Austin Film Festival's On Story

On this week’s On Story podcast, a panel of veteran producers discuss what they look for in a screenplay and how they decide which writers to work with. And later, we hear from up and coming writer Wes Brown as part of our new podcast series, “Toiling in Obscurity” where we explore working writers on their day to day obstacles and what keeps them inspired to keep writing. Nothing in Hollywood can get made without the guiding hand of a producer. They are the driving force behind getting any project off the ground and to be a successful writer you have to have one in your corner. A panel of veteran producer’s recently sat down at the 25th Austin Film Festival to discuss what they look for in a screenplay and how they decide which writers to work with. The panel included Michael Grillo who is the Executive Producer behind some of Marvel’s biggest hits including Avengers: Infinity War, Captain America: Winter Soldier, Captain America: Winter Soldier, and the upcoming Avengers: End Game. Barry Josephson, President of Josephson Entertainment and the producer behind Enchanted, Dirty Grandpa, The Last Boy Scout and the Executive Producer behind a string of television hits including Amazon’s The Tick and Bones. And Jayme Lemons who is the Co-founder of Jaywalker pictures with actress Laura Dern and the producer behind Enlightened, Antiquities, and the Emmy nominated HBO film The Tale.   Wes Brown has written for AMC’s The Son and Fear the Walking Dead. In 2014 Brown won the Austin Film Festival AMC 1-Hour Drama Pilot award. We spoke with Wes Brown at the Austin Film Festival to discuss the years he spent pursuing his dream.

This week on On Story, a conversation with Gia Coppola on her process directing The Last Showgirl. This dazzling drama follows the sunset years of Shelly Gardner, a middle-aged Las Vegas showgirl, played by Pamela Anderson. Shelly faces an uncertain future after the iconic revue she’s been starring in for decades stages its final performance. At the same time, Shelly must navigate her relationships with her fellow dancers, and her estranged daughter, played by Billie Lourd. The film had its Texas premier at the 2024 Austin Film Festival, and went on to receive nominations at the Golden Globes and the SAG Awards.  Gia Coppola is a director and screenwriter who made her directorial debut in 2013 with Palo Alto, a coming-of-age drama following a group of self-destructive teenagers in a California suburb.  I sat down with Coppola to talk about her collaborations with her star–studded cast including Jamie Lee Curtis, and John Bautista, and her process bringing the glitz and glam of The Las Vegas Strip to the big screen.  Clips of The Last Showgirl provided by Roadside Attractions. 

This week on On Story, a conversation with screenwriter Mark L. Smith on writing Twisters – the 2024 summer film that took audiences by storm…literally! The action-packed, thrilling adventure directed by Lee Isaac Chung is a standalone sequel to the 1996 film Twister starring Helen Hunt and Bill Paxton and produced by Austin Film Festival awardee Kathleen Kennedy. Yet, as the plurality suggests, stakes are raised in Twisters as meteorologist Kate Copper, played by Daisy Edgar Jones, tests a groundbreaking storm tracking system. Copper’s world spirals when she crosses paths with cowboy, social media superstar Tyler Owens, played by Glen Powell as the two storm chasers fight for their lives in the plains of Oklahoma.    Mark L. Smith is best known for writing the screenplays The Revenant, starring Leonardi Di Caprio whose performance in the film earned him the Academy award for Best actor, The Midnight Sky, directed and starring George Clooney, and The Boys in the Boat, produced and directed by Clooney. Simply put, Smith is a mastermind at crafting stories that are sure to keep audiences at the edge of their seats.    I sat down with Smith at our annual Writers Conference to discuss writing captivating action sequences and his process of writing a script which both honors and builds off the original 90s blockbuster.  Twisters clips courtesy of Universal Pictures, Warner Bros. Pictures.

This week on On Story,  a conversation with the creator and showrunner Tanya Saracho on her process crafting the hit Starz television series Vida. Saracho is a critically-acclaimed playwright and television writer known for featuring authentic latine storylines. In fact, Saracho co-founded the Untitled Latinx Project (ULP), whose mission is to increase Latine representation in television through content created by Latine writers and directors. Further, Saracho also launched the Ojalá Ignition Lab, an incubator program aimed to nurture, amplify, guide, and empower intersectional Latine voices.  With her roots in Theatre, Saracho formed Chicago's Teatro Luna in June 2000. This ensemble of all latina women helped establish Saracho as a theater artist before she ultimately co-founded The Alliance of Latinx Theater Artists (ALTA) of Chicago. Saracho’s dedication to diverse stories carried over to her television work as she wrote on popular female-driven shows such as Devious Maids, Girls, and How to Get Away with Murder before Saracho created Vida for Starz.   Vida, the heartwarming family drama, quickly became a critical success upon its release, charming critics and audiences alike with its tale of two mexican-american sisters who return home to Boyle Heights, Los Angeles after the death of their mother. The show, which aired for three seasons, artfully tackled gentrification in LA, fraught family dynamics, and sexuality from an authentic latine point of view. AFF moderator and writer herself Marcelena Campos Mayhorn sat down with Saracho to discuss creating the pioneering series.  Vida clips courtesy of Starz Entertainment. 

This week on On Story, a conversation with screenwriter Meg LeFauve on her career as a writer at Pixar, where she co-wrote Inside Out and Inside Out 2, as well as The Good Dinosaur. Inside Out follows the personified emotions of Riley, a young girl who struggles to fit in after her family relocates from Minnesota to San Francisco. Riley’s emotions are stored as memories, and her most impactful experiences become core memories, which each define a central part of her personality. The story follows the chaos that ensues after Joy and Sadness go missing in the depths of Riley’s mind, leaving Fear, Anger, and Disgust in control of Riley’s emotional reactions. Inside Out 2 picks up when Riley is entering high school and follows the clash between Riley’s original emotions, and four new additions: Anxiety, Envy, Embarrassment, and Ennui. Both films were Oscar nominated, including a nomination for LeFauve for Best Original Screenplay for her work on Inside Out.  LeFauve began her film career as a producer and president of Jodie Foster’s production company Egg Pictures. LeFauve produced The Dangerous Lives of Altar Boys, which won the 2003 Independent Spirit Award for Best First Feature. I spoke with LeFauve about her experience taking the leap and moving from her stable producing career into the chaotic world of writing for Pixar. After Inside Out she went on to work as a writer on Captain Marvel, Onward, and My Father’s Dragon. LeFauve also co-hosts the Podcast, The Screenwriting Life, which is dedicated to the craft and profession of screenwriting.  I sat down with Meg LeFauve to discuss her journey from producer to Oscar nominated writer.  Clips for Inside Out courtesy of Disney Plus and Disney Enterprises, Inc

This week on On Story,  a conversation with director Juel Taylor and writer-producer Tony Rettenmaier on the making of their debut, genre-bending feature, They Cloned Tyrone. The science fiction-comedy-myster-thriller stars John Boyega, Teyonah Parris, and Jamie Foxx (who also served as producer) as this unlikely trio attempts to uncover a government cloning operation. The film first premiered at the American Black Film Festival before a successful Netflix release. Ever since, the film has wowed audiences and critics alike with its poignant socio-political commentary and ability to break out beyond typical genre boxes.  Longtime writing partners, Taylor and Rettenmaier met during their time at the University of Southern California’s graduate School of Cinematic Arts before co-writing the feature screenplays for Creed II and Space Jam: A New Legacy.   AFF moderator Alex Mitchell sat down with the writer-director due to talk process and collaboration. They Cloned Tyrone clips courtesy of Netflix.  

This week on On Story, a conversation with science-fiction extraordinaire Ronald D. Moore on his process creating and showrunning the Battlestar Galactica series. The 2004 Syfy episodic is a fresh take on the 1979 series created by Glen A. Larson. Set in a distant star system, a civilization of humans live among a group of planets known as the Twelve Colonies of Kobol. Together, they must navigate attacks from their enemies, the Cylons, whose primary goal is to eliminate the human race. Through four critically-acclaimed seasons, Moore crafted the series for a modern audience all while paying homage to the original source material.  Moore's early writing career started in the writers room of Star Trek: The Next Generation, during which he co-wrote twenty-seven episodes. In 1994, Moore joined the writing staff of Star Trek: Deep Space Nine as a supervising producer, and was elevated to co-executive producer the following year. Now, through an overall deal with Sony, Moore's production company Tall Ship Productions produces the lauded series Outlander and For All Mankind. I sat down with Ronald D. Moore, a recipient of Austin Film Festival's Outstanding Television Writing Award, to discuss his journey reimagining Battlestar Galactica. Battlestar Galactica clips courtesy of Universal City Studios, Inc.

This week on On Story,  a conversation with screenwriter Guinevere Turner on her process writing American Psycho. Though polarizing upon its release, for over two decades American Psycho has remained a cornerstone of horror cinema.   Turner herself has a dynamic career as a writer, director and actor.  Beyond American Psycho Turner wrote the films The Notorious Bettie Page, Charlie Says and her upcoming feature The Highway that Eats People. Turner also served as a story editor and played the recurring character Gabby Deveaux on Showtime’s hit queer television series, The L Word.  AFF Moderator and journalist Michael MacCambridge sat down with Turner to discuss her process adapting the 1991 novel by Bret Easton Ellis, capturing zeitgeist within the script, and blending a unique and pioneering tone of satirical horror.  American Psycho clips courtesy of Starz Entertainment.    

This week on On Story, AFF Senior Film Programer Andy Wolk sits down with writer-producer Clint Bentley and producer Monique Walton to deep-dive into the making of Sing Sing. Based on the real-life Rehabilitation through the Arts program at New York’s Sing Sing Maximum security prison, the powerful film follows a group of incarcerated men who find purpose and creativity through their prison theater troupe. The feature earned wide-spread critical acclaim, not only for the feature’s moving portrayal of change and exploration of human expression, but also for the cast’s inclusion of real-life formerly incarcerated men who were alumni of the program. The formerly incarcerated men perform alongside starring actor Colmon Domingo.  Clint Bentley co-wrote Sing Sing with the film’s director, Greg Kwedar. Bentley is known for his previous feature screenplays, Transpecos and Jockey which was acquired by Sony Pictures Classics. Monique Walton is a leading indie producer and a recipient of a Film Independent Spirit Awards Producers Award. Prior, Walton produced Annie Silverstein’s award-winning debut feature Bull which premiered at the 2019 Cannes Film Festival.  Bentley and Walton discuss their process of crafting and capturing a story based on authentic life experiences and having faith the project will come together.  Sing Sing Clips courtesy of A24.

This week on On Story, a conversation with writer, director, producer and industry frontrunner, Craig Mazin. Mazin is perhaps best known for his Emmy award-winning historical Drama, Chernobyl. The HBO miniseries captivated audiences with its story of the aftermath of the 1986 disaster and earned Mazin the Emmy for Outstanding Writing on a Limited Series. Prior to his television work, Mazin gained recognition as a sharp comedy writer through features such as Scary Movie 3 and 4, Superhero Movie, The Hangover parts 2 and 3, and Identity Theif.  The prolific writer is a long-time friend of Austin Film Festival and often hosts live recordings of his industry-insider podcasted, Scriptnotes,  co-hosted with fellow writer John August, during AFF’s Annual Writers Conference each October. Eager to inform and support up-and-coming writers, the podcast discusses all things current in screenwriting. The Last of Us Clips courtesy of HBO Max.

This week on On Story, a conversation with legendary producer, Katheleen Kennedy on her impressive producing career.  Kennedy has produced or executive-produced more than 70 feature films, which have collectively garnered 120 Academy Award nominations and 25 wins. Among her credits include blockbusters and classics such as Jurassic Park, E.T. The Extra Terrestrial, The Sixth Sense, the Back to the Future trilogy, Who Framed Roger Rabbit, The Goonies, Poltergeist, Empire of the Sun,  Schindler’s List, and The Color Purple….just to name a few! Not to mention, Kennedy has collaborated with some of Hollywood’s most infamous directors including Steven Spielberg, David Fincher, Martin Scorsese, and Clint Eastwood.  Today, Kennedy is the president of Lucasfilm where she produced Star Wars: The Force Awakens (2015), the highest grossing domestic feature of all time.  I sat down with Kennedy, AFF’s 2024 Recipient of the Polly Platt Award for Producing, to discuss her vast career trajectory. Kennedy reflects on her journey from a green, yet visionary, producer to one of the most successful and respected producers in the film industry today. Kennedy outlines how she continues to find inspiration for each of her projects even after decades of experience.  Listen closely, it’s time to learn from one of the best.    E.T. The Extra Terrestrial clips courtesy of Universal pictures Empire of the Sun clips courtesy of Warner Brothers The Acolyte courtesy of Disney  

This week on On Story, AFF moderator Casey Baron speaks with leading TV writers Damon Lindelof and Dan Erickson on the art of world building. Damon Lindelof is a three-time Emmy Award-winning writer and producer, best known for creating and showrunning hit supernatural and science-fiction dramas such as ABC's Lost, the HBO series The Leftovers and Watchmen, as well as Peacock's limited series Mrs. Davis. Prior to showrunning, Lindelof wrote on the crime dramas Nash Bridges and Crossing Jordan. One of television's most prolific and pre-eminent writers, Lindelof has created some of TV's most captivating worlds, such as the disturbing island backdrop of Lost, or the world with two percent of the population missing, The Leftovers. A true television mastermind, AFF was honored to give Damon its renowned Outstanding Television Writer Award, created to recognize unparalleled achievements from television creators. Lindelof was joined in conversation by Dan Erickson, the showrunner and producer of Severance, the science-fiction and psychological thriller series directed by Ben Stiller and starring Adam Scott. Severance premiered on Apple TV in 2022 and has since captivated audiences through the world of the biotechnology corporation, Lumon Industries, with its extreme employee policies. Lindelof and Erickson discuss their process of building a series world from the ground up. Severance clips courtesy of Apple TV.

This week on On Story, a conversation with lauded TV writer, Noah Hawley, whose expansive writing career includes creating and showrunning the FX series Fargo and Legion. Fargo, the award-winning anthology series, is Hawley's adaptation of the 1996 film of the same name. Each season of the comedy-crime series follows murder investigations in various midwestern towns. Since the series debuted in 2014, the star-stacked cast has included Jon Hamm, Chris Rock, Jessie Buckley, Ben Wisham, Mary Elizabeth Winstead, Ewan McGregor, Patrick Wilson, Jean Smart, and Kirsten Dunst, to name just a few. The series, now with five seasons released, has earned six Emmy awards and an impressive fifty-five nominations. Both the acclaimed series Fargo and Legion are produced under Noah Hawley's 26 Keys Production banner. Hawley sat down with AFF moderator and TV producer Barry Josephson for a conversation focused on Fargo. Hawley discusses his approach to finding the essence of the film when adapting it for the small screen. Fargo clips courtesy of FX. Legion clips courtesy of FX. Bones clips courtesy of Fox.

This week on On Story, AFF moderator Harrison Glaser speaks with Watchmen showrunner Damon Lindelof and writer Cord Jefferson about the collaborative process of adapting the beloved comic book and writing the series' Emmy Award-winning episode. Watchmen, a critically and commercially celebrated limited series, tells the story of racially motivated violence and vigilantism in the world of Alan Moore’s graphic novel by the same name. Damon Lindelof is a WGA, PGA, and Emmy award-winning writer who has created some of television’s most iconic shows, including Lost and The Leftovers. A master of smart, character-driven science fiction, Lindelof shares his perspective on breaking story and building mythology. Cord Jefferson began his writing career as a journalist. Since transitioning to television, he has worked on some of the medium’s most formative shows in recent years: Master of None, The Good Place, Succession, and Watchmen. His debut feature, American Fiction, won the Audience Award at the 30th annual Austin Film Festival. Cord discusses bringing his own perspective to well-known material and honing in on character motivation. Watchmen clips courtesy of Warner Bros. Entertainment Inc.

This week on On Story, a conversation with the up and coming visionary, So Young Shelly Yo.  Shelly is an award-winning filmmaker whose work has been supported by HBO, CAAM, SFFILM, the Sloan Foundation and others. Shelly's feature film, SMOKING TIGERS, was the winner of Tribeca x AT&T’s Untold Stories and was awarded best screenplay, best performance and a special mention for the Nora Ephron prize at the 2023 Tribeca Film Festival. Prior to SMOKING TIGERS, Shelly wrote and directed many short films including SOFT SOUNDS OF PEELING FRUIT and MOONWALK WITH ME. She is currently in development for her next project. Shelly will discuss transitioning from writing and directing short films to her debut feature, the visually stunning and emotionally rich multi-language film Smoking Tigers. Clips of Smoking Tigers courtesy of Max.

This week on On Story, we explore finding the source material for a period piece, making decisions about historical accuracy versus creative liberties, and successfully marrying a modern audience with a bygone era. AFF moderator Fabienne Harford speaks with Alison Eakle, Chief Content Officer at Shondaland and executive producer on Bridgerton, and Evan Romanksy, co-creator of Ratched about what it takes to research and create period pieces that maintain integrity and entertainment. Alison Eakle oversees all Netflix streaming content for Shondaland. She joined Shondaland in 2013, helping develop the ABC dramas “How to Get Away with Murder,” “Station 19,” “For the People,” and “The Catch.” Prior to her time at Shondaland, Eakle was at Ellen DeGeneres’ production company, A Very Good Production. She began her career in features, working in development and production at Paramount Vantage and Columbia Pictures, as well as in marketing at Paramount Pictures. In 2016, Eakle was named one of Marie Claire’s New Guard: America’s 50 Most Influential Women, and in 2019 she was named an Ojai Fellow as part of CAA’s Convene. She is a graduate of Georgetown University and The University of Texas at Austin. She’s joined by Evan Romanksy the co-creator and executive producer of Netflix's Emmy and Golden-Globe nominated series RATCHED. A graduate of Ohio University and Loyola Marymount University, Evan has sold both film and TV projects to Amazon and MakeReady Studios and is currently developing with Jason Bateman's Aggregate Films as well as Margot Robbie's LuckyChap Entertainment. Both Evan and Allison have learned to successfully marry a modern audience with a bygone era.   Ratched, Queen Charlotte, and Bridgerton clips courtesy of Netflix.

This week on On Story, we’re joined by the film industry experts who connect Texas filmmakers with funding and resources including President of the Texas Association of Film Commissions, Drew Mayer-Oakes, Director of the Texas Film Commission, Stephanie Whallon, Director of the San Antonio Film Commission, Kimberly LeBlanc, and Director of the Houston Film Commission, Alfred Cervantes. The discussion of their professional histories and organizational goals shines a light on the many different ways these structured bodies provide support for Texas creators while simultaneously invigorating local economies. 

This week on On Story, a conversation with Lee Eisenberg about the launch of his comedy writing career. Eisenberg and his writing partner Gene Stupnitsky broke into the industry with their adventure-comedy screenplay, Year One, an irreverent retelling of the Book of Genesis in which they collaborated with the iconic comedian and filmmaker, Harold Ramis, who went onto direct the film for the Apatow Company. In tandem writing with Year One, Lee and Gene were staffed on season two of the notorious comedy television hit, The Office, where they wrote for five hilarious seasons. Masters of craft and discomfort comedy, stories that bring audiences right to the edge of unbearable cringe before easing them with a laugh, Lee and Gene wrote many celebrated teleplays for The Office, including Dinner Party, The Lover, and audience favorite Scott's Tots, in which Michael Scott realizes he cannot fulfill his long-time promise to pay the college tuition of local students.  Eisenberg discusses his process of co-writing these scripts and the importance of leaving pathos and humanity into the most cringey comedic protagonists. Eisenberg also expands on his and Gene's process creating the out-of-the-box reality hoax sitcom, Jury Duty, in which Ronald Gladden, appearing as himself, was unaware that the entire case and jury proceeding had been staged. The one-of-a-kind comedy series was nominated for both Emmy and Golden Globe Awards.  Lastly, Eisenberg elaborates on his latest project: developing the historical drama miniseries Lessons in Chemistry, based on the bestselling book of the same name. Eisenberg reveals how the artistry of the novel not only sparked his genre switch, but inspired him to subtly impart aspects of his lived experience into the Apple TV series. The Office clips courtesy of NBC. Jury Duty clips courtesy of Amazon Freevee. Good Boys clips courtesy of Universal Pictures. Lessons in Chemistry clips courtesy of Apple TV.

This week on On Story, Austin Film Festival moderator Harrison Glaser speaks with Karyn Kusama about her filmography, the evolution of her storytelling, and her focus on strong female protagonists. In her debut feature, Girlfight, Kusama drew from her own experiences training in a boxing gym and living in New York City, building Michelle Rodriguez’s character from young women she encountered on the subway. Kusama discusses connecting to their guarded nature and writing a protagonist that her audiences could root for.  After the release of Girlfight, Kusama received critical praise and went onto direct her first studio film, Aeon Flux, co-written by Matt Manfredi and Phil Hay. Hay would become her husband and life partner, and her creative partnership with both Hay and Manfredi would lead to The Invitation and Destroyer.  Kusama also discusses her experiences in episodic storytelling. Her television credits include Halt and Catch Fire, Billions, and the genre-bending hit, Yellowjackets. She delves into the ways that directing television keeps her craft sharp, and discusses how she and Yellowjackets co-creators Ashley Lyle and Bart Nickerson infuse cinematic sequences into shorter film storytelling. Throughout her illustrious career, Kusama has perhaps been best-known for the cult classic Jennifer’s Body, the black comedy horror film written by Diablo Cody and starring a young Megan Fox and Amanda Seyfried. In conversation at the Austin Film Festival, Kusama recounts her connection with Cody’s voice and their creative exploration of female friendship as the emotional core of that story. Girlfight clips courtesy of United Artists. Jennifer’s Body clips courtesy of 20th Century Studios. The Invitation clips courtesy of The Invitation, LLC. Yellowjackets clips courtesy of Showtime.

This week on On Story, a conversation with Jeff Nichols, the acclaimed filmmaker behind Mud and Loving, to discuss his most recent film The Bikeriders, a moving character drama based on journalist Danny Lyons’ photobook by the same name. The Bikeriders chronicles the rise and fall of a Chicago motorcycle gang in the 1960s through the lens of bikerider wife Kathy, an open book played by Jodie Comer. Led by the strong and silent Johnny, embodied by Tom Hardy, the club devolves from a surrogate home for outsiders with no place to go to a violent crime organization. Its members, especially Austin Butler’s strong-willed, reckless Benny, are forced to grapple with their club’s decaying principles, their role in the organization, and by extension, their place in a changing world. The film captures distinct nostalgia from a bygone era, and summons enormous affection for its deeply flawed characters. In conversation with the Austin Film Festival, Nichols recounts how he connected with the photobook’s images and anecdotes, and listened to voice recordings of the real-life vandals, to build a rich world and craft compelling characters. The Bikeriders clips courtesy of Focus Features.