Deep Cut: A Film Podcast

Flowers bloom at night… it’s not scary. With our first of presumably many Deep Cut Upkeeps on prolific South Korean auteur Hong Sang-soo, we explore What Does That Nature Say to You? We flesh out our theory of how Hong achieves authenticity and immediacy while eliding simple meaning, unpack the latest Hong male lead, and catch Hong’s reference to 6-7.Bow at our grandmothers’ trees at our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps:00:00 Intro05:12 General reactions12:20 Glazing the boyfriend14:30 Context20:50 Dong-hwa as a Hong man29:50 Girlfriend's family 38:58 Hong surrogacy: where is he in WDTNSTY?44:12 Hong's image quality (or lack thereof)51:22 Other notable scenes57:35 Last words on Hong for now

Film critic and Events Chair of the Los Angeles Film Critics Association Ryan Swen joins us to discuss his Hong Sang-soo Deep Cut Pick, Hill of Freedom. Swen has had a huge hand in shaping our Hong series through his ongoing criticism project, Hong Sang-soo Notarized. We all take a look at the non-chronological narrative of Hong’s meditation on misogyny, Japan and Korea, and the unsurprising consequences of drinking too much.Drop your letters at our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps:00:00:00 Intro00:01:40 Ryan Swen introduction00:04:29 Hong Sang Soo Notarized Project00:12:21 Hill of Freedom introduction and general reactions00:21:29 Lost (and Found) in translation00:27:21 Japan and Korea00:32:53 Narrative structure00:39:41 Mori and Misogyny 00:45:47 Hongisms00:52:57 The ending01:00:40 Actors01:03:11 Outro

Writer, film curator, and leading Hong Sang-soo scholar Dennis Lim brings a personal favorite from Hong’s oeuvre–– 2022’s The Novelist’s Film–– to Deep Cut. As the DC trio and their esteemed guest enjoy the luxuriate in Hong’s complex, joyous depiction of collaborating artists-in-exile, Dennis shares his background with Hong, this film’s shape, and the model Hong sets for young, independent filmmakers.Film your novel at our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps:00:00 Intro02:08 Introducing guest03:47 Lim's background with Hong11:15 DC trio's current thoughts on Hong15:41 Why the Novelist's Film / general reactions26:13 Hong's regular actors28:04 Formal discussion38:33 Shapes41:16 Lee Hye-young46:25 Ha song-guk47:06 Waste, exile, potential50:19 Hong's business, life, and art model (good for young filmmakers)55:53 Outro

