church organist from Grand Falls, New Brunswick. The Acadians are French-speaking people with deep roots in Canada's Maritime provinces. The Acadians were expelled from their land by the British in the late 1700s and many of them migrated south to Louisiana where they became known by their more famous name, the Cajuns. Noah’s family connection runs deep through the record and he even plays organ on two tracks, honoring the woman who sparked his musical heritage.The album pairs him with bassist Jodi Proznick and drummer Nicholas Bracewell in a trio that displays deftness with groove-driven chops, tender hymns and free exploration. The music conjures thoughts of home, family, and what gets passed down through generations.Noah's also one half of Arid Landscapes, an ambient electroacoustic project with guitarist Dan Pitt, that takes a totally different approach—live looping, processing, and soundscapes that feel vast and open. My November 2024 talk with Dan for The Tonearm is linked in the show notes.Noah and I talk about both projects, his work as a church music director in Vancouver, and what it means to make music that honors the past while pushing into new territory.(The musical excerpts heard in the interview are from Noah Franche-Nolan's album Rose-Anna)–Dig Deeper• Artist and Albums:Visit Noah Franche-Nolan at noahfranche-nolanmusic.com and follow him on InstagramPurchase Noah Franche-Nolan's Rose-Anna from Bandcamp or Qobuz and listen on your streaming platform of choiceNoah Franche-Nolan on All About JazzVancouver Guardian profile• Arid Landscapes (duo with Dan Pitt):Arid Landscapes released September 2025, available on BandcampDan Pitt — official siteDan Pitt on BandcampBetween the Lines of Dan Pitt's 'Horizontal Depths' (The Tonearm)• Collaborators and Ensembles:Jodi Proznick — bassist, Noah Franche-Nolan TrioNicholas Bracewell — drummer, Noah Franche-Nolan TrioRaagaverse — JUNO-nominated Indo-jazz fusion quartet led by Shruti RamaniShruti Ramani — vocalist and bandleader, RaagaverseJaya (Raagaverse debut album) on BandcampNick Fraser — Toronto drummer and University of Toronto faculty; Noah's former teacher• Recording Labels:Cellar Music Group — Vancouver label founded by Cory Weeds; 2023 Grammy Award winnerCory Weeds — Cellar Music Group founder and artistic directorFrankie's Jazz Club — Vancouver jazz venue run by Cory Weeds (Rose-Anna release show venue)• Film Scoring:Häxan (1922) — Swedish-Danish silent horror essay film directed by Benjamin ChristensenThe Cinematheque — Vancouver independent film institute that commissioned Noah's live score for Häxan• Educational Institutions:Vancouver Community College (VCC) — where Noah teaches jazz pianoVSO School of Music — Vancouver Symphony Orchestra's school; Noah teaches in Jazz and Classical Theory/CompositionUniversity of Toronto, Faculty of Music — where Noah and Dan Pitt studied jazz• Venues and Spaces:The Tranzac — Toronto's not-for-profit community arts venue; central to the city's improvised music sceneBrentwood Presbyterian Church — Burnaby; where Noah serves as coordinator of musicking and where Arid Landscapes was partly recorded–Dig into this episode's complete show notes at podcast.thetonearm.com–• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice. • Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn. • Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today we’re putting The Tonearm's needle on author and behavioral scientist Michael Hallsworth.Michel has spent the last two decades applying behavioral science to real-world problems at the Behavioural Insights Team. He's held positions at Princeton, Columbia, Imperial College London, and the University of Pennsylvania.Michael's new book, The Hypocrisy Trap, takes on something we all recognize instantly but rarely understand: why we're so quick to spot hypocrisy in others yet are blind to it in ourselves. He shows how our hunt for inconsistency has become a weapon in politics and daily life, one that actually breeds more of what it tries to eliminate. The book reveals why some hypocrisy might be unavoidable in functioning democracies, and how our relentless attacks on it can backfire in dangerous ways.We talk about double standards, the psychology behind moral accusations, and why the most authentic-seeming politicians might be the most deceptive. Michael explains how we can tell the difference between hypocrisy that harms society and the everyday compromises that allow us to function together.