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Hosted by Sruti Islam and Alex Nierenhausen
Theme Songs by Gino Visconti and Michael Jaworski (@mikejaws)
Audio Production by Kyel Loadenthal
116 Episodes
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About Amie Barrodale: Amie Barrodale’s stories and essays have appeared in The Paris Review, Harper’s Magazine, and other publications. In 2012 she was awarded The Paris Review’s Plimpton Prize for Fiction for her story “William Wei.” She is the author of You Are Having a Good Time: Stories. About Trip: A woman embarks on an odyssey through the afterlife to help her son, who is literally and figuratively lost at sea: a hilarious and deeply moving voyage of the body and the mind. Sandra dies suddenly at a death conference in Nepal attended by academics and mystics. Days later, back in America, her teenage son, Trip, runs away with a man who picks him up on the side of a road. Sandra tries to get a message back to Trip through the mystics, but the mystics are distracted, and her son and the strange man set out to sea. Amie Barrodale’s first novel features restless souls, Buddhist deities, divorcees in recovery programs, arguing academics, uncomprehending school principals, and treatment centers for troubled teenagers. It journeys from body to body, through life and death and back again. It tells the story of a mother and son who find other people hard to understand and who are themselves misunderstood. Guiding this wild, unpredictable journey is deep devotion: the desire to save a child and to be a good mother despite it all. Wide-eyed with wonder, blazingly funny and achingly moving, Trip brings us the deeper meaning of The Tibetan Book of the Dead: the past is a memory, the future is a projection, the present is gone before we can see it.
About Vincenzo Latronico: Born in Rome, Vincenzo Latronico studied philosophy at the University of Milan and has since published numerous books in Italian, including The Conspiracy of Doves and Gymnastics and Revolution. In addition to his own writing, he has also translated the work of many writers into Italian including work by George Orwell, Oscar Wilde, and Alexander Dumas. He lives in Milan. Sophie Hughes is a translator of Spanish and Italian literature. Her translation of The Remainder by Alia Trabucco Zerán was shortlisted for the International Booker Prize 2019, and her translation of Fernanda Melchor’s Hurricane Season was shortlisted for the same prize. Her writing and translations have appeared in McSweeney’s, The Guardian, The Paris Review, The White Review, Frieze and The New York Times. She lives in the United Kingdom. About Perfection: A scathing, provocative novel about contemporary existence by a rising star in Italian literature. Anna and Tom, an expat couple, have fashioned a dream life for themselves in Berlin. They are young digital "creatives" exploring the excitements of the city, freelancers without too many constraints, who spend their free time cultivating house plants and their images online. At first, they reasonably deduce that they've turned their passion for aesthetics into a viable, even enviable career, but the years go by, and Anna and Tom grow bored. As their friends move back home or move on, so their own work and sex life—and the life of Berlin itself—begin to lose their luster. An attempt to put their politics into action fizzles in embarrassed self-doubt. Edging closer to forty, they try living as digital nomads only to discover that, wherever they go, "the brand of oat milk in their flat whites was the same." Perfection—Vincenzo Latronico's first book to be translated into English—is a scathing novel about contemporary existence, a tale of two people gradually waking up to find themselves in various traps, wondering how it all came to be. Was it a lack of foresight, or were they just born too late?
About Ocean Vuong: Ocean Vuong is the author of the critically acclaimed poetry collections Night Sky with Exit Wounds and Time Is a Mother, as well as the New York Times bestselling novel On Earth We’re Briefly Gorgeous. A recipient of the MacArthur Fellowship and the American Book Award, he used to work as a fast-food server, which inspired The Emperor of Gladness. Born in Saigon, Vietnam, he currently splits his time between Northampton, Massachusetts, and New York City. About The Emperor of Gladness: Ocean Vuong returns with a bighearted novel about chosen family, unexpected friendship, and the stories we tell ourselves in order to survive One late summer evening in the post-industrial town of East Gladness, Connecticut, nineteen-year-old Hai stands on the edge of a bridge in pelting rain, ready to jump, when he hears someone shout across the river. The voice belongs to Grazina, an elderly widow succumbing to dementia, who convinces him to take another path. Bereft and out of options, he quickly becomes her caretaker. Over the course of the year, the unlikely pair develops a life-altering bond, one built on empathy, spiritual reckoning, and heartbreak, with the power to transform Hai’s relationship to himself, his family, and a community on the brink. Following the cycles of history, memory, and time, The Emperor of Gladness shows the profound ways in which love, labor, and loneliness form the bedrock of American life. At its heart is a brave epic about what it means to exist on the fringes of society and to reckon with the wounds that haunt our collective soul. Hallmarks of Ocean Vuong’s writing—formal innovation, syntactic dexterity, and the ability to twin grit with grace through tenderness—are on full display in this story of loss, hope, and how far we would go to possess one of life’s most fleeting mercies: a second chance.
