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SALA Podcast

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In this episode, SALA chats to artist Elizabeth Close. Elizabeth talks about the path she took to becoming a visual artist and how her love of art was influenced by her grandmother. She discusses how her work is inspired by other indigenous artists, such as Nyunmiti Burton, and non-indigenous artists like Georgina Hill, and how her practice has become more diverse over the years. She reveals some of her favourite works and the reasons why she holds them in high regard. She talks about her recent recovery from brain surgery and how keen she is to get back into the studio to work on a new cultural sovereignty project that’s in the making.
Finally, she tells listeners where they can find some of her collaborative works around the city of Adelaide, including the mural of Uncle Stevie Gadlabarti Goldsmith on Wright Street.
APY Lands - https://anangu.com.au/
Nyunmiti Burton - AGSA
Yaritji Young - Biennale of Sydney
Blak Douglas https://blakdouglas.com.au/
Karla Dickens - https://www.agsa.sa.gov.au/education/resources-educators/resources-educators-ATSIart/karla-dickens/
Reko Rennie - https://rekorennie.com/
Georgina Hill - https://www.georgiahill.com.au/
More on the skink Tarutharu at the Adelaide Zoo - https://www.youtube.com/watch?v=HtbzgfG9SlY
A Blanck Canvas - https://ablanckcanvas.com/
Jack Buckskin – Kaurna language: https://www.youtube.com/playlist?list=PLCp3_brrD7xr_9N2OxRC1Oz8MfsMok34H
James Chocran – Jimmy C - https://www.akajimmyc.com/Street_Art
The Pride and the Profit -https://www.instagram.com/p/CERC2cZDizH/?img_index=4
Elizabeth and Jimmy C’s mural of Uncle Stevie on Wright Street, Adelaide - https://www.instagram.com/p/CDD3tWvjgD7/
Elizabeth and Thomas Redett’s mural of frogs - https://www.instagram.com/p/CNEtnuZjv_Y/?hl=en&img_index=1
https://www.instagram.com/elizabethclosearts/
https://www.facebook.com/elizabethclosearts
Podcast theme music by Transistor.fm. Learn how to start a podcast here.
In this episode recorded at the Adelaide Central School of Art, Suzanne Close talks to 2025 SALA Feature Artist Sue Kneebone, and her monograph writers Nicole Clift, Elle Freak and Andrew Purvis.
They discuss the different approach each writer took in writing their essays, and how each was influenced by different aspects of Sue's work and career, in particular the use of found objects and other materials, and the role her family history has played in her body of work.
Sue discusses her influences and impulses, and reflects on her colonial settler history and the way it informs her practice, and how she wishes to keep vouching for First Nations voices and environmental awareness.
Show notes:
Sue Kneebone
Elle Freak talks about the Dangerously Modern exhibition
Nicole Clift - https://www.nicoleclift.net/
Andrew Purvis
James Tylor
Sue’s exhibitions:
Naturally Disturbed
The Ceaseless Tide
Pamplemousses Garden
Tamara Baillie
The Great Australian Silence
Kerala
POP Studios
Julie Gough
Photo by Sam Roberts.
Podcast theme music by Transistor.fm. Learn how to start a podcast here.
For this special SALA podcast episode, Elise from Inspiring South Australia talks to scientist and artist Annette Vincent in her studio garage.
Annette talks about her background in science as a myrmecologist (someone who studies ants) and the path that led her to being an artist, and the work that inspired her 2025 SALA exhibition '15 Years On, Arkaroola Wildlife Sanctuary Revisited'.
She explains how she is driven by the threat of climate change to actively sketch during biodiversity surveys in her role as a volunteer with the Scientific Expedition Group, contributing to a visual history of changing landscapes.
Inspiring SA website
Annette Vincent
Gammon Ranges
Underdale College
Arkaroola
Mount Gee
Scientific Expedition Group
Myrmecology
Myrmecia
Georgia O’Keeffe
Gawler Ranges
Sue Kneebone
A video showing the Chine Collé process
Photo by Eugene Suleau.
Music I use: Bensound.com
License code: VDH5DVGOFPNHY24Q
Title: Crazy Coffeehouse
Artist: Lunar Years
In this special episode recorded at the Adelaide Central School of Art, Andrew Purvis talks to 2024 SALA Feature Artist Julia Robinson, and her monograph writers Hannah Kent, Leigh Robb, and Jess Taylor.
They discuss the collaborative process that brought the book to fruition, and how each of the writers used Julia’s work as inspiration for their pieces, particularly her interest in folklore, horror themes and feminism. Julia also delves into working with designer Rachel Harris on the visual representation of the monograph.
