Person Place Thing with Randy Cohen

“Many people think that the big words are the big part of the dictionary,” says this lexicographer, “but it’s the little words that are so full of life and variation and complexity,” We talk about “go” and more as Person Place Thing becomes Word Word Word.

New York City’s health commissioner during the first two years of the pandemic—he stepped down on March 15—says he sees something admirable in our response: “We have gotten vaccinated not just to protect ourselves but to protect our communities.” Well, yes, if we have gotten vaccinated, says dour me, who sees something else. Produced with the New York City Municipal Archive. Music: Stephanie Coleman and Nora Brown.

A remastered conversation from the vault with a former New York City health commissioner, who regarded her work as part of a broader fight for social justice, not surprising given her family history: her parents are lifelong activists who met at a demonstration against a segregated restaurant, my idea of a love story. We spoke at the Van Alen Institute in 2017 about public health and urban design. Music: Sam Reider. Plus a bonus segment from Garry Trudeau. It all fits together. Really.

He is the former cartoon editor of the New Yorker, whose own cartoon captioned, "No, Thursday's out. How about never — is never good for you?" is the magazine’s most reprinted. Enjoy this remastered conversation from 2014, vacuum packed to preserve freshness.

A conversation with the basic, free, web version, using its default voice. Like my human guests, it chose the three topics, and I did just the usual light editing. Good news: it says, "I'm on your side, not on any destructive path." Bad news: this is what the space aliens say in every sci-fi movie just before they try to destroy the earth.

We tweaked our format to Tree Tree Tree for this arboreal photographer, who specializes in the immense and the ancient—2,000 years old, 3,000 years old—many of which he's archived at the Gathering Growth Foundation. The big and the beautiful.

Brown, the founder of Evidence, a dance company, says, "You'll see yourself on stage." I hope he's speaking figuratively. Cabuag, its associate artistic director agrees. Presumably. How else has the company flourished for forty years? A conversation at the Billie Holiday Theatre, where they'll perform on November 14 and 15.

This set and costume designer worked on 80 Broadway shows, 30 films, several operas, and innumerable dance works. Here's a tip he gleaned collaborating with Paul Taylor: "Give a man 17 chairs and see what he comes up with." Good advice for any part of life. Presented with the Paul Taylor Dance Company.

For decades after graduating, these architects avoided Cooper Union. "We would detour three or four blocks or else the PTSD would kick in." Apparently it used to be like The Paper Chase or Whiplash but with less compassion. Presented with The National Academy of Design. Music: Karl Schwarz.

This preservationist, a wily veteran of decades of urban campaigns, is happy in his work: "I've never regretted being involved in saving a landmark. I've only regretted the ones I couldn't save." I envy his serenity. I regret nearly everything. Presented with the New York Preservation Archive Project. Music: Adrian Untermyer.

When this playwright's grandfather faced a tough decision, "He sought the advice of Paul Robeson." Of course he did. Who wouldn't? And it all worked out fine. Fine-ish. A writer, his family, his community. Presented with the Classical Theatre of Harlem. Music: Emery Mason, Melissa Mosley.

She and her neighbors—untrained, uncredentialed—revived the Bronx River and are taking on the hideous Cross Bronx Expressway. "We're just a group of Bronxites with ambitious ideas." Presented with the Architectural League, in conjunction with the exhibition Cross Bronx/Living Legend at the Bronx River Art Center. Music: Jeremy Bosch, Román Lajara.

"The least interesting thing about a book is its contents, assert the curators of the recent Grolier Club exhibition After Words: Visual and Experimental Poetry in Little Magazines and Small Presses, 1960-2025. Now my head hurts. Seldom have I felt older or enjoyed a conversation more.

In 1972, his parents, Massimo and Lella, designed a map of the New York subway system. Many people hated it. I loved it. (I have one framed on my living room wall.) The MTA soon withdrew it. Now it's back, slightly revised. Good news in bleak times.

As a member of Manhattan Transfer, she won ten Grammy awards, but "I was not going to be a singer at all, actually; I was going to be a nurse." Medicine's loss, music's gain. Guitar: Sean Harkness. Presented with The Village Trip.

Her father, Leonard Bernstein, thought "that if he could write a good enough song, maybe he could stop war." Not insane, aspiring. "It's ridiculously idealistic, but that was his impetus." Tales of a famous father. Music: Amy Burton, accompanied by John Musto. Presented with The Village Trip, whose annual festival begins September 19.

He's a member of The Washington Post's editorial board, a commentator on the PBS NewsHour, anchor of The Weekend on MSNBC, author of Yet Here I Am. He is liberal in his politics, conservative in his dress. "Absolutely. I love a good, wild outfit, on someone else."

When this drummer was a kid, his father introduced him to an array of music, from Tito Puente to Dobie Gray. "He bought himself a La-Z-Boy chair. He would sit there after dinner, smoke a cigarette, and zone out listening to music." Bad for the lungs, great for the soul. The making of a musician. Presented with the Bronx Music Hall.

She's a special correspondent for BBC Studios, a regular contributor to MSNBC, and co-host, with Anthony Scaramucci, of the podcast The Rest Is Politics. "People call journalists curious; I think it's just nosiness." A higher form of nosiness!

The YIVO Institute for Jewish Research makes many of the 24 million items in its archive available online, but there's an "electric moment of actually touching a document," says its executive director. "My first was when Lenin's party card was put in my hand." (Patrons are urged not to touch the documents. This is not some sort of scholarly petting zoo.)  Music: Jardena Gertler-Jaffe, Bethany Pietroniro.