Sorry Baby, but it’s One Battle After Another, as we clash and debate our favorite films of 2025! We’re covering obligatory mentions of the biggest films of the year and picking up our Weapons to dunk on some that we’re Regretting You watched. Which of these films will we look back on with strong Sentimental Value, 28 Years Later? Which are winners, which are Sinners? I’m afraid you’re going to have to Wake Up Dead Man from your Dreams (Sex Love), some might even call that a Resurrection, because you’ve got No Other Choice but to listen and find out.LinksWilson's Reviews: News from Home, Eat Drink Man WomanBen's Reviews: Avatar: Fire and Ash, What Does That Nature Say to You Eli’s Sinners ReviewBen’s Kinetoscope Piece: The Spirits in the MediumList: Full List of films discussed on LetterboxdList: Deep Cut’s Top 12 of 2025Tell us your faves at our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps:00:00:00 Intro00:02:58 General 2025 thoughts00:12:08 Non-2025 gems00:16:22 2025 on Deep Cut00:20:16 Eli's fave Letterboxd reviews from Wilson and Ben00:21:46 Obligatory Mentions00:22:06 Marty Supreme dir. Josh Safdie00:24:08 The Secret Agent dir. Kleber Mendonça Filho00:25:44 Frankenstein dir. Guillermo del Toro00:28:38 Sentimental Value dir. Joachim Trier00:30:59 Hamnet dir. Chloé Zhao00:38:36 Hamnet spoiler00:40:27 If I Had Legs I'd Kick You dir. Mary Bronstein00:42:27 Bugonia dir. Yorgos Lanthimos00:44:13 Kpop Demon Hunters dir. Maggie Kang & Chris Appelhans00:46:55 Train Dreams dir. Clint Bentley00:48:49 Avatar: Fire and Ash dir. James Cameron00:54:30 Mission Impossible: The Final Reckoning dir. Christopher McQuarrie00:56:48 Eddington dir. Ari Aster00:57:14 Wicked For Good dir. Jon M. Chu00:58:16 No Other Choice dir. Park Chan-wook00:59:48 Magellan and Phantosmia dir. Lav Diaz01:01:54 The Phoenician Scheme dir. Wes Anderson01:05:34 Weapons dir. Zach Cregger01:12:28 Materialists dir. Celine Song01:13:40 Materialists Spoiler01:18:02 Regretting You dir. Josh Boone01:19:38 Sirat dir. Oliver Laxe01:22:27 Sirat Spoiler01:25:41 Sirat Spoiler 201:26:19 Deep Cut Upkeep Overview01:28:35 Honorable Mentions01:28:40 Viet and Nam dir. Truong Minh Quy01:29:14 Blue Moon dir. Richard Linklater01:30:25 Boys Go to Jupiter dir. Julian Glander01:31:04 Baby dir. Marcelo Caetano01:31:33 Nouvelle Vague dir. Richard Linklater01:32:48 Black Bag dir. Steven Soderbergh01:34:36 Cactus Pears dir. Rohan Kanawade01:35:35 Seaside Serendipity dir. Satoko Yokohama01:36:33 Sorry Baby dir. Eva Victor01:37:58 Misericordia dir. Alain Guiraudie01:39:06 Silent Friend dir. Ildikó Enyedi01:41:20 Caught by the Tides dir. Jia Zhangke01:42:48 Put Your Soul on Your Hand and Walk dir. Sepideh Farsi01:44:51 My Sunshine dir. Hiroshi Okuyama01:46:56 Superman dir. James Gunn01:48:52 100 METERS dir. Kenji Iwaisawa01:53:31 Reflection in a Dead Diamond dir. Hélène Cattet & Bruno Forzani01:54:28 Afternoons of Solitude dir. Albert Serra01:57:05 The Wedding Banquet dir. Andrew Ahn01:57:19 Top 501:57:30 One Battle After Another dir. Paul Thomas Anderson02:05:57 Resurrection dir. Bi Gan02:07:51 Peter Hujar's Day dir. Ira Sachs02:12:19 Christmas Eve in Miller's Point dir. Tyler Taormina02:17:10 I'm Still Here dir. Walter Salles02:19:14 28 Years Later dir. Danny Boyle02:21:06 Dreams (Sex Love) dir. Dag Johan Haugerud02:25:37 Resurrection dir. Bi Gan02:26:29 Wake Up Dead Man: A Knives Out Mystery dir. Rian Johnson02:28:07 It Was Just an Accident dir. Jafar Panahi02:32:05 Cloud dir. Kiyoshi Kurosawa02:33:32 Left-Handed Girl dir. Tsou Shih-Ching 02:37:29 One Battle After Another dir. Paul Thomas Anderson02:40:04 Sinners dir. Ryan Coogler02:45:41 Outro

