New Books in Japanese Studies

Nagasaki: The Last Witnesses (Penguin Random House, 2025) is the second volume in a prize-worthy two-book series based on years of irreplicable personal interviews with survivors about each of the atomic bomb drops, first in Hiroshima and then Nagasaki, that hastened the end of the Pacific War. On August 6, 1945, the United States unleashed a weapon unlike anything the world had ever seen. Then, just three days later, when Japan showed no sign of surrender, the United States took aim at Nagasaki.Rendered in harrowing detail, this historical narrative is the second and final volume in M. G. Sheftall’s series Embers. Sheftall has spent years personally interviewing hibakusha—the Japanese word for atomic bomb survivors. These last living witnesses are a vanishing memory resource, the only people who can still provide us with reliable and detailed testimony about life in their cities before the use of nuclear weaponry.The result is an intimate, firsthand account of life in Nagasaki, and the story of incomprehensible devastation and resilience in the aftermath of the second atomic bomb drop. This blow-by-blow account takes us from the city streets, as word of the attack on Hiroshima reaches civilians, to the cockpit of Bockscar, when Charles Sweeney dropped “Fat Man,” to the interminable six days while the world waited to see if Japan would surrender to the Allies–or if more bombs would fall. Related Genres: Asian World History, 1950 – Present Military History, World War II Military History Praise for M.G. Sheftall’s Embers Series: “Sheftall’s meticulous, novelistic recreations are deeply immersive. It’s an invaluable contribution to 20th century history.”—Publishers Weekly on Nagasaki (Embers: Volume II) (starred review)“A definitive account of a watershed moment in history.”—Kirkus on Nagasaki (Embers: Volume II)“M.G. Sheftall’s Hiroshima presents as a master class in eyewitness storytelling. As poignant as it is powerful, this gripping narrative chronicles one of history’s darkest nightmare moments—the atomic bombing of Hiroshima in August 1945—and the memories of its surviving eyewitnesses. As the events fade from living memory, Hiroshima is at once a brilliant tribute and a cautionary tale.”—Annie Jacobsen, author of Nuclear War: A Scenario“An important, deep-dive book into most every detail about the atomic bomb’s making and use, in anger. A strong argument for why it must never be allowed to be used for any reason whatsoever. This book adds significantly to the argument that we need to back up fast and return to nuclear arms reduction.”—Charles Pellegrino, author of To Hell and Back: The Last Train from Hiroshima“M.G. Sheftall takes us on a deep dive into one of the most significant and horrific events in world history. Hiroshima is a gripping, moving story of fear and shame, courage and grace, and a powerful argument that we should never, ever use these weapons again.”—Evan Thomas, author of Road to Surrender: Three Men and the Countdown to the End of World War II“A compelling analysis of the suffering endured by the citizens of Hiroshima in the aftermath of the dropping of the nuclear bomb on 6 August 1945. Written by a scholar who lives and works in Japan, and who has interviewed many of the last survivors, this is a book that offers valuable insights into Japanese thinking during the war and the subsequent struggle to rebuild the country.”—Laurence Rees, author of Auschwitz and The Holocaust Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Today we are joined by Aaron Miller, Lecturer in Kinesiology at California State University, East Bay and the author of Basketball in Japan: Shooting for the Stars (Routledge, 2025.) In our conversation, we discussed the beginnings of basketball in Japan, the ongoing legacy of Samurai culture in Japanese sport, and what Japanese basketball’s success might look like in the future. In Basketball in Japan, Miller uses anthropological and ethnographic research approaches to ask why basketball in Japan is so popular with young people but less so with adults. Through a long series of conversation and observations, he leads readers to better understand the ways that sports shed light on shifts in Japanese identity. He also raises questions about to what extent Japanese coaches and players think about basketball in a specifically Japanese way. Building on a decade of research into Japanese sport and a year of field work inside of several Japanese sporting organizations, Miller’s compelling and readable account of Japanese basketball’s growing cultural status does not move chronologically. Instead, he uses his conversations with his interlocutors to address thematic questions that help him to explore the interplay between basketball and ideas of Japanese identity, gender, and race. His first chapter, “Be-longing” looks at the anonymized MU basketball club, a university sporting organization in Tokyo, as a total institution that thrived thanks to the commitment and discipline of an intergenerational group of administrators, coaches, players, and supporters. Their engagement was not without consequence – some of the players even likened basketball to a lover that took up all their time. In his second chapter, “Thinking Basketball”, Miller examines the tension between coaches who trained players based on the best practices of sports science, and the “commander ball” coach that drew