Journal of Biophilic Design

Efforts to tackle the climate and nature crisis often focus on policy, science and activism. But according to Will Hayler, founder and CEO of The Blue Earth Summit, real transformation will only happen when entrepreneurs and investors are fully part of the conversation. Speaking about the philosophy behind the Blue Earth Summit, Will argues that innovation and enterprise are essential if environmental solutions are to move beyond ideas and into the real economy. “If you're really serious about solving problems, you need entrepreneurs in the room,” he says. Scaling solutions requires capital, markets and commercial incentives. While science and policy define the problem, entrepreneurs are often the ones who turn ideas into practical products and services. For architects, planners and designers, this represents an opportunity. Across the UK alone, plans to build 1.5 million homes in the coming years will shape the nation’s landscape for decades. Decisions made today about materials, planning and urban design will define the health and sustainability of future communities. Will believes the design industry should see this not as a burden, but as a privilege.“People working in climate and sustainability sometimes expect sympathy,” he says. “But I see it differently. It’s lucky you. You’re working at the cutting edge of what the world needs.” Designers, he argues, have the chance to rethink how humanity lives — creating cities that are cleaner, healthier and more connected to nature. Will is also clear-eyed about the motivations that drive the private sector. “Businesses will only do the right thing if it benefits them,” he says, pointing to the reality that return on investment and competitive advantage ultimately shape corporate decisions. Rather than criticise that system, the summit aims to work within it. One of its core goals has been to bring together groups that have historically operated in separate spheres. “We wanted to create that connection between third sector and private sector,” Will explains, arguing that NGOs, scientists and businesses must collaborate if environmental progress is to accelerate. Central to this approach is reframing the narrative around sustainability. Instead of presenting environmental action as a burden, Will believes it should be positioned as an opportunity. In his view, sustainability needs to be understood as a form of upgrade — delivering healthier environments, smarter materials and more resilient systems. “The sustainability movement is best framed around wellbeing for everyone, forever,” he says. This shift is particularly relevant in the built environment, where designers, architects and developers are shaping the places where people spend most of their lives.  Integrating nature into buildings and cities can have profound health benefits. As Will puts it: “People that spend more time in nature are healthier than those that don't. So how can you bring that into your design and sell it as an upgrade?” At the same time, he believes the next wave of environmental innovation will focus heavily on circular systems and resource efficiency. “Waste management is a massive, massive issue at the moment,” he notes, pointing to the need for designers and entrepreneurs to rethink materials and production processes. Will is optimistic about the direction of travel. Clean energy, he argues, is abundant and increasingly affordable. “Energy is free and abundant, through the sun and through the wind,” he says, imagining a future powered by renewable systems. If innovators, investors and designers can work together, he believes the outcome could be transformative. “The future can and should be radically better than what we have today.”   Chapter 1 — Opening and Guest Introduction (0:00 – 0:42)Chapter 2 — Will’s Background and the Blue Earth Summit’s Purpose (0:42 – 4:03)Chapter 3 — The Summit’s Focus, Leverage, and the Role of Entrepreneurship (4:03 – 9:32)Chapter 4 — Building a Bridge: Business, NGOs, and the “Upgrade” Narrative (9:32 – 16:38) Chapter 5 — Regenerative Design, Biophilia, and the Built Environment (16:38 – 21:33)Chapter 6 — Scaling, Investment, and Cross‑Border Opportunity (21:33 – 29:53)Chapter 7 — Nature-Based Design, Health, and the Big Vision (29:53 – 40:22).   To find out more and register your interest in the Blue Earth Summit visit: www.blueearthsummit.com Have you got a copy of the Journal? You can now subscribe as a member of the Journal of Biophilic Design or purchase a gorgeous coffee table reference copy or PDF download of the Journal journalofbiophilicdesign.comor Amazon and Kindle.  Credits: with thanks to George Harvey Audio Production for the calming biophilic soundscape that backs all of our podcasts. Listen to our podcast on Audible, Amazon Music, Spotify, iTunes, YouTube and all the RSS feeds.https://www.facebook.com/journalofbiophilicdesign/https://twitter.com/JofBiophilicDsnhttps://www.linkedin.com/company/journalofbiophilicdesign/https://www.instagram.com/journalofbiophilicdesignIf you like this,please subscribe!

We spend about 90% of our lives indoors, yet our cities, offices and homes are rarely designed with the biological reality of that fact in mind. That disconnect between humans and the natural systems we evolved within is becoming harder to ignore. Biophilic Design is a growing movement in architecture and planning, which argues that bringing nature back into the built environment is not a luxury or aesthetic flourish but a public-health, economic and social necessity. Alexandra Bowen, founder of the Biophilic Design Community on LinkedIn, puts it bluntly: “Our minds and bodies evolved over thousands of years to thrive in nature. If we’re indoors almost all the time, we have to be deliberate about reconnecting with it.”Her argument echoes a growing body of research suggesting that the benefits are measurable. Studies cited by designers show that access to daylight and views of nature can improve cognitive performance and memory recall by around 15%, while hospitals with natural light have reported 41% shorter patient stays. In schools, improved ventilation has been linked to 14% better maths scores and significantly reduced sickness absence. 00:00 Introduction to Biophilic Design and Community Engagement03:47 Alex's Journey into Biophilic Design06:11 The Holistic Approach to Biophilic Design12:46 Understanding the Science Behind Biophilic Design18:03 The Importance of Authentic Biophilic Design21:17 Moving Beyond Aesthetics in Biophilic Design27:31 Overcoming Barriers to Implementing Biophilic Design39:24 Biophilic Design Across Different Scales51:59 The Future of Cities and Biophilic Design  Yet despite the data, the messaging around biophilic design is often muddled and sometimes even contradictory. On the one hand, the concept is gaining traction in sustainability frameworks and workplace strategies. On the other, it is frequently reduced to a checklist: a plant in the corner, a “green wall”, or a scattering of faux foliage. Alex calls out the “Frankenstein approach”, where offices and restaurants install plastic plants to simulate nature. “We’re bringing petroleum-based materials indoors to try to feel closer to nature. It misses the point,” she says. “True biophilic design is rooted in living systems and science, not just visual symbols.” The stakes go beyond aesthetics. Poor indoor environments carry enormous economic costs. In the United States alone, the annual cost of poor indoor air quality has been estimated at $75bn. Meanwhile, nature-based infrastructure such as urban green spaces, wetlands or tree canopies, can be 42% cheaper than traditional “grey” infrastructure and deliver 36% more value when broader benefits such as air quality, biodiversity and public wellbeing are taken into account. Still, many planners and developers remain wary. The first barrier is cost, or rather, the perception of it. Biophilic features are often seen as expensive add-ons, vulnerable to being “value (or rather cost)-engineered out” of projects. But advocates argue this misses the bigger picture. “People focus on the initial cost,” Alex says, “instead of the compounding returns over a building’s lifetime.” Those returns can include improved employee productivity, lower healthcare costs, reduced energy use and increased property value. Another barrier is language. As urban societies become further removed from the natural world, even the vocabulary that describes it is fading. Words such as river, moss or meadow appear less frequently in everyday discourse than they once did, while technological metaphors dominate. That loss of language reflects a deeper cultural shift and one that makes reconnecting people with nature harder. There is also a structural challenge within design professions themselves. Modern architecture has often prioritised form over ecological function, producing cities where, as critics have long noted, you can travel thousands of miles and encounter the same glass boxes, chain stores and climate-controlled interiors. The result is what urbanists call the “geography of nowhere”: places that feel interchangeable and detached from their landscapes. Biophilic design proposes a different starting point. Instead of asking what to build on a site, designers ask how nature already works there and look at its climate, ecology, history and culture. This approach, rooted in the concept of genius loci, or “spirit of place”, emphasises designing with the land rather than imposing upon it. It also extends beyond architecture into community life. When it is done well, biophilic design can strengthen social connection and a sense of belonging in cities. Public spaces that integrate natural systems, trees, water, biodiversity and seasonal change, tend to encourage interaction and stewardship. People are more likely to care for places they feel connected to. In practice, the shift can start small. Sometimes it is as simple as rearranging a workspace, so people face a window rather than a wall. At larger scales, it may involve redesigning entire districts around green corridors, urban forests or restored waterways.But advocates say the most important change is mindset. Biophilic design works best when integrated from the beginning of a project, not added at the end. That means involving architects, planners, engineers, ecologists and communities in collaborative workshops — and treating nature as essential infrastructure, not decoration. The debate is only likely to intensify as cities grapple with climate change, mental-health challenges and declining biodiversity. If the built environment is going to support healthier lives, it must reflect the ecosystems that sustain us. We’re not separate from nature. We are nature. Biophilic Design is the key which reconnects us to that vital truth.  References: Connect with Alexandra direct here: https://www.linkedin.com/in/alexandrabrower/Biophilic commmunity: https://www.linkedin.com/company/biophilic-design/Learn Biophilic Design Course:  https://learnbiomimicry.com/biophilic-designWalla dalla Costa: https://www.tawarc.com/new-pageROBERT BRAY ASSOCIATES: https://robertbrayassociates.co.uk/ (who Alex mentioned she did the SuDS workshop with in Bristol) 