About Curtis McRae: Curtis John McRae is editor-in-chief at Yolk Literary Journal. His fiction has appeared in The New Quarterly, Prairie Fire, Chronicling the Days anthology (Guernica Editions, 2021), and others. Quietly, Loving Everyone is his debut short story collection. About Quietly, Loving Everyone: A striking debut collection by one of Montreal’s brightest young writers. Quietly, Loving Everyone, Curtis McRae’s debut collection of stories, assembles a meditative and often profound cycle of portraits pulled from everyday Canadian life. A young boy raises James Dean from the dead, only to find out the cult icon is not the playmate he’d hoped for. A university student riddled with ulcers silently spirals after being diagnosed with an autoimmune disease. A young girl takes a road trip with her older sister to Cape Cod, and years later reconstructs the tragic circumstances behind what she remembers. A couple goes on a date at an old porn theatre that is the last remaining vestige of a neighbourhood that has moved on. McRae plays witness characters at those crucial beginnings or ends of relationships, with lovers, friends, family, and most importantly themselves.
About Adelaide Faith: Adelaide Faith worked as an editor in the Schools Department of Channel 4 before training to be a veterinary nurse at Battersea Cats and Dogs Home, after which she worked as a nurse at the RSPCA and the PDSA. Her short fiction has appeared in Forever Magazine, Hobart, Vol. 1 Brooklyn, Maudlin House, Farewell Transmission, ExPat Press, and Stone of Madness Press. She is a member of Chelsea Hodson’s Morning Writing Club, and she lives in Hastings with her young daughter and old dog, Pierrot. About Happiness Forever: A complete refreshment and uplift of energy: a hilarious, beguiling first novel for the head and the heart. Sylvie is happy only when she’s in therapy. This is because Sylvie is in love with her therapist; she thinks about her every second they’re not together (roughly 167 hours and 10 minutes per week). In that room, Sylvie is able to talk about everything: the false hope promised by eighties music; what a dog’s inner life is really like and how sad, she, Sylvie is, outside that room. She’s aware she has an obsession, but whether it’s some flavor of erotic transference or a lost person’s need to connect, Sylvie isn’t sure. Outside therapy Sylvie has what she considers to be a small life: a job as a veterinary nurse, companionship from her tattoo artist friend via text, and seaside walks with her brain-damaged dog, Curtains. But maybe therapy is making a difference, inviting her to imagine possibilities—possibilities that include a new friend she meets on the beach. When the therapist starts to prepare Sylvie for the terrible fact that all treatment has to come to an end, Sylvie can’t stop herself from imagining sleeping in her car parked outside the therapist’s house. That won’t work. She has to be brave. Be brave, Sylvie! We love you. In this wonderful, hilarious, stunning debut, Adelaide Faith captures the vulnerability, difficulty and joy of personhood, of being a person, of being alive.
About Adam Ross: ADAM ROSS is the author of Mr. Peanut, which was selected as one of the best books of the year by The New York Times, The New Yorker, and The Economist. He has been a fellow in fiction at the American Academy in Berlin and a Hodder Fellow for Fiction at Princeton University. He is editor of The Sewanee Review. Born and raised in New York City, he now lives in Nashville, Tennessee, with his two daughters. About Playworld: “In the fall of 1980, when I was fourteen, a friend of my parents named Naomi Shah fell in love with me. She was thirty-six, a mother of two, and married to a wealthy man. Like so many things that happened to me that year, it didn’t seem strange at the time.” Griffin Hurt is in over his head. Between his role as Peter Proton on the hit TV show The Nuclear Family and the pressure of high school at New York's elite Boyd Prep—along with the increasingly compromising demands of his wrestling coach—he's teetering on the edge of collapse. Then comes Naomi Shah, twenty-two years Griffin’s senior. Unwilling to lay his burdens on his shrink—whom he shares with his father, mother, and younger brother, Oren—Griffin soon finds himself in the back of Naomi’s Mercedes sedan, again and again, confessing all to the one person who might do him the most harm. Less a bildungsroman than a story of miseducation, Playworld is a novel of epic proportions, bursting with laughter and heartache. Adam Ross immerses us in the life of Griffin and his loving (yet disintegrating) family while seeming to evoke the entirety of Manhattan and the ethos of an era—with Jimmy Carter on his way out and a B-list celebrity named Ronald Reagan on his way in. Surrounded by adults who embody the age’s excesses—and who seem to care little about what their children are up to—Griffin is left to himself to find the line between youth and maturity, dependence and love, acting and truly grappling with life.