In the Q&A section, Julia explains how the book was structured around each of the writer’s interests; the process for creating her sculptures; and the significance of dark themes in her art. Finally, Julia discusses the impact of receiving the Feature Artist award, and the influence and importance of SALA Festival on her career and the opportunities it affords all artists.
Show notes:
JuliaRobinson.net
Hannah Kent
Leigh Robb – Instagram
Jess Taylor
Satanic Panic
Tilberi – Icelandic Folklore
The Wicker Man (film, 1973, directed by Robin Hardy)
The Song of Master John Goodfellow
gourd (fruit)
The Gourdfather
Beatrice in the 2020 Adelaide Biennial at Museum of Economic Botany
Rappaccini’s Daughter
Scylla – Greek mythology
Adelaide Central School of Art
Julia’s monograph at Wakefield Press
For this special Science Week podcast, presented in partnership with Inspiring SA, SALA talks to Willunga-based artist Claire Foord.
Claire talks about her artistic journey, her inspiration, and the profound impact of her personal experiences on her art.
She delves into how her work has been influenced by a spontaneous bilateral cerebral arterial dissection she suffered three years ago, which serves as the basis for her SALA exhibition 'Occipital’. Claire also shares the story of the stillbirth of her daughter Alfie, and the charity called Still Aware she founded to raise awareness around stillbirth in Australia.
Claire is a finalist in the SALA Inspiring SA Science in Art Award, and The Advertiser Contemporary Art Award.
In this episode, Eugene chats with freestyle embroidery artist Cheryl Bridgart. Cheryl talks about the history of her home/studio at Beltana House on Carrington St in the city, and how her work is inspired by her dreams and her love of the natural world. She shares her excitement at being part of the Lunar Codex program, which will see her work travelling to the moon early next year. Finally, Cheryl speaks of her love of working as a South Australian artist, especially during SALA Festival.
Cheryl's biography
History of Beltana Station.
Guildhouse & Guildhouse Greets
Adelaide Zoo
‘Lose Yourself in Melbourne’ ad
More about the Lunar Codex program
Doctor Samuel Peralta
SpaceX
Cheryl’s episode on Colour in Your Life.
Goolwa, South Australia
Cheryl on Instagram
Cheryl on Facebook
Cheryl’s SALA exhibition
Music: Dark Water by Xylo-Ziko
Photo by Jack Fenby
In this episode, Steph catches up with Helen Fuller in the artist’s home studio. Steph asks Helen about the range of mediums she has used over the years, what it’s like to have a book published about her career, and Helen gives context to the artwork that featured on the 2023 SALA Poster & program. They also chat about the influence of family on her artmaking, and the joy of coming home from walks with a pocket full of curiosities. Her exhibition Shedding is on at Adelaide Central Gallery until 27 October 2023.
Show notes
Interview Transcript (PDF)
Helen Fuller, Samstag Museum of Art, UniSA, Adelaide Festival 2022 / catalogue
Helen Fuller (book) Wakefield press
SALA Feature Artist: Info / Archive
South Australian Living Artist Publication
Shedding, at Adelaide Central Gallery (until 27 October 2023)
Music: Raven Warble - Chad Crouch
In this episode, Steph catches up with artist Monika Morgenstern. They chat about the overarching theme of mysticism in her work, and what kind of materials she uses to explore something so intangible. They trace spiritual moments across her life, from childhood awe at Europe’s cathedrals, to the natural splendour of Lake Tyrrell in Australia.
Monika.Morgenstern.com/biography
Adelaide Central School of Art
ArtsSA fellowship / Arts & Culture Grants Program
Erni Tinesz (glass artist)
Numinous encounter
Wordless Silence at Barossa Regional Gallery, Mon-Sun 11am-4pm, 26 July – 2 October 2023.
Prima materia [wikipedia]
Jerome Lyons / Cheese Factory Studio Gallery, Meadows SA
Strathalbyn, South Australia
Sea Lake, Victoria
Masonic lodge
THRFG - Creative Health Art Prize 2023
@MonikaMorgensternArt
MonikaMorgenstern.com
Monika on Facebook & YouTube
Monika's work on Shop SALA
Music: Dark Water by Xylo-Ziko
Steph catches up with artist Ian Gibbins in this special science-themed episode presented in partnership with Inspiring SA.
They chat about Ian's work as scientist and how it informs his art, and some surprising parallels between the fields of science and art – from the urge to show your work to others to the tedium of failed experiments.