Have you ever wondered why we feel so alive when we’re surrounded by nature? Why certain textures, materials, or natural elements spark deep emotions within us? The truth is reconnecting with nature through thoughtful design is a necessity, it is how we restore our bond with the earth and the more we do this, the more we are shaping a new way of living that sustains us all.  Polish craft and innovation is going to take centre stage at Collect 2026 which opens in London on 25 February this year 2026. Nature connection, craft and design is taking centre stage.  Biophilic Design helps people reconnect with nature. I am also a maker and artist (I sculpt, weave, sketch, etc), and for me, creating things with natural materials gives me a direct connection to nature and our planet. In this podcast we speak with the curator of this year’s Collect Corinne Julius and one of the Polish artists featured during the show. We explore the significance of biophilic design, the metamorphosis of Polish craft, and the role of materiality in art. The conversation also touches on the challenges of the craft industry in the context of climate change and the importance of tactile experiences in our lives. Can slow craft be the antidote to the disconnection and environmental crisis we face today?  Have you noticed when you touch a rough piece of wood, a cool stone, or a warm fibre, something stirs inside? That tactile experience connects us directly to natural material grounding us amidst what can sometimes be quotidian chaos. It’s not accidental that craft practitioners, like Anna Bera, choose wood, stone, and clay to create, natural biophilic materials conduct our senses directly to our well-being and consciousness. Anna, a Polish artist from the mountains, explains it beautifully: “Working with natural materials is like engaging in a dialogue with the earth.”She crafts large-scale sculptures from wood, embracing imperfections, knots, and fungi. Her work isn’t flawless in the mass production sense; instead, it’s alive, real, and deeply connected.Contrast that with the sterile, sanitised surfaces of modern mass-produced objects. They’re designed to be invisible, to blend into the background. But Anna’s work demands you notice — it beckons tactile engagement, invites you to touch and reflect. Natural materials are imperfect, and that’s what makes them beautiful. Their flaws tell stories—of growth, decay, evolution. When we embrace this, we find healing, grounding, and a fresh perspective on our relationship with nature. Corinne Julius, the curator of the Metamorphosis exhibition, champions the idea that craftsmanship embodies deep intellectual effort and storytelling. She believes that authentic craft can challenge our fast-paced, disposable culture. “Craft is a form of soft power. It shows us that beauty can win minds and hearts, making deep environmental and social issues approachable.” Her exhibitions, like Metamorphosis showing at Collect this year at Somerset House in London, celebrate transformation of materials, of countries, of ideas. The craftspeople and artists she showcases, like Alicia Patanowska or Marcin Rusak use their work to COMMENT. Their pieces question consumption, waste, and sustainability through poetic, tactile means. A tile that’s thrown, cut, reassembled; a flower encased in resin—each reflects an urgent truth: We can transform waste into wonder, making us see the world differently, inspiring us to act consciously. So what is the biggest barrier to more craft specification? We have been disconnecting from nature more and more over the last two hundred years especially. Our built environments, homes, school, offices and hospitals, are often cold, uniform, and disconnected from the rhythms of the natural world. No wonder stress skyrockets, mental health suffers, and our environment degrades. Biophilic design flips this script. It’s about embedding natural elements, wood, plant life, water, into our daily spaces. Think of the Polish artists who create immersive installations from living plants, or designers reimagining architecture with curving, organic shapes that mirror the human body.As Anna says: "We need more biomorphic shapes, fewer harsh lines, more presence of trees and nature in our surroundings." Her work, touching even those with sight impairments, demonstrates how materiality influences well-being. Touching a rough wood sculpture can ground you, calm you, reconnect you with your roots.Corinne agrees: “In a world obsessed with speed and perfection, slow craft and natural materials are an antidote. They remind us who we are—living, breathing, interconnected.”This of course is the heart of biophilic design. The Polish crafts scene, with its optimism and innovation, exemplifies a can-do attitude. Corinne points out:  “When we collaborate properly with craftspeople, we create spaces and products that are sustainable, soulful, and inspiring."But it’s not enough just to wish for it. We need action, whether in architecture, fashion, or daily choices. How?Specify handmade, natural materials in projects.A wooden table with visible grain, a ceramic vessel with imperfections. These aren’t flaws, they’re stories.Support artisans who work with sustainable practices.Their work embodies a dialogue with nature.Prioritise slow, thoughtful craftsmanship over mass-produced sameness.It’s a rebellion, a stand against waste and environmental destruction.Educate and inspire others to value authenticity.Share stories, visit workshops, touch materials—rediscover the power of doing.As Corinne says  "Join exhibitions, follow artists, advocate for crafted materials. That’s how shifts occur." Every piece of authentic craft, every natural material, and every mindful space transforms our lives and our world. We can’t afford to wait for systemic change alone; we must start with our own choices and specification.Visit Collect 2026 for more inspiration, and especially Metamorphosis curated by Corinne Julius, showcasing the work of Polish artists and experience the tactile, interactivity and beauty that is in handmade craft.Let’s champion slow craft, embrace imperfections, and reconnect with nature’s wisdom. Because if enough of us do, we can change the story—crafting a future rooted in sustainability, beauty, and genuine human connection. Want to see the full exhibition?To find out more about Collect, get tickets, and also explore the UK-Poland Season and learn more about the artists featured during this programme visit: https://www.craftscouncil.org.uk/collect-fair/https://www.britishcouncil.pl/en/programmes/uk-poland-season-2025  Corinne Julius Freelance journalist, critic, broadcaster and curator she has a special interest in contemporary craft and design. She was for many years a reporter and producer on BBC Radio’s Woman’s Hour, made features for Radio 4 and contributes to the Arts programme ‘Front Row’.  Anna Bera,is a multidisciplinary artist from Lechów in the Świętokrzyskie Mountains, Poland, specializing in functional art.  She runs her studio in Warsaw, where she creates predominantly large-scale works in wood. In her work, Anna focuses on the sensory perception of the materiality of the world.

Emergency departments are some of the most punishing workplaces in healthcare. Clinicians move in seconds from breaking catastrophic news to families, to resuscitating a dying patient, to reassuring a parent whose child has a simple fever. We rightly talk a lot about patient experience. We talk far less about what these relentless environments do to the people who work in them.A pilot study published in the Journal of Biophilic Design suggests that something as simple as one minute of looking at nature-based art can measurably ease that burden.The research was led by emergency physician and US Army major Dr Anant Shukla at Dartmouth-Hitchcock Medical Center in New Hampshire, with  Dr Harman Gill , an emergency and critical care physician, as senior researcher. Their lived experience in A&E (ED) is the backdrop to the work.Gill recounts a single shift that started with the emergency delivery of a baby girl in the middle of a chaotic winter flu season. Within 40 minutes, the new mother was in catastrophic postpartum haemorrhage. The same team that had just celebrated a new life found themselves fighting to save another. Then, as he points out, they must walk into the next cubicle – whether it’s a heart attack or “just the sniffles”, and deliver the same standard of calm, competent care. What happened 20 minutes earlier is invisible to the next patient, but not to the clinician’s nervous system.Shukla describes the ED as “controlled chaos”, windowless, noisy, metal and plastic surfaces, a “cave” in the hospital basement. During Covid, he noticed something striking, upstairs, patients on certain wards with views of nature or biophilic art were using less narcotic pain medication. Staff downstairs had nothing similar. “We do so much for patients and visitors,” he says. “Why not for clinicians?”From that question came a this experiment: could just one minute  of viewing biophilic art shift clinicians’ emotional state in a meaningful way?The studyIn the ED’s staff “cave”, one wall was given over to large-scale photographs of local New Hampshire landscapes: a mountain stream, autumn foliage, a cluster of birch trees in winter, a calm pond. The works, by a local photographer, were intentionally familiar – the sort of scenes you could walk out and see within a few miles of the hospital.Clinicians, doctors, nurses, advanced practice providers and residents, could, when they had a moment, scan a QR code next to the artwork. They completed a brief validated survey (using the Daniels Five-Factor Measure of Affect) rating how they felt “right now” on items such as calm, at ease, anxious, tired, gloomy, annoyed. They were then instructed to look only at the art for one minute, using a timer on their phone, and repeat the survey immediately afterwards.In a level 1 trauma centre, even getting people to pause for sixty seconds is a challenge. Yet enough staff participated over time for the team to analyse pre‑ and post‑scores using standard statistical tests.Key findings of the biophilic art studyThe results were modest in scale but statistically robust, especially given the small sample and chaotic setting:-  Anxiety fell from an average score of 2.6 to 2.0 , with a p‑value of  0.003  (meaning only a 0.3% likelihood this was due to chance).-  Calm increased from 3.6 to 4.3  (p =  0.02 ).-  Feeling “at ease” increased from  3.3 to 4.0  (p =  0.003 ).- Negative feelings such as feeling *gloomy*, *tired* and *annoyed* all showed statistically significant decreases.In plain language: after just one minute of viewing nature imagery, clinicians felt less anxious, less gloomy and calmer and at ease, in a way that is extremely unlikely to be explained by random fluctuation.The researchers are careful not to oversell this as a cure for burnout. No picture can fix under‑staffing, moral injury, or a broken healthcare system. But it can, as Gill puts it, create a “mandatory pause”, a tiny, biophilically designed, evidence‑based intervention that gives staff a momentary psychological reset.What this means for A&E designIf a single minute in front of one picture can move the needle, what might a genuinely biophilic emergency department achieve?At present, most EDs, in the US and UK alike, are buried in basements, windowless, acoustically harsh and visually sterile. Design decisions are dominated by managerial concerns, like where to put trolleys, equipment, computers. By contrast, high‑performing companies like tech firms deliberately shape workplaces to support focus, recovery and creativity.This research can help empower staff and designers to argue for change. Windows where possible, daylight‑mimicking lighting where it isn’t, local and seasonal nature imagery, quieter materials, designated biophilically designed micro‑spaces where staff can pause and look at something other than a monitor or a curtain track.Clinicians are not an endlessly replaceable resource. They are human beings, carrying enormous emotional loads on behalf of the rest of us. If we expect them to bring their best selves to our worst days, the least we can do is design emergency departments that give them a chance, even if it begins with just one minute and one view of nature.Journal of Biophilic Design, Issue 18, Interior Design (2025), pp. 50-61 “Impact of a brief viewing of biophilic art on the affective wellbeing of clinicians in the Emergency Department”To read the research paper, please download The Journal of Biophilic Design, Issue 18, Interior Design (2025) here: https://journalofbiophilicdesign.com/shop/journal-of-biophilic-design-issue-18-interior-design-digital-download or buy a high quality coffee table reference Book version here: https://journalofbiophilicdesign.com/shop/journal-of-biophilic-design-issue-18-interior-design-printed-coffee-table-reference-copyHave you got a copy of the Journal? You can now subscribe as a member of the Journal of Biophilic Design or purchase a gorgeous coffee table reference copy or PDF download of the Journal journalofbiophilicdesign.comor Amazon and Kindle. Book tickets and join us in PERSON and LIVE STREAMED Biophilic Design Conference and you can watch on catch up! www.biophilicdesignconference.comCredits: with thanks to George Harvey Audio Production for the calming biophilic soundscape that backs all of our podcasts. Listen to our podcast on Audible, Amazon Music, Spotify, iTunes, YouTube and all the RSS feeds.https://www.facebook.com/journalofbiophilicdesign/https://twitter.com/JofBiophilicDsnhttps://www.linkedin.com/company/journalofbiophilicdesign/https://www.instagram.com/journalofbiophilicdesignIf you like this,please subscribe!