on older notions of Japanese masculinity linked to notions of Bushido. Miller’s work teases out the conflicts: in practice, many players felt more comfortable with the more authoritarian styles of the coaches similar to those they had in youth basketball. Miller also found that no coach was a practitioner of purely “thinking” or “commander” ball – there was a fine gradient between the two styles. Many of the chapters address Japanese identity and the links between a Japanese way of playing sports and masculinity. In his chapter, “DNA”, Miller explores the inclusion of non-ethnically Japanese players into the Japanese game. He notes that the introduction of players from other countries has helped Japanese teams (from the high school to professional level) to improve competitively but it has also provoked considerable conversation about what it means to be Japanese and about whether people from overseas can meaningfully represent a school, a university, or the nation. In both “Boys, Be Ambitious” and “Waiting for a Male Hardwood Hero”, Miller points to the ways that sports in Japan have been coded as male. He notes that sexism in Japanese basketball means administrators have missed the opportunity to promote the successes of Japanese women in the WNBA and the Olympic Games. Miller’s deeply researched insider account into Japanese basketball from the late 19th century until today opens new avenues for considering physical culture beyond baseball and martial arts. Basketball in Japan will be of broad interest to scholars interested in Japanese culture and society, basketball buffs, and to readers with a general interest in sport. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Maren A. Ehlers’s Give and Take: Poverty and the Status Order in Early Modern Japan (Harvard University Asia Center, 2018) examines the ways in which ordinary subjects—including many so-called outcastes and other marginalized groups—participated in the administration and regulation of society in Tokugawa Japan. Within this context, the book focuses on self-governing occupation-based and other status groups and explore their roles making Tokugawa Japan tick. The title, Give and Take, is part of Ehlers’s argument about the ways in which their relationship to government was one of reciprocity between ostensibly benevolent rulers and dutybound status groups. Within this, Ehlers evinces a special interest in marginalized groups and in poverty, especially “beggar bosses” and blind guilds. Through a detailed examination of an extraordinary collection of primary sources from the castle town of Ōno (Fukui prefecture), Ehlers uses the case study of approaches to the problems of poverty to enrich our understanding of the complex dynamics of interconnectivity and reciprocity that characterized Japan under Tokugawa rule. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Translation and the Borders of Contemporary Japanese Literature: Inciting Difference (Routledge, 2024) examines contemporary debates on such concepts as national literature, world literature, and the relationship each of these to translation, from the perspective of modern Japanese fiction. By reading between the gaps and revealing tensions and blind spots in the image that Japanese literature presents to the world, the author brings together a series of essays and works of fiction that are normally kept separate in distinct subgenres, such as Okinawan literature, zainichi literature written by ethnic Koreans, and other "trans-border" works. The act of translation is reimagined in figurative, expanded, and even disruptive ways with a focus on marginal spaces and trans-border movements. The result decentres the common image of Japanese literature while creating connections to wider questions of multilingualism, decolonisation, historical revisionism, and trauma that are so central to contemporary literary studies. This book will be of interest to all those who study modern Japan and Japanese literature, as well as those working in the wider field of translation studies, as it subjects the concept of world literature to searching analysis. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

In popular memory, the Second World War was an unalloyed victory for freedom over totalitarianism, marking the demise of the age of empires and the triumph of an American-led democratic order. In Scorched Earth: A Global History of World War II (Basic Books, 2025), historian Paul Thomas Chamberlin opens a longer and wider aperture on World War II and recasts the war as a brutal conflict for survival and hegemony between declining and ascendant imperial powers. Scorched Earth dismantles the myth of World War II as a “good war.” Instead, Chamberlin depicts the conflict as a massive battle beset by vicious racial atrocities, fought between rival empires across huge stretches of Asia and Europe. The war was sparked by German and Japanese invasions that threatened the old powers’ dominance, not by Allied opposition to fascism. The Allies achieved victory not through pluck and democratic idealism but through savage firebombing raids on civilian targets and the slaughter of millions of Soviet soldiers. And World War II did not deliver lasting peace: instead, the Soviet Union and United States emerged as hypermilitarized superpowers that would create arsenals of nuclear weapons, resulting in a decades-long Cold War standoff and subsequent