Claim OwnershipForgotten Cello Music
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© AARON S.
Description
All things cello music. Your place to discover more cello music than you or your cello teacher ever thought existed. There are thousands and thousands of works for cello. I also have a Youtube channel devoted to recording sets of "Forgotten Cello Music". I largely omit the famous composers to focus in on the likes of Klengel, Goltermann, S. Lee, Noelck, Romberg, Cervetto, Schetky, and many other names you rarely hear.
This podcast was born out of the desire to have a podcast. I have wanted to make a podcast for years. My passion is Classical music.
This podcast was born out of the desire to have a podcast. I have wanted to make a podcast for years. My passion is Classical music.
86 Episodes
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Advice to Young Musicians. -- (Musikalische Haus- und Lebens Regeln)
by: Robert Schumann
Here you will find simply the reading, in English, of the entire pamphlet known as Advice to Young Musicians.
Discussion about some of the advice--principles--will be left to another episode. For now, listen to and digest what Schumann is saying. It is interesting to view the words for yourself as well. Here is the link to download your own copy, for free:
https://imslp.org/wiki/Special:ImagefromIndex/269161/gjgnb
Thanks for listening. Leave a comment. Like and subscribe. Share with someone who might enjoy this sort of thing.
To listen to much the music you hear playing in the background go to my Youtube Channel and Facebook Page:
1. Youtube: https://www.youtube.com/channel/UCpWQ5BLhtXdyeJOlGJ8MyqQ
2. Facebook page: https://www.facebook.com/TravelingCello/?view_public_for=131560840278870
To get updates on my projects see above links and also Instagram and LinkedIn:
3. Instagram: https://www.instagram.com/travelingcello/?hl=en
To read about the projects in more depth and get some of my thoughts about these compositions see my blog in Wordpress:
4. Wordpress: https://travelingcellojourney.com/
5. LinkedIn: https://www.linkedin.com/in/aaron-sinnett-85731888/
To make a donation of any size go to my Paypal or Patreon and you wish:
6. Paypal: https://www.paypal.com/donate?hosted_button_id=7KNGGPE7TEQKE
7. Patreon: https://www.patreon.com/travelingcello?fan_landing=true
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83. Forgotten Cello Music "MODERN SUITE" Op. 122 by G. Goltermann
Prelude
Romance
Funeral March
Gavotte
Tarantella
A rambling episode. Not very interesting. But some nuggets hidden in amidst all the gobbledy-gook.
Please support by visiting the following:
https://www.patreon.com/travelingcello/shop
https://www.youtube.com/channel/UCpWQ5BLhtXdyeJOlGJ8MyqQ
PayPal.me/travelingcello
I'm a struggling artist that is quite mediocre in every conceivable way. I press on because I love the music and playing cello.
I'm interested in finding a sponsor. If you know anyone interested in this sort of niche thing can you send me a message ?
travelingcellogroup@gmail.com
I do think that I am truly doing a service by presenting some of the lesser known pieces for cello. It is obvious when searching Youtube or listening to Apple Music/Spotify that many artists are searching for their own niche with occasional forays into "forgotten cello music".
Although my cello playing is not that good, I do have a way of helping students with get through tough technical issues and musical tutelage.
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82. Forgotten Cello Music: Goltermann and Three Lyrical Pieces, Op. 117
1. Sehnsucht (Longing)
2. Freud und Leid (Joy and Sorrow)
3. Abendlied (Evening Song)
Explore these rather poignant three short pieces by the virtuoso cellist, teacher, and music director Georg Goltermann.
They are somewhat deeper in character than other short works .
Fun and stuff.
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81. Forgotten Cello Music: France and Holland (and Belgium) in the 19th C. Daniel van Goens and Leon Boellmann.
You can go to my Youtube channel to answer some questions if you have the time and interest.
https://www.youtube.com/@TravelingCello/community
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80. The Violoncello and Its History: Cello in the 19th Century, IV. ITALY
On to the fourth section of a new century four violoncello playing.
What does Italy have to offer? This is a short reading. That should give quite a hint.
One famous cellist I'll mention: Alfredo Piatti
Another is Guglielmo Quarenghi, already talked about at length when I did a study in his Counterpoint. Start here in Episode 51 . Continue through to Ep. 55 for all the info. used to explore his counterpoint lessons as well as a capriccio.
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79. The Violoncello and Its History: Cello in the 18th C. III. France
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78. France in the 19th Century: Auguste Franchomme and Felix Battanchon
In this episode, featured are the two cellists from France, Franchomme and Battanchon. Although Franchomme is fairly well-known for a set of etudes there is a twist of what was accepted in studios and "good" material for learning.
Besides that, the German cellist Romberg contributed to a modern notation marking for a particular fingering that was adopted even by the French early on.
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77. 18th Century Cello in France: Cornelis Liegeois
This episode features only one cellist/composer from Belgium/France in the 1800's. He had a storied career that saw him rub shoulders and collaborate with what we now consider some of the best Romantic composers the world has seen.
Join me in support of this interesting work spreading information about Forgotten cello music by becoming a supporter in my Patreon.
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76. History of Cello-VC in the 18th C. II. Germany - J. Wasielewski
“During the second half of the last century the art of violoncello playing had already very extensively spread throughout Germany and had many more noteworthy representatives than in Italy and France.” p73
“Germany called out more instrumental vigour in order to satisfy the need of good musicians for the numberless Courts. According to Gottlieb Friedrich Krebel’s European genealogical handbook of the year 1770, there were, including the Romaic-German Emperor and the King of Prussia, over two hundred secular and spiritual princes and sovereign counts, the greater number of whom supported Kapelle (bands) or at least chamber music.” p73
“…consequently more talented young men devoted themselves in Germany to instrumental music, and especially to violoncello playing, than elsewhere.” p73
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75. Heberlein Self instructor op.7 Installment 13 p24 "Kreuz Tonarten" und 2./3. Positionen
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74. SPECIAL EPISODE: No.11: A Journey in German-Learning, Musik auf Deutsch. "Bezeichnungen: Bogenführung, Tempo, und Dynamik"
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72. SPECIAL EPISODE: No.9: A Journey in German-Learning, Musik auf Deutsch. "Der kurze Strich "
This is using Hermann Heberlein's Self-Instructor for Cello, op. 7.
This tangent has turned into quite a substantial undertaking. When I first thought of it, I imagined it would be several longer episodes. But as I am prone to go loooong periods without uploads a thought occurred to me, "Why not make lots of shorter ones?" That's just what I have done. They are much more manageable for me to record and edit. I've never been so on top of my output!
This side project is entirely driven by my desire and my need to speak German somewhat better than I do now. My native German speaking students of the cello are not so fond of speaking English so I decided (for once) to dive headlong out of my comfort zone and into a the deep end where I can barely form a grammatically correct sentence, yet somehow, the lessons progress. Perhaps the angels are helping me speak.
Give me a LIKE, a follow, and a comment.
Find my youtube channel Traveling Cello here.. (Like, subscribe, and watch several videos while visiting.)
{Can I reach 500 subscribers on my youtube channel by August 2023?}
Support my financially: Patreon
Paypal.me/travelingcello
Purchase my arrangements: https://www.sheetmusicplus.com/publishers/aaron-sinnett-sheet-music/3022778
Take cello lessons: travelingcellogroup@gmail.com
Thanks
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71. Robert Fuchs: 7 Fantasy Pieces, Op. 78
Listen to this now.
https://www.youtube.com/channel/UCpWQ5BLhtXdyeJOlGJ8MyqQ
https://www.patreon.com/travelingcello
https://www.sheetmusicplus.com/publishers/aaron-sinnett-sheet-music/3022778
PayPal.me/travelingcello
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70. SPECIAL EPISODE: No.9: A Journey in German-Learning, Musik auf Deutsch. "Die Verschiedene Taktarten und Der Punkt neben einer Note"
This episode comprises two short sections about "The Meters" and "Dotted Notes".
It comes form Heberlein's Self-Instructor, Op. 7
Why this method book and why read through the instruction parts solely in German?
Practice German, specifically to learn musical terminology in German
Listen to the episode to find out why I started this special series in the first place.
Go support this podcast and my Youtube channel by visiting my Patreon and becoming a member.
https://www.patreon.com/travelingcello
Purchase some useful Cello duets and a Collection of Helpful, systematically arranged studies for the Beginning Cello student:
https://www.sheetmusicplus.com/publishers/aaron-sinnett-sheet-music/3022778
For completely FREE to you, subscribe to my Youtube Channel Traveling Cello
LIKE and SUBSCRIBE. Help my reach my goal of 500 subs by year's End!
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69. SPECIAL EPISODE: No. 8: A Journey in German-Learning, Musik auf Deutsch. Installment 8: "Uebungen und verschiedene Intervallen "
I've almost come to the end of the study of musical terminology in German using Hermann Heberlein's Self-Instructor, Op. 7.
Thanks for supporting this and anyone who is reading this or listening to the podcast, please go to my Youtube channel TravelingCello and subscribe, click LIKE, and watch ALL my videos. Your support is invaluable, in fact, it doesn't work without you. If you are feeling particularly generous towards me start watching every video but just mute it and go do something else.
