Creator to Creators With Meosha Bean

Youtube InstagramSpotifyBioAbe Yellen’s latest single, “South of Italy,” unfolds like a vivid dream an emotionally rich meditation on heartbreak, longing, and the slow journey toward healing. Anchored by layered harmonies reminiscent of The Beach Boys and a hauntingly intimate chorus, Yellen captures the raw vulnerability of love lost. As the song builds, swelling drums and orchestral arrangements expand the sonic landscape, guiding listeners from introspection toward emotional release.The track’s gradual ascent reflects the reality of moving through grief, mirroring the experience of a scenic train ride  one that inspired the song during Yellen’s own travels to Positano on Italy’s Amalfi Coast. “When something hard happens, we want to move on as quickly as possible,” Yellen explains. “But it’s okay to sit in sorrow, let it run its course, and take your time before moving forward.”Music runs deep in Yellen’s family lineage, with Grammy-winning relatives and an uncle who tours as guitarist for country superstar Kenny Chesney. His earliest performances took place in church, where he first learned to play guitar, laying the foundation for a lifelong dedication to music.Professionally, Yellen began his career as a roadie for his brother Winston’s indie folk band, Night Beds. Thrust unexpectedly into the role of drummer during a live performance, Yellen rose to the challenge  a defining moment that launched his evolution as a musician. He later transitioned to guitar, developed into a sought-after full-time producer, and formed his own band in Austin, Texas.Now based in Los Angeles, Yellen is turning his creative focus inward, channeling years of production experience into his own artistry. This renewed direction culminates in his forthcoming album, The Long Goodbye, set for release later this spring. The project explores themes of love, loss, reflection, and renewal, further establishing Yellen’s voice as both intimate and expansive.“South of Italy,” released January 30 with promotional support from Starlight PR, is available across all streaming platforms. Fans can anticipate upcoming music videos and live performances throughout Southern California.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

BioBased in Takoradi, Ghana, Spencer "Quorby" Dzikpe, also referred to as Quorby Spencer, is a dynamic event MC and on-air radio personality. He hosts Homestretch on Melody FM, where his captivating drive-time show, which combines music, entertainment, and thought-provoking discussions that appeal to a wide range of listeners, dominates the airwaves. Quorby Spencer has established himself as a well-known and reliable voice in the Western Region's radio industry thanks to his upbeat delivery and genuine connection with listeners. Beeztrap, Black Sherif, Kwabena Kwabena, and Kofi Kinaata are just a few of the major concerts and live events he has hosted. He is an accomplished Master of Ceremonies outside of radio. He is a sought-after host for high-profile shows because of his ability to read the room, manage the energy of sizable crowds, and effortlessly link performers with viewers. Motivated by enthusiasm, inventiveness, and a profound passion for Ghanaian entertainment, Quorby Spencer keeps establishing a powerful presence on radio, in live events, and in other mediaBecome a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

InstagramBioRoshan Singh Sambhi is a producer, writer, and director based in New York, and the lead producer and co-writer of DC’s High Volume: Batman podcast series, which adapts iconic Batman story arcs into immersive audio dramas. A Singaporean creative, Roshan first gained international attention with Temujin, his Webby Award nominated audio adaptation of his Yale-NUS capstone project, which opened doors to major collaborations in Hollywood. Through his company, Andas Productions, he champions bold storytelling across film, podcasts, and multimedia, while elevating Southeast Asian voices on a global stage.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

Youtube FacebookBioRock and roll enthusiast Rourke blends classic rock, politics, and compassion into his latest single, “I Can’t Breathe,” part of his upcoming album Starstruck, set for release before summer. Writing about real people and real events, Rourke maintains the true spirit of rock while delivering songs that resonate deeply.“My goal is to create a brand of rock that brings the genre back to where it used to be, where the 70s meet the 80s. I want to write songs that stay in your head, the kind you are still hearing an hour later. That’s what’s missing from rock and roll these days. I want to bring rock back to basics,” Rourke shares.Rourke’s musical journey began in his preteen years when he first picked up the guitar. Though he later pursued film school, music eventually became his primary platform for expression. In 2016, after growing frustrated by political debates on social media, he stepped away and returned to his guitar, channeling his emotions into songwriting. What began as personal release quickly evolved into a powerful creative outlet. Within a short time, he had written over 1,000 unfinished songs, setting the stage for what would become Starstruck.Over the past five years, Rourke has dedicated his spare time to developing the album one story at a time. What started as an acoustic demo inspired by Guns N’ Roses and classic 70s and 80s rock gradually evolved into a full electric production featuring hard rock, blues, and emotional ballads. The album consists of ten songs accompanied by original artwork, including a cover photo Rourke captured himself while driving through downtown Los Angeles, which became a symbolic reflection of division in America.Working alongside his producer and studio musicians in Los Angeles, the project grew from a simple four song demo into a full band album and immersive musical experience.“I Can’t Breathe,” the album’s third single, delivers a powerful and emotional message inspired by the death of George Floyd and the broader struggles facing the country. The song takes listeners through five emotional stages of the Black experience, beginning with fear, anger, sadness, and frustration before resolving with hope. “When I first wrote it, I started on acoustic guitar,” Rourke explains. “The outro was added at the last minute because it didn’t feel complete without it.”With help from childhood friend Rami Jaffee of Foo Fighters, who performs keyboards throughout the album, Rourke transformed the track into a moving statement piece. Guitarist Richard Fortus of Guns N’ Roses also contributes to two tracks, adding depth and intensity to the record.Listeners drawn to socially conscious rock should also explore Rourke’s single “Rise,” which he describes as his “Michelle Obama” song. Inspired by her famous quote, “When they go low, we go high,” Rourke turned the phrase into the chorus “When they go low, we rise.” The call and response structure transforms political tension into a soaring rock anthem, drawing comparisons to Bon Jovi and Green Day.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