About Amanda Leduc: AMANDA LEDUC is a disabled writer whose most recent novel, The Centaur's Wife, is "an exquisite magical world, perfectly rendered, for [a] dark and wonderful story about the dream life of outsiders and the disabled" (Heather O'Neill). Her non-fiction book Disfigured: On Fairy Tales, Disability, and Making Space was nominated for the 2020 Governor General’s Award. Her essays and stories have appeared across Canada, the US, the UK and Australia, and she speaks regularly across North America on accessibility and the role of disability in storytelling. Amanda holds a Master's degree in Creative Writing from the University of St. Andrews. She has cerebral palsy and presently makes her home in Hamilton, Ontario, where she lives with a very lovable dog named Sitka, who once ate and peed on a manuscript. (Everyone’s a critic, it seems.) About Wild Life: Amanda Leduc’s dazzling new novel follows two walking, talking hyenas as they interact with humans over decades. Blurring the line between human and animal, these strange messengers reveal what is possible when the cages that contain us are broken. In 19th-century Scotland, young Josiah is banished by his father for seeing the divine in the animals around him and sent to Siberia with a small Christian mission to purge such nonsense from his soul. Miserably scrubbing the chapel floor one night, Josiah is visited by what he thinks is God in animal form. When his saviours, a hyena and her mate, rescue him from a natural disaster that kills the other missionaries and then bring him safely home, he founds a religion based on his belief that God granted speech to the hyenas as part of a divine plan to heal and exalt the human race. The hyena pair, Barbara and Kendrith, aren't so sure that Josiah has it right. But with their beautiful strangeness, they utterly transform the people they encounter over succeeding generations. As Josiah's church gathers adherents, more and more animals start to speak to humans—from signing baby gorillas to seductive alligators. At first one or two rebellious pets make a break for freedom, but then comes a mass exodus of all animals held captive, forcing people to contend with a wildness in themselves they have spent millennia denying. The end of this remarkable fairytale is both joyful and devastating, completely dissolving the boundary between what's "human" and what's "animal."
About Katie Kitamura: Katie Kitamura is the author of four previous novels, most recently A Separation and Intimacies, which was longlisted for the National Book Award and the PEN/Faulkner Award and was a finalist for a Joyce Carol Oates Prize. She is a recipient of the Rome Prize in Literature, a Lannan fellowship, and many other honors, and her work has been translated into twenty-one languages. She teaches in the creative writing program at New York University. About Audition: One woman, the performance of a lifetime. Or two. An exhilarating, destabilizing Möbius strip of a novel that asks whether we ever really know the people we love. Two people meet for lunch in a Manhattan restaurant. She’s an accomplished actress in rehearsals for an upcoming premiere. He’s attractive, troubling, young—young enough to be her son. Who is he to her, and who is she to him? In this compulsively readable, brilliantly constructed novel, two competing narratives unspool, rewriting our understanding of the roles we play every day – partner, parent, creator, muse – and the truths every performance masks, especially from those who think they know us most intimately. Taut and hypnotic, Audition is Katie Kitamura at her virtuosic best.
