Playing On Air: Short Audio Plays

In this holiday dazzler written, directed and produced by Arian Moayed, Santa keeps a closer eye on the naughty and nice lists than we think, especially during "unprecedented times." But maybe Mrs. Claus, the hardworking team at the North Pole, and one melancholy little girl might keep the man in the red suit from singing the blues. THE MAN IN RED, our first musical, features music by Butch Phelps and performances by Brian Cox, Jayne Houdyshell, Phylicia Rashad, Brandon Dirden, Javier Muñoz, Lily Santiago, Cecilia Suárez, Sue Jean Kim, Brendan Donaldson, Rodney Gardiner, and Lauren Sharpe.

In the cool, otherworldly confines of a Zoom room, a controversial president's ethereal daughter and hands-on son-in-law surf the choppy waters of chiseled memories, personal responsibility...and elementary school. JARED AND IVANKA’S PARENT-TEACHER CONFERENCE AT MAURICE J. FELDMAN JEWISH DAY SCHOOL, our third James Stevenson Commission for Short Comedic Plays, was written by playwright and screenwriter Jonathan Spector (Eureka Day, This Much I Know, The Flats) and directed by Daniel Aukin. It stars Paul Sparks (“Physical,” “Sweetbitter,” “House of Cards”), Cindy Cheung (“13 Reasons Why,” “New Amsterdam”), Tracee Chimo Pallero (“People of Earth,” “Difficult People,” “Genius”), and Thomas Jay Ryan (West Side Story, The Crucible, The Little Foxes, Henry Fool). 

On the precipice of making a world changing medical breakthrough, Amal visits an old lover and they contend with the uncertain future through the light of a shared, tumultuous past. JACOB AND AMAL, our second Wordsmith Duo play this season supported by the Axe-Houghton Foundation, was written by Dipika Guha (Blown Youth, “Sneaky Pete,” “Black Monday”) and directed by Jo Bonney (Cost of Living, Father Comes Home from the War, Anna in the Tropics). It stars Rita Wolf (What Happened? The Michaels Abroad, Homeboy/Kabul) and Keith Randolph Smith (Jitney, American Psycho, Fences), and features music by composer Dan Moses Schreier (A Soldier’s Play, Carmen Jones, American Psycho). Graphic design is by Harrison Gale.

Amal would like to spend the night hiding from, well, everything. But when her bestie has other ideas - ideas that include a world renowned research university, high heels, and lowered expectations - she agrees to a not-so-scientific exercise that could take her, well, anywhere. All right. Just this once. THE HUMAN EXPERIMENT, a Wordsmith Duo play supported by the Axe-Houghton Foundation, was written by playwright Mfoniso Udofia (Sojourners, “13 Reasons Why,” “Little America”) and directed by Logan Vaughn. It features actors Adepero Oduye (“The Falcon and the Winter Soldier,” Pariah), Alex Ubokudom (Seeds of Abraham, Macbeth, Adult Ed), and Kalyne Coleman (What to Send Up When It Goes Down, Black Odyssey, Julius Caesar). Original music by composer Jimmy Keys (Skeleton Crew, Night Visions, Revelations). Graphic design is by Harrison Gale.

After his hit NUDITY RIDER, OBIE winner Hamish Linklater returns for another helping of irresistible comedy: the world-premiere commission THANKSGIVING FOR ONE. Marjorie Mumms (Jean Smart) would rather not be eating her holiday turkey alone at the Ruth’s Chris Steakhouse. She can’t get a decent gin & tonic, her daughter is spending Thanksgiving in another state, and her crazed waiter has cast her in a festive audio play. It might just be time to flip the table – and the script. With direction by Tony winner Ruben Santiago-Hudson (Paradise Blue, Your Blues Ain’t Sweet Like Mine), THANKSGIVING FOR ONE unites actor-writer Linklater (“Legion,” “The Big Short,” The Public’s Shakespeare in the Park) with Emmy winner Jean Smart (HBO’s “Watchmen”, “Fargo,” “Frasier”). After the play, join host Claudia Catania for a behind-the-mic chat with the artists.