Website -- https://marcin-mazurek.com/BioMarcin Mazurek is a Polish composer based in London, UK, crafting immersive and often experimental scores for film, television, and games. He has composed music for projects showcased at numerous international festivals and recognised at major industry awards, including the BAFTAs (winning Best British Short Film 2025 with Rock, Paper, Scissors), Festival de Cannes (3rd Prize at La Cinef with Bunnyhood), One World Media Awards (1st Prize with Knife’s Edge), IDA Documentary Awards, Sundance Film Festival, Tribeca Festival, BFI London Film Festival, Grierson Awards, and many more.His score for Rock, Paper, Scissors was nominated at the Hollywood Music in Media Awards, and his work on Bunnyhood was nominated for the Peer Raben Music Award at Soundtrack Cologne. He holds a Master’s degree from the National Film and Television School.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

In this episode of Creator to Creators, Meosha Bean sits down with her sister, Elizabeth Parker, for a thought-provoking conversation about propaganda and the narrative surrounding Black-on-Black crime. Together, they explore whether the issue is truly what it’s often portrayed to be or if there are deeper systems, influences, and truths shaping the conversation. This episode challenges listeners to think critically, question popular narratives, and engage in a more honest dialogue about culture, responsibility, and community.Bio Elizabeth ParkerElizabeth Parker is a devoted mother of four and a faith-driven author who views the world through the lens of Christ. She is passionate about inspiring others to see diversity as a source of strength and leverage rather than division. Elizabeth is the author of the children’s book Elizabeth Ann Parker, created to help young readers begin their faith journey early and grow with a strong foundation of truth. Her work reflects a deep commitment to nurturing spiritual growth, encouraging unity across cultures, and fostering intellectual collaboration among people of all races. Through her writing and advocacy, Elizabeth seeks to empower future generations to think freely, live faithfully, and lead with integrity and purposelink to book --Elizabeth & Parker Paperback HEREBecome a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

Apple Music InstagramFacebookBioPran is a pop artist from Thailand who draws inspiration from love, one of the most timeless and universal themes in music. His latest single, ’Till The End (For You), celebrates the idea that true love is always worth fighting for. Blending pop and R&B with subtle EDM influences, the track delivers both emotional depth and an uplifting energy.  The song came together during a period of creative exploration. While Pran was still discovering the direction he wanted to take with his album, his manager shared several reference tracks that helped guide the process. Inspired by those songs, Pran began shaping his own sound, and the hook quickly became something he could not shake. In the chorus, he sings:  Cause I know you would fight for me Cause I see that you trusted me Cause I saw that you care for me  The track captures the strength and security of real love and the fear of losing something that feels unbreakable. Its production creates an energetic, comforting atmosphere, while Pran’s light and airy vocals reflect the weightless feeling of a love that feels endless.  “When you have love, you have to fight for it,” Pran says.  As a songwriter, Pran often explores the many layers of love. His previous single, All I Need Is Love, focused on heartbreak, while ’Till The End (For You) continues the story from a different perspective. This new release represents the next chapter, where love has been found and is now something worth protecting.  “This song is connected to my previous single because while that one was about heartbreak, the character found love in the end,” he explains. “Now the character is in a fulfilling relationship and he’s continuing to fight for it.”  This marks only Pran’s second official single, and he is excited to finally share it with listeners. While he initially felt some anxiety releasing his earlier work, he also felt a sense of relief and freedom once the music reached the world. Being able to release the music he truly envisioned and present it authentically has been a rewarding experience.  “I love the freedom of being able to release music without any restrictions,” he says.  Pran’s album is set for release later this year. While love will remain a central theme in his music, he also plans to explore new subjects and expand his creative range.  “I hope people enjoy the music and have a great time listening to it,” he adds.  ’Till The End (For You) is available now on all major streaming platforms. Fans can follow Pran on his social channels to discover more of his love-driven music.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