In this episode, we get into Ben’s favorite Hong film of all time, Yourself and Yours. If On The Beach At Night Alone is Hong’s first reflection on the scandalized reception to the reveal of his relationship with Kim Min-hee, Ben shares the theory that Yourself and Yours is secretly the one about its beginning. In our discussion, we try to pin down Minjung’s slippery personas, pick apart the film’s dream sequences, define the qualities of Hong’s surrealist and yet mundane approach, and ask, what does it take to be a Hong film that believes in love?Links:Yourself and Yours segmentationInexplicable doppelganger listHong Sang-soo Notarized: Yourself and YoursBreak a leg at our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps:00:00 Intro02:00 Film Intro04:05 General reactions09:12 AFA Post screening discussion 11:45 Film context15:20 Structure / segmentation20:28 Doppelgangers and dreams26:06 Perception of Mnjung31:09 The ending33:47 Context in Hong’s career36:25 Ben’s favorite scene40:15 Parallel characters and Hong-isms46:00 Reflection on discussion53:45 Outro

What do Inception, Tim Robinson, Luis Buñuel, Woody Allen, and Chantal Akerman have in common? They all get compared to Hong Sang-soo’s On the Beach at Night Alone in this episode of Deep Cut! Listen on as we unpack the movie that’s loosely about Hong’s and Kim Min-hee’s career-changing relationship, digest more awkward dinner scenes, and discuss the merits of going to the beach in the winter.Links:Scold your friends for being inauthentic at our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps:00:00 Intro02:31 General reactions08:00 Context / Hong+Kim relationship14:32 SG public opinion survey18:04 Hong Sang-soo's 'Inception'20:08 Hong Sang-soo / Tim Robinson21:43 Hong / Buñuel25:45 Hong not planning era27:17 Ryan Swen Notarized and dinner scene33:16 What to do with this movie?38:13 Hong's Chantal Akerman41:10 Hong as Woody Allen 😬 43:35 Shape of this film46:43 Outro

Is traveling through Europe too expensive? Then hop aboard a train with the Deep Cut trio and Chantal Akerman for another sensitive, lightly autobiographical story of a surrogate character experiencing ennui and/or despair. Along the road trip, there’s sex, ‘70s outfits, and… windows. Ultimately, we struggle to decide: how well can we know Akerman through her work (or, for that matter, anyone)?Meet Ben, Wilson, and Eli (kinda) at our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps:00:00 Intro03:46 Summary04:27 General reactions11:33 Jeanne Dielman vs The Meetings of Anna16:39 Mom and Akerman herself22:37 Plot sequence and Akerman’s subjectivity30:32 Other Akerman films34:20 Akerman and loneliness37:39 Ending40:12 Sex43:29 Singing

We are joined by none other than friend of the pod and the artist behind all of our DC covers, Justina Yam! Justina comes on the podcast to take us back to the works of Chantal Akerman, with her first feature Je Tu Il Elle. Justina talks about her personal connection to Akerman’s films, and discusses how she continues to play with time in her filmography. Wilson and Eli talk about expressions through body language and narration, and Ben has a theory about Je Tu Il Elle being a non-linear film. Do you want DC merch? Tell us on the Discord!Links:Justina’s InstagramJustina’s recent photojournalism project: 風流 (Feng Liu)Ira Sachs on Je Tu Il ElleEat sugar at our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps:00:00:00 Intro00:01:44 Introducing Justina Yam00:07:09 Je tu il elle introduction00:08:04 General thoughts on Je Tu Il Elle from Justina and Wilson00:13:21 General context of the film00:15:27 General reactions from Ben and Eli00:18:09 Sugar? Long Takes?00:20:56 Feminism and Akerman 00:23:30 The three act structure00:27:44 Blocking and the body00:34:06 Long takes00:36:42 Sex scenes00:41:43 Autobiographical nature of the film00:47:16 Temporality 00:53:49 The ending and career context00:58:49 Discomfort within Akerman’s cinema 01:04:03 Outro

Ben got a chance to interview director Ratchapoom Boonbunchachoke for his film A Useful Ghost (2025) that played at the 36th Singapore International Film Festival, where it also won the Special Mention Prize for the Asian Feature Film Competition. Learn about Boonbunchachoke’s creative process, how he developed the story, and his approach to filmmaking as a whole that tends towards artificiality, deadpan humour and an engagement with history.Special thanks to the SGIFF team for helping us with securing an interview time/location, and to Momo Film Co, the film’s Singapore co-production team for helping to coordinate the interview. Suck less at our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps:00:00 Intro02:47 Reception04:00 Queer readings07:39 Developing story and themes12:02 Political / historical references13:24 History, memory, surveillance18:19 Artificiality, worldbuilding, craft25:36 Spoilers: Frame story27:25 Spoilers: Ending31:43 Other appliance candidates33:42 Upcoming work34:35 Outro

While attending the 38th Tokyo International Film Festival, Ben was able to interview director Pen-Ek Ratanaruang and lead actress Bella Boonsang for their film Morte Cucina.Morte Cucina follows Sao as she takes an unconventional path toward revenge against a man who has wronged her.Listen in to hear about Ratanaruang’s candid thoughts on his approach to filmmaking, Boonsang’s initial trepidation and determination to tackling this tricky role, and Ratanaruang’s evolving working relationship with the film’s DP, Christopher Doyle (their third feature film collaboration!).Special thanks to the TIFF team for arranging the interview!Get revenge at our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps:00:00 Intro02:22 Inspiration for the film04:30 Bella’s reaction to the script06:23 Casting Bella Boonsang09:45 Cinematography with Chris Doyle13:15 The movie is made on set17:30 What is love?22:17 Outro

Armed with a press pass and the Japanese language level of a 3 year old, Ben took to the cinemas of Tokyo during the 38th Tokyo International Film Festival. Ben’s coverage spans a varied 17 films over 10 days of the festival: buzzy and fresh Japanese films (Bring Him Down to a Portable Size; The Last Blossom; All Greens…) international film festival darlings (Lost Land; Palestine 36…), and a handful of exciting restorations (Demon Pond, Love Massacre…). And if you haven’t listened to Ben’s interviews from during the festival, what are you waiting for?114. Sato and Sato (2025): Interview with Director Amano Chihiro116. Morte Cucina (2025): Interview with Pen-ek Ratanaruang and Bella BoonsangOther Links:Chloe Zhao x Hirokazu Koreedaようこそto our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps:00:00:00 Intro00:04:23 TIFF38 Press Experience00:08:55 Demon Pond (1979) dir. Masahiro Shinoda00:14:28 Pale Flower (1964) dir. Masahiro Shinoda 00:17:55 Floating Clouds (1955) dir. Mikio Naruse00:23:32 Love Massacre (1981) dir. Patrick Tam00:29:01 April Story (1998) dir. April Story00:32:58 3.11 disaster sidebar00:36:10 Blonde (2025) dir. Yûichirô Sakashita00:39:35 Sato and Sato (2025) dir. Chihiro Amano00:43:41 All Greens (2025) dir. Takashi Koyama00:47:40 The Last Blossom (2025) dir. Baku Kinoshita00:52:35 Lost Land (2025) dir. Akio Fujimoto00:58:30 Echoes of the Orient (2025) dir. Yang Liping01:00:55 Labyrinth (2025) dir. Shoji Kawamori01:03:46 Bring Him Down to a Portable Size (2025) dir. Ryota Nakano01:07:18 Morte Cucina (2025) dir. Pen-Ek Ratanaruang01:12:45 Palestine 36 (2025) dir. Annemarie Jacir01:20:16 The Mastermind (2025) dir. Kelly Reichardt01:24:23 Hamnet (2025) dir. Chloé Zhao01:32:55 Wrap-up

While attending the 38th Tokyo International Film Festival, Ben was able to interview director Chihiro Amano for her film Sato and Sato.Sato and Sato covers the 15 year span of a relationship as it slowly unravels, covering marriage, parenting, and the ways relationships morph over time. In our short interview, we talk about changing gender dynamics as depicted in Amano’s film, how she worked with her cast to create the characters and relationship, and find a little resonance with other Deep Cut director Chantal Akerman. Special thanks to the festival team for arranging the interview and guiding me around the festival, and to the provided interpreter, Ninomiya Yukako.Get hitched at our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps:00:00 Intro01:44 Interview: Same last names03:50 Working with the cast07:47 Women’s empowerment09:49 Spoiler10:40 Male insecurity12:44 What is love?13:56 Outro

We have a very special guest this week: Lee Isaac Chung (Minari, Twisters) brings one of his favorite movies of all time, Steven Spielberg’s Artificial Intelligence, to the podcast as his Deep Cut Pick! Isaac chats about his awe and love for the film, what he’s learnt as a filmmaker from working with Spielberg on Twisters, and his own transition into blockbuster filmmaking. We also discuss Hayley Joel Osment’s all-timer of a child performance, the film’s divisive ending, Spielberg’s masterful blocking, and the film’s worldbuilding and depictions of the future. Find the blue fairy at our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps:00:00:00 Introducing Lee Isaac Chung00:01:50 Introduction to Steven Spielberg and our connection with his work00:09:02 Why Isaac chose AI as his Deep Cut00:13:46 First reactions to AI00:18:04 Plot summary and production context00:20:19 Kubrick00:24:48 Minor Barry Lyndon spoiler00:26:24 Spoiler ends00:28:12 Love/hate and Spielberg’s touch00:35:38 Hayley Joel Osment’s performance 00:41:53 Strategies for directing children00:46:29 Act 2: Jude Law and Flesh Fair00:52:03 Worldbuilding and depiction of AI00:55:46 Ending01:01:13 Spielberg’s blocking01:09:24 Isaac’s experience moving into blockbuster filmmaking01:13:46 Outro

“Kurosawa, you dog.” – Eli.’“It’s like edging, in cinema.” – Wilson“What is this, looney tunes?” – BenKurosawa can only make the kind of movie that leaves us both perplexed, impressed and dropping memorable reactions. Listen on as we unpack the film’s critique of the next generation of hustlers and entrepreneurs, figure out what it’s trying to say through its allegory, and finally answer if anything can beat a jet2 holiday.Links:The Kinetoscope: Cinemagoing in JapanBuy our stuff at our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps:00:00 Intro04:36 Ben and Wilson's general reactions12:14 Eli's experience watching at  Lincoln16:31 Cloud plot summary20:34 Compared to other Kurosawa films25:00 Sano and the younger generation32:41 Nihilism and cynicism36:42 Locations and spaces40:50 What is this movie trying to say42:37 Takimoto46:31 Akiko49:04 Dorsality51:49 Sound52:56 Productively frustrating critique of late-stage Capitalism56:22 Kurosawa's reversals58:26 Odds and ends and questions

Eli joins the other boys hot off of his Lincoln Center press screenings to tell us the must-watches and the maybe-skip-overs of this year’s New York Film Festival. But before that, Wilson and Ben briefly get their words in for the latest Paul Thomas Anderson joint, One Battle After Another. Catch Eli talk about other NYFF titles like Park Chan-wook’s No Other Choice, Olivier Laxe’s Sirāt, and possible film of the year: Bi Gan’s Resurrection. Links:Secret Goldfish - Bi Gan short filmI’m walking here at our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps:00:00 Intro04:46 One Battle After Another (2025, dir. Paul Thomas Anderson)13:32 No Other Choice (2025, dir. Park Chan-wook)16:58 Sirāt (2025, dir. Oliver Laxe)20:18 Queen Kelly (1932, dir. Erich von Stroheim)25:29 Angel’s Egg (1982, dir. Mamoru Oshii)31:27 Japanese Film Festival (in Singapore)34:34 The Arch (1968, dir. T’ang Shushuen)35:09 The Mastermind (2025, dir. Kelly Reichardt)38:03 Mare’s Nest (2025, dir. Ben Rivers)41:13 Jay Kelly (2025, dir. Noah Baumbach)42:22 Back Home (2025, dir. Tsai Ming-liang)44:49 Ecce Mole (2025, dir. Heinz Emigholz)48:15 Peter Hujar’s Day (2025, dir. Ira Sachs)50:34 What Does That Nature Say To You? (2025, dir. Hong Sang-soo)53:10 A House of Dynamite (2025, dir. Kathryn Bigelow)57:40 Resurrection (2025, dir. Bi Gan)