The proud owner of a gun shop in a small American city has a peculiar visitor one day - a celebrity of sorts who wants to buy a weapon but can't say exactly why. LOCKED AND LOADED. CAN I HELP YOU?, a world premiere from celebrated playwright David Ives (Venus in Fur, The Heir Apparent, White Christmas) is directed by Walter Bobbie (Chicago, Venus in Fur, White Christmas)) and features Hank Azaria (“The Simpsons,” Monty Python’s Spamalot, “Brockmire”) and Jonathan Groff (Hamilton, Spring Awakening, “Mindhunter”), music by Dan Moses Schreier (A Soldier’s Play, Carmen Jones, American Psycho), and a special guest musical appearance by Adam Kantor (The Band’s Visit, Next to Normal, Fiddler on the Roof, Rent). Graphic design is by Harrison Gale.  

Airstreams, Winnebagos, Chevys, the blood brothers of RV circuit, take us from the shackles of modernity to the freedom of the road! Two couples who might not otherwise cross paths befriend each other in a Texas RV Park, and declare their mutual independence. THE WAYFARER’S CODE, another world premiere James Stevenson Commission, is written by playwright Brittany Allen and features Frankie Faison (“The Wire,” Fences), Caitlin O'Connell (The Crucible, The Heiress), Robin de Jesús (The Boys in the Band, In the Heights), and Calvin Leon Smith (“The Underground Railroad,” “The Deuce”). THE WAYFARER’S CODE is directed by Marchánt Davis (Ain’t No’ Mo’, The Great Society) and features music by composer Tom Kochan (Almost, Maine, The Elephant Man). Graphic design is by Harrison Gale. After the play, host Claudia Catania joins the playwright, director, and cast for a behind the scenes interview.

An aspiring writer (Isaac Oliver) who dreams of learning the secrets of the human heart summons an ancient demon (Vera Beren). Good thing he’s got tech support (Jay O. Sanders). TECH DEMONS, a world premiere James Stevenson Commission by Sarah Gancher, is directed by Marc Bruni (Broadway’s Beautiful: The Carole King Story) and also features Vera Beren and music by composer Dan Moses Schreier. After the play, host Claudia Catania joins the playwright, director, and cast for a behind the scenes interview.

The year is 2030. On the snowy outskirts of DC, an underground musician (Tony winner Julie White) and her pragmatic teenage daughter (Erin Wilhelmi) battle the forces, seen and unseen, that threaten their survival.     Directed by Adrienne Campbell-Holt (Colt Coeur, PoA’s 52nd to Bowery…), Bird is a world-premiere recording and, in partnership with the Axe-Houghton Foundation, a Wordsmith Duo commission.   After their previous run as mother and daughter in Broadway’s A Doll’s House, Part 2, White (Gary: A Sequel to Titus Andronicus, “Alpha House”) and Wilhelmi (To Kill A Mockingbird, The Crucible) reunite in this final episode of the 2020 Fall Season. After the play, they join Bonds, Campbell-Holt, and host Claudia Catania for a behind-the-mic interview.

THIRD GRADE continues Playing on Air’s yearlong celebration of MacArthur ‘Genius Grant’ winner Dominique Morisseau (The Detroit Project, Pipeline, Ain't Too Proud — The Life and Times of the Temptations). Elementary school teacher Kai is dedicated to helping her students thrive. But when one of her third-graders is brutally bullied, Kai must unexpectedly go to battle with the boy’s father over how best to protect his son. J. Alphonse Nicholson (Starz’s “P-Valley”, A Soldier’s Play) stars alongside playwright-performer Morisseau. Directed by Stori Ayers ("The Last O.G.," Chautauqua Theater Company), THIRD GRADE is a searing look at the impossible choices that parents and public school educators are making to protect America’s kids. Later in the episode, the artists join host Claudia Catania to discuss their own third grade experiences and the need to ”go deep.”

Ah, the holiday season! The wine is flowing. In-laws are gossiping in the kitchen. And the Thompson family is indulging in their most bizarre Thanksgiving ritual: the Turkey Trot. Mischievous and tender, THE THOMPSONS by Andrew Massey (EST’s Youngblood) is a comedy about the wacky families we love, break, and remake.   Arin Arbus (TFANA, Broadway’s Frankie and Johnny in the Clair de Lune) directs an all-star cast of PoA regulars: William Jackson Harper (“The Good Place,” PoA’s 2B Or Not 2B), Sue Jean Kim (Office Hour, PoA’s 52nd to Bowery…), April Matthis (Toni Stone, PoA’s G.O.A.T.), and Amy Ryan (“The Office,” PoA’s Clean Slate). After the play, host Claudia Catania joins the cast, director, and playwright to discuss Thanksgiving traditions and family dynamics.