https://www.djfrankdelour.com/BioWith his new single “AYA,” DJ Frank Delour delivers a compelling Afro House release built for dance floors worldwide. Layered conga rhythms, warm keyboard chords, textured sound design, and soulful African vocals come together in an uplifting, peak-hour–ready track that stays true to Delour’s signature sound. “AYA” follows a series of 2025 releases and reflects Delour’s intention to close out the year on a high note. “I wanted a powerful record that was uplifting and still adhered to my style,” he says. “Something that could easily be the choice to rock the crowd during peak hours.” Living a distinctly cosmopolitan lifestyle, Delour performs exclusive dates across the globe—from Rome to St. Tropez while splitting his time between Miami Beach and New York City for luxury-market residencies and studio work. He is currently in the midst of a three-week residency at Papaya Playa Project in Tulum, Mexico, performing alongside artists such as Lee Burridge and Marten Lou. Since 2021, Delour has maintained an impressively prolific output, releasing more than 40 singles. At the core of Delour’s music is an unmistakably positive energy, which he attributes to his conversion to Buddhism several years ago. “I had to step away from derogatory and misogynistic themes in certain genres if I was going to be true to what I was practicing,” he explains. Afro House became the perfect outlet—allowing him to create spiritually uplifting music aligned with his values. His goal is simple yet profound: to inspire. Delour hopes his tracks carry hope, healing, and positive energy qualities shaped by his own journey through struggle, resilience, and reinvention. Delour’s career began in the 1990s, including a production deal with Island Records, followed by years as a sought-after collaborator producing and programming drums for major acts such as NSYNC. While major-label success brought financial rewards, it also came with creative compromises. Reflecting on his journey, Delour recently wrote on Instagram:“I have risen, fallen, risen again… reset, restarted, reinvented. Gotten opportunities, lost opportunities. Offered $1 million, lost the contract. Rejoiced, suffered, failed and tried again. My journey feels like an eternity of hills and valleys, but one thing stayed consistent: I kept going.” Now, with clarity earned through experience, Frank Delour is fully focused on his own artistic path. “Even though the monetary success of being part of a major label was great,” he says, “the most important thing for me right now is being able to hone in on my own vision answer to no one and do it my way, at my own pace.”Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

http://jtimothyhunt.com/InstagramFacebookBioJ. Timothy Hunt is an American-Canadian journalist, novelist, children’s book author, screenwriter, and actor. He is the author of nine published books and a two-time nominee for Canada’s Governor General’s Award, with additional nominations from the Canadian National Magazine Awards. His work spans film, television, journalism, and literature. As a script supervisor and actor, he has worked on acclaimed series including Schitt’s Creek, Orphan Black, Anne with an E, and Murdoch Mysteries. As a journalist, his writing has appeared in Toronto Life, Reader’s Digest, National Post Business, and other major publications. Hunt is also the author of The Politics of Bones, named one of The Globe and Mail’s best books of the year, and the thriller The Museum of Lies, which explores memory, truth, and trauma. Writing under the pen name Tim Beiser, he has published award-winning children’s fiction with Penguin Random House. He holds a master’s degree in screenwriting and has received multiple awards and grants for his work. Hunt lives between Toronto, Canada, and Grignan, France.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