–Dig DeeperGuest and BooksVisit Michael Hallsworth at michaelhallsworth.comPurchase Michael Hallsworth's The Hypocrisy Trap: How Changing What We Criticize Can Improve Our Lives from MIT Press, Penguin Random House, Bookshop, Barnes and Noble, or AmazonMichael Hallsworth and Elspeth Kirkman's Behavioral Insights from MIT PressConnect with Michael Hallsworth on LinkedInBehavioral Scientist column by Michael HallsworthOrganizations and InstitutionsThe Behavioural Insights Team (BIT) - World-leading organization applying behavioral science in support of social purpose goalsDr. Michael Hallsworth at BITMaster of Behavioral and Decision Sciences Program at University of PennsylvaniaImperial College LondonColumbia UniversityPrinceton UniversityKey Concepts and ResearchBehavioral economics and public policy - Michael Hallsworth's Google Scholar profileNature Human Behaviour - Journal featuring Hallsworth's researchJournal of Public EconomicsThe LancetHistorical and Philosophical ReferencesHannah Arendt's On Revolution - Analysis of the French and American RevolutionsHannah Arendt on hypocrisy and the Reign of Terror - "Robespierre's war upon hypocrisy transformed the 'despotism of liberty' into the Reign of Terror"The French Revolution Reign of Terror - Historical contextMaximilien Robespierre - Key figure in the French RevolutionPolitical Examples DiscussedBoris Johnson's COVID-19 party scandal - The "Partygate" scandal discussed in the episodeBrexit and UK politicsRelated Reading"Our Hypocrisy Blind Spot" by Michael Hallsworth - Essay in Behavioral Scientist"The Future of Behavioral Insights Demands Human-Centered Design" - Hallsworth and Kirkman on behavioral scienceHannah Arendt quotes on hypocrisy - "What makes it so plausible to assume that hypocrisy is the vice of vices is that integrity can indeed exist under the cover of all other vices except this one"-Dig into this episode's complete show notes at podcast.thetonearm.com–• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice.• Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

We're putting The Tonearm's needle on John Mlynczak, President and CEO of the National Association of Music Merchants.NAMM is the trade association for the music, sound, and event industries. Basically, NAMM represents the companies that make the tools your favorite music artists use to create their work.John has spent years at Hal Leonard and PreSonus Audio, where music education meets technology. He built curricula, managed platforms, and taught teachers how to use tech in their classrooms.Now he runs an organization that's rethinking what a trade show means when the music industry has gone digital. NAMM just celebrated its 125th anniversary, but John isn't interested in nostalgia. He's asking harder questions about how people discover instruments, how they learn to play them, and why gathering in person still matters when you can order anything online. The NAMM Show draws tens of thousands of people to Anaheim every January (this January 20 - 24, to be exact), and the numbers behind those crowds tell a story about content, influence, and how musicians connect with gear today.We talk about John’s shift from teaching in Louisiana to shaping industry strategy, why music advocacy needs to be offensive rather than defensive, and what happens when trade shows have to prove their value in real time.–Dig DeeperGuest and Organization:Visit NAMM at namm.org and follow on Instagram, Facebook, and LinkedInJohn Mlynczak's NAMM ProfileThe NAMM Show 2026 - January 23-25, Anaheim, CaliforniaNAMM Show Registration and App InformationEducational Background and Previous Roles:Virginia Commonwealth University - Bachelor of Music EducationLouisiana State University - Master's degrees in Music Performance and Education LeadershipHal Leonard - Music publishing and educationPreSonus Audio - Audio technology and recording equipmentNoteflight - Online music notation softwareMusic Education Organizations:Technology Institute for Music Educators (TI:ME)Massachusetts Music Educators Association (MMEA)NAMM FoundationSupportMusic CoalitionNAfME (National Association for Music Education)Music Technology Tools Mentioned:GarageBand - Apple's music creation softwareCubase - Digital audio workstationEssential Elements Interactive - Music education platformNAMM Events and Awards:She Rocks Awards - Celebrating women in musicParnelli Awards - Honoring live event professionalsNAMM U - Educational programming and resourcesPerformance Groups:MetWinds - John's current performance ensembleMusical Reference:Alexander Arutiunian Trumpet Concerto - The piece John performed as a cocky freshmanIndustry Research and Reports:NAMM Industry Insights - Music products industry dataTrade Show Executive - Conference John mentioned attending–• Dig into this episode's complete show notes at podcast.thetonearm.com–• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice.• Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today we're putting The Tonearm's needle on Patricia Brennan, a vibraphonist and composer who grew up in Veracruz, Mexico, playing salsa with her dad while listening to Hendrix and Zeppelin with her mom. She studied classical percussion at the Curtis Institute, performed with Yo-Yo Ma and the Philadelphia Orchestra, then found her voice and career in jazz and improvisation.Patricia’s latest album, Of The Near And Far, takes constellations from the summer sky and turns them into music. She superimposes the circle of fifths over star patterns to generate pitches, then turns them into compositions that reflect a voice as unique as the compositional approach. Patricia’s ten-piece ensemble features a jazz quintet, a string quartet, and an electronic musician, all conducted by Eli Greenhoe. Hot on the heels of her 2024 release, Breaking Stretch, which won Album of the Year and Vibraphonist of the Year in the DownBeat Critics Poll, Patricia's here to talk about finding symmetry between the cosmos and composition, why she carries a telescope wherever she goes, and how ancient myths and modern astronomy shape her work.(The musical excerpts heard in the interview are from Patricia Brennan's album Of The Near And Far)–Dig DeeperArtist and AlbumVisit Patricia Brennan at patriciabrennanvibes.com and follow her on Instagram, Facebook, and YouTubePurchase Patricia Brennan's Of The Near And Far from Pyroclastic Records, Bandcamp, or Qobuz and listen on your streaming platform of choicePatricia Brennan's acclaimed 2024 album Breaking Stretch on Pyroclastic RecordsEducational InstitutionsCurtis Institute of Music – Philadelphia conservatory where Patricia studied classical percussionYouth Orchestra of the Americas – Continental ensemble Patricia joined at age seventeenCollaborators and Ensemble MembersSylvie Courvoisier, pianistMiles Okazaki, guitaristKim Cass, bassistJohn Hollenbeck, drummer and composerKyle Armbrust, violistArktureye (Noel Brennan) – Electronic musician and Patricia's duo partner in MOCHEli Greenhoe, conductorMusical Influences and ReferencesKeiko Abe – Japanese marimbist who transformed the instrumentRadiohead – In RainbowsErik Satie – "Gnossienne No. 1"Glenn Gould performing BachPhilip Glass – String QuartetsGyörgy Ligeti – AtmosphèresGrachan Moncur III – Evolution featuring Bobby HutchersonKid Koala – Canadian turntablistEighth Blackbird – Contemporary chamber music ensembleFania All-Stars – Legendary salsa supergroupComposers MentionedTōru Takemitsu – Japanese composerIannis Xenakis – Greek-French composerKarlheinz Stockhausen – German composerEdgard Varèse – French-American composerJohn Cage – American experimental composerSteve Reich – American minimalist composerDavid Lang – Pulitzer Prize-winning composer, Bang on a Can co-founderAstronomical ReferencesAndromeda Galaxy (M31) – Nearest major galaxy to the Milky WayCircle of fifths – Music theory concept used in Patricia's compositional systemConstellation guide – Reference for the star patterns inspiring the albumNASA's Sounds of Space – Astronomical recordings translated into audio–Dig into this episode's complete show notes at podcast.thetonearm.com–• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice. • Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn. • Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today we're putting The Tonearm's needle on drummer Phil Haynes.Since moving to New York from Oregon in 1983, Phil's played on scores of recordings with artists like Anthony Braxton and David Liebman. Phil has joined me once already, in March 2024, to discuss his memoir, Chasing the Masters: First Takes of a Modernist Drumming Artist.Phil’s with me today to discuss his band Free Country, which takes American roots music and runs it through their particular jazz lens, using cello, guitar, bass, and drums to create something called "jazz-grass."Their new album Liberty Now! did not set out to be political. Phil planned for the group to record original compositions, a departure from their previous work. But then the last US Presidential election happened. And then the band got word of the passing of their trumpeter, Herb Robertson, as they walked into the studio. The music and the plan changed. Phil paired the new recordings with songs from Free Country's catalog into a double album that runs from Revolutionary War tunes to "What a Wonderful World."Phil's here to talk about grief, protest, making art when the ground shifts under you, and one of my favorite topics: the role of music in addressing contemporary political and social challenges.