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Where's That Sound Coming From Presents: Questions But No Answers with Brian Marchese
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Where's That Sound Coming From Presents: Questions But No Answers with Brian Marchese

Author: Where's That Sound Coming From?

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Dateline December 30 2023. The spinoff is now the main event. Welcome to Where's That Sound Coming From Presents: Questions But No Answers! Yes, WTSCF has become what might be the only podcast centered on the musical career of a person whom I consider to be one of the most creative, if underrated and misunderstood, musical minds of the mid-late 20th Century: the late, great Michael Nesmith. I made a list of 75 songs he recorded between 1965-2016 which I feel support my opinion (mostly original, but I had to include a handful of wonderful cover versions) and I intend to devote a 30-60 min episode to each song (though if appropriate I might clump two together in one episode). True to Nez's own philosophy of letting ideas unfold in time and space to allow for growth, I only have a general idea of what I want these episodes to be like. There will indeed be academic presentation of facts, dates and names. There will also be, when applicable, comparative airings of different versions of the featured songs (demos, live versions, alternate versions, even interesting cover versions; and if the featured song IS a cover, I'll go into old school WTSCF mode and play/discuss the original). If I'm strapped for time or if I've already said what I wanted to say in the past, I might repurpose an old WTSCF episode that sufficiently discusses, say, "How Insensitive" or "She Thinks I Still Care". I'd like to have occasional guests to banter about the featured song--distinguished friends to start, but if a notable stranger with relevant, amazing stories or knowledge gets in touch, I might ask them to come on as well. I already have interviews I've done (between 2013-2022) with drummer John Ware, bassist David MacKay and Nez himself to draw on, but you never know who might come out of the woodwork. Why did I decide to call this new series "Questions But No Answers" and not, say, "Marble Canyons of the Sky" (my second choice) or "Listening" (a perfectly succinct title suggested by Andrew Sandoval, to whom perhaps I should have "listened" to ha ha). Well, because, while I want to always be accurate and correct when presenting facts, I also would like to whimsically muse about unknowables. Like, where in the world did "Writing Wrongs" come from? Or did Neil Young or The Eagles ever site "Propinquity" as inspiring certain songs? (you'll have to tune in to Episode 2 to hear which ones). I want to have fun with some mental gymnastics, as well as with amusing but relevant soundbites, and when guests come on I want to have engaging and enlightening but fun conversations and repartee. As the series progresses and grows, we'll also note Nez's growth as an artist--the singer, songwriter and guitar player. And yes, the complex person. However, I don't want to spend more time than necessary delving into his personal life or his non-musical ventures. There will be little to no time spent on Repo Man, Neftoon Zamora, Videoranch, Liquid Paper, wives or girlfriends. There'll be passing references to weed or metaphysics, but only if relevant. I plan to make this chronological because, again, I like charting the growth and evolution and out-of-(seemingly) nowhere ideas that marked his musical career. Please get in touch at wheresthatsoundcomingfrom@gmail.com with comments, questions, ideas, suggestions, stories and substantial monetary donations. I do all this myself, at home--the research, the script, the recording and editing--sometimes with a cat sleeping on my lap or reaching for the headphone and microphone. I do hope you enjoy this series. I realize this shift might lose some listeners that hoped I would continue the old format, or thought I might evolve into a Grateful Dead podcast. But crikey--there are enough of those to wade through and nothing left to say. Ah, but PodWorld is sorely in need of a series on Michael Nesmith. Disclaimer: though I was hired by Nez himself to write for Videoranch in 2017, this series is all me. Enjoy!
29 Episodes
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Where is Mary going to? Is she safe from the persistent creepo who won't leave her alone? Is this the same Mary as in "Walkin' the Dog"? Was Michael Blessing much more of a manufactured image than Monkee Mike? Is Bloomfield's guitar solo the best part of the Butterfield version? Why isn't Micky ready? How great of a live band were The Monkees on the 1968 fall tour? When is the only time that Nez seriously pissed off your host, Brian? Did Nez try to make "Mary, Mary>Circle Sky", The Monkees' version of "China Cat Sunflower>I Know You Rider"?  And finally, WHY YA BUGGIN'????
Q: What happens when the most stubbornly independent Monkee is forced by a man he dislikes to do something he dislikes, such as co-write a song with strangers who happen to be one of the most successful songwriting teams of the century? A: We get a great song with a lot of versions to hear and discuss. What we don't get is a lot of facts, so this episode, while guest-free, does have some voice-acting and creative nonfiction. I try, semi seriously, to suss out who wrote what in the song. This episode also features lots of good music and two eye-opening interview clips. I hope you dig. 
"Papa Gene's Blues" is one of Michael Nesmith's most endearing and enduring songs. I didn't set out to make this a 90 minute episode, but it's an important song with a lot of history; plus I had two guests and they were both full of so much insight. Firstly there's Lynda Wiles of Cornwall (UK), a Nezhead since the BBC debuted the Monkees television series on New Years Eve 1966. She runs multiple Nez-related web destinations that everyone should check out. Then there's Ryan Quinn, a Massachusetts-based singer songwriter and band leader (Salvation Alley), who gives some professorial insight into the nuts and bolts of "Papa Gene's Blues" as a musical composition. Along the way we'll listen to six or seven different versions of the song, from 1966 to 2018. Enjoy!  
"All The King's Horses" seems like a song that Mike Nesmith would've written specifically for a Season One Monkees TV show romp (and indeed it was used as such), but in fact, he wrote and recorded it during the Mike and John and Bill period. It also seems like an instant bubblegum pop classic that Don Kirshner would have wanted to include on either of the first two Monkees albums, but it never found its way onto an album until 1990's rarities compilation Missing Links Vol 2 (one of the best rarities compilations by anyone ever). Joining me to talk about "All The King's Horses" is my good friend,  singer-songwriter etc etc Jason Bourgeois. Or I should say, joining me to EVENTUALLY talk about "All The King's Horses" is my good friend, singer-songwriter etc etc Jason Bourgeois. I had to describe the first part of our conversation because the recording didn't save, or did save but vanished...I dunno. When we actually DID start recording, we were recounting amazing shared memories of Monkees/Nez experiences over the last dozen or so years. THEN we finally get to "All The King's Horses". So this episode is not as much "Nez Class With Professor Marchese" and a bit more "Brian and Jason hang out and tell some stories". But they're good stories and I hope you dig hearing them. In the accompanying photo, Jason and I are at Canter's Deli after having witnessed Nez's last ever performance at the Greek Theater on November 14, 2021. 
