Claim OwnershipThe New Yorker: Fiction
Subscribed: 47,188Played: 528,517
Subscribe
© Condé Nast. All rights reserved.
Description
A monthly reading and conversation with the New Yorker fiction editor Deborah Treisman.
213 Episodes
Reverse
1Aleksandar Hemon joins Deborah Treisman to read and discuss “Drinking Coffee Elsewhere,” by ZZ Packer, which was published in The New Yorker in 2000. Hemon, a winner of a MacArthur Fellowship and a PEN/W. G. Sebald Award, among others, is the author of eight books, including the novels “The Lazarus Project” and “The World and All It Holds,” the story collection “Love and Obstacles,” and two nonfiction works, “The Book of My Lives” and “My Parents: an Introduction.”
Rebecca Makkai joins Deborah Treisman to read and discuss “The Third and Final Continent,” by Jhumpa Lahiri, which was published in The New Yorker in 1999. Makkai is the author of the story collection “Music for Wartime” and the novels “The Borrower,” “The Hundred Year House,” “The Great Believers,” for which she won the Andrew Carnegie Medal for Excellence in Fiction, and “I Have Some Questions for You,” which was published last year.
Louise Erdrich joins Deborah Treisman to read and discuss “Haunting Olivia,” by Karen Russell, which was published in The New Yorker in 2005. Erdrich's novels include “The Round House,” which won the National Book Award in 2012, and “The Night Watchman,” which was awarded the Pulitzer Prize for fiction in 2021. She will publish a new novel, “The Mighty Red,” this fall.
David Sedaris joins Deborah Treisman to read and discuss “Love Letter,” by George Saunders, which was published in The New Yorker in 2020. Sedaris is the author of more than a dozen books of essays, memoirs, and diaries, including, most recently, “A Carnival of Snackery” and “Happy-Go-Lucky.”
Nathan Englander joins Deborah Treisman to read and discuss “Every Night for a Thousand Years,” by Chris Adrian, which was published in The New Yorker in 1997. Englander is the author of five books of fiction, including the novel “kaddish.com” and the story collection “What We Talk About When We Talk About Anne Frank,” which was a finalist for the Pulitzer Prize in 2013.
André Alexis joins Deborah Treisman for a special tribute to Alice Munro, who died in May at age ninety-two. Alexis reads and discusses “Before the Change,” by Munro, which was published in The New Yorker in 1998. Alexis’s works of fiction include “Fifteen Dogs,” which won the Giller Prize, “Days by Moonlight,” and the story collection “The Night Piece,” which was published in 2020.
Rachel Cusk joins Deborah Treisman to read and discuss "The Bible" and “The Stolen Pigeons” by Marguerite Duras, which were translated from the French, by Deborah Treisman, and published in *The New Yorker* in 2006 and 2007. Cusk is a winner of the Whitbread First Novel Award and the Somerset Maugham Award, and is the author of five books of nonfiction and twelve novels, including "Arlington Park," "Outline," "Transit," "Kudos," and "Parade," which will be published in June.
David Bezmozgis joins Deborah Treisman to read and discuss “Likes,” by Sarah Shun-lien Bynum, which was published in The New Yorker in 2017. Bezmozgis is a filmmaker and writer. He has published two story collections and two novels, “The Free World,” which was a finalist for the Governor General's Award and the Giller Prize, and “The Betrayers,” which won the National Jewish Book Award. He was also chosen as one of The New Yorker's 20 Under 40 in 2010.
Greg Jackson joins Deborah Treisman to read and discuss “Safari,” by Jennifer Egan, which was published in The New Yorker in 2010. Jackson has published a story collection, “Prodigals,” and a novel “The Dimension of a Cave,” which was one of The New Yorker's Best Books of 2023. He has been publishing in the magazine since 2014.
Sterling HolyWhiteMountain joins Deborah Treisman to read and discuss “Labyrinth,” by Roberto Bolaño, translated from the Spanish by Chris Andrews, which was published in The New Yorker in 2012. HolyWhiteMountain is a Jones Lecturer at Stanford, and grew up on the Blackfeet Reservation in Montana.
In the two hundredth episode of the New Yorker Fiction Podcast, Rivka Galchen joins Deborah Treisman to read and discuss “The Bees, Part 1,” by Aleksandar Hemon, which was published in The New Yorker in 2002. Galchen’s books include the story collection “American Innovations” and the novel “Everyone Knows Your Mother Is a Witch.”
Teju Cole joins Deborah Treisman to read and discuss “1=1,” by Anne Carson, which was published in The New Yorker in 2016. Cole’s novels include “Open City” and “Tremor,” which was published this year.
Margaret Atwood joins Deborah Treisman to read and discuss “Varieties of Exile,” by Mavis Gallant, which was published in The New Yorker in 1976. Atwood is the author of more than forty books of poetry and fiction, including the novels “The Handmaid’s Tale” and “The Testaments” and the story collection “Old Babes in the Wood,” which was published earlier this year. This is the first episode of the New Yorker Fiction Podcast to be recorded in front of a live audience. It was taped at the Hot Docs podcast festival, in Toronto, on October 21, 2023.