Now, when you start feeling sorry for me go to my Patreon and join me there. There isn't much of value there so think of it like a tip jar instead.
https://www.patreon.com/travelingcello
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68. SPECIAL EPISODE: No. 7: A Journey in German-Learning, Musik auf Deutsch "C Dur Tonleiter und Intervalle"
Just another episode in which I am struggling to come to grips with German and its confounding grammar. On the up side, I seem to have learned and incorporated a few more musical terms into my vocabulary.
https://www.patreon.com/travelingcello
https://www.youtube.com/channel/UCpWQ5BLhtXdyeJOlGJ8MyqQ
https://www.sheetmusicplus.com/publishers/aaron-sinnett-sheet-music/3022778
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67. SPECIAL EPISODE: No. 6: A Journey in German-Learning, Musik auf Deutsch "Tonleitern oder Skala"
It seems that this consistent practice is helping my German skills. There are some improvements.
This episode will help greatly with vocabulary as it deals with several fundamental musical concepts: Scales and the steps between notes.
Since there is no way to comment on podcasts as of yet, hop on over to my Youtube channel and leave me something to think about. Traveling Cello
Show some support for all the content by becoming a member at my Patreon.
Thanks for bearing with me while I flesh out a sorely needed skill in German speaking especially surrounding musical language.
I plan on inserting a regular episode about Robert Fuchs and his 7 Fantasy Pieces next week.
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65. SPECIAL EPISODE: No. 4: A Journey in German-Learning, Musik auf Deutsch "Die Töne der vier Saiten"
This episode will cover all the pitches of the four strings in First Position.
I begin by introducing the purpose of this special series as well as asking if this is doing any good for learning musical terminology in German.
Perhaps you would like to weigh in on that thought question and give your comments to me.
This section in Heberlein's Self Instructor, Op. 7 is the lengthiest yet with lots of musical examples to accompany the reading. Each time the text gives some notes I inject them into the episode so that the reading stays as true to the text as possible. (Occasionally I explain or make a comment about the music or figure, testing my German abilities).
If you find this interesting or entertaining or would like to take cello lessons or put more musicality into your playing (regardless of instrument), contact me about lessons/coachings.
travelingcellogroup@gmail.com
Visit my Patreon to explore the tiers of membership where you can choose merch at the appropriate tier.
https://www.patreon.com/travelingcello
Buy a cello arrangement of mine directly from me (inquire via email)
or go to
https://www.sheetmusicplus.com/publishers/aaron-sinnett-sheet-music/3022778
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64. SPECIAL EPISODE: No. 3 A Journey in German-Learning, Musik auf Deutsch "Die vier Saiten" und "Der lange Strich"
Source text:
Hermann Heberlein, Op. 7 Schule für Cello; für Selbst Unterricht (Self Instructor for Cello)
The special series of episodes (#61-64) are all about my desire to learn more words about me teaching ONE native german speaker.
Of course, I'd like to teach this student in German but I am not adequately equipped with the musical vocabulary to do so very effectively. So, the real purpose of this special series is about learning that musical terminology and also being able to speak just a little bit better.
The idea came from the fact that I don't have any opportunity to just talk with native speakers much less to native german speakers who also play the cello. So, I thought, why not make myself twice as uncomfortable as I am right now (I'm very nervous about speaking German in lessons) and put up my learnings online for everyone to tune if they should discover my podcast.
This particular episode is not too long and contains only one short musical example; four notes to be precise (although I play them several times).
There are musical selections throughout the episode. They are exclusively duets from Heberlein's "Self Instructor" from which all readings are taken.
https://www.patreon.com/travelingcello
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This is a Bonus, or what I call a special Episode.
63. SPECIAL EPISODE: No. 2 A Journey in German-Learning, Musik auf Deutsch "Das Violoncello und Die Haltung des Violoncells"
(Nota bene: There is an alternate version of nearly the same episode after the ad. I added musical selections from Heberlein's Instructor as well as an ad libbed section auf Deutsch.)
Recently, I have begun teaching a student completely in German, or auf Deutsch. The why's and wherefore's to your ensuing questions (I'm totally fantasizing imagining any questions from listeners) is for another day. Now, I really want to learn more of the musical terminology in German.
Although I learned how to speak at a decent level, I never have studied formally in German for music. I've read a lot and taken lessons in German but have, up til 4 months ago, never taught or had to use any technical language for anything.
In this series, I'll be using Hermann Heberlein's Selbstunterricht, Op. 7 Teil I. ("Self-Instructor" Part I.)
Get your Forgotten Cello Music merch by subscribing to my Patreon:
https://www.patreon.com/travelingcello
or be a Tipper and send a few dollars to
Paypal.me/travelingcello
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