We have a climate crisis, housing shortages, and increasing urban disconnection, we need a pioneering radical approach to development that puts nature and human flourishing at its core. Human Nature, led by Joanna Yarrow, are creating living, breathing ecosystems that challenge how we normally go about urban design."We've boxed ourselves into a corner by having the starting point that we are separate from nature," Joanna explains. Places should not just exist alongside nature, they should be fundamentally integrated with it.Human Nature has identified three critical place typologies that could transform how we live. These are urban neighbourhoods, rural clusters, and new settlements. Their flagship project, the Phoenix in Lewes, East Sussex, demonstrates what's possible when we reimagine development."Places aren't just buildings. They are infrastructure, streets, parks, alleyways, rivers – a collection of components that includes hardware like pavements and water systems, and software like community services."The Phoenix project is a testament to this holistic approach. Spanning 7.9 hectares of former industrial land, it will become the UK's largest bio-based development, featuring 685 homes constructed primarily from natural materials like timber, hemp, and lime.But this isn't just about sustainable construction. It's about redesigning entire lifestyles. "We want to create the optimal precondition for a better, healthy, and more sustainable way of life." This means designing neighbourhoods where car dependency becomes unnecessary, where food production is integrated, and where nature isn't an afterthought but the central organising principle.Her background – growing up in a 64-acre working wood in Sussex – deeply influences her approach. "Nature was my playground," she recalls. This personal connection translates into a professional mission to mainstream sustainable living.The challenge, she argues, isn't technological. "Most of this is not rocket science. Most of this has been done already. We don't need to reinvent the wheel." Instead, we need collective will and a systemic reimagining of development.We should review the concept of “developers” to be not just extractive profit-makers, but as stewards with critical societal duty. "You are shaping people's lives for decades, generations to come. What a responsibility."Everyone can contribute to change. "The power sits with all of us to weave this into our everyday life.” This might mean walking a different route to work, engaging with local green spaces, or challenging existing development models.The benefits extend far beyond environmental considerations. These nature-integrated spaces promise improved mental health, community connection, and a sense of belonging that modern developments often strip away."Wouldn't it be wonderful, if our schools had forests instead of fences? If our walk to work included fruit trees, flowers, and bird song? If our homes and offices could breathe without us needing to open a window?"Projects like the Phoenix prove such transformative development is possible. By demonstrating viable alternatives, Human Nature is creating blueprints for a regenerative future. We can redesign our built environment to enhance not compromise both human and natural systems.https://humannature-places.com/Bonus show notes: Advice for Developers to Design Better, Based on Joanna Yarrow's insights:1. Shift Your Mindset- Stop seeing development as unit production and profit extraction- Become "stewards" rather than "extractors"- Recognise that you're shaping lives for generations, not just building temporary structures 2. Embrace Holistic Design- Don't just design buildings, design entire "places" that include:  * Infrastructure  * Streets  * Parks  * Community services  * Green spaces- Consider the entire ecosystem, not just the physical structure 3. Prioritise Collaboration- Practice "deep collaboration" with:  * Local communities  * Specialist architects and designers  * Environmental experts  * Interest groups- Be transparent and open-source about your learning and processes 4. Focus on Positive Impact- Design with three core considerations:  * Climate positive outcomes  * Nature enhancement  * Human flourishing- Create places that inspire and enable sustainable living5. Think Beyond Traditional Boundaries- Consider different place typologies:  * Urban neighbourhoods  * Rural clusters  * New settlements- Customise design to specific bioregional contexts6. Integrate Nature Seamlessly- Don't treat nature as an "other" or additional feature- Centre nature in every design decision- Create multi-sensory experiences that connect humans with natural systems7. Enable Sustainable Lifestyles- Design spaces that make sustainable living:  * Easy  * Attractive  * Accessible- Reduce car dependency- Incorporate food production- Create green corridors and natural infrastructure8. Engage Communities- Run collaborative design processes- Host community events and design festivals- Seek input and co-creation from local residents- Be propositional, not oppositional9. Think Long-Term- Stay involved beyond initial construction- Consider how places will be lived in and managed over decades- Create flexible, adaptable designs10. Be Ambitious and Brave- Challenge existing development models- Learn from international best practices- Don't be afraid to pioneer new approachesAs Joanna powerfully states: "We need to both inspire and enable a healthier, positive, lower impact, more sustainable way of life."How Shall We Live?”  - Human Nature’s research collaboration focusing on how to create new settlements with positive impacts - with Arup, Heatherwick Studio, White Arkitekter and others - Link herehttps://drive.google.com/file/d/134fqrlGzislmGF4wFJ8n3Zl3j-QI9bfC/viewJoanna Yarrow is the Chief Impact Officer at Human Nature, a sustainable placemaking company dedicated to designing, building, and operating places that make sustainable living easy and attractive.Previously, Joanna served as the Global Head of Sustainable & Healthy Living at IKEA, where she led initiatives to make sustainable living affordable, attractive, and accessible worldwide. She has also held leadership roles at M&C Saatchi Group, co-founding M&C Saatchi LIFE, a strategic creative consultancy focused on mainstreaming sustainable living. She has also authored several books on sustainable living, and you might have seen her on TV too.Have you got a copy of the Journal? You can now subscribe as a member of the Journal of Biophilic Design or purchase a gorgeous coffee table reference copy or PDF download of the Journal journalofbiophilicdesign.comor Amazon and Kindle. Book tickets and join us in PERSON and LIVE STREAMED Biophilic Design Conference and you can watch on catch up! www.biophilicdesignconference.comCredits: with thanks to George Harvey Audio Production for the calming biophilic soundscape that backs all of our podcasts. Listen to our podcast on Audible, Amazon Music, Spotify, iTunes, YouTube and all the RSS feeds.https://www.facebook.com/journalofbiophilicdesign/https://twitter.com/JofBiophilicDsnhttps://www.linkedin.com/company/journalofbiophilicdesign/https://www.instagram.com/journalofbiophilicdesignIf you like this,please subscribe!

Welcome to this special episode of the Journal of Biophilic Design podcast. We’re really excited to share this feature from our very first Biophilic Design Conference, which took place at the iconic Barbican Centre in London. It was a landmark moment — the UK’s first-ever conference dedicated entirely to biophilic design — and we were joined by an amazing lineup of experts, designers and researchers exploring how connecting people and nature through design can transform our buildings and cities. This year’s conference is back — bigger and better than ever — at Westminster Central Hall in London on Sunday, 17th November. https://journalofbiophilicdesign.com/biophilic-design-conference  Join us for a day of inspiring talks, interactive sessions, and meaningful connections with the people who are shaping the future of design for wellbeing, sustainability and climate resilience.This special edition of the Journal of Biophilic Design podcast is a podcast recorded by our friends at Workplace Geeks, Ian Ellison and Chris Moriarty. Host Ian Ellison sets out to explore a big question: Is biophilic design simply good design, or something we need to intentionally spotlight because of its unique importance to people, place and planet?In this deep dive, Ian speaks with a host of experts and thought leaders — including Dr Nigel Oseland, Dr Sally Augustin, Oliver Heath, Prof Harriet Shortt, Mark Catchlove, Dr Vanessa Champion, Matthew Burgess, Chloe Bullock, and Prof Geoff Proffitt — to unpack the science, theory, and lived experience behind biophilic design.You’ll hear:The psychological and evolutionary roots of our natural affinity for nature.Insights from the UK’s first Biophilic Design Conference and what made the Barbican such a fascinating venue.Real-world examples of biophilic design in action — from workplaces and clinics to urban spaces and beyond.Tune in to reflect, challenge assumptions, and join the ongoing conversation: is biophilic design just a feel-good concept, or is it the future of how we should be designing every environment?Book tickets to the 2nd Biophilic Design Conference - join us in PERSON and ONLINE https://journalofbiophilicdesign.com/biophilic-design-conferenceSession schedule : https://journalofbiophilicdesign.com/-2025-conference-sessionsConnect with the Workplace Geeks community:Share your thoughts using #WorkplaceGeeks or email hello@workplacegeeks.org.Follow @WorkplaceGeeks on LinkedIn and subscribe for more thought-provoking insights on workplace and design. To listen to the original visit https://www.buzzsprout.com/1933353/episodes/16903582-biophilic-design-buzzword-or-big-deal-a-workplace-geeks-investigationThey also have a listener survey live at the moment, with prizes, so do the survey too, that would be superb https://www.smartsurvey.co.uk/s/WGls2025sv/Have you got a copy of the Journal? You can now subscribe as a member of the Journal of Biophilic Design or purchase a gorgeous coffee table reference copy or PDF download of the Journal journalofbiophilicdesign.comor Amazon and Kindle. Credits: with thanks to George Harvey Audio Production for the calming biophilic soundscape that backs all of our podcasts. Listen to our podcast on Audible, Amazon Music, Spotify, iTunes, YouTube and all the RSS feeds.https://www.facebook.com/journalofbiophilicdesign/https://twitter.com/JofBiophilicDsnhttps://www.linkedin.com/company/journalofbiophilicdesign/https://www.instagram.com/journalofbiophilicdesignIf you like this,please subscribe!

"The way we've conceived cities for the past 100 years has been far too extractive, far too one-dimensional. We need cities that are more productive, multi-dimensional, and adaptable." Ludo Pittie leads WSP’s 75-strong UK landscape and urban design team, guiding  the company’s landscape strategy and design thinking, and is also driving a global WSP exploration of ‘the Future Ready Landscape’ which strives to anticipate future needs, and embed adaptable design practices to create sustainable places that are ready for today and tomorrow.  Urban spaces should be biophilic interconnected systems that prioritise human and ecological wellbeing. This goes beyond traditional sustainability, we need regenerative design, an approach that doesn't just minimise harm, but actively restores and enhances natural systems. The 15-minute city concept reimagines urban living. "It's about providing essential social needs locally," Ludo explains. "Access to schools, food production, healthcare – all within a 15-minute radius. It's about creating communities that can truly thrive." Covid-19 unexpectedly accelerated this perspective. Locked down populations rediscovered local green spaces. At the same time our connection to nature has diminished by 60% over two centuries. The pandemic became an unexpected reset button, highlighting the critical importance of accessible, high-quality green environments. But transforming cities requires more than good intentions. We need for innovative financial frameworks that recognise nature's intrinsic value. Natural capital approaches are emerging, attempting to quantify ecosystem services previously taken for granted. "We haven't been putting a monetary sign on what nature provides," he says. "We've just extracted and taken nature for granted." Plus, the economic benefits of more nature and biophilic placemaking helps provide equal access to high-quality green spaces, which we know can improve public health, reduce NHS pressures, mitigate climate impacts, and create more resilient, socially cohesive communities. Practical examples are already emerging. Projects like Manchester's Greater Manchester Environment Fund and initiatives in Copenhagen and New York demonstrate how cities can integrate nature-based solutions. In New York, green infrastructure plans showed returns ten times higher than traditional engineering approaches, at a third of the cost. The future of urban design isn't about uniformity, but about "hyper-local solutions to global system change". Each city, each neighbourhood needs its own nuanced approach, respecting local ecology and cultural distinctiveness. In addition, we should be designing public spaces that balance people, planet, and place; continuing interdisciplinary collaborations, particularly with ecologists and water engineers; and maintaining a spirit of continuous innovation and learning. Community engagement is paramount. Successful urban restoration isn't imposed from above but co-created with local residents. Emerging stewardship models, like community interest companies managing green spaces, show promising alternatives to traditional top-down management.  Looking towards 2050, we have cause to be optimistic. "We've never had so many mechanisms at our disposal," he says. Regenerative design could be the bridge connecting different disciplines, creating holistic solutions to complex urban challenges. Just imagine a world where everyone has a view of nature from where they live, with high-quality green spaces within a 10-minute walk. This would fundamentally reshape our relationship with urban environments. Ludo will be speaking at the Biophilic Design Conference on 17 November, Click here to find out more and book your online and in person tickets (plus watch on catch up!): https://journalofbiophilicdesign.com/biophilic-design-conference To find out more about some of the project that Ludo was speaking about in the podcast look at:  https://www.wsp.com/en-gb/hubs/future-ready-landscapeshttps://www.wsp.com/en-gb/projects/islington-council-and-wsp-explore-pathways-to-finance-nature-in-citieshttps://www.wsp.com/-/media/insights/uk/documents/wsp-biodiversity-in-the-city.pdfhttps://www.tcpa.org.uk/areas-of-work/new-towns/long-term-stewardship/https://barkingriverside.london/https://commonland.com/4-returns-framework/https://naturetownsandcities.org.uk/https://mayfieldpark.com/https://www.wsp.com/en-gb/projects/earls-court-developmenthttps://www.c40.org/case-studies/c40-good-practice-guides-copenhagen-cloudburst-management-plan/https://www.nyc.gov/site/dep/environment/cloudburst.pagehttps://www.nyc.gov/assets/dep/downloads/pdf/water/stormwater/green-infrastructure/nyc-green-infrastructure-plan-2010.pdf - key take away: “the overall cost of the Green Infrastructure Plan would be approximately $5.3 billion, $1.5 billion less than the $6.8 billion required for the Grey Strategy”.“After a 20-year period, DEP estimates that New Yorkers would receive between $139 million and $418 million in additional benefits through reduced energy bills, increased property values, and improved health”