YoutubeSpotifyhttps://supportandfeed.org/BioRising pop-rock artist and multi-talented producer Ed Keiser returns with his new single, “Foreign Land,” a deeply personal and emotionally rich follow-up to his debut release, “You Are Not Alone.” Known for blending reflective storytelling with melodic, immersive production, Keiser once again invites listeners into a vulnerable and honest space shaped by resilience, love, and the human experience. “Foreign Land” expands on the themes first introduced in You Are Not Alone, a song Keiser released to encourage individuals facing loneliness, grief, or difficult circumstances. The debut track resonated widely not only for its message, but also for Keiser’s commitment to donate 100 percent of its earnings to Support+Feed and Feeding America. With this new release, he continues building a catalog rooted in empathy, connection, and emotional truth. While You Are Not Alone served as an offering of comfort to those suffering in isolation, Foreign Land turns inward. Written as a dialogue between two lovers navigating trauma, the song was inspired by a painful chapter Keiser and his wife endured together. The verses unfold like a script, capturing an intimate back-and-forth that moves from confusion and fear toward clarity, faith, and renewal. “The song is a conversation between my wife and me,” Keiser explains. “We were going through a very trying time and still finding our way out of it. I wrote the song as an expression for both of us a way to look toward the future with hope. It was my way of helping us breathe again.” Across its four verses, Foreign Land explores uncertainty, spiritual questioning, and the emotional weight of hardship. Lyrics such as “When the pain is so strong, we question why the world is wrong?!” capture the rawness of that moment. Yet the song ultimately lifts upward, offering a path toward restoration through lines like “There will be no pain or fear, only through faith be it clear.” For Keiser, faith served as a grounding force during the creation of the track, though he emphasizes the song’s universal message. “It is a song of hope,” he says. “My faith played a central role, but I didn’t want to project my beliefs onto others. I embedded them gently, on purpose. The main theme is simple: hang in there—it will get better. It’s about love, companionship, and overcoming hardship with your partner or loved one, whatever your beliefs may or may not be.” As both writer and producer, Keiser takes a hands-on approach to his music. Working primarily in Logic Pro, he performs multiple instruments and collaborates with skilled musicians to bring each arrangement to life. His contributions on acoustic guitar, piano, and bass provide a warm foundation, enriched by layered acoustic textures and meticulous production. The track also features acclaimed vocalist and guitarist Jamie Hoover, whose performance adds depth and emotional resonance. With Foreign Land now released, Keiser continues to shape a growing body of work, with plans for a larger project on the horizon. Whether the songs culminate in an EP or full-length album, his goal remains the same: to offer listeners solace, strength, and a reminder that healing is always possible. At the heart of Keiser’s work is compassion. To support the approximately 47 million people in the United States experiencing food insecurity—about 1 in 7 Americans, according to the USDA Keiser has donated 100 percent of the earnings from You Are Not Alone and will continue to donate 100 percent of proceeds from Foreign Land to Support+Feed and Feeding America. Foreign Land is available now on all major streaming platforms, with promotional support from Starlight PR.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

Listen to LocalInstagram BioPuerto Rico based Brazilian artist riconoflow creates sun soaked electronic pop that blends house, trap, and pop influences with a relaxed, sensual energy. Singing seamlessly in English and Portuguese, his music reflects life as an immigrant deeply connected to his Brazilian roots while shaped by years in the United States and Puerto Rico. Inspired by love, belonging, and emotional connection, riconoflow approaches music intuitively, allowing lyrics and melodies to flow naturally without boundaries. A surfer, meditator, and storyteller at heart, he creates songs that feel like experiences inviting listeners to feel at home wherever they are. His latest single Local captures his mission to spread loving vibrations and build intimate yet universal connections through sound as he leads into an upcoming EP.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

Spotifyhttps://www.youtube.com/@auraofembersAppleFacebookBioAura of Embers is the musical project of producer, singer-songwriter, and visual artistEmily Belkoff. Her genre-defying electronic pop-punk sound serves as a “bridgebetween reality and the ethereal galaxy,” crafting immersive soundscapes that blendnostalgia with emotionally resonant lyricism. Her latest single, “One Soul,” is a synth-driven reflection on the timeless pull of soul connections. “One Soul” is introspective and cosmically expansive, layering atmospheric electronicproduction while maintaining a striking sense of intimacy. From the moment it begins,the track’s warm melodic foundation envelops listeners in the world of Aura of Embers.As Emily’s vocals emerge, they explore the strength of soul connections and the kind ofrecognition that defies explanation, a feeling you simply know when it’s real. “I think a lot of people can relate to the feeling of connecting with someone almostinstantly, and even after years apart, still knowing there’s something real there.Something bigger than you, and bigger than the circumstances surrounding it. I wantedto give voice to those feelings people already recognize within themselves.” she said. For Emily, sculpting a reality-bending soundscape that breathes atmosphere into thesepowerful lyrics is paramount and deeply embedded in her creative DNA. Her productionfuses indie electronic and synth-pop with pop-punk elements to create a hybrid genrethat calls back to her musical upbringing, drawing influence from artists such as Tycho,blink-182, Angels & Airwaves, Paramore, and CHVRCHES, ultimately forming anidentity that feels boundless and fully realized. “For me, the music always starts with the synthesizer or the keyboard. I’m especiallydrawn to vintage synths because they impart a timeless quality and character. I tend tocapture strong melodic ideas quickly and use them to create the emotional scaffoldingof the song, with the vocals arriving either shortly after or simultaneously. From there, itbecomes a conversation between the keyboard and the bass, which I use to helptransport listeners into a different world. I want to convey a sense of warmth through themusic.” she noted. The cohesion between evocative lyricism and production gives the music of Aura ofEmbers a strong cinematic quality. As the melodies and lyrics dance with one another,listeners may find themselves wrapped in what Emily calls a “gravity blanket,” creating asense of immersion and stillness that feels tender and transportive. “If I can create a moving emotional piece without words, I know that when I add wordsto it, it’s going to resonate with someone.” she said. Emotional resonance sits at the heart of the world of Aura of Embers. The name cameto Emily upon reflecting on her own life and the trials she has navigated along the way.While she recognizes the weight of those experiences, she also understands theirpurpose. This became the source of the “Embers” portion of the name, inspired by themythology of the Phoenix and the transformative power of rebirth. .To reach your full potential, there are parts of you that have to die so you can bereborn and rise from the ashes. These could be elements of your perspective, and inorder to gain a new part of your identity, you had to move through those trials. I feel likeI’ve been forged by fire through what I’ve experienced, and I know others can relate tothat.” she shared. Emily’s first single, “No Stopping You,” channeled outward expression, an anthemicstatement rooted in empowerment and resilience. In contrast, “One Soul” turns inward,serving as a sonic counterpoint to the outspoken tone of “No Stopping You.”Collectively, they highlight the musical range and textural nuance of Aura of Embers. “The first single was about motivating and standing as an anthem of perseverance. Thissingle turns totally inward and is deeply reflective. Together, they begin to illuminate thedifferent threads of the tapestry that is Aura of Embers.” she expanded. Through its layered production and atmospheric depth, Aura of Embers draws listenersinto a realm steeped in tenderness and otherworldly resonance. “One Soul” by Aura of Embers is available on streaming services now.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