Use two four-syllable words that each contain a "q" in a sentence. Oh, that's easy. Ready? Michael Nesmith's composition "Propinquity" is one of the most ubiquitous in his catalog. How ubiquitous? There are three studio versions, five live versions and many cover versions. I don't cover them all in this episode but I do my best to play and discuss most of them. The first version of it that I ever heard gave me a very misguided picture of what Nez's solo career was all about.Propinquity was one of Nesmith's earliest compositions as well as one of the first (of many) to which he gave a title that never appears in the song's lyrics. Though one seldom finds quotes by any of Nez's contemporaries singing his praises as a songwriter, I also briefly bring up two artists who put out well-known songs in the early/mid 70's that to my ears might owe a little something to Propinquity. But I'll never know for sure, because this is Questions But No Answers. This one is for those of you who wrote and told me that 30 minute episodes are too short. 
Happy 2024 and welcome to the first episode of Questions But No Answers. Before he auditioned for, and got the part on The Monkees television series, thus altering the course of his music career and indeed his life, Michael Nesmith was an ambitious, industrious and prolific new singer-songwriter trying to make a name for himself, first as a folkie on the San Antonio, TX scene and then as a "folk n' roller" in his new home of Los Angeles. This episode is focused on the catchy, danceable 1965 single by Mike and John and Bill called "How Can You Kiss Me" but also backtracks to young Mike's first recorded efforts from 1963-4 and discusses how quickly he started writing, performing and getting his name and his songs out there barely a year after getting his first guitar. How would his career have progressed had he never answered that fateful ad in Variety? Not to disappoint, but that alternate universe scenario is one question with no answer that I don't discuss. Maybe in a future episode a round table can muse about that. But I've no plans for that at the moment. For now, I hope you enjoy this episode while you consider your new years resolutions. Mine is to keep this series going and growing. Thanks for all the kind words upon the launch. I'm not kidding when I say that knowing you're our there digging this is my fuel to keep on keeping on. I think this is going to be a lot of fun. Listen for a cameo by super musician Ken Maiuri! 
Dateline December 30 2023. The spinoff is now the main event. Welcome to Where's That Sound Coming From Presents: Questions But No Answers! Yes, WTSCF has become what might be the only podcast centered on the musical career of a person whom I consider to be one of the most creative, if underrated and misunderstood, musical minds of the mid-late 20th Century: the late, great Michael Nesmith. I made a list of 75 songs he recorded between 1965-2016 which I feel support my opinion (mostly original, but I had to include a handful of wonderful cover versions) and I intend to devote a 30-60 min episode to each song (though if appropriate I might clump two together in one episode). True to Nez's own philosophy of letting ideas unfold in time and space to allow for growth, I only have a general idea of what I want these episodes to be like. More details to be found in this episode. I hope you dig. And Happy Nez, er New Year!
Episode 23 of WTSCF has been a long time coming, basically due to life getting a bit derailed. But I hope you'll agree that it was worth the wait. What we have here is not your average interview with Michael Nesmith. This is sort of grad-level Nez. Spirituality. Metaphysics. Creativity. Psychedelics. Turning away from the darkness of that era.  Not a word about The Monkees. No MTV. No Country Rock Pioneer. No Liquid Paper. Have you noticed that most bios and interviews with Nez seem to gloss over The Prison (1974) and his life at the time? As a long time fan of Nez, The Prison for a long time was this mysterious work that I kept trying and failing to get into. Eventually I realized I wasn’t hearing the original work-I was hearing the touched up version Nez released in the 90’s. A few years ago I finally heard the 1974 original, and it all came together. Plus, I sensed a psychedelic infliuence which turned out to be accurate. In this podcast, my long-winded intro is followed by Nez onstage in 1975 telling the plot of The Prison, and finally, the main course: my conversation, recorded in April 2019. Stuff gets very deep, very spiritual, puzzling, funny and always fascinating. Enjoy.
Ep. 21 The Long Black Veil