SUGi creates pocket forests that breathe life into urban spaces. Founded in London and now operating in over 50 cities worldwide, SUGi uses the innovative Miyawaki method to transform small urban areas into thriving, biodiverse ecosystems. In a space the size of a tennis court, they can plant approximately 600 trees that grow rapidly, creating a mature forest in just a fraction of the time nature would typically require. Adrian Wong, UK Forest Lead, explains, "If nature did it naturally, it usually takes 150 to 500 years for a forest to mature. We supercharge that process." At the heart of SUGi's success is soil restoration. "Without a living, healthy soil, we can't do what we're doing," Adrian emphasises. They meticulously prepare urban sites by aerating the ground, introducing beneficial organisms like mycelium and worms, and creating a nutrient-rich environment that supports rapid growth and biodiversity. For me, as Adrian was telling us this, I felt this emphasis on creating a healthy environment for life to thrive, is similar to what we are trying to do with Biophilic Design inside our homes, hospitals, workplaces, creating healthy environments that enable all life to flourish. The impact is remarkable. Even in seemingly inhospitable urban locations, these micro forests attract diverse wildlife. At their South Bank forest, they've recorded an incredible range of species, including blue tits, green finches, and surprisingly, even tawny owls and peregrine falcons. Research is increasingly demonstrating the mental health benefits of these urban forests. A study with Oxford University is exploring how the volatile organic compounds released by trees can reduce anxiety and improve overall well-being. As Adrian puts it, "We're learning how to quantify the benefits that we know exist." Contrary to expectations, these forests require minimal maintenance. After initial care in the first three to four years, the forests become self-sustaining ecosystems. "Beyond that point, the forest looks after itself," Adrian explains. Adrian himself looks after over 30 forests on his own, which just proves that the method of planting is self-sustaining, affordable and there is no economic downside to scaling these across cities too. Just benefits. SUGi's approach addresses urban inequity by bringing green spaces to areas traditionally lacking natural environments. Their forests provide access to nature in communities that have been concrete bound, offering mental health benefits, educational opportunities, and a sense of community ownership. Everything which the Biophilia hypothesis encourages, and Biophilic Designers are aiming to create. "I would love to see a city that's part of nature, a city that's in nature," Adrian says at the end. This means integrating green spaces seamlessly into urban landscapes – from moss-covered walls to green roofs that provide habitat and food-growing opportunities. SUGi is always seeking collaborators. "Finding land is our biggest challenge," Adrian notes. Architects, city planners, and community leaders are invited to explore how micro forests can transform urban spaces. In just six years, SUGi has planted over 200 forests worldwide, proving that small spaces can create significant environmental and social change. If you have land which is calling out for a mini forest, please reach out directly to SUGi to collaborate. These pocket forests are more than just trees they are essential in our healing and connection in our urban landscapes. https://www.instagram.com/sugiproject/https://www.linkedin.com/company/sugiproject/posts/?feedView=allhttps://www.sugiproject.com/https://cdn.sanity.io/files/oyzyxja8/v2/913f3ee130ed408e418cd2b76a3e7bddf562c550.pdf He will be speaking at the  biophilic design conference on: . A passion developed from his time travelling and observing how society benefits most when nature and humanity can coexist. He will be speaking about:Biodiversity & Belonging: why wild urban spaces matter.Every citizen deserves access to thriving, biodiverse nature. SUGi is a model of urban renewal rooted in ownership, pride, and shared responsibility. We transform urban spaces through hyper-local pocket forests. From climate resilience to improving mental health, we’ll explore how wild urban spaces and nature connectedness can restore our sense of belonging — and how this, in turn, supports biodiversity and human well-being. To book your ticket visit www.biophilicdesignconference.com This is the factory in the forest Adrian mentioned: https://medium.com/@dinushi.urbanforests/factory-in-the-forest-adcdd18f7f9c Have you got a copy of the Journal? You can now subscribe as a member of the Journal of Biophilic Design or purchase a gorgeous coffee table reference copy or PDF download of the Journal journalofbiophilicdesign.comor Amazon and Kindle. Book tickets and join us in PERSON and LIVE STREAMED Biophilic Design Conferencewww.biophilicdesignconference.comCredits: with thanks to George Harvey Audio Production for the calming biophilic soundscape that backs all of our podcasts. Listen to our podcast on Audible, Amazon Music, Spotify, iTunes, YouTube and all the RSS feeds.https://www.facebook.com/journalofbiophilicdesign/https://twitter.com/JofBiophilicDsn

US Modernist architecture and Biophilic Design share a philosophical alignment, both fundamentally committed to creating human-centric spaces that celebrate our intrinsic connection to nature. By prioritising natural light, material authenticity, and design that responds to human behavioural patterns, these approaches transform buildings from mere shelters into living, breathing environments.  Architects like Frank Lloyd Wright and Richard Neutra were pioneering biophilia decades before the term existed as a design principle, strategically integrating large windows, natural materials, and designs that blur indoor-outdoor boundaries. Their work demonstrates that truly great architecture isn't about imposing human structures on the landscape, but about creating harmonious spaces that enhance human well-being by maintaining a deep, sensory dialogue with the natural world. This shared vision sees buildings not as static objects, but as dynamic systems that support physical, psychological, and emotional health through thoughtful, nature-inspired design. What if your home could be more than just a container for living? What if it could enhance your wellbeing, sync with natural rhythms, and make you feel truly alive?Imagine a house that breathes with the landscape, where windows frame nature like living paintings and every design choice connects you to the world outside We speak with George Smart, founder of US Modernist the award-winning archive and podcast dedicated to preserving and celebrating Modernist design.  We chat about Frank Lloyd Wright’s iconic Fallingwater house perched over a waterfall and how architect Richard Neutra would spend entire weekends with families, observing their daily routines to design homes that perfectly supported their lifestyle. We also explore how technological innovations like air conditioning and steel construction opened up radical new possibilities for design. Technology played a crucial role in the US Modernist movement. The advent of air conditioning, steel construction, and large glass panels allowed architects to create open, light-filled spaces that blurred indoor and outdoor boundaries. California, with its stunning landscapes and consistent climate, became a laboratory for these experimental designs. For anyone curious about design, architecture, or how our surroundings impact our wellbeing, this episode is a must-listen. Tune in, get inspired, and discover how great design can transform our connection to the world around us. Want to dive deeper? Visit US Modernist's website or check out their podcast for more architectural adventures. https://www.usmodernist.org  Have you got a copy of the Journal? You can now subscribe as a member of the Journal of Biophilic Design or purchase a gorgeous coffee table reference copy or PDF download of the Journal journalofbiophilicdesign.comor Amazon and Kindle. Biophilic Design Conference www.biophilicdesignconference.comCredits: with thanks to George Harvey Audio Production for the calming biophilic soundscape that backs all of our podcasts. Listen to our podcast on Audible, Amazon Music, Spotify, iTunes, YouTube and all the RSS feeds.https://www.facebook.com/journalofbiophilicdesign/https://twitter.com/JofBiophilicDsnhttps://www.linkedin.com/company/journalofbiophilicdesign/https://www.instagram.com/journalofbiophilicdesignIf you like this,please subscribe!

