The Editor's Cut

Today's episode is a master series that took place in Toronto on September 26th 2023. It is an in depth conversation with award winning editors Dev Singh and Sandy Pereira, they discuss their work on the acclaimed CBC / BET+ historic drama series 'The Porter'. The show won a record 12 Canadian Screen Awards in April of 2023, including the 'Best Picture Editing in a Dramatic Program or Series' award for Sandy, while Dev won the 2023 CCE 'Best Editing in Drama' award in May 2023. This conversation was moderated by Craig Macintosh.

We want to feature the editors of four Canadian films that are not only critically acclaimed in this year's festival circles but also reflect the great community spirit behind their creation. Whether it's the utterly independent visions of MATT AND MARA and UNIVERSAL LANGUAGE or the deeply necessary stories of the Indigenous community in ABERDEEN and THE STAND, this year's Canadian films, in all their shapes and forms, are not short of boldness and style. Sara Bulloch is an editor and filmmaker in Winnipeg, Canada. She's edited films and series like ABERDEEN (premiered at TIFF2024), ALTER BOYS, SEEKING FIRE, ANCIENT BODIES, and many short films including I WOULD LIKE TO THANK MY BODY which won Audience Choice Award at Gimli Film Fest 2023. Short films she's written/directed have screened with Toronto Jewish Film Fest, the8fest, Gimli Film Fest, and more. Her films often explore mental health, identity, and relationships. Her short film, HOT DOG GUY won a People's Choice Award at Vox Popular Media Arts Fest 2022. She's also a motion graphics artist and community organizer. From 2019-2023 she organized OurToba Film Network & Fest, a community group for women, non-binary and gender diverse Manitobans in film. Xi Feng is a film editor based in Montreal. Having lived in China, Canada, and France, she has cultivated a unique blend of cultural and artistic sensitivity. Feng has worked as an editor on award winning films including CETTE MAISON, CAITI BLUES and most recently UNIVERSAL LANGUAGE, which won the inaugural Audience Award at the Directors' Fortnight at Cannes and is Canada's 2025 submission for the Oscars. Her filmography includes films premiered at major festivals such as Berlinale, Cannes, Sundance, TIFF, Vision du Réel, HotDocs, etc. Nathalie Massaroni is a Winnipeg-based editor and post production supervisor of more than 400 hours of television. Since graduating from the University of Winnipeg's film program, she has edited features and series including WINTERTIDE, ALTER BOYS, SEEKING FIRE, and ABERDEEN (which premiered at TIFF 2024). Nathalie has also edited other short form series and films such as D DOT H, TAILOR MADE, and I HURT MYSELF. If she's not working on a computer, you can find Nathalie at the dance studio or sipping coffee with a cat on her lap. Ajla Odobasic is a Bosnian-Canadian film editor based in Toronto. Her credits include MATT AND MARA, THE WHITE FORTRESS, the TFCA Best Canadian Film Award-winning ANNE AT 13000 FT, A.W: A PORTRAIT OF APICHATPONG WEERASETHAKUL, and the CSA-nominated HELLO DESTROYER. Her work has screened at several festivals and platforms including Locarno, TIFF, the Berlinale, MoMA, CBC Gem, and the Criterion Channel. Ajla teaches editing in Humber College's Film and Television program. Sarah Hedar is a Vancouver-based editor and story editor. Her patience and sense of humour keeps the challenges that so often bog down the creative process at bay. Sarah's award-winning work on provocative and original films spans both documentary and narrative projects, from features to shorts. Her keen eye for visual storytelling reflects her belief in the power of community, and the importance of continuously reassessing the status quo while building a world filled with empathy and hope for a brighter future. Her work has screened at festivals across the globe, but most notably, Sundance, TIFF, and VIFF. Kelly Boutsalis is the International Programmer, Canada for the Toronto International Film Festival. She's also a freelance writer, and has written about film and television for the New York Times, NOW Magazine, Elle Canada, Flare, POV Magazine and more. She's also written about lifestyle, design, and culture for publications including Vogue, Toronto Star, Chatelaine, VICE and Toronto Life. Originally from the Six Nations reserve, she lives in Toronto. She is on the board of imagineNATIVE and a member of the Toronto Film Critics Association.