About Kevin Nguyen: Kevin Nguyen is the author of the novel New Waves. He is the features editor at The Verge and was previously a senior editor at GQ. He lives in Brooklyn. About My Documents: Ursula, Alvin, Jen, and Duncan grew up as cousins in the sprawling Nguyen family. As young adults, they’re on the precipice of new ventures: Ursula as a budding journalist in Manhattan, Alvin as an engineering intern for Google, Jen as a naïve freshman at NYU, and Duncan as a promising newcomer on his high school football team. Their lives are upended when a series of violent, senseless attacks across America creates a national panic, prompting a government policy that pushes Vietnamese Americans into internment camps. Jen and Duncan are sent with their mother to Camp Tacoma while Ursula and Alvin receive exemptions. Cut off entirely from the outside world, forced to work jobs they hate, Jen and Duncan try to withstand long, dusty days in camp and acclimate to life without the internet. That is, until Jen discovers a way to get messages to the outside. Her first instinct is to reach out to Ursula, who sees this connection as a chance to tell the world about the horrors of camp—and as an opportunity to bolster her own reporting career in the process. Informed by real-life events, from Japanese incarceration to the Vietnam War and modern-day immigrant detention, Kevin Nguyen’s novel gives us a version of reality only a few degrees away from our own. Moving and finely attuned to both the brutalities and mundanities of racism, Mỹ Documents is a strangely funny and touching portrait of American ambition, fear, and family. The story of the Nguyens is one of resilience and how we return to one another, and to ourselves, after tragedy.
About Laurie Woolever: Laurie Woolever is a writer and editor. She spent nearly a decade assisting Anthony Bourdain, with whom she coauthored the cookbook Appetites and World Travel. She’s written about food and travel for the New York Times, GQ, Food & Wine, Lucky Peach, Saveur, Dissent, Roads & Kingdoms, and others, and has worked as an editor at Art Culinaire and Wine Spectator. She is also the New York Times bestselling author of Bourdain: The Definitive Oral Biography. About Care and Feeding: A candid, funny, and occasionally devastating memoir of a woman making her way through the food world, navigating addiction, a cultural reckoning, and an unexpected tragedy In this moving, hilarious, and insightful memoir, Laurie Woolever traces her path from a small-town childhood to working at revered restaurants and food publications, alternately bolstered and overshadowed by two of the most powerful men in the business. But there’s more to the story than the two bold-faced names on her resume: Mario Batali and Anthony Bourdain. Behind the scenes, Laurie’s life is frequently chaotic, an often pleasurable buffet of bad decisions at which she frequently overstays her welcome. Acerbic and wryly self-deprecating, Laurie attempts to carve her own space as a woman in this world that is by turns toxic and intoxicating. Laurie seeks to try it all—from a seedy Atlantic City strip club to the Park Hyatt Tokyo, from a hippie vegetarian co-op to the legendary El Bulli—while balancing her consuming work with her sometimes ambivalent relationship to marriage and motherhood. As the food world careens toward an overdue reckoning and Laurie’s mentors face their own high-profile descents, she is confronted with the questions of where she belongs and how to hold on to the parts of her life’s work that she truly values: care and feeding.
About Andrew Lipstein: Andrew Lipstein is the author of Last Resort (2022), The Vegan (2023), and Something Rotten (2025). He lives in Brooklyn, New York, with his wife and three sons. About Something Rotten: In his provocative, crackling new novel, Andrew Lipstein spins a wicked web through the heart of Copenhagen. You'll question everyone and everything—even the very nature of truth. Cecilie is a fed-up New York Times reporter. Her husband, Reuben, is a disgraced former NPR host and grudging stay-at-home dad. Neither can wait to flee New York and spend the summer in Copenhagen, Denmark, Cecilie’s hometown. But their vacation begins to turn inside out as soon as they land: Cecilie’s first love, Jonas, has been diagnosed with a rare, fatal illness. All of Cecilie’s friends are desperate to get him help—that is, except for Mikkel, a high-powered journalist who happens to be the only one Jonas will listen to. Mikkel’s influence quickly extends to Reuben, who’s not only intoxicated by Mikkel’s charm, but discovers in him a new model of masculinity—one he found hopelessly absent in America. As Mikkel indoctrinates Reuben with ever more depraved stunts, Reuben senses something is seriously amiss. Cecilie, too, begins to question who to trust—even herself. Drawn in by the gravity of the past, she can’t help but stray onto the road not taken. A twisting, thrilling tale of loyalty and deceit, lovers and fools, Andrew Lipstein's Something Rotten proves that sometimes to be kind you have to be cruel beyond belief.