Did you know 10 million people watched the first episode of Planet Earth III – the same number who visit the Peak District annually? We're hungry for nature, even if we can't always access it directly.Imagine escaping the concrete jungle without leaving your desk. What if your smartphone could transport you to a misty bluebell woodland or the thundering heart of an Icelandic volcano? Welcome to the future of nature connection – where technology becomes your gateway to mental restoration. We speak with environmental psychologist Dr Alex Smalley about his research on virtual nature and Tim Daniels co-founder of Portal, both are names to watch in this beautiful revolution in how we experience the natural world."We've always tried to bring nature indoors," explains Dr. Alex Smalley. From ancient cave paintings, ancient Roman wall paintings right through to modern digital experiences, humans have always craved a connection to the natural world.But this isn't about replacing real nature. It's about expanding our understanding of how we can experience it.For the stressed-out healthcare worker pulling a double shift, the burned-out student cramming for exams, or the city dweller trapped in a windowless office, digital nature offers a lifeline. Scientific research shows these experiences aren't just pretty pictures – they're powerful mental health tools.Alex’s research is proving that digital nature can actually change how our brains process pain and stress. In clinical studies, people experiencing virtual natural environments reported reduced pain perception and lower stress levels. It's like a mini-vacation for your brain, available at the touch of a button.Tim, Portal's co-founder, sees something even bigger. "We're not just creating an app," he says. "We're addressing major global crises – from mental health to climate change – by reconnecting people with nature."For younger generations, digital natives who've grown up with screens, these experiences are revolutionary. Instead of mindless scrolling, imagine using your phone to transport yourself to a dawn chorus, to feel the gentle awakening of a forest, to experience moments of pure wonder."These digital experiences can stimulate small bumps of awe," Smalley explains. "They force you to reevaluate your mental frameworks, put your problems in perspective, and feel connected to something bigger."It's not about replacing real-world experiences. It's about creating bridges, about offering nature as an accessible resource for everyone.Imagine the possibilities:- Hospitals using nature sounds to support patient recovery- Schools using digital landscapes to calm and focus students- Workplaces offering nature breaks to reduce stress- Individuals finding moments of peace in their most challenging timesPortal captures nature with breathtaking precision – 8K visuals, spatial audio that makes you feel like you're truly there. A thunderstorm isn't just a sound; it's an experience that can unlock feelings of wonder, reduce stress, and reconnect you with the natural world."It's never too late to build a connection to nature," Alex emphasizes. And now, that connection is quite literally in your pocket.For Tim, it's deeply personal. The platform was inspired by his brother's transformative experience camping in New Zealand – discovering how nature could heal burnout, restore mental health, and provide a sense of wonder.What if technology could be a force for healing? What if our devices could remind us that we're part of something larger than our daily stress?It does seem that our world is becoming more urban, more digital, more disconnected, but technology doesn't have to isolate us – it can reconnect us.A dead hotel TV screen becomes a window to volcanic landscapes. A smartphone transforms into a portal to misty forests. Stress dissolves with the sound of a dawn chorus.Something that I really liked when I asked Alex how he would paint the world with a magic brush of Biophilia (the question I ask everyone who comes onto the podcast) he said: "I'd paint the world wild and unkempt, with oak saplings emerging from tangles of brambles.” For me, this seemed a perfect metaphor for how digital and natural worlds can coexist and enrich each other.Your next mental health solution might just be a click away. Are you ready to reconnect?https://portal.app/https://experts.exeter.ac.uk/20047-dr-alex-smalleyvirtual-nature.comhttps://www.audible.co.uk/pd/Healing-Power-of-Nature-Podcast/B0CLVVLF7THave you got a copy of the Journal? You can now subscribe as a member of the Journal of Biophilic Design or purchase a gorgeous coffee table reference copy or PDF download of the Journal journalofbiophilicdesign.comor Amazon and Kindle. Biophilic Design Conferencewww.biophilicdesignconference.comCredits: with thanks to George Harvey Audio Production for the calming biophilic soundscape that backs all of our podcasts. Listen to our podcast on Audible, Amazon Music, Spotify, iTunes, YouTube and all the RSS feeds.https://www.facebook.com/journalofbiophilicdesign/https://twitter.com/JofBiophilicDsnhttps://www.linkedin.com/company/journalofbiophilicdesign/https://www.instagram.com/journalofbiophilicdesignIf you like this, please subscribe!

"We're facing enormous challenges - climate crisis, biodiversity loss, social and economic inequity. These are complex, interlinked issues that we cannot solve by simply focusing on embedded and operational carbon." In the urgent battle against climate change, the built environment stands at a critical crossroads. Oliver Heath, well known global biophilic design expert, explains how Biophilic Design offers a transformative approach that goes far beyond superficial sustainability efforts. Biophilic design represents a holistic solution, reimagining our built spaces as living, breathing ecosystems that support not just human health, but the wellbeing of all life. It's a radical departure from traditional sustainability approaches that narrowly target carbon reduction. Oliver argues that true sustainability requires a systemic approach. "We need to take a wider view, not just a carbon tunnel vision," he emphasises. This means considering interconnected challenges like resource scarcity, water crises, air pollution, and biodiversity loss. The key lies in understanding our fundamental connection to nature. Biophilic design recognises that humans have an evolutionary inheritance - a genetic predisposition to connect with natural environments. By integrating natural elements, patterns, and sensory experiences into our buildings, we can create spaces that simultaneously support human health and environmental sustainability. Addressing the greenwashing epidemic, Oliver suggests a multi-faceted approach. "It's not just about putting plants in a corner," he warns. Instead, organisations must consider the entire lifecycle of materials, from sourcing to disposal, and how each design decision impacts broader ecological systems. Practical implementation involves several critical strategies: 1. Pre- and Post-Occupancy EvaluationsCompanies can measure the real impact of design interventions. In one project with Knight Frank, targeted biophilic design interventions resulted in remarkable outcomes: an 18% increase in productivity, 22% improvement in meetings, and a 28% boost in overall wellbeing. 2. Diverse and Inclusive DesignRecognising that people experience environments differently, biophilic design creates spaces that support various sensory needs. "Over 15% of the population is neurodivergent," Heath notes. "We must design environments that support everyone's comfort and potential." 3. Comprehensive StandardsWhile current building regulations fall short, non-mandatory standards like the WELL Building Standard and Living Building Challenge provide frameworks for genuine sustainable practices. These standards look beyond carbon, examining air quality, materials, water usage, and community impact. The economic argument is compelling. Buildings designed with biophilic principles are more likely to retain value, attract talent, and reflect progressive organizational values. As Heath puts it, "Companies are recognising that nature connection isn't just aesthetic - it's a fundamental strategy for creating more successful, innovative environments." Case studies demonstrate the potential. A project with John Lewis transformed residential spaces by creating a "green thread of wellbeing" - integrating natural elements from external gardens through interior spaces, enhancing community connection and individual wellbeing. Education is crucial. Interior Design Declares, a movement Oliver helped establish, encourages professionals to commit to regenerative design principles. Their 12 pledges focus on raising awareness, sharing knowledge, and challenging traditional design approaches. "The biophilic future is already here," Heath argues, adapting a quote from author William Gibson. "It's just not very evenly distributed." For businesses, designers, and policymakers, sustainable design must be holistic, considering the intricate web of human and ecological interactions. Biophilic design offers a comprehensive framework that goes beyond carbon reduction, creating spaces that genuinely support life in all its complexity. As we face unprecedented environmental challenges, biophilic design isn't just an option - it's a necessity. It represents a profound reimagining of our relationship with the built environment, where every design decision becomes an opportunity to support, regenerate, and celebrate life. Oliver will be speaking at the Biophilic Design Conference London 2025 www.biophilicdesignconference.com https://www.oliverheathdesign.comDesign a Healthy Home: https://www.oliverheathdesign.com/our-projects/book-design-a-healthy-homeBiophilic Design in the Home course: https://oliverheathdesignschool.thinkific.com/  If you like this, please subscribe!Have you got a copy of the Journal? You can now subscribe as a member of the Journal of Biophilic Design or purchase a gorgeous coffee table reference copy or PDF download of the Journal journalofbiophilicdesign.comor Amazon and Kindle. Biophilic Design Conference www.biophilicdesignconference.comCredits: with thanks to George Harvey Audio Production for the calming biophilic soundscape that backs all of our podcasts. Listen to our podcast on Audible, Amazon Music, Spotify, iTunes, YouTube and all the RSS feeds.https://www.facebook.com/journalofbiophilicdesign/https://twitter.com/JofBiophilicDsnhttps://www.linkedin.com/company/journalofbiophilicdesign/https://www.instagram.com/journalofbiophilicdesignIf you like this, please subscribe!

Nestled along Mexico's Pacific coast, David Leventhal's Playa Viva is redefining hospitality through a radical commitment to regenerative design. More than just a boutique hotel, it's a living ecosystem where architecture breathes, nature flows freely, and every material tells a story of sustainability.Imagine waking in a treehouse suspended among palm trees, with no doors or windows—just an uninterrupted connection to the landscape. This is Leventhal's vision: hospitality that doesn't just minimize environmental impact, but actively regenerates it.The resort's structures are poetry in natural materials. Bamboo "bones" form parabolic roofs, carefully woven and raised by hand. Shower floors become canvases of meticulously placed pebbles, each stone positioned with artisan precision. Wall pigments are sourced locally—rich oranges and browns extracted directly from mountain landscapes, mixed with unconventional ingredients like hay, horse manure, and even turtle eggshells."We're not just building rooms," Leventhal explains, "we're creating experiences that transform how humans interact with environment."This transformation begins with radical design choices. Solar panels provide 100% off-grid electricity. Air conditioning is minimised, with innovative systems like the "Evening Breeze" technology cooling only specific areas. The goal isn't comfort through separation, but comfort through connection.The resort sits on 200 acres of regenerating landscape, including a critical turtle sanctuary. Local community members—many former poachers—now protect endangered turtle species, releasing hatchlings at dawn under careful supervision.The broader ReSiMar project demonstrates Leventhal's systemic approach to ecological restoration. Starting from mountain headwaters and extending to the coastline, this watershed regeneration initiative has already documented remarkable recoveries, including recent jaguar sightings in the Sierra Madre Mountains.What makes Playa Viva revolutionary isn't just its sustainable infrastructure, but its philosophical approach. Each design decision emerges from deep respect for place—understanding geological, anthropological, and ecological histories before a single structure is built.Guests aren't passive observers but active participants in this regenerative narrative. Yoga retreats, farm experiences, and community engagement transform vacationing from consumption to connection. The resort's B-Corp certification and recent Michelin keys underscore its commitment to excellence through ecological integrity.Leventhal's background in media and technology might seem an unlikely pathway to ecological design. Yet his journey reveals how personal transformation drives systemic change. "Change happens little by little," he reflects, "until it happens all at once."This philosophy permeates every aspect of Playa Viva. The manta ray-inspired treehouses, the infinity casita with its locally sourced manufactured wood, the organic farm—each element represents a deliberate choice to work with, not against, natural systems.For travellers seeking more than a temporary escape, Playa Viva offers a glimpse of possible futures. Here, luxury isn't about isolation and excess, but about deep, meaningful engagement with living landscapes.As climate challenges intensify, Leventhal's model provides a compelling blueprint. Regenerative design isn't a luxury—it's a necessity. By reimagining hospitality as a collaborative dance with ecological systems, Playa Viva demonstrates that sustainable travel can be both profoundly beautiful and transformative.The resort whispers an essential truth: humans aren't separate from nature, but integral participants in complex, interconnected living systems. And in that understanding lies our most profound opportunity for healing—one treehouse, one turtle, one thoughtfully placed pebble at a time.https://www.playaviva.comhttps://oceanfdn.org/projects/la-tortuga-viva/Have a listen to the podcast we did with Louis Thompson, partner of Nomadic Resorts mentioned by David. Louis and his partner designed rooms at Playa Viva https://journalofbiophilicdesign.com/podcast-journal-of-biophilic-design/nomadic-resorts-biophilic-design-hotels If you like this, please subscribe!Have you got a copy of the Journal? You can now subscribe as a member of the Journal of Biophilic Design or purchase a gorgeous coffee table reference copy or PDF download of the Journal journalofbiophilicdesign.comor Amazon and Kindle. Biophilic Design Conferencewww.biophilicdesignconference.comCredits: with thanks to George Harvey Audio Production for the calming biophilic soundscape that backs all of our podcasts. Listen to our podcast on Audible, Amazon Music, Spotify, iTunes, YouTube and all the RSS feeds.https://www.facebook.com/journalofbiophilicdesign/https://twitter.com/JofBiophilicDsnhttps://www.linkedin.com/company/journalofbiophilicdesign/https://www.instagram.com/journalofbiophilicdesign

If two people could combat our growing urban disconnection, it is Adam White and Andrée Davies of Davies White Limited. I met them at our first Biophilic Design Conference at the Barbican, and immediately warmed to their infectious passion for better landscape design. Design which helps reimagine spaces from playgrounds to hospitals through a beautiful and playful biophilic lens, pulling on our emotional responses to nature.  They construct, if you will, beautiful narratives of human-nature coexistence. Instead of viewing landscapes as static backdrops, they help encourage us to understand them as dynamic, living systems that actively shape human experience and ecological health. I think it’s the creativity I love most about their work. The balance of science, planning and artistry. Their approach is rooted in a deep understanding of ecological systems and human psychology. With projects ranging from micro-forest playgrounds to hospital gardens, each is designed to restore our biophilic fundamental relationship with the natural world.  Take their recent West London micro-forest playground project. By densely planting trees and creating intricate ecological landscapes, they're not merely designing a play area, but constructing a living classroom. The project embodies their core belief: that understanding nature begins with immersive, tactile experiences. Those of us who live and breathe biophilic design, this philosophy aligns with scientific research. Studies consistently demonstrate that exposure to natural environments reduces stress, enhances cognitive function, and promotes emotional well-being. Adam himself references Florence Williams' "The Nature Fix", which explores how nature can make us "happier, healthier, and more creative". Also, their approach supports the positive economic argument for biophilic design. Their pocket park project in London demonstrated that nature-rich spaces can increase property values and biodiversity simultaneously.  Plus, a collaboration with Anglian Water explored how housing developments could integrate resilient, nature-focused landscapes, and they are advocating a new “Resilient Garden” rating, which like the EPC rating on a house, could add value to a property if reported along with a house sale. I think this is a brilliant idea. It will get real estate developers and property owners totally thinking differently about their homes and land. This "resilient garden and landscape accreditation scheme" would be an ecological equivalent to energy ratings for buildings. This could revolutionise how we value and integrate natural systems into our built environment     Policy is slowly catching up. The introduction of a Natural History GCSE this September (which they both, along with others, including Mary Colwell I interviewed a couple of years back) represents a significant milestone. "If children don't understand nature, they won't appreciate it, and if they don't appreciate it, they won't protect it," Adam recalls Sir David Attenborough telling him – a statement that has become a guiding principle for their work. "We don't stop playing because we grow old. We grow old because we stop playing," Adam reminds us, and their hospital design interventions are creative, beautiful and indeed playful. By creating gardens with living elements like water pumps, rabbits, and carefully selected native plants, they transform clinical spaces into healing ecosystems. These actively support patient recovery. As climate change accelerates, landscape architecture becomes a critical tool for resilience. Their designs are also adaptive systems that can mitigate environmental challenges while supporting human and ecological well-being. What I love about their work is that they challenge the notion that sustainable design is prohibitively expensive. By using creative, low-cost interventions like raised planting containers and willow pods, they demonstrate that ecological design can be accessible and scalable. I have to call out one specific example of climate resilience from their work, and that is at Nene Park Trust in Cambridgeshire. They used swales to manage water collection during heavy rainfall. These swales are designed to be both functional and interactive, with bridges and stepping stones that children can use to cross them. Their conscious approach to help with water management through strategically designed swales, planting of resilient vegetation that can thrive in changing conditions and creating a playful landscape that serves both ecological and recreational purposes really deserves visiting and using as an exemplar of best practice.  They've been working with the park trust for 15 years, and when they revisited the site recently, they were impressed by how the planting had thrived in conditions that might typically challenge other landscapes. Andrée shared that we need a better understanding "nature's time" - recognising that landscapes develop and improve over years, with plants establishing and becoming more robust over time. This approach is inherently climate-resilient, as it focuses on creating adaptable, living systems rather than static, rigid designs. As the next generation of designers emerges – armed with natural history education and a deep ecological consciousness – we hope we can anticipate even more transformative approaches to landscape design. The message is clear. Design is not about creating spaces for humans but creating spaces with humans as PART of a complex, interconnected ecological system. Biophilic landscape architecture is a powerful tool for healing our disconnection from the natural world.RHS Back to Nature - Design Engagement - https://www.davieswhite.co.uk/nature-play-workshop Davies White Ltd Landscape Architects - https://www.davieswhite.co.uk/   If you like this, please subscribe!Have you got a copy of the Journal? You can now subscribe as a member of the Journal of Biophilic Design or purchase a gorgeous coffee table reference copy or PDF download of the Journal journalofbiophilicdesign.comor Amazon and Kindle. Biophilic Design Conference www.biophilicdesignconference.comCredits: with thanks to George Harvey Audio Production for the calming biophilic soundscape that backs all of our podcasts. Listen to our podcast on Audible, Amazon Music, Spotify, iTunes, YouTube and all the RSS feeds.https://www.facebook.com/journalofbiophilicdesign/https://twitter.com/JofBiophilicDsnhttps://www.linkedin.com/company/journalofbiophilicdesign/https://www.instagram.com/journalofbiophilicdesign

Cities face unprecedented environmental challenges, and it’s no secret that trees offer multiple solutions: reducing urban temperatures, mitigating noise pollution, improving air quality, and supporting mental and physical health. So why then aren’t we planting trees wherever there’s opportunity? As Biophilic Design practitioners, we can help hold this door open to help explain why we need them and how to do it. Sue James is the Convenor for the Trees and Design Action Group (TDAG), which brings together individuals, professionals, academics and organisations from wide ranging disciplines in both the public and private sectors to improve knowledge and good practice to support the role of urban trees through better collaboration in the planning, design, construction and management and maintenance of our urban places. We chat through the challenges, the opportunities and also how Biophilic Designers can get involved and help transform society, health and ultimately our planet.One of the primary obstacles to widespread urban tree planting, according to Sue, is the perceived maintenance burden. Councils and developers often view trees as costly and complicated. However, TDAG research demonstrates that with strategic planning, tree maintenance can be minimal and cost-effective."If you plant the right tree in the right place, with proper initial care, maintenance becomes remarkably simple.” Do have a look at the practical guides TDAG have developed to help communities and professionals navigate tree planting challenges.If you are wanting to share the benefits of urban trees, which extend far beyond environmental considerations, learn a bit more about how tree-lined streets can benefit society. For instance they increase property values, reduce urban temperatures by up to 4 degrees, potentially save the NHS money through improved public health and of course the obvious one, create more attractive, liveable and desirable urban spaces.Grassroots Tree Planting InitiativesLet’s also not forget the power of local people. There are many examples of community involvement, and you can find out about local tree planting groups across the UK who are already making significant impacts and get involved with, or support from them. These groups often achieve more successful plantings than official programmes because of their hands-on, passionate approach.So what if you’re thinking about taking practical steps to support community action? Did you know that you are likely to have a local tree officer? Find out who your nearest one is. Explore community forest networks, engage with school parent-teacher associations, connect with organisations like Trees for Cities and of course use the online resources on TDAG and join their seminars which are free.A crucial aspect of Sue and TDAG’s work involves education. Through her involvement with Teach the Future, she advocates integrating climate and nature studies across all school subjects, believing that informed younger generations can drive meaningful change.Sue is also calling for comprehensive land use frameworks that integrate trees and green infrastructure into urban planning. She suggests local authorities should develop clear tree strategies that provide developers with consistent, achievable green space requirements.As Sue says, “We need to bring people and nature together as partners, rather than antagonists.” Wouldn’t it be amazing if everyone of us reading this or listening to the interview, did something to change our local street, village or town. We planted a tree, got involved in the local tree planting groups or even better when we specified, we advocated for tree-lined boulevards and amazing arboreal environments. They don’t need to be perfect, manicured spaces but living, breathing urban environments where humans and nature coexist and mutually benefit.Every individual, community group, and organisation has a role to play in creating greener, more resilient cities.Resources like the Trees and Design Action Group's website offer free guides and inspiration. By sharing knowledge, challenging outdated perceptions, and taking practical steps, we can transform our urban landscapes. To find out more visit TDAG (Tree Design Action Group) website: https://www.tdag.org.u*Book your ticket to see Sue and TDAG at The Biophilic Design Conference www.biophilicdesignconference.com The Biophilic Quality Matric (for building design) , University of Sydney - https://www.sciencedirect.com/science/article/pii/S266679162500003XEdge Debate - debates and papers are here: www.edgedebate.com  Teach the Future is here - https://www.teachthefuture.uk/  Rockstrom and Tim Lenten - global tipping points 2025 -https://global-tipping-points.org/?team=johan-rockstrom )https://global-tipping-points.org/conference-2025/conference-statement/The second guide in their two-part series on Canopy Cover is now available and free to download here. This guide outlines how canopy cover can be measured at a site scale and approaches that can be taken to project canopy spread over decades, which is useful in the planning context. http://epapers.bham.ac.uk/4397/

The concept of eudaimonia, rooted in Aristotelian philosophy, is more than just happiness. Eudaimonia represents a state of good spirit and the realisation of one's full potential. It's about creating environments that support individuals in becoming their best selves across different life stages and circumstances. I sat down with Jenna Mikus to explore the concept and find out how we can weave this into Biophilic Design.  Jenna is founder of the Eudae Group and an Honorary Fellow at the University of Melbourne, and focuses on this concept, bridging engineering, philosophy, and design to create spaces that truly support human flourishing.  Eudaimonia manifests itself in Jenna's recent projects across healthcare and educational settings. In hospitals, she challenges traditional design creating spaces that support all users of the space, staff, patients and families. Imagine healing environments with dedicated family zones, access to natural views, and carefully curated sensory experiences that help process difficult emotions. All of this will resonate with Biophilic Designers. Jenna’s own professional journey is anything but conventional. With a background in mechanical engineering, art history, and business, she represents the antithesis of traditional siloed thinking. Her career trajectory—from government consulting to architectural design—reflects a deep commitment to understanding how environments can profoundly impact human experience. In educational spaces, Jenna advocates for neuro-inclusive design. We need classrooms with varied lighting zones, comfortable materials, and flexible spaces that accommodate different learning styles. The goal is to create environments that inspire learning by understanding how space can activate creativity and engagement. All these things are also woven into Biophilic Design. In our conversation she shares that we can all bring these large-scale learnings into small-scale real-world situations. When her father experienced a serious health crisis, Jenna applied her design principles directly. By carefully controlling environmental factors—ensuring good air quality, playing classical music he loved, and creating visual references to positive memories—she supported his cognitive recovery. Just like the Journal of Biophilic Design, crucially, Jenna emphasises breaking down disciplinary barriers. She sees innovation happening in the "messy middle" between traditional fields, advocating for a more holistic, collaborative approach to design. This means bringing together engineers, architects, psychologists, and other professionals to create truly comprehensive solutions. Biophilic design plays a central role in this approach. Drawing inspiration from indigenous philosophies that emphasize human connection with place, Jenna believes our environments should reflect our fundamental need to connect with nature. It's not just about adding plants or windows but creating meaningful interactions between human spaces and natural systems. Her vision extends beyond individual buildings to broader societal transformation. By designing with empathy, inclusivity, and a deep understanding of human needs, we can create spaces that support individual and collective well-being. This approach recognizes that our built environments are not just physical structures, but active participants in human experience. When asked to paint the world with a "magic brush of biophilia," Jenna envisions a landscape of open-mindedness, beautiful light, and empowering interactions. She sees design as a tool for uplifting individuals, societies, and planetary health—achieving a symbiotic relationship that allows humans to truly flourish. Her upcoming presentation at the Biophilic Design Conference promises to further explore these ideas, offering insights into how we can reimagine design as a holistic practice that supports human potential. For architects, designers, and anyone interested in creating more supportive environments, Jenna offers a compelling message: Design is not just about creating spaces, but about nurturing human potential. By understanding the deep psychological and philosophical dimensions of our built environment, we can create spaces that don't just shelter us, but actively support our growth, creativity, and well-being. I was so happy to interview Jenna, as I love her interdisciplinary approach. It’s important to remind ourselves that thoughtful, empathetic design can be a powerful catalyst for individual and collective transformation.  Biophilic Design helps us articulate this into the real world.   To find out more about Jenna and Eudaimonia, connect with her on LinkedIn, her Google Scholar page  and visit the Harvard FxD page. Also check out Conscious Centre for Design, and the International WELL Building Institute,  Also she would like to extend the opportunity to submit a chapter for an upcoming book she is editing visit  this link.  Book tickets to see Jenna at Biophilic Design Conference www.biophilicdesignconference.com  If you like this, please subscribe!Have you got a copy of the Journal? You can now subscribe as a member of the Journal of Biophilic Design or purchase a gorgeous coffee table reference copy or PDF download of the Journal journalofbiophilicdesign.comor Amazon and Kindle. Biophilic Design Conference www.biophilicdesignconference.com

Nestled in the Chattahoochee Hills, Georgia, is Serenbe, the biophilic community leading the wellness real estate and agrihood movements. It is a neighbourhood focused on wellbeing, full of fresh food and fresh air. This community is set among acres of preserved forests and meadows with miles of nature trails that connect homes and restaurants with arts and businesses.Importantly it is a real-world example of Biophilic Design in a community development that can help us reimagine urban and town planning. We speak with Steve Nygren, Founder and CEO who shares with us his love of biophilia and how this is woven through Serenbe, a beautiful and practical reimagining of how we can live in harmony with nature. More than just a development, Serenbe is a living, breathing testament to Biophilic Design and the profound connection between human well-being and the natural world.When Steve purchased a farm near Atlanta with his family, they discovered that this close connection to nature fundamentally changed their lives. "I saw how we all responded when we connected back to nature," he reflects. With 1,200 residents, Serenbe demonstrates that sustainable, nature-integrated communities aren't just possible—they're desirable, and this goes beyond architecture, it's about creating living systems that nurture human potential.Serenbe continues to evolve, with plans for an expanded educational campus. Plus, and watch out for updates in the press, an aging-in-place community promoting intergenerational living.Steve bridges scientific understanding with emotional experience. While research increasingly validates biophilic design's benefits, he emphasises that the heart understands what science is only beginning to measure. "We are innately connected to nature," he says, and highlights how our intuitive feelings are confirmed by rigorous scientific research.Start in your own backyard.Steve's upcoming book, "Start in Your Own Backyard," extends this philosophy, encouraging individuals to create change in their immediate environments.For those wanting to apply Serenbe's principles globally, Steve offers simple advice. Start where you have influence. Whether it's redesigning a neighbourhood, creating community gardens, or advocating for nature-integrated urban planning, every action matters. His book is out in October. https://stevenygren.com As Paul Hawken (author of Carbon) said of the book: “This is an extraordinary true-life story of transformation with worldwide implications.”And designing communities with Biophilic Design on a global scale… Intentional design with carefully planned communities can transform neighbourhoods, communities, cities and dare I say it, even countries. If you are a designer, planner, real estate owner, influencer of any of these, by following the Serenbe pattern some of the things you will be looking at incorporating will be integrating nature within 450 feet of every home, create walkable, interconnected spaces, promote multi-generational living and support local agriculture and food systems.All of this will create Holistic Well-being. The Serenbe Biophilic community proves that design can naturally improve health. Residents report losing weight, feeling more connected, and experiencing enhanced mental well-being—simply by living in a nature-integrated environment.Plus, there’s the Community Connection. The simple design elements like communal mailboxes create spontaneous social interactions, demonstrating how physical spaces can foster human connections.When asked to paint the world with a biophilic brush, Steve envisions a landscape that embraces nature—not separate from civilisation but woven into human experience.Serenbe isn't just a community, it's a living blueprint for how humans can reimagine their relationship with the natural world. It proves that when we design with nature, we design for human flourishing.Steve will be speaking at our Biophilic Design Conference 17 November 2025 Westminster London www.biophilicdesignconference.com please come!https://www.serenbe.comTo find our more and pre-order the book visit https://stevenygren.comIf you like this, please subscribe!Have you got a copy of the Journal? You can now subscribe as a member of the Journal of Biophilic Design or purchase a gorgeous coffee table reference copy or PDF download of the Journal journalofbiophilicdesign.comor Amazon and Kindle. Biophilic Design Conference www.biophilicdesignconference.comCredits: with thanks to George Harvey Audio Production for the calming biophilic soundscape that backs all of our podcasts. Listen to our podcast on Audible, Amazon Music, Spotify, iTunes, YouTube and all the RSS feeds.https://www.facebook.com/journalofbiophilicdesign/https://twitter.com/JofBiophilicDsnhttps://www.linkedin.com/company/journalofbiophilicdesign/https://www.instagram.com/journalofbiophilicdesign

Architects are increasingly recognising that our built environments do more than shelter us—they fundamentally shape our physical and mental wellbeing. Dr Tuwanda Green, a leading expert in biophilic design, an architect, and who sits on the board of the Biophilic Institute, has over 32 years of architectural experience including working for government design projects, and holds a doctorate in architecture from Virginia Tech. She  argues that thoughtfully designed spaces using the principles of Biophilia can actually alter our genetic expression and improve generational health.Tuwanda is an expert on Epigenetics—a field of genetic research. In our conversation she explains how environmental factors can switch genes on and off without changing DNA sequences. Think of epigenetic markers like "gumballs" stuck to our genetic code, potentially influencing everything from stress responses to disease susceptibility."These markers can be passed down through generations," explains Tuwanda. "A stressful, nature-deprived environment could potentially transmit negative genetic expressions to our children, while nurturing, nature-connected spaces might help reverse these markers."Recent scientific studies support this perspective. Research has consistently demonstrated that exposure to green spaces correlates with significant health improvements:- Reduced cardiovascular disease risks- Lower blood pressure- Decreased stress hormone levels- Improved cognitive function- Enhanced mental health and emotional regulationIn our Journal of Biophilic Design podcast and the articles in the Journal itself, we often talk about how green spaces aren't just aesthetic additions—they're critical health interventions. Tuwanda here, shares that by incorporating natural elements like water features, organic shapes, natural lighting, and plant life, architects can create environments that actively support human physiological and psychological functioning.The principles of biophilic design extend beyond mere decoration. They're rooted in understanding human evolutionary biology. Our bodies are fundamentally designed for natural environments, with sensory systems finely tuned to detect subtle environmental cues. Modern buildings often disconnect us from these innate biological rhythms."We've existed as homo sapiens for millennia in natural settings," Tuwanda emphasises. "Our brains are still processing environmental information subconsciously, seeking safety, resources, and connection."Practical biophilic design strategies include:- Maximising natural light exposure- Creating visual connections with nature- Incorporating water features and natural sounds- Using organic, textured materials- Designing spaces that encourage movement and social interactionTuwanda's own community at Serenbe (where the Biophilic Institute is based) exemplifies these principles. Curved streets, clustered housing, centralized communal spaces, and abundant green trails naturally encourage neighbourly interactions and physical activity.The potential societal implications are profound. By redesigning our environments with human biology in mind, we could potentially:- Reduce chronic stress- Improve community cohesion- Support mental health- Mitigate intergenerational trauma- Create more resilient, adaptive human populationsAs climate change and urbanisation accelerate, biophilic design offers a holistic approach to human-centred architecture. It's not just about creating beautiful spaces, but about understanding and supporting our fundamental biological needs."Design creates communities. Well-designed environments can foster connection, support health, and potentially even contribute to world peace."Our built environments are powerful determinants of human health. By embracing biophilic design principles, we can create spaces that don't just house us, but actively heal and nurture us.If you like this, please subscribe!Have you got a copy of the Journal? You can now subscribe as a member of the Journal of Biophilic Design or purchase a gorgeous coffee table reference copy or PDF download of the Journal journalofbiophilicdesign.comor Amazon and Kindle. Biophilic Design Conferencewww.biophilicdesignconference.comCredits: with thanks to George Harvey Audio Production for the calming biophilic soundscape that backs all of our podcasts. Listen to our podcast on Audible, Amazon Music, Spotify, iTunes, YouTube and all the RSS feeds.https://www.facebook.com/journalofbiophilicdesign/https://twitter.com/JofBiophilicDsnhttps://www.linkedin.com/company/journalofbiophilicdesign/https://www.instagram.com/journalofbiophilicdesign