Ep. 21 The Long Black Veil

2017-12-2901:57:20

Conceived of (successfully) as an "instant folk song" in the age of instant mashed potatoes and instant coffee, "Long Black Veil" is a tale of murder and infidelity, yes, but is it also a tale of (I hate to say it) "bros before hoes" taken to its senseless, meaningless extreme? The narrator of this song, singing from The Great Beyond, may have wanted to go down a hero by admitting to a crime he didn't commit (murder) so he wouldn't have to admit to a crime he did commit (sleeping with best friend's wife). But I can't help but see him as a selfish coward who's done nothing but add to the burden of those still living. Life goes on without him, and that means 1) there's still a murderer at large and the townsfolk have no idea 2) he died while his best friend was still in belief of his lies 3) neither his mistress' nor his best friend's life is going to get any easier now that he's gone. Not in the short term anyway. Great song though! I'm a bit rusty after some time off, so forgive me any production errors.
This episode had quite an evolution of its own. It began as a written piece intended for the forum on Nesmith's Videoranch website during my brief, experimental stint working for the site. Once the experiment was abandoned and I was back writing for myself, I decided to turn this into a podcast. In retrospect I should have cut much of the armchair psychoanalysis contained in the first 15-20 minutes, and if you agree, you can always skip to the musical analysis. I'll just say in my defense that I wrote that part while in a very analytical mindset influenced by the vibe of the stuff being written, by myself and others, on the Videoranch forum. Add to that it being the dark days of New England winter as well as my mother living out her final weeks. Things were heavy and I was reflecting that mindset. But as I got more into the podcast, I remembered "entertainment value!" and lightened up. So if you find yourself zoning out at the beginning, I encourage you to utilize the fast-forward until it sounds like things are getting fun. Because they do get fun! And as I say, please go to my Facebook page or my Blogger site and let me know which version is your fave!
Truth is at least as strange as fiction. Fact intertwines with my flights of fancy in this episode. At its core is an analysis of the fifth album The Monkees SHOULD have released. I was asked to contribute something to the excellent blog, Monkees Live Almanac back in May of this year to help celebrate the band's 50th anniversary. I thought about it intermittently for two months, wrote it sporadically over the course of the next two months and recorded/produced it in fits and starts over the last two months. And here it is. You do not have to be a fan of the band to dig this one. Enjoy.
My conversation with Andrew Sandoval continues and concludes in this episode. More stories, revelations and insights into the life and career of one of the hardest working people in the music industry. I admittedly turn into a bit of a chatty fanboy in this half but pull myself together and stick with my planned questions. Enjoy.
Veering away from the regular format, this is part one of a two part interview with producer/engineer/historian/author/singer-songwriter Andrew Sandoval. In 1990, at the age of 17 he wrote the liner notes for and sequenced The Monkees' Missing Links 2 album for Rhino Records. Since then he's produced countless reissues and rarities collections (Big Star, The Kinks, Bee Gees, Turtles, Beach Boys....), was nominated for a Grammy in 2010, has authored two books and countless liner notes and has been Tour Producer for The Monkees since 2011. The Monkees are celebrating their 50th anniversary this year and Andrew has been a huge part of making it a year to remember for Monkees fans, with the critically acclaimed (!!!!) new album, Good Times! as well as a Blu Ray box set of every Monkees episode, plus their film Head and tons of recently unearthed rare stuff. Our chat took place at the Hampton Beach Casino Ballroom (New Hampshire) on the afternoon of July 16, 2016.
A belated tribute to David Bowie as well as my final podcast before an official hiatus. Not many notable cover versions of this song, but Bowie covered it and that's all that matters. I may have overcompensated for the small amount of cover versions with too much yapping, but hey, I haven't talked to you in a long time and won't be talking to you for a few months. So enjoy. We can have fun just _______ around, can't we?
Ever pursue a love interest only to find that he or she has been simultaneously pursuing you? Yeah, rarely do things work out so conveniently, but it can happen; and that's what Smokey Robinson chose to write about in his 1966 composition, "The Hunter Gets Captured By The Game". It's a little pocket masterpiece, both lyrically and musically, and the spectrum of artists who have covered it is quite wide indeed. More quality than quantity. Enjoy.
Ep .14 Morning Dew

Ep .14 Morning Dew

2015-05-0302:14:54

A barely-known Canadian folk singer wrote this cautionary post-apocalyptic song (her first song) in 1962. In 1967 a somewhat obscure folk rocker rearranged it, wrote an additional verse and sneakily claimed co-authorship-an injustice that often goes unnoticed in the history books. Cruelly, most covers are based on this arrangement. The same year, the leader of a not-yet legendary band more radically rearranged it on his band's debut album, and added a key final line, but knew enough to claim no credit. This episode sorts out the song's meaning, its origins, its various paths and twists and turns and the many cover versions that range from folk to disco to industrial/goth.
Ep.13 Moon River

Ep.13 Moon River

2015-02-0901:37:59

Sorry for the long time between episodes, but in the interim, I became a father. Audrey Ruth was born Dec 15, and so I wanted to celebrate by featuring a song first made famous by another lovely Audrey. I skipped over many of the biggest versions of this song and went right for the most interesting (for the most part). Enjoy!
A cry-in-your-beer classic told with a healthy dose of irony, "She Thinks I Still Care" has been covered in a wide range of styles since its initial release in 1962, has gender-role-flipped a few times, but never fails to deliver a sentiment that most of us has felt at one time or another.
Ep 11. Without Her

Ep 11. Without Her

2014-09-0501:10:26

From Harry Nilsson's RCA debut LP, Pandemonium Shadow Show (1967), "Without Her" is a perfectly written, perfectly sung and perfectly arranged and produced (by Rick Jarrard) song that perfectly evokes the empty, lonely feeling in the wake of a breakup. Did I mention how perfect it is? Several of the cover versions you'll hear aren't too shabby either.
It's the TENTH episode of WTSCF, the first of the summer, and the first one to feature a song by Bob Dylan. And thus, it's by far the longest and most self-indulgent. But what amazing versions you'll be turned on to! Dylan is known for his verbose songs, and so I thought it only appropriate to make this a long-winded episode. I will not be offended if you listen to it in a couple/three installments. Enjoy!
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