About Haley Mlotek: HALEY MLOTEK is a writer, editor, and organizer whose work has appeared in the New York Times Magazine, The New Yorker, The Nation, T Magazine, ELLE, Harper’s Bazaar, Hazlitt, and n+1, among others. She is a founding member of the Freelance Solidarity Project, a distinct division for digital media workers within the National Writers Union, and teaches in the English and Journalism departments at Concordia University. Previously, Mlotek was the deputy editor of SSENSE, the style editor of MTV News, the editor of The Hairpin, and the publisher of WORN Fashion Journal. About No Fault: When Haley Mlotek was ten years old, she told her mother to leave her father. Divorce was all around her. Her mother ran a mediation and marriage counseling practice out of Mlotek’s childhood home, and Mlotek spent her preteen years answering the phones and typing out parenting plans for couples in the process of leaving each other. She grew up with the sense that divorce was an outcome to both resist and desire, an ordeal that promised something better on the other side of something bad. But when she herself went on to marry—and then divorce—the man she had been with for twelve years, suddenly, she had to reconsider everything she thought she understood about divorce. Deftly combining her personal story with wry, searching social and literary exploration, No Fault is a brilliant account of 21st century divorce—its remarkably common yet seemingly singular impact, and what it reveals about our society and our desires for family, love, and friendship. Mlotek asks profound questions about what divorce should be, who it is for, and why the institution of marriage maintains its power, all while charting a poignant and cathartic journey away from her own marriage and towards an unknown future. Brilliant, funny, and unflinchingly honest, No Fault is a kaleidoscopic look at marriage, secrets, ambitions, and what it truly means to love and live with uncertainty, betrayal, and hope.
About Torrey Peters: Torrey Peters is the bestselling author of the novel Detransition, Baby, which won the PEN/Hemingway Award for Debut Novel and was named one of the 100 Best Books of the 21st Century by The New York Times. It was also a finalist for the National Book Critics Circle’s John Leonard Prize, a finalist for the Brooklyn Public Library Book Prize, and longlisted for the Women’s Prize for Fiction. She has an MFA from the University of Iowa and an MA in comparative literature from Dartmouth. Peters rides a pink motorcycle and splits her time between Brooklyn and an off-grid cabin in Vermont. About Stag Dance: n this collection of one novel and three stories, bestselling author Torrey Peters’s keen eye for the rough edges of community and desire push the limits of trans writing. In Stag Dance, the titular novel, a group of restless lumberjacks working in an illegal winter logging outfit plan a dance that some of them will volunteer to attend as women. When the broadest, strongest, plainest of the axmen announces his intention to dance as a woman, he finds himself caught in a strange rivalry with a pretty young jack, provoking a cascade of obsession, jealousy, and betrayal that will culminate on the big night in an astonishing vision of gender and transition. Three startling stories surround Stag Dance: “Infect Your Friends and Loved Ones” imagines a gender apocalypse brought about by an unstable ex-girlfriend. In “The Chaser,” a secret romance between roommates at a Quaker boarding school brings out intrigue and cruelty. In the last story, “The Masker,” a party weekend on the Las Vegas strip turns dark when a young crossdresser must choose between two guides: a handsome mystery man who objectifies her in thrilling ways, or a cynical veteran trans woman offering unglamorous sisterhood. Acidly funny and breathtaking in its scope, with the inventive audacity of George Saunders or Jennifer Egan, Stag Dance provokes, unsettles, and delights.
About Lauren Elkin: Lauren Elkin is the author of Art Monsters and Flâneuse, a New York Times Book Review notable book and a finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay. Her essays have appeared in The New York Times, Le Monde, Frieze, and The Times Literary Supplement, among other publications. A native New Yorker, Elkin lived in Paris for twenty years and now resides in London. About Scaffolding: The debut novel by the acclaimed author of Flâneuse and Art Monsters, Lauren Elkin’s Scaffolding is a story of Paris, desire, love, psychoanalysis, and the turbulent affairs of two couples across time. Paris, 2019. An apartment in Belleville. Following a miscarriage and a breakdown, Anna, a psychoanalyst, finds herself unable to return to work. Instead, she obsesses over a kitchen renovation and befriends a new neighbor—a younger woman called Clémentine who has just moved into the building and is part of a radical feminist collective. Paris, 1972. The same apartment in Belleville. Florence and Henry are renovating their kitchen. She is finishing her degree in psychology, dropping into feminist activities, and devotedly attending the groundbreaking, infamous seminars held by the renowned analyst Jacques Lacan. She is hoping to conceive their first child, though Henry isn’t sure he’s ready for fatherhood. Two couples, fifty years apart, face the challenges of marriage, fidelity, and pregnancy. They inhabit this same small space in separate but similar times—times charged with political upheaval and intellectual controversy. A novel in the key of Éric Rohmer, Lauren Elkin’s Scaffolding is about the way our homes collect and hold our memories and our stories, about the bonds we create and the difficulty of ever fully severing them, about the ways all the people we’ve loved live on in us.