violence across Africa, Asia, Latin America, and the Middle East.Dramatically rendered and persuasively argued, Scorched Earth offers a revisionist history of World War II, revealing it was colonial in its origins, genocidal in its execution, and imperial in its outcomes. Dr. Andrew O. Pace is a historian of the US in the world who specializes in the moral fog of war. He is currently a DPAA Research Partner Fellow at the University of Southern Mississippi and a co-host of the Diplomatic History Channel on the New Books Network. He is also working on a book about the reversal in US grand strategy from victory at all costs in World War II to peace at any price in the Vietnam War. He can be reached at andrew.pace@usm.edu or via https://www.andrewopace.com/. Andrew is not an employee of DPAA, he supports DPAA through a partnership. The views presented are those of the author and do not necessarily represent the views of DPAA, DoD or its components.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

How did Tokyo—Japan’s capital, global city, tourist hotspot and financial center—get to where it is today? Tokyo–or then, Edo–had a rather unglamorous start, as a backwater on Japan’s eastern coast before Tokugawa decided to make it his de facto capital. Eiko Maruko Siniawer picks ten distinct moments in Edo’s, and then Tokyo’s, history to show how this village became one of the world’s most important cities. Moments like a brief crackdown on kabuki theater, or the opening ceremony of the 2020 Tokyo Olympics make up the chapters of what’s appropriately titled Ten Moments That Shaped Tokyo (Cambridge University Press: 2025) Eiko is the Charles R. Keller Professor of History at Williams College. A historian of modern Japan who has researched a wide range of topics, she is the author of three books—Ruffians, Yakuza, Nationalists: The Violent Politics of Modern Japan, 1860-1960 (Cornell University Press: 2015), Waste: Consuming Postwar Japan (Cornell University Press: 2024), and Ten Moments That Shaped Tokyo. She has also published articles in leading academic journals, such as “‘Affluence of the Heart’: Wastefulness and the Search for Meaning in Millennial Japan” in the Journal of Asian Studies, and “‘Toilet Paper Panic’: Uncertainty and Insecurity in Early 1970s Japan” in the American Historical Review. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Ten Moments That Shaped Tokyo. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

When you mention Japanese War crimes in World War Two, you’ll often get different responses from different generations. The oldest among us will talk about the Bataan Death March. Younger people, coming of age in the 1990s, will mention the Rape of Nanking or the comfort women forced into service by the Japanese army. Occasionally, someone will mention biological warfare. Frank Jacob has offered a valuable service by surveying Japanese mistreatment of civilians and soldiers comprehensively. His book, Japanese War Crimes during World War II: Atrocity and the Psychology of Collective Violence (Praeger, 2018), is short and doesn’t treat any event or issue in depth. But he offers a lucid and thorough evaluation of the literature and nuggets of additional insight. And he frames it with a thoughtful attempt to explain the conduct about which he is writing. If you’re looking for a deep dive into a particular topic, you’re not the audience Jacob had in mind. But this is a good place to come to grips with the broad picture of Japanese misconduct during the war. Kelly McFall is Professor of History and Director of the Honors Program at Newman University. He’s the author of four modules in the Reacting to the Past series, including The Needs of Others: Human Rights, International Organizations and Intervention in Rwanda, 1994, published by W. W. Norton Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Sarah Teasley's Designing Modern Japan (Reaktion, 2022) unpicks the history of Japanese design from the mid-nineteenth century to the end of the twentieth, focusing on continuities and disruptions within communities and practices of design. Designing Modern Japan explores design in the unfolding contexts of modernization, empire and war, defeat and reconstruction, postwar economic acceleration, and beyond. Throughout, Teasley is sensitive to issues of gender and class within the communities of design she studies. The book combines the history of design with social, economic, and geopolitical history, placing design and its material objects carefully in the larger currents of modern and contemporary Japan. Designing Modern Japan is a history of both the people who shaped Japanese design and the designs that were integral to life in modern Japan. Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Envisioning the Empress illuminates dynamic and powerful empresses who impacted not only women in their own time but whose influence extended to later generations of royalty, creating a greater role for imperial women and elevating the status of women’s roles at a crucial juncture in Japanese history. The central focus of this book is visual monarchy, exploring how the empress’ biographies were primarily expressed in visual culture and how their images worked in support of Japan’s imperial policies in the late nineteenth and early twentieth centuries.  