BROADWAY NATION

This is the third and final segment of my conversation with Albert Evans, in which we explore the Double Songs of Broadway, which, as you will hear, have an incredibly long and action-packed history stretching from the earliest decades of the Broadway musical right up to today. Today we explore how this show-stopping song-form made its way from the Golden Age to the Modern Era of Broadway via songwriters such as Jerry Herman, Leonard Bernstein, Bock & Harnick, Kander and Ebb, Maltby and Shire, Stephen Schwartz, Stephen Sondheim, Marvin Hamlisch, Alan Menken, Duncan Sheik, Lin-Manuel Miranda, and more in their musicals Follies, Godspell, The Magic Show, Dear World, A Little Night Music, Little Mary Sunshine, Fiddler on the Roof, West Side Story, 70 Girls 70, A Chorus Line, Spring Awakening, Wicked, and In the Heights. If you missed the first two episodes in this series, you may want to catch up with those before listening to this one. Become A PATRON of Broadway Nation! This episode is made possible in part by the generous support of our Patron Club Members. If you are a fan of Broadway Nation, I invite you to become a PATRON! For as little as $7.00 a month, you can receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional, in-depth conversations with my frequent co-host, Albert Evans, that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation, there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please click on this link: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://broadwaynationpodcast.supercast.tech/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

This is the second part of my conversation with my frequent co-host, Albert Evans, in which we investigate the Double Songs of Broadway. In this episode, we highlight the amazing work of songwriters Jerome Kern & Anne Caldwell, Cole Porter, Arthur Schwartz & Dorothy Fields, Richard Adler & Jerry Ross, Jule Styne & Stephen Sondheim, Lionel Bart, and especially Meredith Willson in their Broadway musicals The Night Boat, Anything Goes, By the Beautiful Sea, Damn Yankees, Gypsy, Oliver!, Here's Love, The Music Man, and The Unsinkable Molly Brown. Become A PATRON of Broadway Nation! This episode is made possible in part by the generous support of our Patron Club Members, including our newest patron, PAULA & STEVE REYNOLDS. If you are a fan of Broadway Nation, I invite you to become a PATRON! For as little as $7.00 a month, you can receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional, in-depth conversations with my frequent co-host, Albert Evans, that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation, there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please click on this link: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://broadwaynationpodcast.supercast.tech/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Season Four! Broadway Nation is back with a new season of all-new episodes that will take you deep inside the history of the Broadway musical with a special emphasis on the Immigrant Jewish, Queer, and Black artists who invented it. I have a fantastic slate of guests and topics lined up over the coming weeks and months, and today we kick it all off with the return of my frequent co-host and partner in crime, Albert Evans, and the first in a series of episodes exploring the Double Songs of Broadway. These show-stopping musical stunts span the entire history of the Broadway musical and have been utilized by many of the greatest songwriters, from Irving Berlin to Meredith Willson to Jerry Herman to Sondheim, Schwartz, and Miranda. Become A PATRON of Broadway Nation! This episode is made possible in part by the generous support of our Patron Club Members, including our newest patron, PAULA & STEVE REYNOLDS. If you are a fan of Broadway Nation, I invite you to become a PATRON! For as little as $7.00 a month, you can receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional, in-depth conversations with my frequent co-host, Albert Evans, that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation, there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please click on this link: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://broadwaynationpodcast.supercast.tech/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

This is the fourth and final section of my conversation with author Margaret Hall about her recent biography of Paul Gemignani titled Gemignani – Life And Lessons From Broadway And Beyond. If you missed the previous episodes in this series, you may want to catch up on those before listening to this one. Paul Gemignani served as the Music Director for more than 40 Broadway musicals, including those that are the focus of this episode — Sunday In The Park with George, Into the Woods, Crazy for You, as well as the revivals of She Loves Me and Kiss Me, Kate. Many of Gemignani's collaborators are discussed in this episode, including Stephen Sondheim, James Lapine, Scott Ellis, Lonnie Price, Michael Cerveris, and Patti LuPone. Learn more about your ad choices. Visit megaphone.fm/adchoices

This is the third part of my conversation with author Margaret Hall, whose captivating book is titled Gemignani – Life And Lessons From Broadway And Beyond. If you missed the first two parts, you may want to catch up on those episodes before listening to this one. As the title suggests, Margaret’s book is a biography of Paul Gemignani, who served as the Music Director for more than 40 Broadway musicals, including the 3 shows that are the focus of this episode.  The first two are Sweeney Todd and Merrily We Roll Along, and Gemignani’s contribution to these musicals and his close working relationship with Stephen Sondheim and Hal Prince have been widely acknowledged but never to the level of detail and insight that Margaret brings to them. However, Gemignani’s enormous contribution to the development of Dreamgirls and his close collaboration with that show’s director and creator, Michael Bennett, have been closely guarded secrets for decades and were revealed for the first time in Margaret’s book. You will hear the reasons for all of this mystery and subterfuge later in the episode.  We also focus briefly on Paul's work on the Broadway musical EVITA and his interactions with Andrew Lloyd Webber and Patti LuPone. Learn more about your ad choices. Visit megaphone.fm/adchoices