Show Notes
IanGibbins.com.au
Chris Wallace-Crabbe
Vincent Buckley
Urban Biology
The Joinery
Ian Gibbins, Beyond the Floodtide
Conservation Council South Australia
Catherine Truman
A Partnership for Uncertain Times: Art + Science + Technology [catalogue]
ANAT / the Australian Network for Art & Technology
Ian Gibbins, dog daze, 2017
Image: lo
Music: Ian Gibbins (used with permission)
In this episode, Steph catches up with multidisciplinary artist Kaspar Schmidt Mumm. They throw back to his mother's artistic influence, and trace that framing of art as a vehicle for bigger things through to his latest exhibition, Rockamora. Tune in to hear why participatory sculpture isn't at all like sitting in the front row of a comedy show, and what Ursula Le Guin has to do with offering chips to bullies.
Show Notes:
Interview Transcript (PDF)
KasparSchmidtMumm.com
@Kaspartness (Instagram)
Koruna Schmidt Mumm
Jean-Michel Basquiat
Kaspar’s Painting works
Kaspar’s Paper works
IMMI / IMEMI
Humboldt Forum
Berlin’s bizarre new museum (Guardian article)
ROCKAMORA over the years
ROCKAMORA at Adelaide Contemporary Experimental (ACE)
10 June – 12 August 2023, 11am-4pm Tues-Sat, free entry
Porter Street Commission
The Carrier Bag Theory of Fiction – Ursula K. Le Guin
The Bait Fridge
Slowmango.com / @Slowmango_
See also: ABC Art Works Series 3, Episode 19
Image: photo of Kaspar by Emmaline Zanelli, courtesy of ACE
Music: Blob Funk – Slowmango, 2023, Hypercolour Miscellaneous, courtesy of Kaspar
In this episode, Steph catches up with artist Kasia Tons in her cosy Adelaide Hills studio. They talk about her early days in the textile industry, the labour-intensive nature of her work, and how her work calls for a re-examining of the human relationship to nature.
Show notes:
Transcript (pending)
One Year Dress project
Guildhouse Collections Project
Biotic Commune at the Museum of Economic Botany
@PussyRiot
GuerrillaGirls.com
Future Materials Bank
@fashion_for_bank_robbers
@Kasia.Tons on Instagram
kasiarosetons.com
In this episode, Steph catches up with artist Chris De Rosa in her home studio in Port Elliot. They chat about how she found her way to art-making, the versatility of paper as a material, her recent exhibition Seaweeding, and how living on the coast informs her practice.
Show Notes
Transcript of this interview [PDF]
Henry de Toulouse-Lautrec – French painter, printmaker, illustrator
JamFactory
Paper Mache / Papier Mache
flora (noun): the plants of a particular region, habitat, or geological period.
Seaweeding exhibition [art almanac] [inDaily]
beachcombing (noun): an activity that consists of an individual “combing” (or searching) the beach and the intertidal zone, looking for things of value, interest, or utility.
Museum of Economic Botany
Jessie Hussey
Spongia: a genus of marine sponges in the family Spongiidae containing more than 60 species.
Porifera: the phylum that sponges belong to.
Taxonomic rank (phylum, class, order, family, genus, species)
The Drowned World, JG Ballard, 1962
Sea Tulip
bust (noun): a sculpture of a person’s head, shoulders, and chest.
Honor Freeman: artist, performer
Mickey Mason: artist & filmmaker
Susi Benger: eco-conscious swimwear designer @CocoAndShy
Horseshoe Bay, Port Elliot
Super 8: type of film camera
Giuseppe Faraone: sound designer
Cath Kenneally: writer, poet.
Rosina Possingham: artist, graphic designer
Guildhouse Catapult mentorship program
Trent Walter & Stuart Geddes [artguide interview]
Good Bank Gallery, McLaren Vale
Valerie Taylor: artist, filmmaker, marine conservationist
‘Water People’ exhibition (28 May - 31 July 2023) at Coral St Art Space, Victor Harbor
Flinders University Museum of Art
@Chris_DeRosa on Instagram
Music: Monplaisir - The Rise The Walk The Hope via FMA.
Steph catches up with sculpture artist Anna Horne ahead of her exhibition Colour Me Soft at Hugo Michell Gallery. A bit of reminiscing about her first outdoor exhibition reveals how Anna found her way to using concrete in her work - which she is now known for using. They chat about the dynamics of being an artist driven by material and process (rather than pre-visualised ideas), and the influence of current issues on Anna’s artmaking.
Show Notes
Interview Transcript (PDF)
Adelaide Central School of Art
Anna Horne, Weigh Down, 2014, rope, concrete, dimensions variable, installed in Rymill Park as part of FELTnatural 2014
Jimmy Dodd / Double Diamond art fabrication
Art 21
‘A World Of One’s Own’ (podcast) conversations between Tai Snaith and a diverse group of different female-identifying and non-binary artists.