The book begins with a brief overview of premodern and modern imperial women to orient the reader. In each chapter, different media, audiences, and distribution channels for constructing the narrative of feminine imperial power in Japan are addressed alongside biographical information. It is argued that the ultimate purpose of all of these images was to elevate the empress and promote her image as a conventional role model for modern women, but one with enough celebrity cache to maintain popularity. The images of the modern empresses, as distributed by the Imperial Household Agency, strike a balance between propaganda and popular media, noble philanthropist and upper-middle class role model, celebrity and mother of the nation. The modern empress image was crafted to be both exalted and approachable and worked to establish individual biographies while simultaneously establishing the position of the empress as timeless in the public eye. Envisioning the Empress introduces students of royal studies as well as modern Japanese history and art history to this fascinating element of the history of monarchy and women’s history more broadly. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

The Russians came late to Japan, arriving after the Portuguese and other European powers. But as soon as they arrived, Russia tried to use spies and espionage to learn more about their neighbor—with various degrees of success. Sometimes, it failed miserably, like Russia’s early attempts to make contact with pre-Meiji Japan, or the debacle during the Russo-Japanese War. Other times, they were wildly successful, like during the Battle of Khalkin Gol or with Richard Sorge’s spy ring during the Second World War. James D. Brown covers Russia and the Soviet Union’s efforts to learn more about Japan in Cracking the Crab: Russian Espionage Against Japan, from Peter the Great to Richard Sorge (Hurst, 2025), covering much both the famous examples of Russian spycraft, and the lesser-known missions—like Operation Postman, a successful effort to read the mail of Japanese diplomats in Italy. James is Professor of Political Science at Temple University, Japan. He is a specialist on East Asian politics and a regular media contributor, including for the BBC. His books include Japan, Russia and their Territorial Dispute (Routledge: 2016); and Japan’s Foreign Relations in Asia (Routledge: 2018) and The Abe Legacy (Lexington Books: 2023) You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Cracking the Crab. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Picture Bride, War Bride examines how the institution of marriage created pockets of legal and social inclusion for Japanese women during the period of Japanese exclusion. Gomez’s work joins together an analysis of picture brides, or Japanese women who migrated to the United States to join husbands whom they married [in absentia] in the early 20th century, with war brides, or Japanese women who married American military servicemen after World War II. By combining the analysis of these two categories, Gomez centralizes the overlapping and conflicting logics to either racially exclude Japanese or facilitate their inclusion via immigration legislation that privileged wives and mothers. In short, the book tells a story of how the interplay between societal norms and political interests can both harness and contradict the interconnected frameworks of race, gender, and sexuality. Donna Doan Anderson (she/her) is a research assistant professor in the department of History at the University of Nebraska-Lincoln. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

For centuries, scribes across East Asia used Chinese characters to write things down–even in languages based on very different foundations than Chinese. In southern China, Japan, Korea and Vietnam, people used Chinese to read and write–and never thought it was odd. It was, after all, how things were done. Even today, Cantonese speakers use Chinese characters to reflect their dialect with no issues, while kanji remains a key part of Japanese writing. Even in South Korea, the Chosun Ilbo newspaper uses Chinese characters for its title, even as most of Korea has turned to hangul. Zev Handel talks about how classical Chinese came to dominate East Asia in his book Chinese Characters across Asia: How the Chinese Script Came to Write Japanese, Korean, and Vietnamese (University of Washington Press, 2025). How do Chinese characters even work? How did Chinese script spread across the region? And what was it like to read and write in a language that you couldn’t even speak? Zev Handel is professor of Chinese linguistics in the Department of Asian Languages and Literature at the University of Washington. He is author of Sinography: The Borrowing and Adaptation of the Chinese Script and associate coeditor of Encyclopedia of Chinese Language and Linguistics. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Chinese Characters Across Asia. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