After his hit Nudity Rider, OBIE winner Hamish Linklater returns for another helping of irresistible comedy: the world-premiere commission THANKSGIVING FOR ONE. Marjorie Mumms (Jean Smart) would rather not be eating her holiday turkey alone at the Ruth’s Chris Steakhouse. She can’t get a decent gin & tonic, her daughter is spending Thanksgiving in another state, and her crazed waiter has cast her in a festive audio play. It might just be time to flip the table – and the script.   With direction by Tony winner Ruben Santiago-Hudson (Paradise Blue, Your Blues Ain’t Sweet Like Mine), THANKSGIVING FOR ONE unites actor-writer Linklater (“Legion,” "The Big Short," The Public’s Shakespeare in the Park) with Emmy winner Jean Smart (HBO's “Watchmen”, “Fargo,” “Frasier”). After the play, join host Claudia Catania for a behind-the-mic chat with the artists. 

At a laundromat in Istanbul, a chatty seamstress (Carol Kane) and a guarded, young academic (Melis Aker) discover that they're linked, and haunted, by the myth of the same man.   Written by, starring, and featuring original music by Melis Aker (Kilroys List, Ars Nova Play Group), SCRAPS AND THINGS also marks the PoA return of legendary Oscar nominee Carol Kane (The Princess Bride, “Unbreakable Kimmy Schmidt,” PoA’s Hedgehog Years) and is directed by Neil Pepe, Artistic Director of the Atlantic Theater Company. After the play, host Claudia Catania joins the artistic team to discuss personal legacies and how artists divulge their deepest secrets through their work.     SCRAPS AND THINGS was originally commissioned by Atlantic Theater Company as part of their 2018 Middle Eastern MixFest. 

On a sweltering afternoon in 1864, two Civil War widows meet in a graveyard. Mirabelle is trying to paint a pineapple; Annaleigh needs to make sure that her husband hasn’t turned into a vampire. Together, the women begin to imagine the futures that might await them beyond corsets, lockets, and bullets.    HOW TO BE A WIDOW by Emmy nominee Tori Keenan-Zelt (Kilroys List, Bay Area Playwrights Festival) features Mary Bacon (Lost Girls, Coal Country) and Naomi Lorrain (“Orange is the New Black,” Behind the Sheet). Lucie Tiberghien (Molière in the Park) directs. After the play, Tiberghien joins the cast, the playwright, and host Claudia Catania to discuss how the rules of womanhood and widowhood have — and haven’t — changed from the Civil War to today.

JEZELLE THE GAZELLE continues Playing on Air’s yearlong celebration of MacArthur ‘Genius Grant’ winner Dominique Morisseau (The Detroit Project, Pipeline, Ain't Too Proud — The Life and Times of the Temptations).   Jezelle is ready to prove that she’s the best runner on her block: young, fierce, and definitely faster than any boy. But is she fast enough to outrun grief and claim her greatness? Starring Mirirai Sithole (School Girls; Or, The African Mean Girls Play, “Black Mirror”), JEZELLE THE GAZELLE  by Dominique Morisseau is directed by Goldie E. Patrick (Detroit Public Theatre, Kennedy Center).    This clear-eyed coming of age story — originally created for the 10 x 10 Festival at American Theater Company — was recorded live at New York’s Pershing Square Signature Center in November 2019. Stay tuned after the performance for an onstage conversation between the artists and host Claudia Catania.

“Back when I was a kid my mother took me to see a fortune teller for my 12th birthday…She said that when I am in my 20’s I will reach two paths. Two paths J. And I don’t know which one to pick.”  In the parking lot behind a Houston strip club, a young dancer considers a proposal from an octogenarian billionaire. Before the world devours her story, she has to choose it.  Written and directed by OBIE winner Lucas Hnath (Broadway’s Hillary and Clinton, A Doll’s House, Part 2), THE COURTSHIP OF ANNA NICOLE SMITH features Quincy Tyler Bernstine (“Power,” Marys Seacole) and David Patrick Kelly (“Twin Peaks,” Thérèse Raquin). After the performance, the artists join host Claudia Catania to discuss theater in the age of Quarantine, directing your own plays, and the double-edged sword of celebrity.   THE COURTSHIP OF ANNA NICOLE SMITH was first produced at Actors Theatre of Louisville as part of The Tens, presented by the Professional Training Company. 

