Claim OwnershipThe Sculptor's Funeral
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© Copyright 2014 Jason Arkles
Description
The Sculptor's Funeral is the only podcast dedicated to figurative sculptors living and working today. Art history, tech talk, news, and interviews for those working in the Western European tradition of figurative sculpture, along with a social media forum and listener mail/questions/comments make this podcast required listening for any sculptor who knows the Fine Arts aren't dead, they just smell a little funny.
96 Episodes
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1Jason introduces himself, explains what this podcast is all about, and why he calls it The Sculptor's Funeral; and then, discusses the near-death experience of figurative sculpture during the 20th century.
In this episode, The life and work of Donatello are discussed, in relation to his influence for all European sculpture which followed. Host Jason Arkles makes a case for Donatello as being the single most influential sculptor in the last 700 years.
Have you heard the old studio saying that clay gets better the more you use it? how and why does that work? In this shop talk eposide, Jason discusses more than you ever wanted to know about clay - its composition, its properties, and how we can alter our own clay to get it to do what we want. be sure to check out the episode's image gallery over at www.thesculptorsfuneral.com, were there are plenty of images and even a few videos detailing how to recycle your clay and change its workability for the better.
If you sculpt, you probably have a small library of how-to sculpture manuals. Sculptors writing about sculpture goes way back - but how far back? In this episode, Host Jason Arkles discusses the f sculpture manual that was written during the early renaissance by the original Renaissance Man, Leon Battista Alberti. A personal friend of Donatello, Brunelleschi, and Ghiberti, Alberti's treatise on the science and practice of sculpture during the early Renaissance show us just how much in common we have with the past masters- and how much we might be able to learn from them.
The history of canons of proportions and their use by sculptors is discussed in this week's episode. From the Egyptians up to the present day, artists have sought the key to caputring an ideal, or a norm, in human form. As it happens, notions of ideals - and of what we consider normal - change over time, which has given rise to dozens of canons practiced by different artists at different times. Host Jason Arkles discusses several, and how artists have always sought to tie the measurements of the human form to other notions of perfection- be it the sacred, or geometry - or even sacred geometry.
The Divine Michelangelo - The man could do no wrong. ...At least, according to Michelangelo. One of his lasting legacies, apart from his art, is the mythology about his life and work that he himself perpetuated through the commissioning of a biography. But legends aside, Michelangelo still is one of the gresatest artists ever to have lived. This episode discusses his early years as an artist, his training and his influences, his early successes and even his (gasp!) mistakes. he was only human, after all (despite rumors to the contrary).
In this Episode, Jason provides a forum for current events in the world of figurative sculpture. Notable exhibitions in museums around the world, exhibition opportunities for sculptors, and listener mail.
The sculptor of the famous Perseus and Medusa, Benvenuto Cellini, might have been a one-hit wonder if it were not for his other masterpiece, his Autobiography - the first from an artist. In his book, Cellini details the construction and casting of his Perseus - a precious firsthand account of a Renaissance sculptor at work - as well as his exploits as a nasty, brutish, jealous, pandering thug who murdered and raped his way through life. Your shameless host Jason Arkles brings the Autobiography to life in a dramatic reading, complete with cheap sound effects and silly voices.
Giambologna's remarkable and prolific career is the missing link between the Renaissance and the Baroque, between Michelangelo and Bernini, and between medieval and modern conceptions of how a sculptor's career is conducted. So many elements which Giambologna pioneered in his work - casting works in editions, jobbing out technical aspects of sculpture to specialists, and the decorative, small scale female nude for popular consumption - are still with us today.
Whether it's at a university degree program or in a small private atelier, most figurative sculptors today train at schools, rather than as apprentices to professional sculptors. But what was the first art school in Europe? why was it created? Your host Jason Arkles details the history of the rise of the academy as a way to train artists in a more varied, eclectic, and intellectually challenging program than traditional apprenticeships allowed.
News and Notes! Current events covered in this episode include the lastest chapter in the 2 century old controversy surrounding the elgin marbles, a group of statuary taken from the Parthenon in Greece and brought to England. Also, information on TRAC, or The Representaional Art Conference, taking place in 2015.
Taking a break over the holidays, Jason gives a reading of Oscar Wilde's classic short story. Happy Holidays Everyone!
Following up on the Elgin Marbles debate, Jason explores the nature of public art, and whether or if a work of art can cease to be. How fragmented, altered, abused, displaced, and appropriated can a sculpture be before it is a relic, rather than a sculpture?
Apollo and Daphne, Pluto and Persephone, The Ecstasy of Saint Teresa... Never has a single sculptor produced as many absolute masterpieces as Gianlorenzo Bernini. In this first of a two-part episode, Jason discusses Bernini's biography and his important early works which initiated the Baroque Era of sculpture.
Bernini Part Two! We discuss how Bernini sought to combine color, sculpture light and architecture into a single, unified, and total work of art. But Bernini went beyond even that, by creating what can be described as 'layered realities' within several of his works resulting in some of the richest and most complex sculptures ever created.
Exactly how and when did the focus of European art move from Florence and Rome, to Paris? This episode explores the rise of the French academic system and the forerunners of the Ecole Des Beaux-Arts and the Paris Salon under the absolute monarchy of Louis XIV.
The idea of looking towards Greek art for inspiration wasn't exactly new in the late 18th Century with artists such as Canova and David. Artists had been doing it constantly, and for centuries. And yet, the name we give the dominant style of that period - Neoclassicism - seems to imply there was. What was so 'Neo' about Neoclassicism? Listen to the podcast and join the Enlightened.
Jean Antoine Houdon was the greatest portrait sculptor in European history. The fidelity to nature he maintained in his work was an inspiration for the Realists of the 19th century and each generation which came after - all the more amazing when we consider that Houdon was a product of the Rococo and the Old Regime!
News Flash! Art historians claim to have identified two bronze statuettes as by the hand of Michelangelo! in this current events episode, Jason attempts to examine the hard evidence for this claim, but discovers there isn't any...
The Three Graces. Cupid and Psyche. Napoleon. Everyone knows Antonio Canova, and you either love him or hate him. But - love him or hate him - do you understand him? The Sculptor's Funeral explores Canova's work in the context of the Enlightenment and French Revolution, and finds there is more to Canova than just a sculptor of ideal nudes.
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