(The musical excerpts heard in the interview are from Phil Haynes & Free Country's album Liberty Now! )–Dig Deeper• Artist and Album:Visit Phil Haynes at philhaynes.com and on BandcampPurchase Phil Haynes & Free Country's Liberty Now! from Corner Store Jazz or BandcampPhil Haynes' memoir: Chasing the Masters: First Takes of a Modern Drumming ArtistPhil Haynes' March 2024 appearance on The Tonearm Podcast• Free Country Band Members:Hank Roberts, cellist/vocalistDrew Gress, bassistJim Yanda, guitarist• Free Country Discography:Shenandoah (1997) - pre-1900 American musicWay the West Was Won (2002) - early 20th century Americana'60/'69: My Favorite Things (2014) - music of the 1960sSomething Beatles (2013) - live Beatles covers• Herb Robertson:Herb Robertson tributePhil Haynes & Herb Robertson: Ritual (2000)herbrobertson.com• Influences and Mentors:Paul Smoker, trumpeterDavid Liebman, saxophonistElvin Jones - Merry-Go-Round album• Historical and Musical References:Max Roach - We Insist! Freedom Now Suite (1960)Max Roach Freedom Now Suite analysisJohn Coltrane - A Love Supreme (recorded December 9, 1964)Yo-Yo Ma, Chris Thile, Edgar Meyer - The Goat Rodeo Sessions–Dig into this episode's complete show notes at podcast.thetonearm.com–• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice.• Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today we're putting The Tonearm's needle on violinist and composer Bryan Senti.Bryan Senti won a BAFTA for scoring the BBC series Mood. He's composed for films since 2015 and worked with artists like Regina Spektor and Mark Ronson. But his new album La Marea tells a different story—his father's story.La Marea takes Cuban migration and turns it into sound. His previous album, Manu, honored his Colombian mother through short violin pieces. This time, Bryan recorded with the Czech National Symphony Orchestra. The result mixes classical precision with Latin American folk traditions and ambient textures. He recorded it specifically for Dolby Atmos. 800 tracks of strings, all acoustic, creating what he calls the feeling of being adrift at sea.In this conversation, I talk with Bryan about rediscovering the violin as an adult, how techno influenced a string orchestra album, and what it means to honor family stories through music.(The musical excerpts heard in the interview are from Bryan Senti's album La Marea)–Dig DeeperVisit Bryan Senti at bryansenti.comFollow Bryan Senti on Instagram, Facebook, Bluesky, and YouTubePurchase Bryan Senti's La Marea from Bandcamp or Qobuz and listen on your streaming platform of choiceBryan Senti's previous album ManuDustin O'Halloran - composer and collaboratorFrancesco Donadello - mixer, Synecdoche Music ResearchJustin Moshkevich - co-producer, Igloo MusicSpencer Zahn - bassist, 'Quiet in a World Full of Noise'Noah Hoffeld - cellistRrose - techno artistCzech National Symphony OrchestraAndrea Franco - video directorDig into this episode's complete show notes at podcast.thetonearm.com–• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice.• Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Our recent episode featuring Wilco and creative music guitarist Nels Cline has proven to be a listener-favorite. This holiday season, we thought it might be fun to give you even more of what we know you love. So … we are excited to bring you another conversation with Nels, this one from the Wilco Will Love You Podcast.Wilco Will Love You is hosted by two fans who cover the music and influence of the Chicago band. The podcast is co-hosted by Mary MacLane Mellas and The Tonearm’s contributing writer Meredith Hobbs Coons.If you’ve listened our episode with Nels, you know what a warm and generous interview subject he is. Listening to this conversation, I really enjoyed hearing how the different perspective the hosts brought highlighted the enthusiasm for making and talking about music Nels has. It was also clear how much the fans mean to him.