This Nordic Asia Podcast episode explores how Estonia and Japan, two countries under demographic pressure with different immigration histories, are managing the integration of foreign labour. Despite Estonia’s EU membership and Japan’s more recent policy shifts, both nations face labour shortages due to rapidly ageing populations. Estonia maintains a controlled but gradually liberalised immigration policy, while Japan has adopted Technical Intern Training Program (TITP). The system that will be replaced in coming years with a new program aiming for better job mobility and stronger language requirements. A key theme throughout is the role of language as a structural barrier. In both countries, immigrants’ language proficiency remains low: only 11% achieve fluency in Estonian, while Japan’s pre-arrival language training often falls short of workplace demands. This barrier limits not only job mobility, but also social integration and emotional well-being. The dominance of local languages in workplace culture fosters exclusion, even when basic communication in English or Japanese is possible. Support systems also diverge. Estonia offers spouse integration programs and community-based language initiatives, whereas Japan restricts family migration under most visa categories. The discussion emphasises that language barriers are not simply logistical, they are also deeply embedded in social expectations and everyday interaction. In sum, while Estonia and Japan face similar demographic challenges, their tools, legal frameworks, and cultural attitudes toward foreign labour differ sharply. Estonia’s EU-aligned policies and family-inclusive approach may offer valuable lessons to Japan. Conversely, Estonia could learn from Japan’s structured pre-arrival preparation programs to improve early-stage immigrant adaptation. Ultimately, the episode argues that integration is not just a matter of policy, it is a broader societal test of inclusivity and resilience. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Mutual Perceptions and Images in Japanese-German Relations, 1860-2010 (Brill, 2017) examines the mutual images formed between Japan and Germany from the mid-nineteenth to twenty-first centuries, and the influence of these images on the development of bilateral relations. Unlike earlier research on Japanese-German relations, which focused on the similarity of these countries' historical trajectories, this publication presents a more nuanced picture. It relativizes perceptions of a special "spiritual relationship" between Japan and Germany as well as their commonalities of "national character" through an exploration of previously untapped historical visual and textual sources. With essays by sixteen leading scholars in the field, this collection is an invaluable contribution to the historiography of modern Japan and Germany, and to the field of international relations. Contributors are: Hans-Joachim Bieber, Fukuoka Mariko, Hakoishi Hiroshi, Iwasa Takurō, Katō Yōko, Kawakita Atsuko, Gerhard Krebs, Kudō Akira, Heinrich Menkhaus, Danny Orbach, Peter Pantzer, Sven Saaler, Satō Takumi, Volker Stanzel, Suzuki Naoko, Tajima Nobuo, Tano Daisuke, and Rolf-Harald Wippich. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

In The Banality of Good: The UN’s Global Fight against Human Trafficking (Duke University Press, 2024), Dr. Lieba Faier examines why contemporary efforts to curb human trafficking have fallen so spectacularly short of their stated goals despite well-funded campaigns by the United Nations and its member-state governments. Focusing on Japan’s efforts to enact the UN’s counter-trafficking protocol and assist Filipina migrants working in Japan’s sex industry, Dr. Faier draws from interviews with NGO caseworkers and government officials to demonstrate how these efforts disregard the needs and perspectives of those they are designed to help. She finds that these campaigns tend to privilege bureaucracies and institutional compliance, resulting in the compromised quality of life, repatriation, and even criminalization of human trafficking survivors. Dr. Faier expands on Hannah Arendt’s idea of the “banality of evil” by coining the titular “banality of good” to describe the reality of the UN’s fight against human trafficking. Detailing the protocols that have been put in place and evaluating their enactment, Dr. Faier reveals how the continued failure of humanitarian institutions to address structural inequities and colonial history ultimately reinforces the violent status quo they claim to be working to change. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Richard Sorge is one of history’s most famous spies. This hard-drinking, womanising, motorcycle-crashing Soviet officer penetrated the German embassy in Tokyo during the 1930s and gathered intelligence credited with changing the course of the Second World War. It is an intriguing tale; but Sorge’s spy ring was just one chapter in a much longer history of Russian and Soviet espionage in and against Japan. Cracking the Crab: Russian Espionage Against Japan, from Peter the Great to Richard Sorge (Hurst, 2025) by Dr. James D Brown tells the extraordinary full story of Russian intrigue targeting Japan, from first encounters in the eighteenth century to the Soviet declaration of war in August 1945. Colourful episodes include Gojong, King of Korea, being smuggled into the Russian legation dressed as a woman in 1896; the 1927 ‘Tanaka Memorial’, an infamous forgery purporting to be Japan’s hidden plan for world domination; and the secret intelligence of ‘Nero’, a Soviet agent supplying invaluable insight into Japanese strategy during the Second World War. From Russians murdered in broad daylight in Meiji Tokyo to Soviet honey traps and ‘white magic’ at the Battle of Nomonhan, this is a landmark history of the covert struggle between two great powers of the modern age. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Japan at War, 1914-1952 is a synthetic and interpretive history that highlights the centrality of war to the modern Japanese experience. The author argues that war was central to Japanese life in this period--the era when Japan rose and fell as a world power. The volume examines how World War I set off profound changes that led to the rise of a politicized military, aggressive imperial expansion, and the militarization of Japanese social, political, and economic life. War was extraordinarily popular, which helped confirm Japan's aggressive imperialism in the 1930s and war across the Asia-Pacific in the 1940s. It took a defeat by 1945 and occupation through 1952 to undo war as a national concern and to remake Japan into a peaceful nation-state. In telling this story of Japan in war and peace, this book highlights the importance of Japan in the creation of the modern world. This study of political power and its influences in domestic and foreign affairs will be of great value to nonspecialist readers who are interested in this period, undergraduate and postgraduate students in introductory classes, and scholars interested in Japanese history and political, military, and international history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Botanical Imagination: Rethinking Plants in Modern Japan (Cornell University Press, 2025) explores the complicated legacy and enduring lure of plant life in modern Japanese literature and media. Using critical plant studies, Jon L. Pitt examines an unlikely group of writers and filmmakers in modern Japan, finding in their works a desire to "become botanical" in both content and form. For nearly one hundred years, a botanical imagination grew in response to moments of crisis in Japan's modern history. Pitt shows how artists were inspired to seek out botanical knowledge in order to construct new forms of subjectivity and attempt to resist certain forms of state violence. As he follows plants through the tangled histories of imperialism and state control, Pitt also uncovers the ways plants were used in the same violence that drove artists to turn to the botanical as a model of resistance in the first place. Botanical Imagination calls on us to rethink plants as significant but ambivalent actors and to turn to the botanical realm as a site of potentiality. This book is free for download through open access. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Commercial art is more than just mass-produced publicity; it constructs social and political ideologies that impact the public’s everyday life. In The Fine Art of Persuasion: Corporate Advertising Design, Nation, and Empire in Modern Japan (Duke University Press, 2025), Gennifer Weisenfeld examines the evolution of Japanese advertising graphic design from the early 1900s through the 1964 Tokyo Olympics, a pivotal design event that rebranded Japan on the world stage. Through richly illustrated case studies, Weisenfeld tells the story of how modern corporations and consumer capitalism transformed Japan’s visual culture and artistic production across the pre- and postwar periods, revealing how commercial art helped constitute the ideological formations of nation- and empire-building. Weisenfeld also demonstrates, how under the militarist regime of imperial Japan, national politics were effectively commodified and marketed through the same mechanisms of mass culture that were used to promote consumer goods. Using a multilayered analysis of the rhetorical intentions of design projects and the context of their production, implementation, and consumption, Weisenfeld offers an interdisciplinary framework that illuminates the importance of Japanese advertising design within twentieth-century global visual culture. Gennifer Weisenfeld is Walter H. Annenberg Distinguished Professor of Art and Art History at Duke University. Dr. Jingyi Li is an assistant professor of Japanese Studies at Occidental College, Los Angeles. She is a cultural historian of nineteenth-century Japan. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

In Emergent Genders: Living Otherwise in Tokyo's Pink Economies (Duke UP, 2025), Michelle H. S. Ho traces the genders manifesting alongside Japanese popular culture in Akihabara, an area in Tokyo renowned for the fandom and consumption of anime, manga, and games. Drawing on ethnographic fieldwork in josō and dansō cafe-and-bars, establishments where male-to-female and female-to-male crossdressing is prevalent, Ho shows how their owners, employees, and customers creatively innovate what she calls emergent genders—new practices, categories, and ways of being stemming from the simultaneous fracturing, contestations, and (re)imaginations of older forms of gender and sexual variance in Japan. Such emergent genders initiate new markets for alternative categories of expression and subjectivity to thrive in a popular cultural hub like Akihabara instead of Tokyo’s gay and lesbian neighborhood of Shinjuku Ni-chōme. By rethinking identitarian models of gender and sexuality, reconfiguring the significance of capitalism for trans studies and queer theory, and decentering theoretical frameworks incubated in a predominantly United States academic context, Ho offers new ways of examining how trans and gender nonconforming individuals may survive and flourish under capitalism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies