Claim OwnershipClassical Guitar Composers Podcast
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Description
Classical Guitar Composers is a podcast for composers to share their works for classical guitar with other guitar enthusiasts. Listeners contribute recordings of their works to get them heard by classical guitar players and fans.
60 Episodes
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In this episode I talk about the unfortunate passing of the great Armand Coeck, and my encounter with a new way of playing guitar. The show ends with a great suite by Javier Contreras.
1In this episode I confess to having never played Brouwer. I also discuss some potentially lesser known composers I like, Gimli the corgi makes his show debut. The episode ends with a revisit of 5 pieces by Martin Slater.
In this episode, I discuss how one band broke my heart, and another put it back together. The show ends with 2 pieces by Kristian Heim.
The podcast is back after a brief hiatus. On this episode I discuss the future of the show, rock concert etiquette, and play music from the vault by Jared Coffin.
In this episode I discuss potentially attending my first classical guitar concert in several years. I also talk about a style of classical music that really isn't for me, and speculate on the future (and maybe the present?) of live classical music. The show closes with a 3 movement work by Etienne de Lavaulx.
In this episode I talk about a new guitar piece I'm loving, a movie I hated, and we listen to a fantastic chamber piece by Graham Campbell.
In this episode I'm joined by my friend and colleague, Parker Robinson one last time before he rides off into the Nashville sunset. We talk about acoustic treatment, the Elvis movie, and weird foods to bring to a Superbowl party.
In this episode, I talk about encounters with other dog owners, a naive belief I once held about my computer, and we hear a fantastic composition for 10 string guitar by Thomas Katerkamp.
In this episode, I do a full deep dive into the 12 Villa Lobos etudes, discussing them at length possibly for the last time. I also reveal something I experienced for the first time recently, and the show finishes off with 2 great pieces by Mike Woods.
In this episode I discuss a recent concert I attended, and we reach back into the vault to hear 4 great pieces by Scott Niebauer. Afterwords, I'm joined by 2 special guests to give our lists of what we consider to be the top 13 horror movies of all time.
In this episode I discuss a recent concert I attended, and we reach back into the vault to hear 4 great pieces by Scott Niebauer. Afterwords, I'm joined by 2 special guests to give our lists of what we consider to be the top 13 horror movies of all time.
In this episode I give my take on the concept of borrowing versus plagiarism, and wonder why so many musicians hate music. I also say like, like, a valley girl from the early 90s. The show closes with 3 pieces by Mike Woods.
In this episode I discuss my latest trip to Prague, a new horror movie I love, and a book that I don't. The show caps off with 2 excellent pieces by Vincenzo Adelini.
In this episode, I consider life without iced tea, talk about guitar transcriptions for percussion, and ask if a certain set of etudes is slightly overrated. The show ends with a work from Kristian Heim's upcoming album.
In this episode I talk about some interesting finds at a local music shop, and we hear fantastic music from Rob Ainsley.
Topics include the introduction Gimli the Corgi, something I learned about harp strings, and an original joke by me. The show caps off with 3 new compositions from Kristian Heim.
In this episode I lament a happening, reveal a coming change in my life, and talk about a way to overcome a bout with writer's block. The show ends with 3 compositions from Freya Shaw.
In this episode I talk about my next dog, how I hate certain tunings, how Unsolved Mysteries inspired a great horror movie, and of course emails. We then revisit some great guitar pieces by Gisli Johann Gretarsson.
In this episode I talk about that time someone asked John Cage a question regarding flatulence. I also talk about an upcoming concert I've bought tickets to. The show ends with my latest composition.
In this episode I discuss a new technique for overcoming recording difficulties, why staff paper makes me angry, and come to terms with Halloween Kills. The episode ends with a great piece by Fadi Rachid.
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