Animation is often stereotyped as a children's genre. The truth is that it is a versatile medium for all ages: one that allows storytellers to experiment, push boundaries, and captivate audiences around the world. This episode features the editors behind INSIDE OUT 2, THE WILD ROBOT, SPELLBOUND and NIMONA. They discuss the creative process behind these titles and the particularities of working in the editor's chair on animated feature films of this caliber.

In today's episode Sarah Taylor, CCE chats with Austin Reedy the editor of the documentary ZURAWSKI V TEXAS. They discuss the intricate process of editing a film that intertwines legal narratives with deeply personal stories. Austin reflects on the importance of empathy, collaboration with directors, and the emotional weight of the subject matter.  In ZURAWSKI V TEXAS women denied abortions under Texas' ambiguous and unforgiving abortion bans band together with a fearless attorney to sue Texas. While battling in court against the state and its immovable Attorney General, the extent of their traumatic experiences is revealed as they wrestle to regain their reproductive futures and set a precedent for millions of other women and families. ZURAWSKI V TEXAS reveals the dire impact of losing access to healthcare—and the extraordinary efforts of the women and men fighting on the frontline to regain those rights. The film is available for rent on Apple TV and Amazon Prime

In this episode of THE EDITOR'S CUT, host Sarah Taylor, CCE sits down with the brilliant Jay Prychidny, CCE to talk about all things BEETLEJUICE BEETLEJUICE. Jay takes us into the edit suite of Tim Burton's latest film, sharing his creative process, the emotional connection he had to the story, and what it was like to collaborate with such an iconic filmmaker. From navigating the challenges of editing to striking the perfect balance between practical effects and modern techniques, Jay invites us on a wild ride aboard the all soul train through the wonderfully weird world of Beetlejuice. 

Today's episode was a Master Series that took place on October 9th, 2024 In Conversation with Dean Evans. In this conversation, host Sarah Taylor, CCE talks with film and tv editor Dean Evans. Dean shares his journey from a small-town kid in Saskatchewan to becoming a successful editor. He discusses the importance of the MASTER THE WORKFLOW workflow in editing, his experiences working on the film DARK MATCH, and the collaborative nature of the editing process. They also discuss the fast-paced nature of web series DEPARTMENT OF PARANORMAL AFFAIRS, the significance of keeping up with technology in editing, and  Dean reflects on a fulfilling career in film, emphasizing the value of relationships in the industry.  

This episode was a panel that took place on May 13th, 2024. Award-winning editors Pauline Decroix, Maureen Grant, CCE and Ben Allen discuss their experiences working on the web series, HOW TO FAIL AS A POPSTAR, I HATE PEOPLE, PEOPLE HATE ME and LESS THAN KOSHER. They explore the unique challenges and creative freedoms that come with this format. They share insights into their editing processes, the importance of timing in comedy, and how they build character dynamics through editing.   This event will be moderated by Craig Macintosh.

Today's episode is a conversation with Autumn Dea. She shares her journey into editing, her early interest in storytelling, the transition from advertising to long-form editing, and her experiences working on the film BLEEDING LOVE which was directed by Emma Westenberg starring Ewan McGregor and Clara McGregor. We discuss the emotional aspects of editing, the importance of collaboration with directors, and the challenges faced in the editing process. Autumn Dea is a film, television, and commercial editor from Los Angeles, CA. Originally hailing from the Philadelphia, PA area, Dea graduated from Virginia Commonwealth University's School of the Arts, with a Bachelor of Arts degree in film and a double minor in media studies and psychology. Dea's unique editorial background has allowed her to work with various high-profile artists and actors, including Beyonce, Lizzo, Ewan McGregor, and Jay Duplass. Her most recent feature film BLEEDING LOVE, directed by Emma Westenberg and starring Ewan McGregor and Clara McGregor, world premiered at SXSW 2023. The film has already garnered industry praise and was chosen as one of the must-see films of the festival by Deadline's SXSW 2023 Hotlist. Her most recent documentary feature film, LOVE, LIZZO (HBO Max), directed by Doug Pray and starring Grammy Award-winning musician and vocalist Lizzo, premiered on HBO Max in November 2022. Previously, her feature film, SHITHOUSE (IFC), directed by Cooper Raiff, won the Grand Jury Award for Best Narrative Feature at SXSW 2020 and was named Vanity Fair's 10 Best Movies of 2020. Her work in television has also received accolades including an Emmy award for THE FUTURE OF AMERICA'S PAST (PBS), and inclusion in the Tribeca Film Festival for the documentary feature THE DEATH OF MY TWO FATHERS (PBS), directed by Sol Guy.  