https://www.worldmusiccollective.org/InstagramFacebook BioThe World Music Collective is a mixed-instrumentation chamber ensemble featuring internationally recognized performers, composers, and improvisers from Washington, D.C.’s vibrant music scene. Rooted in community and driven by adventurous composition, the group blends jazz, classical, Indian classical, and global traditions through dynamic improvisation. Their latest single, “Caravan,” reimagines Duke Ellington’s jazz standard through a rich, multi-instrumental lens where textures shift fluidly and cultures intersect. Led by saxophonist and clarinetist Noah Getz, the six-member ensemble treats improvisation as musical conversation—embracing spontaneity, collaboration, and deep listening. More than a genre, “world music” for the collective reflects a living, communal sound shaped by diverse backgrounds and shared creative exploration.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

https://whoisemmabass.comBioWith a firm focus on the heavier side of electronic music, Emma Bass is a 28-year-old powerhouse known for her distinctive sound and dynamic presence behind the decks. Blending underground energy with refined artistry, her sets weave together UKG, tech house, and bass - all delivered with that unmistakable Emma Bass flair.Fusing her talents as both a DJ and live vocalist, Emma brings a fresh live element to her performances, combining her commanding voice and strong songwriting abilities to create an experience that is as immersive as it is energetic.Her breakout collaboration with Nemo (AUS), “Why Don’t You”, released on Be Rich Records, stormed the ARIA Club Charts and caught the attention of Steve Aoki, earning airtime across the U.S. and Canada. The success of the track launched Emma’s first Australian tour, with standout performances at major venues including HQ Adelaide, Australia’s largest nightclub.Further cementing her place in the scene, her collaboration with Lit Lords (USA) gained global traction after being featured on Trap Nation, amassing over 100K views and attracting attention from industry heavyweights.Known for her ability to move seamlessly between studio production and live performance, Emma continues to push boundaries, supporting some of the biggest names in electronic music -  sharing stages with:Skream, Chris Lorenzo, Art Work, Touch Sensitive, Moksi, Mike Cervello, Akouo, Lumberjvck, Borgore, Busy P, Griz, Nemo, Luude, Chenzo, Mighty Fools, AB The Thief, Figure, Crankdat, Noy, Nick Thayer, Human Movement, Preditah, Motez, AC Slater, DJ Q, Yellow Claw, My Nu Leng, TXNK, Hydraulix, Doctor Werewolf, GTA, Lawbrakr (Canada), Bonka, Captain Hook, Lorenzo Raganzini , Bag Raiders, Ben Hemsley, and Havana Brown.With her highly anticipated debut original single “Sweet Déjà Vu” set for release January 16th 2026, Emma Bass stands poised to make an even bigger mark on the global electronic scene — proving she’s not just an artist to watch, but a force to be reckoned with.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