–Dig DeeperArtist Listen to The Tonearm Podcast with Nels Cline at thetonearm.com and wherever you get your podcastsVisit Nels Cline at nelscline.com and follow him on Instagram and FacebookPodcast and HostsGet more episodes of Wilco Will Love You here and your podcast platform of choiceFind Mary MacLane Mellas on Instagram and Meredith Hobbs Coons on her websiteKey Groups and Projects MentionedWilco - Nels Cline has been guitarist since 2004The Nels Cline Singers - long-running experimental projectNels Cline 4 - featuring Julian Lage, Scott Colley, and Tom RaineyConsentrik Quartet - with Ingrid Laubrock, Chris Lightcap, and Tom Rainey on Blue Note Records–• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice.• Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, we're putting The Tonearm's needle on Graham St John, a cultural anthropologist and Senior Research Fellow at the University of Huddersfield in the UK.Graham has spent decades studying transformational events, psychedelic culture, and electronic dance music scenes. He's written ten books, and his latest is Strange Attractor: The Hallucinatory Life of Terence McKenna, published by MIT Press. McKenna was the 20th century's psychedelic renaissance man, a stand-up philosopher who became a sampled voice on rave tracks and a herald of consciousness expansion.Graham spent years tracking down letters, interviewing over 80 people, and sifting through archives to capture McKenna's life, not to canonize or condemn him, but to understand how this rogue scholar became both hero and controversy in equal measure.We talk about the challenge of writing a biography when your subject was known for embellishing stories, and why distinguishing fact from fiction in McKenna's "hallucinatory life" matters.–Dig DeeperVisit Graham St. John's website at EdgecentralGraham St. John - Senior Research Fellow at University of HuddersfieldPurchase Strange Attractor: The Hallucinatory Life of Terence McKenna from MIT Press or BookshopLos Angeles Review of Books review of Strange AttractorLucid News review - "Genius and Delusion in Terence McKenna's Life"McKenna Academy of Natural Philosophy - Founded and led by Dennis McKennaPurdue University - Betsy Gordon Psychoactive Substances Research Collection - Contains McKenna archive materials donated by Dennis McKenna in 2013Klea McKenna's archival project at TerenceMcKenna.comDig into this episode's complete show notes at podcast.thetonearm.com–• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice.• Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, we’re putting The Tonearm’s needle on guitarist Nels Cline.Most people know Nels Cline as Wilco's guitarist for the past two decades. But his range goes far beyond indie rock. He's spent forty-plus years moving between jazz clubs, punk venues, and studios where the rules get bent or thrown out entirely. Rolling Stone put him on their list of the top 100 guitarists of all time, but that tells you nothing about how he actually plays.His current project, Trio of Bloom, pairs him with keyboardist Craig Taborn and drummer Marcus Gilmore on Pyroclastic Records. The three had never played together before producer David Breskin brought them into the studio in November 2024. What came out sounds like a band that's been working together for years, full of ambient drift and barbed funk that explores the outer edges of dub.(The musical excerpts heard in the interview are from Trio of Bloom's self-titled album)–Dig DeeperArtist and AlbumVisit Nels Cline at nelscline.com and follow him on Instagram and FacebookVisit Craig Taborn at craigtaborn.com and follow him on InstagramVisit Marcus Gilmore at drummerslams.com and follow him on InstagramPurchase Trio of Bloom from Bandcamp or Qobuz and listen on your streaming platform of choiceTrio of Bloom on Pyroclastic RecordsCollaborators and ProducerDavid Breskin - producer, poet, and creative catalystKris Davis - founder of Pyroclastic RecordsPyroclastic Records - independent label supporting creative musicKey Groups and Projects MentionedWilco - Nels Cline has been guitarist since 2004The Nels Cline Singers - long-running experimental projectNels Cline 4 - featuring Julian Lage, Scott Colley, and Tom RaineyConsentrik Quartet - with Ingrid Laubrock, Chris Lightcap, and Tom Rainey on Blue Note RecordsCover Songs ReferencedTerje Rypdal - What Comes After (ECM, 1974) - source of "Bend It"Wayne Shorter & Milton Nascimento - Native Dancer (Columbia, 1975) - source of "Diana"Ronald Shannon Jackson & Decoding Society - Eye On You (About Time, 1980) - source of "Nightwhistlers"Original Compositions ReferencedInitiate by Nels Cline