Today's episode is a panel from EditCon 2024 that took place in Edmonton, Alberta. EXPLORING DOCUMENTARY Krystal Moss, Weyme Teeter, Colin Waugh and Sarah Taylor, CCE share their insights and experiences and explore the art of storytelling through the lens of editing and talk about their creative process behind the captivating Alberta-made documentaries; THE LEBANESE BURGER MAFIA, SEND KELP, PUSH, BLIND AMBITION: WOP MAY and ARTHUR ERICKSON'S DYDE HOUSE. This panel was moderated by Guy Lavallee, a documentary filmmaker and festival programmer.

Today's episode is a panel that took place in Toronto during EditCon 2024. Editor Mike Munn, CCE take us through the experience of editing the multi-award-winning documentary TO KILL A TIGER. The film follows the local story of an Indian father courageously fighting for justice for his raped daughter, delving into the dynamics of a family, a small village, and the national legal system, while also addressing the broader themes of rape culture, victim blaming, and the silencing of women. Moderated by editor Nick Hector, CCE.

In this episode Sarah Taylor, CCE chats with Shane Reid and Dean Zimmerman, ACE, the talented editors behind Marvel's massive box-office hit, DEADPOOL & WOLVERINE. We explore the creative process, challenges, and excitement of shaping these fan-favourite antiheroes on the big screen. Whether you're a long time Marvel fan or curious about editing action, you won't want to miss this insightful discussion about pacing, glistening abs, deleted scenes, and the unique dynamics of editing two of the most unpredictable heroes in cinema. To hear more insightful conversations about editing join us for EditCon 2025! Here will be both virtual and in person events around Canada! Get your tickets here.

Comedy demands a mastery of pacing to make a story flow but most importantly make the audience laugh. Whether it's solving mysteries in the coming-of-age comedy horror WEDNESDAY, the misfortunes of a dysfunctional family in MOONSHINE, the attempt to save a mediocre hockey team in SHORESY, or building a business of fake IDs with very real consequences in FAKES. This year we invited the 2023 CCE nominee editors of these spectacular shows to tell us about the craft of editing in the comedic genre. Maybe they'll tell us a joke or two.

In this conversation, Simone Smith, CCE shares her journey into the world of editing, discussing her early influences, the projects she has worked on, and the unique challenges faced in both film and television. She highlights her experience working on QUEEN OF MY DREAMS, the importance of collaboration with directors, and the nuances of editing comedy and drama.  Queen of my dreams is now available for rent on Apple TV!  https://tv.apple.com/ca/movie/the-queen-of-my-dreams/umc.cmc.4t08f96pff0b7sggllx91uxrh

Greg Ng, CCE and Graham Fortin discuss their collaborative journey in editing the film LONGLEGS. They share insights into their editing process, the dynamics of co-editing, and the importance of building trust with directors. The conversation delves into the nuances of character development, particularly with Nicolas Cage's performance, and the techniques used to create tension and atmosphere in the film. They also reflect on audience reactions during screenings and the lessons learned for future projects.  

Today's episode took place in Vancouver as part of EditCon 2024. What makes movies scary? Why are we compelled to watch them? How do editors influence and manipulate our experience of horror, suspense, and tension? Does editing scary films give you nightmares? This round table discussion with Jon Anctil, CCE (50 STATES OF FRIGHT, VAN HELSING, TWO SENTENCE HORROR STORIES) Cindy Au Yeung (JONAH, SHADOW OF THE ROUGAROU) Graham Kew (SATAN WANTS YOU, THE AGE OF A.I., PUNK), Justin Li (THE TERROR, SNOWPIERCER, LUCKY HANK) Trevor Mirosh (DAY OF THE DEAD, V FOR VENGEANCE, TRUE JUSTICE) and Nicole Ratcliffe, CCE (CREEPSHOW, TWO SENTENCE HORROR STORIES, VIRGIN RIVER) will answer these questions and more! Moderated by Greg Ng, CCE

Canadian films are still making their way to the big screen with fascinating themes. FITTING IN grapples with societal notions regarding the relationship between body and womanhood. HEY, VIKTOR! tackles a quest for fame and fortune morphed into a journey of self-discovery. THE KING TIDE reflects on community, fundamentalism, and rejection of a larger world. Heavy metal, violence, gambling addiction, and a never-ending pile of dishes serve as the background in THE DISHWASHER to give us a bumpy ride to redemption. Join us in a conversation with Maureen Grant, CCE, Isabelle Malenfant, CCE, Justin Oakey, and Sarah Taylor, CCE the editors of these films who will share their experiences shaping these stories. This panel was moderated by director Chandler Levack.

This episode is an interview with Joaquin Elizondo.  Joaquin Elizondo has over 20 years of professional experience as an editor and currently works in the world of scripted television shows. His most recent editing credits include GRISELDA (Netflix), DARK WINDS (AMC), NARCOS: MEXICO (Netflix) and THE HOT ZONE: ANTHRAX (NatGeo). Before arriving in Los Angeles, Joaquin worked in unscripted television for several years in New York City where he edited content for HBO Sports, NBC, Telemundo, and Bravo. Joaquin majored in Film & Video Studies at the University of Michigan and grew up in the San Diego-Tijuana border region. As someone who has sought out and benefited from mentoring, Joaquin is now taking on the role of mentor by helping aspiring editors and assistants in navigating the path to achieving their career goals. He created the Hollywood Editing Mentor Program and Podcast to provide guidance and support for those trying to break into or advance their careers in post production.  Click here for Joaquin's Hollywood Editing Mentor gifts: https://hollywoodeditingmentor.com/theeditorscut/

We are launching season 7 with an EditCon 2024 panel. Canada's Drag Race! Makeup, fashion, and incredible performances are just a few aspects of this reality television competition. It's the exuberance and the je ne sais quoi of the show's queens that make audiences around the world tune in. Who will overcome their inner saboteur and rise to the challenge to win the judges' hearts and earn the coveted title of "Canada's Next Drag Superstar"? Now heading into its fifth season, the post production team at CANADA'S DRAG RACE joined in a panel conversation to tell us about their experience working on such a glamorous and hilarious show. Shawn-tay you'll want to stay for this panel discussion with Beth Biederman, Dean Davis, Jonathan Dowler, CCE and Lindsay Ragone. This conversation was moderated by Zoya Rezaie.

Today's episode was part of EditCon 2023 that took place in Vancouver on February 25th. Women in Post with Daria Ellerman, CCE (Editor: VIRGIN RIVER), Buket Biles (Post Coordinator: SNOWPIERCER) and Lisa Pham Flowers (Assistant Editor: FIREFLY LANE). They talk with moderator Nicole Ratcliffe, CCE about remote workflows, the importance of communication and mentoring the next generation of Editors.

An international hit in the 80s and beloved for many viewers to this day, FRAGGLE ROCK comes back more colorful, high-energy and furrier than before. In this episode Paul Winestock, CCE, Duncan Christie, CCE and Marianna Khoury with Paul Ackerley discuss their experiences and work process in the edit suite on this reboot for both the young and young at heart.