linktr.ee/AL99SpotifyInstagramTiktokLinkedinBioRapper AL99 Is Leveling Up with New Melodic Trap Banger “Superduper”AL99 wants people to remember to be themselves. The DMV rapper feels most authentic when he’s expressing his thoughts and dreams through music. With his new single “Superduper,” he’s stepping into a new level.Blending smooth rhymes, sharp wordplay, and heavy trap production, “Superduper” delivers a melodic, motivational sound. Inspired by the energy of artists like Future and Young Thug, the song reflects AL99’s journey of confidence, determination, and growth.Produced, written, recorded, and mixed entirely in his home studio, the track showcases his skills as both a rapper and producer. AL99 creates all his beats using his digital audio workstation and MIDI controllers, handling every part of the process himself.The music video is now streaming on YouTube and shows AL99 in the club, drinking, playing cards, and embracing a boss-up mindset. Released through his independent label TPC Music Production, which he co-owns with his mother and manager, “Superduper” is also his first release under his new distribution deal with Bungalo Records under Universal Music Group. The partnership will carry into his debut LP, Elevate, arriving in early 2026.Music runs deep in his family. His grandfather, Herbert “TUBO” Rhoad, was one of the original members of the legendary a cappella group The Persuasions. Many other relatives performed in bands and in church, creating the environment that shaped him. Although his mother was hesitant about him pursuing music, AL99 studied the business side of the industry, kept creating, and showed her he could build a career with full control.Consistency is his biggest strength. When he isn’t in the studio, he’s performing at clubs from the DMV to Brooklyn, Atlanta, and Arizona. He designs his live shows as full experiences, moving from hip hop to R&B, pulling out the guitar, and closing with high-energy tracks.For AL99, this is just the beginning of the level-up.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

Amazon.com/America Broken Always-Been Thispurchase book here Is America Broken or Has It Always Been This Way? argues that the nation’s biggest crises income inequality, racial injustice, political division, and cultural battles aren’t signs of a system falling apart but evidence of one functioning exactly as designed. The book contends that America’s institutions have long served the interests of the wealthy and powerful while keeping ordinary people divided, distracted, and economically strained. Despite mounting frustration over wages, housing, healthcare, and affordability, many Americans still support policies that undermine their own well-being a result of deliberate political, economic, and cultural engineering. The book urges readers to recognize the system for what it is, reclaim their self-interest, and use their collective power through voting, spending, organizing, and action to force meaningful change.Bio Born in the South Bronx, Tony Aguilar boasts over 30 years of experience in public service, as a community organizer, workshop leader, public speaker, writer, social commentator, and workforce development professional. Throughout his career, Tony has been engaged in initiatives related to affordable housing, economic development, and environmental cleanup. During his time as the assistant to the Lutheran Bishop of New York, he played a pivotal role in founding the Urban Leaders Institute, which trained congregational leaders, and the Urban Empowerment Fund, which provided grants to churches working with underserved communities. Tony has also been involved in workforce development where he developed relationships with businesses and organizations to provide employment opportunities for participants. Tony has hosted and produced a radio show featuring interviews with public figures, and a public access cable program focused on national issues. He has been quoted by major publications such as the New York Daily News, The New York Times, Newsday, and the Jersey Journal. Tony is the author of four books including his latest, Is America Broken or Has it Always Been this Way? which explores whether the challenges America faces today are truly new or part of a longer historical pattern.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

YoutubeFacebookTwitter XSpotifyBioBorn and raised in Galveston, Texas, Jimmy Mallia grew up as one of five children. He attended O’Connell High School, where he was involved in football, track, and drama. In 1983, he moved to Austin to attend the University of Texas, graduating in 1987 with a degree in economics. During his time at UT, he was an active member of Kappa Sigma Fraternity serving as both pledge and president and was also part of the Texas Cowboys.After graduating, he relocated to Houston in 1988 and began his career at PaineWebber, later joining Great West Life. In 1993, he moved to Lafayette to lead the employee benefits division of a regional firm, a role he held until 2018. He then founded Mallia Benefits, which he successfully grew and eventually sold to Gallagher in 2021. He continues his work with Gallagher today.Mallia is the father of three daughters, now ages 32, 29, and 27, and the grandfather of three boys, ages 13, 11, and 7. He raised his daughters primarily on his own, creating deeply personal memories that would later inspire much of his songwriting.Though he has achieved significant success in business, his journey has been shaped by challenges as well. After more than 40 years of drinking and a near-fatal low point, he entered recovery and has remained committed to AA for the past three years. His life has included both great joy and profound loss, and he openly acknowledges that his story could easily unfold like a dramatic series.Mallia has been writing songs for more than fifteen years and plays acoustic guitar. His music rooted in folk and country influences draws heavily from his life, family, and personal experiences. Now 59, he is pursuing his longstanding dream of releasing his music publicly and performing on stage.His commitment to community service spans decades. He has served on numerous boards, including the Boys and Girls Club, Bishop’s Charity Opus Christi Magnum, Our Lady of Fatima Parish (Finance Chairman), Our Lady of Fatima Foundation (President), STM School Board (Chairman), STM Foundation, Our Lady of Lourdes Foundation (Treasurer), and the Day One Board. He has participated in Leadership Lafayette, Leadership Louisiana, and the Leader in Me educational program. He currently serves as Chairman of the Board for the Acadiana Outreach Center, which provides shelter and support services for the homeless. Mallia is also a member of the Krewe of Gabriel and the Krewe of Bonaparte.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