Jay, Bonita, and Row have gathered on the rooftop to burn the sage and drink the sacred Gatorade. To pray to the goddess Nike, and the ghosts of Billie Jean King and Arthur Ashe. To summon victory for their beloved champion: Serena Williams, the Greatest Of All Time.  Directed by Whitney White (What to Send Up When It Goes Down, Our Dear Dead Drug Lord) and featuring original music by Jeremy Lloyd (Marian Hill, clear eyes), G.O.A.T. is an electric celebration of Black Girl Magic, on and off the court. Denise Manning (Daddy, PoA's Wild and Precious Life), Obie winner April Matthis (Toni Stone, PoA's Hate Baby), and playwright/performer Ngozi Anyanwu (Good Grief, The Homecoming Queen) star - and Drama Desk nominee Bobby Moreno cameos -  in the final episode of Playing on Air’s Spring 2020 season. After the episode, stay tuned for host Claudia Catania’s conversation with the artists, about ritual, their multi-hyphenate talents, and the G.O.A.T. herself, Serena Williams.   Playing on Air is a non-profit, listener-supported production. To help support our fall season, visit https://playingonair.org/donate. Thank you for listening!

John Lithgow ("The Crown," "3rd Rock from the Sun," Hillary and Clinton) and Tony nominee Steven Boyer (Hand to God, PoA's An Upset) star in Emily Chadick Weiss's IF YOU WIN. On the eve of a local election, candidate Hal Wheelwright (Lithgow) receives an unexpected offer from his opponent's son (Boyer). Is this an act of political sabotage or a blessing in disguise? After the play, director Giovanna Sardelli (TheatreWorks Silicon Valley, Atlantic's Describe the Night) joins Chadick Weiss (Ensemble Studio Theatre, “The Share”) and the cast for a behind-the-scenes interview moderated by host Claudia Catania. Playing on Air is a non-profit, listener-supported production. To help support our fall season, visit https://playingonair.org/donate. Thank you for listening!

One summer morning, in a cool and dusty bar, two strangers seek refuge from the past. RJ is a single father, on a break from his only son’s wedding. The mysterious Sonja is patient and sympathetic, but may have her own priorities. Two strangers meeting is an old story, but the possibility of a true connection always feels new. Academy Award winner Marisa Tomei ("My Cousin Vinny," Broadway’s The Rose Tattoo) stars with Michael C. Hall (“Dexter,” Hedwig and the Angry Inch) and Alfredo Narciso (Broadway’s Time and the Conways, PoA’s The Blizzard) in JUNE WEDDINGS by Barbara Hammond (Terra Firma). Directed by Jenn Thompson (Abundance, Lost in Yonkers). After the play, host Claudia Catania joins the artists to talk about romance, parenting, and people-watching in New York City.   Playing on Air is a non-profit, listener-supported production. To help support our fall season, visit https://playingonair.org/donate. Thank you for listening!

Playing on Air is proud to present the winner of our 2019 James Stevenson Prize: Jason Gray Platt’s HUMAN RESOURCES. Tech start-up Diddly has a problem: their staff is whiter than a Coldplay concert in Vermont. Fortunately, Human Resources has a plan to “improve” Diddly’s corporate culture —at least in theory. A biting satire about virtue signaling and elephant milk, HUMAN RESOURCES features Tony winner Julie White (Airline Highway, A Doll’s House, Part 2) and Tony nominee Steven Boyer (Broadway’s Hand To God). Jade King Carroll (Hello, From the Children of Planet Earth, Proof of Love) directs the world premiere, recorded live at New York’s Pershing Square Signature Center. After the play, host Claudia Catania joins the ensemble for a discussion about comedy, identity, and the absurd.   Playing on Air is a non-profit, listener-supported production. To help support our fall season, visit https://playingonair.org/donate. Thank you for listening!