Lucinda Rosenfeld joins Deborah Treisman to read and discuss “Returns,” by Annie Ernaux, translated from the French by Deborah Treisman, which was published in The New Yorker in 20233. Rosenfeld is the author of five novels, including “I’m So Happy for You” and “Class.”
Andrew O’Hagan joins Deborah Treisman to discuss “An Actor Prepares,” by Donald Antrim, which was published in The New Yorker in 1999. O’Hagan is the author of six novels, including “The Illuminations” and “Mayflies,” which was published in 2020 and won the Los Angeles Times Christopher Isherwood Prize.
David Means joins Deborah Treisman to discuss “Face Time,” by Lorrie Moore, which was published in The New Yorker in 2020. Means is the author of a novel and six story collections, including “Instructions for a Funeral” and “Two Nurses, Smoking,” which came out in 2022.
George Saunders joins Deborah Treisman to read and discuss “So Late in the Day,” by Claire Keegan, which was published in The New Yorker in 2022. Saunders is the author of the novel “Lincoln in the Bardo,” and five story collections, including “Tenth of December” and “Liberation Day,” which came out last year.
Ottessa Moshfegh joins Deborah Treisman to read and discuss “Two Ruminations on a Homeless Brother,” by David Means, which was published in The New Yorker in 2017. Moshfegh is the author of four novels, including “My Year of Rest and Relaxation” and “Lapvona.”
Jonas Hassen Khemiri joins Deborah Treisman to read and discuss “A Slice of Life,” by Vladimir Nabokov, translated from the Russian text of 1925, by Dmitri Nabokov, in collaboration with the author, which was published in The New Yorker in 1976. Khemiri is a Swedish fiction writer and playwright whose novels include “The Family Clause” and “Everything I Don’t Remember.”
Saïd Sayrafiezadeh joins Deborah Treisman to read and discuss “Ill Seen Ill Said,” by Samuel Beckett, which was published in The New Yorker in 1981. Sayrafiezadeh is the author of a memoir and two story collections, the most recent of which, “American Estrangement,” was published in 2021.
Top Podcasts
The Best New Comedy Podcast Right Now – June 2024The Best News Podcast Right Now – June 2024The Best New Business Podcast Right Now – June 2024The Best New Sports Podcast Right Now – June 2024The Best New True Crime Podcast Right Now – June 2024The Best New Joe Rogan Experience Podcast Right Now – June 20The Best New Dan Bongino Show Podcast Right Now – June 20The Best New Mark Levin Podcast – June 2024
Download from Google Play
Download from App Store
United States
Great reading ,of prose poem, but brutal story.
There were huge campus protests against Geno Joe supplying weapons for a genocide and the protesters were shut down... dystopian and prescient.
I read this so differently than DB does. Having a 12 year old daughter is watching someone change at a dizying pace, often teetering on the abyss of depression, self harm, and worse. So many new influences coupled with a divorce from parental influence. It's terrifying, and shows Dave's empathy and love.
Really interesting, thanks I’m a big fan of Haruki Murakami
I just cannot believe what really happened to me tonight! I was reading John Cheever reunion translated by Ahmad Okhovvat in persian then also Richard Ford's idea about this story. After that I downloaded the castbox app and subscribed to New Yorker fiction, sorted it from the pldest first and guess what I saw first; yesss Ford reading reunion... listening to this podcast is absolutely one of the most desirable moments in my whole life
I enjoyed a lot this homage to my favorite writer. If this one can give you the chills I would like to know your input on "Usted se tendió a su lado". Not sure if it has been translated but definitely a must to grasp again his uncomfortable view in the mom-son relations. thank you.
Murakami's male protagonists--even in animal forms-- are so pretentious and self-assured; probably reflecting himself
Interesting story. Terrible reader. Monotone, no difference between ideas, voices, sentences. Can you pick people who read out loud well, or let someone else read for them??!
What a brilliant reading Hisham Matar did of this story. I was thoroughly engaged with it and the ensuing conversation was an educational addition for me. Thank you so much. I try to write myself (short stories) and learn so much from these conversations. With gratefulness for these podcasts.
The short story is Atwood at her best. Besides, Homes reads the story in a voice neither too plaintive and wailing nor too affected and distant; just as it should be. Thanks to Deborah Treisman and others who made this audio version possible. Best, Zakieh. A
The after story discussion is always so enjoyable. I like Deborah's skepticism about the accidental fall in love moment of Bridey at the end of the story. I think Ann Patchett is a romantic, but not very practical.
What role William's interest in Physics play to the story? I felt like any element have played an important part to understand or appreciate the text, though I have a hard time trying to get this particular part together..
I feel Kafka writes of the futility of our efforts… nothing we do really matters because what is going to happen will happen regardless of our big sharp knives or tiny hammers
thanks for the story and the productive discussion. I wish the transcription was available here!
loved it
Kirsten Roupenian's vocal fry is unbearable. Sorry had to skip.
nice thanks
Thought it was a diary of a person with multiple personality disdorder but then again he talks when he's already dead so.
Margaret Atwood Bible, amazing! also, this story was fantastic :-)
Please can we have more stories? A great help at the moment.