Garden designer Lisa Norton has been pushing forward a beautiful biophilic approach to learning spaces that puts nature at the heart of education. For her, biophilic design is proving that our built environments can profoundly impact children's well-being and learning potential. Her journey from corporate sales to garden design was driven by a deep-rooted connection to nature, inspired by childhood days spent in her father's vegetable garden. Now, she's transforming schools into living, breathing environments that support children's mental and physical health."We are doing our children a disservice right now," Lisa says passionately. We need a change in the way we design schools. In a recent project at a Special Educational Needs (SEN) school, Lisa demonstrated the transformative power of biophilic design. By incorporating natural materials, organic shapes, and abundant greenery, she created spaces that fundamentally changed how children experience learning. The results were remarkable. "Some children came off medication," she reveals. "One child told me, 'I can think more clearly and breathe more deeply.'"The design went far beyond aesthetic considerations. A massive tree trunk became a focal point in a "nature immersive space", creating what Lisa describes as a moment of "awe and wonder". Local timber, tree screens, and carefully considered acoustics transformed a standard classroom into a nurturing environment.Lisa's approach recognizes that children are increasingly disconnected from nature. "They're fighting technology addictions," she explains. "We're allowing them to be addicted to devices without giving them tools to connect with what they innately need."Her vision extends beyond individual schools. She advocates for creating green community spaces where multi-generational families can reconnect with nature and each other. "We need to encourage society to step out of busyness and just sit on a bench with some nice planting and have basic, lovely conversations," she says.The scientific principles behind her work are compelling. Biophilic design isn't just about making spaces look pretty – it's about creating environments that fundamentally support human well-being. Water features, natural light, organic shapes, and locally sourced materials all play crucial roles in designing spaces that help people feel calm, focused, and connected.For Lisa, sustainability is intrinsically linked to design. She sources materials locally, encourages composting, and creates gardens that function as mini-ecosystems. "It's about creating spaces where we're living from the land, rather than relying on artificial, man-made solutions," she explains.Her most powerful motivation comes from personal experience. With a son who has ADHD and struggled in traditional educational environments, Lisa understands firsthand how critical supportive spaces are for children's development."If we can make a difference to children who are struggling with anxiety or learning challenges, then we really owe it to our kids to do that," she says.As technology continues to dominate our lives, Lisa Norton's work offers a compelling alternative – a reminder that our fundamental connection to nature is not a luxury, but a necessity. Her biophilic designs are more than just beautiful spaces; they are a blueprint for a more holistic, compassionate approach to education and human development.In a world that often feels disconnected and overwhelming, her work offers hope – one garden, one classroom at a time.Do check the Neurodiversity issue, where Lisa has written a beautiful article on Biophilic SEN schools https://journalofbiophilicdesign.com/shop/journal-of-biophilic-design-issue-9-neurodiversity-ebook-version If you like this, please subscribe!Have you got a copy of the Journal? You can now subscribe as a member of the Journal of Biophilic Design or purchase a gorgeous coffee table reference copy or PDF download of the Journal journalofbiophilicdesign.comor Amazon and Kindle. Biophilic Design Conference www.biophilicdesignconference.comCredits: with thanks to George Harvey Audio Production for the calming biophilic soundscape that backs all of our podcasts. Listen to our podcast on Audible, Amazon Music, Spotify, iTunes, YouTube and all the RSS feeds.https://www.facebook.com/journalofbiophilicdesign/https://twitter.com/JofBiophilicDsnhttps://www.linkedin.com/company/journalofbiophilicdesign/https://www.instagram.com/journalofbiophilicdesign

Biophilic design is not just an aesthetic choice, but a critical evolution in workplace design. As work becomes increasingly digital and flexible, the traditional office is transforming into a dynamic, nature-integrated environment. We speak with Jeremy Myerson, design writer and Professor Emeritus in the Helen Hamlyn Centre for Design at the Royal College of Art, who argues that the future workplace must move beyond sterile, industrial spaces to create settings that support human well-being, align with natural rhythms, and enhance productivity. This means incorporating elements like natural light, green spaces, vertical gardens, and designs that connect workers with the natural world. The post-pandemic workplace is no longer about containing workers, but about creating flexible, health-affirming spaces that recognize humans as part of a living ecosystem. Biophilic design, in Jeremy's vision, is the key to reimagining work as an holistic experience that nurtures both human potential and ecological connection. He shares with us highlights from his recent book "Unworking," and traces the fascinating evolution of workplace design and champions biophilic principles as a critical solution to our modern work challenges. The journey begins with agrarian societies, where work was intimately connected to nature - tasks performed on kitchen tables, in fields, and closely aligned with natural rhythms. The industrial revolution dramatically changed this relationship, creating artificial, efficiency-driven environments that systematically separated workers from the natural world. “We created an artificial internal environment in which to work, and the idea of technology, process and industrialisation was very much about conquering nature and resisting nature and separating nature from how we work. We pushed nature back at the end of the 19th century. We kept it at bay during the 20th century. And now we're beginning to think, well, actually, more natural ways of working, outdoor space, access to natural light and clean air, closeness to plants and greenery. All of this helps working life, but we're having to kind of put in a superhuman effort to try and bring back something that was naturally part of our existence. There's a certain irony in that there.” Workplaces became sterile containers designed to maximize productivity, with little consideration for human well-being or natural connections.Jeremy identifies three distinct phases of workplace evolution: the age of efficiency, the age of community, and the age of network. Each phase represents a gradual recognition that workers are not machines, but complex beings who thrive in more holistic environments. Today, we're entering a transformative fourth phase where biophilic design isn't just a nice-to-have, but a fundamental requirement. Digital technologies have liberated work from fixed locations, allowing for more flexible, nature-integrated approaches. For Jeremy, biophilic design extends beyond mere aesthetics. It's about creating environments that support human health, productivity, and well-being. His work with the Healthy City Design Congress emphasizes reconnecting public health with urban planning - a relationship that was intrinsic during the Victorian era but was lost during industrialization. We discuss innovative workplaces like GSK's London headquarters, which features a vertical farm, sit-stand desks, and carefully managed work environments. Booking.com's Amsterdam office demonstrates how biophilic principles can create socially permeable spaces that connect with broader community needs. Biophilia in society extends beyond individual workspaces and places to entire urban landscapes. Jeremy advocates for the "15-minute city" concept, where essential services are accessible within a short walk or cycle, for example Paris design. This approach integrates nature, reduces car dependency, and creates more human-centric urban environments. "We're trying to reconnect something that industrialisation broke," Jeremy says. His magic brush of biophilia would paint cities with more vegetation, slower traffic, and spaces that prioritize human and ecological well-being. The future of work, according to Jeremy, is not about returning to traditional office models but creating diverse, flexible strategies that blend work and life. Hybrid working, technological integration, and biophilic design are key components of this transformation.For Jeremy, biophilic design represents more than an architectural trend. It's a fundamental reimagining of how we interact with our environments, recognising that human productivity and well-being are intrinsically linked to our connection with nature. If we embrace biophilic principles, we can create environments that support human potential, ecological sustainability, and a more holistic approach to work and urban living. Find out more about the Health City Awards 2025, which aim to celebrate and recognise professional and research excellence in the design and planning of healthy and sustainable cities and communities around the world, with entries being accepted until 4 September 2025. https://www.healthycitydesign.global/images/uploads/docs/HCD2025_Awards_Call_for_Entries.pdfTo enter visit: https://www.healthycitydesign.global/awards/submission-processTo learn more about the Worktech academy: https://www.worktechacademy.com If you like this, please subscribe!Have you got a copy of the Journal? You can now subscribe as a member of the Journal of Biophilic Design or purchase a gorgeous coffee table reference copy or PDF download of the Journal journalofbiophilicdesign.comor Amazon and Kindle. Biophilic Design Conference www.biophilicdesignconference.comCredits: with thanks to George Harvey Audio Production for the calming biophilic soundscape that backs all of our podcasts. Listen to our podcast on Audible, Amazon Music, Spotify, iTunes, YouTube and all the RSS feeds.https://www.facebook.com/journalofbiophilicdesign/https://twitter.com/JofBiophilicDsnhttps://www.linkedin.com/company/journalofbiophilicdesign/https://www.instagram.com/journalofbiophilicdesign

"A world where materials are in harmony with nature." Wouldn’t that be amazing? I truly believe, that biophilic designers can specify this change, and also help scale innovation to make this happen.The global plastics crisis is stark: over 400 million tonnes of plastic are produced annually, with a staggering 99% being fossil-based and 91% never recycled. The plastics industry contributes 3.4% of global greenhouse gas emissions, equivalent to 1.8 billion tonnes of emissions. Hao Ding, Global Marketing Director at TotalEnergies Corbion, unveils the potential of Polylactic Acid (PLA) - a bio-based material that could help how architects and designers approach sustainability. According to a new Life Cycle Assessment, PLA reduces carbon footprints up to 85% compared to conventional plastics.PLA stands for Poly Lactic Acid, a bio-based plastic material made from renewable resources like sugarcane or corn. Specifically, as Hao explained in the interview, it's produced through a process of fermenting plant sugars to create lactic acid, which is then polymerised into a plastic-like material. Unlike traditional petroleum-based plastics, PLA is:- Made from renewable resources- Biodegradable- Reduces carbon footprint by up to 75%- Food contact approved- Usable in multiple applications like packaging, 3D printing, textiles, and medical packagingA key difference is that PLA starts from plants that absorb CO2 during growth, whereas conventional plastics are derived from oil pumped from underground. When composted, PLA breaks down completely without leaving persistent microplastics, making it an environmentally friendly alternative to traditional plastics. PLA can reduce carbon emissions by up to 75% compared to conventional plastics. "PLA can replace most conventional plastics and offer similar performance." Architects and designers can leverage PLA in multiple applications.Design and Construction Applications:1. Furniture packaging materials2. Exhibition and conference temporary structures3. 3D printed decorative objects4. Cavity wall insulation5. Prototype and model making6. Textile and upholstery applicationsEnd-of-Life Solutions:- Mechanical recycling: Melting and repurposing PLA products- Chemical recycling: Low-temperature process breaking down materials- Composting: Complete degradation without microplastic residueI think there is an exciting potential for designers here looking for alternatives to plastics, and it is something that as artists, specifiers, designers we can ask our suppliers to look at for us. Let’s help them find alternatives and help scale biobased materials that have the potential to replace plastics in our environment.Hao showcased intricate 3D-printed examples, including life-sized hands holding a bowl and a detailed dragon sculpture, demonstrating PLA's capacity for complex, nature-inspired designs.Recommendations for Architects and Designers:- Explore PLA alternatives in packaging and temporary structures- Consider PLA for decorative and functional objects- Investigate textile and upholstery applications- Prioritise end-of-life solutions in material selectionHao's parting message resonates with hope: "2030 is not far away, and we all have targets to achieve." For architects and designers committed to sustainability, PLA represents an exciting pathway to more environmentally responsible design.To find out more visit:  https://totalenergies-corbion.com/biobased/If you like this, please subscribe!Have you got a copy of the Journal? You can now subscribe as a member of the Journal of Biophilic Design or purchase a gorgeous coffee table reference copy or PDF download of the Journal journalofbiophilicdesign.comor Amazon and Kindle. Biophilic Design Conferencewww.biophilicdesignconference.comCredits: with thanks to George Harvey Audio Production for the calming biophilic soundscape that backs all of our podcasts. Listen to our podcast on Audible, Amazon Music, Spotify, iTunes, YouTube and all the RSS feeds.https://www.facebook.com/journalofbiophilicdesign/https://twitter.com/JofBiophilicDsnhttps://www.linkedin.com/company/journalofbiophilicdesign/https://www.instagram.com/journalofbiophilicdesign