About Fawn Parker: FAWN PARKER is the author of the novels What We Both Know, longlisted for the 2022 Scotiabank Giller Prize, Set-Point, and Dumb-Show, and the poetry collection Soft Inheritance, winner of the Fiddlehead Poetry Book Prize and the J. M. Abraham Atlantic Poetry Award. Her story “Feed Machine” was longlisted for the 2020 Writers’ Trust McClelland & Stewart Journey Prize, and her story “WunderHorse II” was anthologized in André Forget’s After Realism. Fawn is a Ph.D. student at the University of New Brunswick. She divides her time between Toronto and Fredericton. About Hi, It's Me: Shortly after her mother’s death, Fawn arrives at the farmhouse. While there, she will stay in her mother’s bedroom in the house that is also occupied by four other women who live by an unusual set of beliefs. Wrestling with longstanding compulsive and harmful behaviours, as well as severe self-doubt, Fawn is confronted with the reality of her mother’s death. It is her responsibility to catalogue the furniture and possessions in the room, then sell or dispose of them. Instead, Fawn becomes fixated on archiving her mother’s writing and documents, searching for signs, and drawing tenuous connections to help her understand more about the enigmatic woman in the pages. I am surrounded by mocking evidence of her inhabitancy of this room. Quickly, it is expiring. Today she was alive. When the day runs out that will no longer be true. Tomorrow I will be able to say that yesterday she was alive, at least. The next day, nothing. She will just be dead. The fact seems to be at its smallest now, growing with time. For now she is many things, and there are many places left to find her. In Hi, It’s Me, Fawn Parker is unafraid to explore the bewildering relationship between the living and the dead. Strikingly original, provocative, and engrossing Hi, It’s Me takes us into the furthest corners of grief, invoking the physicality and painful embodiment of terminal illness with astonishing precision and emotional force. This mesmerizing, devastating novel asks: Why must it be this way?
About Sofia Ajram: Sofia Ajram (he/she) is a metalsmith and literary horror writer who specializes in feverish stories of anomalous architecture and gay pining. He is the editor of the forthcoming Bury Your Gays: An Anthology of Tragic Queer Horror. She has also given lectures on contemporary horror films at Monstrum Montreal and serves as a moderator of r/horror on Reddit. Sofia lives in Montreal with her cat Isa. Find them on Twitter and Instagram @sofiaajram. About Coup de Grâce: A mindbending and visceral experimental horror about a young man trapped in an infinite Montreal subway station, perfect for readers of Mark Z. Danielewski and Susanna Clarke. Vicken has a plan: throw himself into the Saint Lawrence River in Montreal and end it all for good, believing it to be the only way out for him after a lifetime of depression and pain. But, stepping off the subway, he finds himself in an endless, looping station. Determined to find a way out again, he starts to explore the rooms and corridors ahead of him. But no matter how many claustrophobic hallways or vast cathedral-esque rooms he passes through, the exit is nowhere in sight. The more he explores his strange new prison, the more he becomes convinced that he hasn’t been trapped there accidentally, and amongst the shadows and concrete, he comes to realise that he almost certainly is not alone. A terrifying psychological nightmare from a powerful new voice in horror.
In celebration of our 100th episode, Alex and Sruti reflect on just a few of their favourite conversations throughout the years, including conversations with Elif Batuman, Sean Thor Conroe, Lillian Fishman, Isle McElroy, Ottessa Moshfegh, Larissa Pham, and Marie-Helene Bertino.