Instagram Youtube TiktokSpotifyBio Clinton Brand III, better known as CBIII, is a California-based rapper whose new single “I Won’t Quit” delivers a motivational and relatable message for anyone facing hardship. Produced by Tunna Beats, the track carries a Blurry Face energy. It opens with a violin and the soft vocalizations of featured singer Alex Brinkley. When the beat drops, piano, bass, and drums blend with CBIII’s reflections on overthinking, contemplating, and debating why he refuses to give up.Lines such as:Sad but I should be filled with joy.Played with my heart just like it was a toy.But the truth is I’m tired of venting.This constant feeling is relentless.Nobody wants to listen and everyone is a critic.Hate my life but I won’t give up, I can’t give in.illustrate the emotional tension of the song. “I Won’t Quit” confronts the fear of failure—what if I’m not good enough—while contrasting it with the resilience expressed in the title.The song’s final quatrain is especially powerful. Beginning with CBIII’s signature wordplay, the message ultimately becomes one of determination and positive change:Phenomenal and astronomical anomaly, that’s what I would like to be.I don’t want to eat, I don’t want to sleep.Tired of this life, the way that I’ve been living.It’s time to make a change for the greater good.This battle with self-doubt and constant overthinking makes “I Won’t Quit” deeply relatable. CBIII hopes listeners feel inspired to stay strong when they face similar struggles.The inspiration behind the song is intensely personal. After losing both parents at a young age, Brand was raised by his grandmother and later entered foster care. A recent visit, during which he saw his grandmother’s memory fading, was painful for him because she had once been his greatest supporter. It left him feeling abandoned and in a dark place.“I wrote the song ‘I Won’t Quit’ because at that time I was suicidal. I didn’t have anybody else to turn to because my grandma didn’t really care anymore,” he shares.The vulnerability in the lyrics initially made him hesitant to release the track. “I actually sat on the song for about five months before even thinking about releasing it because it is so close to home that I wasn’t sure if I would have the courage to share it.”Now that the song is out, that vulnerability has become its greatest strength. Many listeners can identify with the experience of missing family support, doubting themselves, and still knowing they must push forward.Beyond his personal drive to achieve greatness, Brand has another powerful motivation: his younger brother, who is also in foster care. Knowing his brother looks up to him, he wants to be an example that resilience matters.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

Youtubehttps://beacons.ai/ellemonaeSpotifyBioElle Mona’e is an artist you may recognize without realizing it. She popularity as a Bombshell on Season 2 of Netflix’s hit series Too Hot to Handle, quickly becoming a fan favorite. Since then, she has expanded into the music world to share a new and deeply passionate side of herself.Her latest single, “Land of Groove,” lives up to its name. Blending pop and dance elements with an ethereal, space-like vibe, the song invites listeners to lose themselves in its infectious rhythm. With playful, step-inspired lyrics reminiscent of timeless dance anthems, Elle creates a sound that’s fun, uplifting, and perfect for all audiences.Falling in love with the production process, Elle collaborated with a songwriter who truly understood her vision. “I told him my whole vibe was fun. I wanted people of all ages to be able to dance to this. I wanted it to be a truly feel-good song,” she shares. “We bounced some ideas around, and that’s how ‘Land of Groove’ came to be.”Though “Land of Groove” is a re-release, Elle brings a new sense of confidence and purpose to this version. “I was proud of myself the first time I released the track,” she says. “Now I have even more confidence because I know there’s an audience for it and I know how to continue giving them what they want. This time around, I’m even more excited.”While “Land of Groove” thrives in the dance-pop lane, Elle’s upcoming release, “Can’t Lose,” shifts toward an empowering R&B sound. As an introvert stepping into music, she’s learning to share more of herself at her own pace. Her goal is to deliver a variety of genres and moods while staying true to her authentic self.Transitioning from reality TV to music hasn’t been without challenges. Although her time on Too Hot to Handlebrought brand deals, event invites, and social media growth, Elle felt something was missing. “In the reality TV world, all you have to do is look good and be a good person. After a while, I wanted more. I wanted to create something that truly represented me,” she explains.That desire led her to music—and she approached it with full motivation and determination. “When you have a talent that you enjoy sharing with others and can also make a profit from it, it opens up a completely new lane for you,” she says.Before Too Hot to Handle, Elle was already making waves as the founder of The Stardust Boutique, a unisex brand specializing in zodiac-inspired apparel, jewelry, and cosmetics. Her entrepreneurial spirit shined during the pandemic when she grew her online presence and business through creativity and social media. One viral post even caught the attention of a casting agent, ultimately leading to her appearance on the show.Looking ahead, Elle plans to release an EP titled Stardust, continuing to build her music career while expanding her creative ventures. With authenticity and alignment at the core of everything she does, Elle Mona’e is entering an exciting new chapter—one filled with rhythm, confidence, and purpose.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