We are very excited to welcome Prof. Lisa Dombrowski to our podcast! She is a Professor of Film Studies and East Asian Studies at Wesleyan University. She’s the author of the books: The Films of Samuel Fuller: If You Die, I’ll Kill You! (2008), the editor of Kazan Revisited (2011), and co-editor of ReFocus: The Later Works and Legacy of Robert Altman (2022). (Ben worked on that last one!) We took Lisa’s fantastic film classes and she’s a big reason this podcast exists, and why we talk about movies the way we do. (You can read more about the podcast’s origin story on Patreon!) Together, we preview a newly restored film showing at the upcoming New York Film Festival and M+ Restored programmes, T’ang Shushuen’s The Arch, which Lisa teaches in her classes. Lisa shares with us the film’s unconventional transnational production context, and we have an in-depth discussion about the film’s groundbreaking use of film form to portray female subjectivity. Eli highlights the film’s use of deep staging, Wilson compares the film with Ann Hui’s A Simple Life (2011), and Ben explains what he means by an “oyako-don” pantheon.Links:Read more about and get tickets for the M+ Restored programmeScreening in NYC for NYFF at Film at Lincoln CenterObey your ancestors at our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps:00:01:36 Introducing Prof. Lisa Dombrowski00:06:48 M+ Restored00:09:39 Context on director Tang Shu-shuen and The Arch00:11:16 Lisa's relationship with The Arch00:17:16 General reactions00:23:30 Adaptation and subjectivity00:26:06 Subtitles00:28:06 Female gaze and melodramatic situation00:30:28 The opening setup00:33:28 Cinematography context00:40:28 Love triangle and deep staging00:43:34 Plum scene00:52:37 Source material00:55:28 Cultural context and societal norms01:00:04 River scene and Mid-Autumn Festival01:03:39 A Simple Life (2011) sidebar, subjective realism01:07:25 Confucianism and social conditioning01:10:29 Loom scene01:13:04 Editing for meaning01:16:32 The arch, the ending, the takeaway01:24:57 Fractured images and liminal spaces01:30:15 Lisa Lu and casting01:31:32 The film's reception01:33:56 Tang's approach01:39:03 Cultural identity, transnational cinema, aesthetic expectations01:43:32 Tang's career post The Arch01:46:05 Outro

We are joined by special guest Alex Heeney, the founder and editor in chief of Seventh Row, to dive into Luca Guadagnino's 2017 coming-of-age masterpiece, Call Me By Your Name. They talk about their deep personal connections to the film, with Alex recounting her experience at the world premiere at Sundance and Wilson sharing his obsessive journey preparing for the New York Film Festival premiere of the film. Eli discusses the film's sensual direction, and Ben explains why he thinks this is Guadagnino’s most mature work. Links:Find more of Alex on Seventh Row. They are hosting a summit celebrating queer and trans stories called Living Out Loud. Check it out here.Mina Le: why does hollywood love an age gap romance?Ben’s CMBYN meme videoWomen around the fountain videoCall us by your name at our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps:00:00:00 Intro00:01:14 Introducing Alex Heeney00:04:00 Our histories with CMBYN00:21:50 Masculinity and Romance00:26:03 Narrative structure00:32:05 Performances00:37:39 Scenes and blocking00:41:00 The statue scene00:47:44 The parents00:51:20 The peach scene01:00:30 Age gap discourse01:10:42 Homophobia and queerness01:13:05 Cinematography and Marzia01:31:00 Editing01:35:36 The Sufjan element01:39:15 Outro