About Nora Lange: Nora Lange's writing has appeared or is forthcoming in BOMB , Hazlitt , Joyland , American Short Fiction , Denver Quarterly , HTMLGiant , LIT , The Fairy Tale Review, and elsewhere. Her project Dailyness was longlisted for the 2014 Leslie Scalapino Award for Innovative Women Performance Writers. She received her MFA from Brown University's Literary Arts Program where she was a Kaplan Fellow, and will be a 2024 fellow at the Los Angeles Institute for the Humanities. An earlier iteration of Us Fools was shortlisted for The Novel Prize in 2020, a prize to recognize and publish novels that explore and expand the possibilities of the form. She lives in Los Angeles, California. About US Fools: A tragicomic, intimate American story of two precocious sisters coming of age during the Midwestern farm crisis of the 1980s. Joanne and Bernadette Fareown are raised on their family farm in rural Illinois, keenly affected by their parents’ volatile relationship and mounting financial debt, haunted by the cursed history of the women in their family. Largely left to their own devices, the sisters educate themselves on Greek mythology, feminism, and Virginia Woolf, realizing they must find unique ways to cope in these antagonistic conditions, questioning the American Dream as the rest of the country abandons their community in crisis. As Jo and Bernie’s imaginative solutions for escape come up short against their parents’ realities, the family leaves their farm for Chicago, where Joanne—free-spirited, reckless, and unable to tame her inner violence—rebels in increasingly desperate ways. After her worst breakdown yet, Jo goes into exile in Deadhorse, Alaska, and it is up to Bernadette to use all she’s learned from her sister to revive a sense of hope against the backdrop of a failing world. With her debut novel, Nora Lange has crafted a rambunctious, ambitious, and heart-rending portrait of two idiosyncratic sisters, determined to persevere despite the
About Kevin Lambert: Born in 1992, Kevin Lambert grew up in Chicoutimi, Quebec. May Our Joy Endure won the Prix Médicis, Prix Décembre, and Prix Ringuet, and was a finalist for the Prix Goncourt. His second novel, Querelle de Roberval, was acclaimed in Quebec, where it was nominated for four literary prizes; in France, where it was a finalist for the Prix Médicis and Prix Le Monde and won the Prix Sade; and Canada, where it was shortlisted for the Atwood Gibson Writers' Trust Fiction Prize. His first novel, You Will Love What You Have Killed, also widely acclaimed, won a prize for the best novel from the Saguenay region and was a finalist for Quebec’s Booksellers’ Prize. Lambert lives in Montreal. Donald Winkler is a translator of fiction, non-fiction, and poetry. He is a three-time winner of the Governor General's Literary Award for French-to-English translation. He lives in Montreal. About May Our Joy Endure: Winner of the 2023 Prix Médicis, Prix Décembre, and Prix Ringuet Céline Wachowski, internationally renowned architect and accidental digital-culture icon, unveils her plans for the Webuy Complex, her first megaproject in Montreal, her hometown. But instead of the triumph she anticipates in finally bringing her reputation to bear in her own city, the project is excoriated by critics, who accuse her of callously destroying the social fabric of neighborhoods, ushering in a new era of gentrification, and many even deadlier sins. When she is deposed as CEO of her firm, Céline must make sense of the charges against herself and the people in her elite circle. For the first time in danger of losing their footing, what fictions must they tell themselves to justify their privilege and maintain their position in the world that they themselves have built? Moving fluidly between Céline’s perspective and the perspectives of her critics, and revealing both the ruthlessness of her methods and the brilliance of her aesthetic vision, May Our Joy Endure is a shrewd examination of the microcosm of the ultra-privileged and a dazzling social novel that depicts with razor-sharp acuity the terrible beauty of wealth, influence, and art.
About Kristen Felicetti: Kristen Felicetti is a writer based in Rochester, NY. For over a decade, she edited the literary magazine The Bushwick Review. Log Off is her debut novel. About Log Off: In the early 2000s, from a dial-up connection in a Western New York suburb, sixteen-year-old Ellora Gao logs on to the Internet to start a secret LiveJournal. Abandoned as a child by her troubled mother and left with her former stepfather Brian, an emotionally distant alcoholic, Ellora hopes to find the close relationships online that are missing from her real life. But her online diary isn't entirely serious, it's also where she can gossip and rant about music, books, and everyone at her high school, including two intriguing new friends, Alice, a reformed bad girl, and Tiff, a cocky musical prodigy. As the school year unfolds, Ellora shares every challenge she faces with her growing LiveJournal readership: memories of her estranged mother, frustration with Brian's lack of parenting, concern for Alice's health, romantic feelings for Tiff, and her place in a post-Y2K world on the cusp of major change.
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