Singers (Cryptogramophone, 2010) - source of "Forge" and "King Queen" (which became "Queen King")Marcus Gilmore - "Breath"Craig Taborn - "Unreal Light" and "Why Canada"Nels Cline - "Eye Shadow Eye," "Gone Bust"Free improvisation - "Bloomers"Visual ArtSharon Core - painter whose flower series adorns the albumIrving Penn - photographer whose 1980 'Flowers' series inspired Core's paintingsYancey Richardson Gallery - representing Sharon CoreHistorical ReferencesPower Tools - Bill Frisell, Melvin Gibbs, Ronald Shannon Jackson trio produced by David Breskin (1987)John Zorn's Cobra - game piece and performance systemThe Knitting Factory (original NYC venue) - seminal downtown jazz and experimental music venueNYC Venues MentionedThe Stone - John Zorn's performance spaceRoulette - experimental music venue in BrooklynVillage Vanguard - legendary jazz clubLittlefield - Brooklyn venue (now closed)The Bellhouse - Brooklyn music venueiBeam Music Brooklyn - performance spaceGet MoreDig into this episode's complete show notes at podcast.thetonearm.com–• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice.• Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, we're putting The Tonearm's needle on pianist Marcus Roberts.Roberts plays jazz piano like he's lived through its entire history. His style pulls from Jelly Roll Morton and Fats Waller as much as it does from bebop. He spent years in Wynton Marsalis's band, has performed piano concertos with Seiji Ozawa, and today leads The Modern Jazz Generation, a 12-piece ensemble encompassing three decades of musicians.Roberts is here today to talk about something beyond performance. He's one of twenty artists awarded a grant from the Doris Duke Foundation's Performing Arts Technologies Lab. His project tackles a technical problem that's plagued remote music collaboration: latency. He's working to get the delay below 40 milliseconds so musicians in different cities can actually play together in real time.Roberts has been blind since age five, and he's used technology his whole life to access music and create it. From Braille music notation to AI-powered tools, he shows us how tech can serve artists rather than replace them. And that’s just a hint of where this conversation goes.(The first two musical excerpts heard in the interview are from a Marcus Roberts live performance, Jazz in Marciac 2024)–Dig Deeper• Visit Marcus Roberts at marcusroberts.com • Check out Marcus Roberts' music on Qobuz • Marcus Roberts on Wikipedia • Marcus Roberts - 60 Minutes Profile "The Virtuoso" (2014)• Jason Marsalis - drummer in Marcus Roberts Trio and The Modern Jazz Generation • Rodney Jordan - bassist in Marcus Roberts Trio • The Modern Jazz Generation - Roberts' 12-piece ensemble founded in 2012• Dig into this episode's complete show notes at podcast.thetonearm.com–• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice. • Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn. • Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Show NotesNed Rothenberg just released his first solo album in thirteen years, Looms & Legends, and it shows why he's been called America's most intimate composer and improviser. Ned’s improvisations and compositions display his use of extended techniques like circular breathing and multiphonics, while others tell stories through melody. He calls it music for an imaginary culture - sounds that feel indigenous to a place that doesn't exist yet.Ned shared his views on the nature of experimental music, discussions about the role of art in society, the importance of personal artistic expression, and Ned's interest in exploring what goes on between jazz musicians during the act of creation. And this summary barely scratches the surface.(The musical excerpts heard in the interview are from Ned Rothenberg's album Looms & Legends)–Dig DeeperArtist and AlbumVisit Ned Rothenberg at nedrothenberg.com and follow him on Instagram, Facebook, and BandcampPurchase Ned Rothenberg's Looms & Legends from Pyroclastic Records, Bandcamp, or Qobuz and listen on your streaming platform of choiceNed Rothenberg - Extended BiographyDig into this episode's complete show notes at podcast.thetonearm.com–• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice. • Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn. • Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, we're putting The Tonearm's needle on saxophonist and composer Miguel Zenón.A MacArthur Fellow, Guggenheim recipient, and Grammy winner, Miguel has spent over two decades creating music that connects jazz tradition with Puerto Rican rhythms and modern composition.He's here to talk about his latest release, Vanguardia Subterránea - his quartet's first live album, captured at the Village Vanguard with musicians he's played with for twenty years. Miguel and I first spoke in 2011 about his role as both an artist and an educator. Now, fourteen years later, we pick up that conversation as he reflects on what it means to document this long-running musical partnership in one of jazz's most sacred spaces.