We continue our series on Akerman with a double-bill of personal documentaries about her mother, and of home. News from Home immediately follows her seminal Jeanne Dielman, and No Home Movie is the final film of Akerman’s filmography. In this episode, we thread the throughline across Akerman’s career in comparing both films, see the influence of structural and slow cinema, and marvel at her capacity for personal artmaking.Links:Celine Sciamma on Chantal AkermanI Don’t Belong Anywhere: The Cinema of Chantal Akerman (No Home Movie BTS footage)Go home to our FREE patreon, discord server, and our socials @ www.deepcutpod.com Timestamps:00:00 Intro05:32 Plot summaries and Reactions17:15 2015 critical reactions to No Home Movie21:00 Structural films and emotional responses27:07 Power of the cut33:41 Akerman and her mother40:33 Comparing Akerman with Varda44:36 Private artmaking48:33 Akerman's career arc52:13 Preview for next eps

It’s about time. We tackle Chantal Akerman’s Sight and Sound topping Jeanne Dielman, and begin our series on her singular career. Ben introduces Akerman’s career, spotlighting her fierce conviction and crystalline vision, Eli loops in a melodramatic reading, and Wilson zeroes in on an ending that explosively caps off a 3.5h opus. And if you’re struggling with how to approach this film, as entertainment or as art, just remember: it’s about time.Links:Behinds the scenes of Jeanne DielmanSlant magazine interview Article on Akerman Wilson’s Letterboxd reviewStephen Gillespie’s Letterboxd reviewAngelica Jade Bastien on LonglegsMake coffee at our FREE patreon, discord server, and our socials @ www.deepcutpod.comTimestamps:00:00:00 Intro00:03:03 General reactions00:13:26 The S&S list00:16:24 Akerman's career00:23:45 Plot summary and structure00:29:20 Cinematography and spatial representation00:32:14 Depictions of women and melodrama00:34:35 How Akerman directs Seyrig00:37:53 Everything is "real"00:39:10 Time00:42:14 Patterning00:46:40 What triggers the breakdown00:50:16 Relationship between mother/son00:57:18 Rituals00:59:24 The movie exists as many things01:00:25 It's place as #1 film01:04:10 Akerman's conviction and vision01:07:43 Scene dissections01:13:04 Exterior scenes01:16:47 Existential crisis01:19:12 In conversation with cinema and larger culture01:21:56 Ending01:30:36 Outro

We are joined by Asian Film Archive programmer Alexander Lee for our second installment in our Hong Sang-soo series! Alex talks to the guys about pairing Hong Sang-soo deep cuts with Eric Rohmer classics, and specifically the pairing of Night and Day with Love in the Afternoon. Eli chats about the narrative motifs that are on display in this film, Wilson tries to unlock the secret of Hong’s use of zooms, and Ben contends with the slimy protagonist of this film. Singaporean listeners to Deep Cut you can catch Night and Day on July 13th at the Oldham Theatre. Buy tickets here!Links:Hong Sang-soo Notarized: Night and DayGet drunk on soju at our FREE patreon, discord server, and our socials @ www.deepcutpod.comTimestamps:00:00:00 Intro00:01:17 Alex introduces Twin Tales00:06:45 Film Context00:10:21 General Reactions00:20:58 Hong’s big stylistic choices00:23:22 Narrative Motifs00:28:30 Yoo-Jung00:31:55 Sung-nam00:33:14 Odd patterns00:37:22 Night and Day vs. Love in the Afternoon00:40:41 Tech and sex of the 00s00:42:42 The male mess of Hong00:45:52 Dream sequences00:50:54 The look of the film00:56:18 Being married?00:59:16 Hong notarized01:00:40 Opening of the film and Hill of Freedom01:02:43 Music01:04:30 More on zooms01:05:35 Paris01:07:52 Other small odd things01:09:24 Preview of Twin Tales01:13:11 Outro