BioVale! ULB The Sound of Cabana Bounce. Most of Vale! ULB’s lyrics flow effortlessly between Spanish and English, but even if you don’t speak the language, their energy translates loud and clear. Their latest single, “Devórame,” is a high-speed, high-energy celebration from a five-member band that has crafted an entirely new genre where the primary language is fun.“The band made a new genre called Cabana Bounce,” says lead vocalist Val. “Most of our songs are about joy, movement, and connection. ‘Devórame’ is one of them.”Born in Colombia and raised in a musically rich family, Val is the daughter of Dante Vargas, a multi Latin Grammy Award-winning musician and producer from Peru. Her dual heritage shines through her powerhouse voice strong, expressive, and versatile enough to adapt to any sound the band explores.“Devórame,” which translates to “Devour Me,” captures that playful and passionate essence. “It’s not a romantic song,” explains trumpeter Emi, “it’s about confidence, presence, and living in the moment.”Come take a bite of me now / Before it’s too late papi / Come take me down / Baby devórame ya.In this context, ya literally meaning “already” becomes a demand for right now.The Band’s Global RootsVale! ULB is a collective of musicians whose diverse cultural backgrounds shape the band’s vibrant sound:Val – Lead Vocals (Colombia/Peru)Emi – Trumpet (Argentina)Anier – Percussion (Cuba)Friki – Guitar (Cuba), son of a founder of the legendary Buena Vista Social ClubDeezle – Bass, Production, and Vocals (New Orleans, USA)The “ULB” in their name stands for United Latin Band, while Vale! is colloquial Spanish for “Let’s go!” a perfect reflection of their energy and message.“The band is all about celebration,” says Val. “We’re from Miami, and our producer is from New Orleans. So, New Orleans plus Miami equals party.”Deezle adds, “We love so many kinds of music and can play almost anything. Imagine taking a little of the Black Eyed Peas, some No Doubt, some Santana, some Stevie Wonder and then pouring gumbo juice on top.”A Band of Acclaimed TalentEach member of Vale! ULB brings a deep professional pedigree to the group:Deezle is a three-time Grammy-winning producer who’s worked with Lil Wayne, Drake, and Nicki Minaj.Emi is also a Grammy winner, with credits including The United States vs. Billie Holiday soundtrack and tours with Ricky Martin and Marc Anthony.Anier is a multi-time champion of Cuba’s Fiesta del Tambor (Festival of Drums).Carlos “Los” Battey, the band’s manager, is a Grammy-winning songwriter and music executive who has penned hits for Madonna, Justin Bieber, Jason Derulo, David Guetta, Chris Brown, and more.“Los isn’t just a managerhe’s part of the creative process,” says Emi. “He’s in the studio with us, collaborating and shaping songs. He’s the real deal.”The Creation of Vale! ULBThe band’s story began when a music executive contacted Deezle about developing a group of talented musicians. “They flew me to LA, we got a band house, and ordered all the gear,” recalls Deezle. “Within 30 minutes of setting up, we wrote our first song. Everything just clicked.”Soon after, Emi joined as music director and invited Val to front the band. When the original guitarist left, Friki joined, and Vale! ULB officially took shape.“We complement each other perfectly,” says Emi. “It’s like a puzzle where every piece just fits.”“Our band shows how people from different walks of life different backgrounds, cultures, and opinions can come together to create something powerful,” adds Deezle. “We’ve got that chemistry unlocked.”The Future of Cabana BounceVale! ULB’s music embodies warmth, rhythm, and pure joy what they call Cabana Bounce. “It’s like sunshine, a poolside party, full of color and life,” says Deezle. “It’s a mix of all our flavors from every country and city we represent.”“Devórame” is the band’s fourth single this year, and their momentum is just getting started. The team plans to release more singles, videos, and eventually an EP and full album. Manager Carlos is also developing an interactive virtual concert experience on platforms like Discord or Patreon, making it easy for fans worldwide to tune in and celebrate together.“For me,” says Val, “one of our biggest goals is to perform live and connect with people around the world.”“We’re limitless,” concludes Deezle. “We never wanted to be confined to one sound. We’re musicians first and we’re here to create without boundaries.”Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.