(The musical excerpts heard in the interview are from Miguel Zenón’s album Vanguardia Subterránea)–Dig DeeperArtist and AlbumVisit Miguel Zenón at miguelzenon.com and follow him on Instagram, Facebook, YouTube, and BandcampPurchase Miguel Zenón Quartet's Vanguardia Subterránea: Live at The Village Vanguard from Bandcamp or Qobuz and listen on your streaming platform of choiceMiguel Zenón Quartet MembersLuis Perdomo (piano) - Visit luisperdomojazz.comHans Glawischnig (bass) - Visit hansglawischnig.comHenry Cole (drums) - Visit henry-cole.com–• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice.• Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today we're putting The Tonearm's needle on bassist and composer Linda May Han Oh.Linda's a Grammy winner who's recorded with Pat Metheny, Kenny Barron, and Joe Lovano. She was even the model for the bassist character in Pixar's 'Soul.' But it's her own work that brings us together.Her latest album, Strange Heaven, explores why we choose familiar hells over strange heavens—why we stick with what we know even when change might save us. It's a question that cuts through everything from personal relationships to political choices.Linda approaches her albums like journals, each one capturing where she is as an artist and a person. Since becoming a mother, she says her music has become more direct, more distilled—less about ego and more about emotional truth.She's here to discuss creative honesty, her work promoting women composers in jazz through the New Standards project, and why making music with emotional directness matters more than ever.(The musical excerpts heard in the interview are from Linda May Han Oh’s album Strange Heaven)–Dig DeeperVisit Linda May Han Oh at lindamayhanoh.com and follow her on Instagram, Facebook, and BandcampPurchase Linda May Han Oh's Strange Heavens from Biophilia Recordings, Bandcamp, or Qobuz and listen on your streaming platform of choiceLinda May Han Oh: Tiny Desk ConcertDig into this episode's complete show notes at podcast.thetonearm.com–• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice.• Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today on The Tonearm, we're celebrating the inaugural Jazz Forward Award winners from All About Jazz. Since 1995, All About Jazz has been a driving force for jazz discovery. Now they're recognizing industry trailblazers who actively promote jazz awareness and culture.We'll hear from four organizations reshaping how jazz connects with audiences worldwide. Ed Trefzger from JazzWeek tracks radio airplay across North America, giving artists and their teams vital exposure data. Jesus Perezagua's Oh! Jazz streams live performances from clubs globally, bringing the world's jazz rooms to your screen of choice. Thomas Marriott's Seattle Jazz Fellowship revives local jazz culture through community-focused programming. And Eddie Lee's Sligo Jazz Project transforms an Irish town into Europe's most inclusive jazz education festival each summer.Each organization tackles different challenges, from measuring impact to building community to educating the next generation. Together, they show how jazz thrives through innovation and dedication.–Featured Organizations and Award InformationJazz Forward Award Program - All About Jazz recognition of industry trailblazers promoting jazz awareness and cultureJazzWeek - jazzweek.com - Radio airplay tracking for jazz recordings across North AmericaOh! Jazz - ohjazz.com - Live and on-demand streaming platform featuring jazz clubs worldwideSeattle Jazz Fellowship - seattlejazzfellowship.org - Nonprofit venue presenting live jazz in Seattle's Pioneer SquareSligo Jazz Project - sligojazz.ie - Annual summer school and festival in Sligo, IrelandSligo Jazz YouTube Channel - YouTube - Concert footage and festival highlightsDig into this episode's complete show notes at podcast.thetonearm.com–• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice.• Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.