The Strange Harbors Podcast

The Strange Harbors Podcast returns to Pandora as we review the third installment of the mega-blockbuster sci-fi epic, Avatar. We once again catch up with the Sully clan in their quest to liberate their world from human colonization, this time with the added wrinkle of a new Na'vi threat. The gang is all here: Jake, Neytiri, their kids, Quaritch, and our boy Payakan, but is Fire and Ash a worthy successor to The Way of Water? Or is it just treading the Pandoran seas? Tune in and find out.

This week, we review the third film in the whodunnit series of Benoit Blanc mysteries: Wake Up Dead Man. After Knives Out and Glass Onion, director Rian Johnson returns to the reins of his favorite genre. We discuss the franchise's increasingly charismatic roster of secondary protagonists, the year of Josh O'Connor, and whether or not Johnson's penchant for heavy-handed topicality once again derails a Benoit Blanc tale.

Last year's Wicked: Part One, despite its shortcomings, was bolstered by infectious energy, powerhouse performances, and bop-worthy songs. Can this year's followup, For Good, pull off the same magic trick again? Once again, our resident Wicked fan faces off with the two laymen of the podcast to review the second half of the hit adaptation.

Two of our hosts watch their first Lynne Ramsay film with Die My Love, a relationship thriller that tests the boundaries of expression with its D+ CinemaScore and divisive reactions. In Die My Love, new mother Grace (Jennifer Lawrence) molds away at home while her aloof husband Jackson (Robert Pattinson) is at work. With only her baby, a barking dog, and her own thoughts to keep her company, she begins to unravel. We discuss its mixed reception, the economics of auteurism, and dive deeper into our fractured consensus on the film.

Guillermo del Toro's long-gestating passion project, Frankenstein, is here. Perhaps one of the famed Mexican filmmaker's greatest influences, Mary Shelley's horrifying creature once again graces the big screen, this time with del Toro's signature, gothic sensibilities. We discuss the monster's history, its many adaptations, and review its latest incarnation.

After our Luca Guadagnino episode, we are continuing our coverage of director in their "pump 'em out" phase with Yorgos Lanthimos' third film in as many years — Bugonia. Once again re-teaming with his muse Emma Stone, Lanthimos delivers an uproarious, mean-spirited conspiracy thriller. We discuss director jail, an updated rundown of Lanthimos' filmography, and a review of the film.

Luca Guadagnino directs his third movie in two years with After the Hunt. A "cancel culture" drama set in 2019, Guadagnino's latest collides academia with an attempted snapshot of the #MeToo era. Will it complete a barn burner trifecta after Challengers and Queer last year? Or is 2025 too late to put the finger on the pulse of 2019? Tune in and find out.

As we head into a jam-packed end of 2025, we give a refreshed list of what we're looking forward to, plus a little rundown of what we've been watching on both the big and small screens. Some topics from our lowkey hangout episode: HBO's Peacemaker, Alien: Earth, The Smashing Machine, and a rundown of New York Film Festival.

Short and sweet episode this week as Derek is on a much-deserved vacation. Jeff and Amir give a quick review of The Long Walk, the latest Stephen King adaptation. A movie that grew with its buzz, it features some of the best performances of the year in Cooper Hoffman and David Jonsson, but is it enough to carry its relatively simple premise for 108 minutes? Plus, an in-depth discussion of a long history of Stephen King movies.

"No fear. Like Tom f---ing Cruise." One Battle After Another is Paul Thomas Anderson like you've never seen him before. Gripping you from the first second of its barnburner opening montage, Anderson synthesizes his typical mastery of emotional stakes with the very unexpected: action chops. We discuss his love for Terminator 2, another all-timer Leonardo DiCaprio performance, and the star turn of one Chase Infiniti. Even middle-of-the-road PTA is good enough for a spot in the best of the decade. Hell, make it two decades.

This week we review Highest 2 Lowest, Spike Lee's brazen remake of the 1963 black and white Akira Kurosawa classic, High and Low. A divisive movie with its own modern mind apart from its predecessor, Highest 2 Lowest split audiences at Cannes this year and has now split us on the podcast as well. Akira Kurosawa at the height of his power or Spike Lee's late style curio? We talk about aging masters, baffling scores, and Lee's storied oeuvre as a whole.

It's that time of year again where we reveal the winner of our annual summer box office wager. Amir has taken the crown since the 2023 inception of this standing contest among hosts. Will he do it again this year? Or can Derek or Jeff finally win one? We discuss the movies of the summer: surprise hits, dark horse picks, and the biggest disappointments. Plus, a brief recap of the Emmys.

Darren Aronofsky follows up his divisive Oscar-winner, The Whale, with a throwback to 90s capers. Caught Stealing is an After Hours pastiche without any ego and a studio potboiler aimed right down the middle of the road, it just happens to star one of the most charismatic casts assembled in 2025. Jeff and Derek discuss the star power of Austin Butler, the few surprises the film has in store, and this strange departure from Aronofsky's typical auteurism. Tune in!

Xenomorphs get the prestige television treatment with Noah Hawley's Alien: Earth. Mashing up extraterrestrial horror with corpo-palace intrigue, the eight-episode first season looks to expand the world of the Ridley Scott classic. Does Hawley's acclaimed pedigree with Legion and Fargo hold promise for his new series? We review the first five episodes.

Zach Cregger follows up his 2022 surprise hit Barbarian with another bout of sneaky horror with Weapons. Centered around a town grappling with a singular classroom of missing children, Cregger's sophomore feature-length film turns a microscope into a Fresnel lens to heat up the rot of an empathy-starved community: safety, routine, and comfort crumbling into dust amidst hidden dangers and inexplicable tragedy. The question is, does it stick the landing? Tune in to our review to find out.

Leaving Cannes critics perplexed and polarized this spring, Ari Aster's Eddington takes aim at the fabric of the American zeitgeist. Is it the defining finger on the pulse of COVID-abetted brain rot? Or is it as groan-worthy as an "Ari Aster COVID movie" sounds? We discuss the film, Aster's filmography, and the prospect of assembling a political perspective through a fractured, dogshit Internet.

New Earth. Fresh start. The MCU's latest brings Marvel's First Family to the big screen in a retro-futuristic, sci-fi epic. Will a red-hot, A-list cast and a heavy-hitting, non-cloud Galactus finally give The Fantastic Four the movie it deserves? Or will a flagging franchise's recent pain points once again prove that Marvel is running out of steam? Tune in as we review The Fantastic Four: First Steps.

As Jeff calls it on his Letterboxd review: "A movie of surprisingly gentle compassion but also dudes getting their entire spinal columns hauled out of their neck holes." This week we review the reunion of Danny Boyle, Alex Garland, and Anthony Dod Mantle for 28 Years Later, over two decades after 28 Days Later changed the zombie genre forever. We talk about the film's emotional surprises, its misleading trailer, and its franchise future. Tune in!

James Gunn stewards a new DC Cinematic Universe with the hotly anticipated Superman. Starring David Corenswet, Rachel Brosnahan, Nicholas Hoult, Nathan Fillion, and Edi Gathegi, this new version of the Big Blue Boy Scout attempts to turn over a new leaf for a floundering franchise by taking pages from a rich tapestry of comics. Is it successful? We review the film, rank the silver screen Supermen, and talk about the future of DC at the movies.

Jeff is on vacation this week, so it's up to Derek and Amir to pull off the rare double feature episode. In a week of dueling popcorn blockbusters, which crowdpleaser — John Wick spinoff Ballerina or racing drama F1 — will reign supreme? We talk Ana De Armas, Brad Pitt, and the highs and lows of both movies.