Phyllida Barlow [wiki]
Alison Wilding [wiki]
Neoteric exhibition, 2022, Adelaide Train Station [catalogue]
Shifting exhibition by Centre for Creative Health at Dentons [catalogue]
Colour Me Soft at Hugo Michell Gallery
‘colour me [something]’ (idiom): An exclamation used to indicate some particular emotion or condition.
‘You did the dishes and cleaned your room? Well, colour me amazed—I never thought the day would come!’
AnnaHorne.com.au
@Anna_Horne
Steph catches up with artist Shirley Wu, who is known for her glass sculptures containing coloured oils. They chat about how her work is informed by previous training in aromatherapy and bodywork, and ultimately underpinned by mindfulness. Shirley is currently an artist-in-residence at Nexus Arts and gives us some insight into her upcoming exhibition Find that Pace as part of the Adelaide Fringe Festival 2023.
Show Notes
Interview Transcript (PDF)
Nexus Arts
bodywork (noun): therapiesand techniques in complementary medicine that involve touching or manipulating the body.
aromatherapy (noun): the use of aromatic plant extracts and essential oils for healing and cosmetic purposes.
Shirley Wu, Holistic Therapy 3, 2019, Blown glass filled with essential oil, cork. 30cm x 20cm x 15cm
City Rural Emerging Artist Award: a SALA Award sponsored by City Rural Insurance. See past winners.
Peter Minson
FELTspace – Artist-Run-Initiative / Gallery in Adelaide
Ursula Halpin
Canberra Glassworks
Chinese calligraphy [wikipedia]
joss house (noun): a Chinese temple
Kuan Ti Temple [sa.gov.au]
Architecture Museum – UniSA
Out of Site, curated by Melinda Rankin at the Lounge Gallery (SASA Gallery) in 2006, featuring Stephanie Radok, Annalise Rees and Qi Zhang. [PDF]
Find that Pace as part of the Adelaide Fringe Festival
ShirleyWuJianzhen.com
@ShirleyWu.Jewellery
Shirley would like to acknowledge Bridget Currie and Jingwei Bu, her mentors for her current project; Dr Christine Garnaut and Dr Julie Collins from the Architecture Museum at UniSA; and Dr Eleen Deprez who is writing the essay for Find that Pace.
Main image by Juan Van Staden courtesy of the artist and the University of South Australia
Steph catches up with self-taught painter Caitlin Möhr after a busy year that included her debut solo exhibition ‘An Introspective Journey’ at Collective Haunt.
Transcript of this episode [PDF]
Show Notes
cadaver (noun) a deceased human body that is used to study anatomy
introspection (noun) the examination or observation of one's own mental and emotional processes
breathwork (noun) conscious, controlled breathing done especially for relaxation, meditation, or therapeutic purposes
mindfulness (noun) 1. the quality or state of being conscious or aware of something. 2. a mental state achieved by focusing one's awareness on the present moment, while calmly acknowledging and accepting one's feelings, thoughts, and bodily sensations, used as a therapeutic technique.
Viewpoint, 2022, Caitlin Möhr and Miles Dunne at The Lab
An Introspective Journey [image gallery] [Essay by Connor Foley]
Caitlin Möhr, Embracing, 2022, oil, googly-eyes and gap filler on canvas, 122x91cm.
Accompanying floor-text: Love yourself. Truly. Wholly. Deeply. The earth is crying for it. To resist yourself is to resist existence. Resist resistance?
Solomon Kammer [website] [painting workshops]
down pat (adjective) learned, mastered, or understood perfectly
Floating Goose Studios & Gallery
caitlinmohr.com.au
@cait.lin.mohr
Steph catches up with artist Ash Tower during the exhibition Studios 2022 at Adelaide Contemporary Experimental (ACE).
They wax poetic about knowledge systems – from library shelves and scientific journals to the honor board at the RSL – which may sound like a dry subject, but Ash’s work reveals a contagious reverence for the humanness that surrounds the growing and organising of knowledge. There’s also talk of architecture, gaming, Baz Luhrmann film trivia, and coffins.
Transcript of this episode (PDF)
Show Notes
www.ash-tower.com
Adelaide Contemporary Experimental (ACE)
Postcards from the Bibliopolis, 2013
Barr Smith Library, Adelaide
Studies of Nature, 2017
Nature (journal)
RSL: The Returned and Services League of Australia is a support organisation for people who have served or are serving in the Australian Defence Force.
The Burning of Vision, 2021
Baroque architecture
Via Purifico, 2021
Romeo + Juliet (film), 1996, Baz Luhrmann
Final Fantasy X (game), 2001, Squaresoft
… underneath the grove of sycamore
that westward rooteth from the city’s side,
so early walking did I see your son.
(Romeo and Juliet 1.1.119-121)
14 Things You Didn’t Know About Baz Luhrmann’s Romeo + Juliet [cosmo article]
underneath the grove of sycamore, 2021, ink on paper. 760 x 560mm
ACE Studio Program
Studios 2022 exhibition at ACE
Steph catches up with Ruby Allegra ahead of their solo exhibition ‘From My Room’ at Newmarch Gallery. Fittingly, their chat takes place in Ruby’s room, where they discuss the concept of the bed as a workspace, (a key theme of the exhibition), accessibility in the arts, and a love of Matisse. See also: blanket forts, and what spoons have to do with anything.
Transcript of this interview (PDF)
Show Notes
@RvbyTheArtist on Instagram
‘From My Room’ by Ruby Allegra at Newmarch Gallery
@NewmarchGallery on Instagram
From My Room Opening Night, Friday 4 November, RSVP for physical attendance or keep an eye out for online attendance option. [Eventbrite link]
What is Spoon Theory? – Happiful article
Post Office Projects Gallery & Studios [website][Instagram]
‘Only use your bed for sex and sleep’ [Guardian article]
‘White cube gallery’ [Wikipedia]
‘Visibility’ at Wyndham Art Gallery [Exhibition Catalogue as PDF]
POC [person/s of colour]
Ruby Allegra, Disabled Nudes
‘The Blue Nudes’ by Matisse [Wikipedia]
Frida Kahlo [Wikipedia]
Photo of Matisse in bed
Main image: A person with brown hair in a pink jumper holds a gray short-haired cat and looks at the camera. Photo of Ruby Allegra by Sia Duff.
Music: Siddharta Corsus - Star of David via FreeMusicArchive.org
Andrew Purvis sits down with Julia Robinson to discuss her exhibition The Beckoning Blade at Hugo Michell Gallery during SALA Festival. From scythes to smocks, the Burry Man to the Wicker Man, witchfinders and gourdfathers; tune in to hear about the cultural, conceptual, and material considerations that drive Julia’s practice.
Show Notes
JuliaRobinson.net
The Beckoning Blade at Hugo Michell Gallery
Matthew Hopkins - Witchfinder General
The Burryman
The Wicker Man (film, 1973, directed by Robin Hardy)
The Song of Master John Goodfellow
gourd (fruit)
The Gourdfather
Beatrice in the 2020 Adelaide Biennial at Museum of Economic Botany
Rappaccini’s Daughter
The Names of the Hare (poem, translated by Seamus Heaney)
Transcript of this episode (PDF)
Image: Julia Robinson by Sam Roberts.
Julia Robinson is represented by Hugo Michell Gallery. This project has been assisted by the Australian Government through Arts South Australia, its art funding and advisory body.
Andrew Purvis chats with Mark Valenzuela about his journey as an artist and his current exhibition, 'Still Tied to a Tree' at Adelaide Central Gallery. Tune in to hear about his influences and connections to his practice – from Filipino culture, to chess, to the fictitious villain General Zod.
Show Notes
2022 SALA Feature Artist
Still Tied to a Tree at Adelaide Central Gallery
Book: Mark Valenzuela by Belinda Howden, Anna O’Loughlin [Wakefield Press]
Paul Pfieffer
Cristina Taniguchi, Maria Taniguchi
General Zod [Wikipedia]
Terraforming
Agimat (amulet) [Wikipedia
Opposition (direct opposition) in chess [Wikipedia]
Further Reading:
Meet your Maker: Mark Valenzuela - The Adelaide Review [article]
In this episode, Steph catches up with painter Josh Juett (and Winsor the lorikeet) at his homestudio ahead of his show LOST IN THOUGHT at Praxis Artspace. They chat about the early days of his practice (including his first sale, a seascape for $1 in primary school) and through various artistic and musical influences that Steph definitely had to google later. Tune in to hear about his new work that broaches new mediums and the rationale behind the exhibition.
Show Notes
Greg Simkins / @Craola
Alex Pardee / @AlexPardee
Ron English / @RonEnglish
Pop surrealism
Robin Eley / @RobinEleyArtist
Otto Marseus van Schrieck
Aesop Rock
‘colonize Mars on Earth Day’ (Tetra - Aesop Rock)
LOST IN THOUGH at praxis ARTSPACE / @praxisARTSPACE
@JoshJvett