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© 2005-2007 The Animation Podcast
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The Animation Podcast is the place for discussion about the craft of animation. Shows will feature interviews with some of animation's greatest talent, focusing on their personal perspective of the artform. Created by a professional animator for people who love animation or are just plain curious. Files in MP3 format. Other feed for Enhanced Podcast with images is discontinued but those files are still available on individual show posts on website.
32 Episodes
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The UNOFFICIAL Tangled Animator’s Commentary made by the biggest group of animators you will probably ever hear in one room. Here’s the plan: queue up your copy of Tangled to frame 1 of the actual film (before the castle logo) and hit pause. When we count down 3-2-1-PLAY, you un-pause and hear us talk through the film.
My focus for this show was to grab five artists at Disney who recently went through the Talent Development Program at Disney and talk about how they got there and what it’s like to work at the studio. My guests include Story Artist Jeremy Spears, Visual Development Artist Lorelay Bove, Rough Inbetweener/Jack of all Trades Joe Pitt, 2D Animator Sarah Airriess, and CG Animator (and Animation Mentor alumni) Kira Lehtomaki.
The interview concludes in Part Two where Eric Goldberg shares his extensive knowledge and appreciation for animating as he talks about many of the projects he has directed including Pocahontas, Rhapsody in Blue, and The Monkey’s Tale while the conversation continues to touch down on the details of the craft of animation. Eric is currently animating on the upcoming film The Princess and the Frog.
Eric Goldberg is one of the most admired animators working today. After years of developing his craft in the commercial business in London, he exploded on the feature animation scene with the Genie in Aladdin. After that, he co-directed Pocahontas and later directed two classic sequences from Fantasia 2000 - Rhapsody in Blue and Carnival of the Animals. Eric was also responsible for animating Phil in Hercules and he is currently animating on the upcoming film The Princess and the Frog.
Ken Duncan owns Duncan Studio in Pasadena, CA. Before that he animated Meg in Hercules, Jane in Tarzan, Capt. Amelia and Scroop in Treasure Planet, and he served as a sequence supervisor on Dreamworks’ Sharktale. In this final part of the interview, Ken shares more of his experiences on Hercules and Tarzan as well as futher insights in to his approaches to performance and how he approaches running his own animation studio.
The conversation with Ken Duncan continues. In this second part of the interview, Ken talks about some of the his earlier films at Disney. Then the conversation focuses on his personal approaches to acting and his general workflow for animating productively.
Ken Duncan has served as a supervising animator on four Disney films. His characters include Thomas (Pocahontas), Meg (Hercules), Jane (Tarzan), Captain Amelia and Scroop (Treasure Planet). Ken was also a sequence supervisor on Dreamworks’ Sharktale. He currently is running his own studio, Duncan Studio, based in Pasadena, California. This is part one of the interview.
The interview concludes with part three as James Baxter talks about learning from the old masters, what inspires him, and his experiences on films from Beauty and the Beast through Madagascar. James was the supervising animator of Belle, Rafiki, Quasimodo, Spirit, and director of the animation for Enchanted. This is part three of a three part interview.
Part two of the interview continues with James Baxter, supervising animator of Belle, Rafiki, Quasimodo, Spirit, and director of the animation for Enchanted. The conversation goes in to deeper detail regarding the technical aspects and processes James applies to his animation and acting - a must-listen for any animators looking to improve their workflow and craft. This is part two of a three part interview.
James Baxter is considered one of the most talented animators working today. At Disney and Dreamworks some of the characters he has animated include Belle, Rafiki, Quasimodo, Moses, and Spirit. He has also served as a supervising animator on Shrek 2 and Madagascar. James' latest work was creating the animation for Enchanted at his studio, James Baxter Animation. This is the first part of this interview.
Dale Baer came to Disney’s as an animation trainee in the late sixties, when the era of the Nine Old Men was coming to a close. He has worked for Filmation, Disney, Ralph Bakshi, and at his own studio, Baer Animation. Dale has been back at Walt Disney Animation Studios since The Emperor’s New Groove and his credits include supervising the characters of Yzma, Slim from Home on the Range, and Wilbur from Meet the Robinsons. Dale recently finished animating on the latest Goofy short How to Hook Up Your Home Theater, and he’s currently working on the upcoming film The Princess and the Frog. This is part two of a two part interview.
Dale Baer came to Disney’s as an animation trainee in the late sixties, when the era of the Nine Old Men was coming to a close. He has worked for Filmation, Disney, Ralph Bakshi, and at his own studio, Baer Animation. Dale has been back at Walt Disney Animation Studios since The Emperor’s New Groove and his credits include supervising the characters of Yzma, Slim from Home on the Range, and Wilbur from Meet the Robinsons. Dale recently finished animating on the latest Goofy short How to Hook Up Your Home Theater, and he’s currently working on the upcoming film The Princess and the Frog. This is part one of a two part interview.
For over 50 years, Ray Harryhausen single-handedly animated the most captivating stop-motion creatures in movies such as Mighty Joe Young, The Beast From 20,000 Fathoms, The 7th Voyage of Sinbad, Earth vs. The Flying Saucers, Jason and the Argonauts, and of course, Clash of the Titans. He’s an animation legend and inspiration to countless animators and filmmakers the world over. This is a one part interview.
In the fourth and final part of his interview, Burny Mattinson leads us through Disney's second golden age of animation. He talks about his work on various films inlcuding Aladdin, The Lion King, Pocahontas, and Mulan, and he shares some great advice on story idea generation and pitching. Burny has worked at Walt Disney Animation Studios for close to 55 years as an animator, story artist, director, and producer.
In part three, Burny Mattinson continues the conversation on his amazing career, from Mickey's Christmas Carol, to the arrival of the Eisner era, through storyboarding on Beauty and The Beast. Burny has worked at Walt Disney Animation Studios for close to 55 years as an animator, story artist, director, and producer.
Burny Mattinson has worked at Disney Animation for well over 50 years on such titles as Lady and the Tramp, Sleeping Beauty, Robin Hood, The Rescuers, Mickey’s Christmas Carol, The Great Mouse Detective, Beauty and the Beast, The Lion King, Mulan. In part two, Burny describes his transition from his short lived career as a full-fledged animator to a story artist and then to director. He also tells about the transition the studio made from Walt to the twilight of the careers of the Nine Old Men to the development of newer talent that has led the studio through the last 25 years.
Interview with Burny Mattinson, 50-year veteran of Walt Disney animation studios. A few films he has worked on include Lady and the Tramp, Sleeping Beauty, Robin Hood, The Rescuers, Mickey's Christmas Carol, The Great Mouse Detective, Tarzan, and Mulan. In part one, Burny recounts how he came to work at the Walt Disney Studios in the 50s, and eventually worked under many of The Nine Old Men animators there.
Supervising animator of Ariel, The Beast, Aladdin, Pocahontas, Tarzan, John Silver and Director of the upcoming film Rapunzel. In part two of the interview Glen talks about training under Ollie Johnston and some of the artistic struggles and realizations during his career.
Ariel, The Beast, Aladdin, Pocahontas, Tarzan, John Silver. The list should say it all. Animation hero to many, Glen Keane has created many of the most memorable characters in modern animation with performances that rival those of any flesh and blood actor. In part one, Glen talks about being an artist, discovering animation, and his first years at the Disney studio.
Conclusion of a Milt Kahl lecture at CalArts from 1976, generously donated to the show by John Musker. Milt answers questions from students, including Brad Bird. Side two of two.
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