Great American Novel

The 26th episode of the Great American Novel Podcast delves into Carson McCullers’ 1940 debut novel The Heart Is a Lonely Hunter. Published when the author was only 23, the novel tells the tale of a variety of misfits who don’t seem to belong in their small milltown in depression-era, 1930s Georgia.  Tackling race, disability, sexuality, classism, socialism, the novel catapulted McCullers to fame.  It’s been an Oprah book and it’s been adapted to film.  The Modern Library chose it for its list of 100 best novels in English of the 20th Century.  But the question asked by your intrepid hosts is this: is it truly a great American novel?The Great American Novel podcast is an ongoing discussion about the novels we hold up as significant achievements in our American literary culture.  Additionally, we sometimes suggest novels who should break into the sometimes problematical canon and at other times we’ll suggest books which can be dropped from such lofty consideration.  Your hosts are Kirk Curnutt and Scott Yarbrough, professors with little time and less sense who nonetheless enjoy a good book banter.  All opinions are their own and do not reflect the points of view of their employers, publishers, relatives, pets, or accountants. Intro and outro music is by Lobo Loco.  The intro song is “Old Ralley,” and the outro is “Inspector Invisible.”  For more information visit: https://locolobomusic.com/.  Clip from the trailer for the 1968 film The Heart is a Lonely Hunter, directed by Robert Ellis Miller, with lines spoken by Sondra Locke.We may be contacted at greatamericannovelpodcast (@) gmail.com.

Great American Novel Podcast 24 considers Joan Didion’s 1970 novel Play It as It Lays, which shut the door on the 60s and sped down the freeway into the 70s, eyes on the rearview mirror all the while.  In a wide-ranging discussion which touches not only upon Didion and her screenwriter husband but also John Wayne, Ernest Hemingway, the Manson cult, the Mamas and the Papas and Lloyd Cole and the Commotions, we drive down the interstate with Didion and her Corvette as we consider Hollywood, Las Vegas, the desert, Hippies and Hipsters, and the legacy of the 1960s.  As always, listeners are warned, there be spoilers here. The Great American Novel podcast is an ongoing discussion about the novels we hold up as significant achievements in our American literary culture.  Additionally, we sometimes suggest novels who should break into the sometimes problematical canon and at other times we’ll suggest books which can be dropped from such lofty consideration.  Your hosts are Kirk Curnutt and Scott Yarbrough, professors with little time and less sense who nonetheless enjoy a good book banter.  All opinions are their own and do not reflect the points of view of their employers, publishers, relatives, pets, or accountants. Intro and outro music is by Lobo Loco.  The intro song is “Old Ralley,” and the outro is “Inspector Invisible.”  For more information visit: https://locolobomusic.com/.  Clip from the trailer for the film Play It As It Lays, dir. 1972 by Frank Perry, monologue spoken by Tuesday Weld, written by Didion and John Gregory Dunne.  Excerpt from “Rattlesnakes” by Lloyd Cole and the Commotions, on the album Rattlesnakes, 1984 Polydor/Geffen, prod. Paul Hardiman.We may be contacted at greatamericannovelpodcast (@) gmail.com. 

In Great American Novel Podcast Episode 20, your fearless (or is it feckless) hosts find themselves in the damp swamps and thick scrublands of north central Florida in the post-Reconstruction era as we struggle to survive with the settlers of the brush country in Marjorie Kinnan Rawlings' Pulitzer Prize winning 1938 novel, The Yearling. We discuss how this Maryland native came to work with the editor of Hemingway, Fitzgerald, and Thomas Wolfe, and how she came to love the Florida brush country she wrote about.  As always, these discussions are operating according to the rules of literary criticism, or as Melville might have put it, there be spoilers here. The Great American Novel podcast is an ongoing discussion about the novels we hold up as significant achievements in our American literary culture.  Additionally, we sometimes suggest novels who should break into the sometimes problematical canon and at other times we’ll suggest books which can be dropped from such lofty consideration.  Your hosts are Kirk Curnutt and Scott Yarbrough, professors with little time and less sense who nonetheless enjoy a good book banter.  All opinions are their own and do not reflect the points of view of their employers, publishers, relatives, pets, or accountants. All show music is by Lobo Loco.  The intro song is “Old Ralley”; and the outro is “Inspector Invisible.”  For more information visit: https://locolobomusic.com/.  The theme to "Rawhide" was written by Ned Washington and Dimitri Tiomkin, 1958, performed by Frankie Laine.  Trailer for The Yearling, 1946, dir. Clarence Brown, produced by Sidney Franklin, released by MGM. We may be contacted at greatamericannovelpodcast (@) gmail.com.

Season three kicks off with a fiftieth anniversary celebration of Thomas Pynchon's postmodernist whirl-a-gig Gravity's Rainbow. Originally published on February 28, 1973, this encyclopedic inquiry into the systematicity of existence, power, and technology was just this week described by Esquire as "one of the weirdest, richest, most frustrating, inscrutable, brilliant, gorgeous, exhilarating, inexplicable, disgusting, hilarious, remarkable, and goddamn frustrating again novels ever published in America"---a novel so discombobulating, in fact, that the Pulitzer board refused to award it the fiction prize it assuredly deserved for its sheer display of ambition and erudition.  Ostensibly about an American Army lieutenant, Tyrone Slothrop, whose sexual adventures in World War II-blasted London predict German V2 rocket bombings, Gravity's Rainbow encompasses so much more than a plot. With nearly 400 (often wackily named) characters and wild tangents into shadowy conspiracies hatched by secret organizations with names like ACHTUNG and PISCES, the narrative tries to find some natural humanism within the wide battery of political bureaucracies and regulatory bodies that administrate lives and minds. As we decide, Pychon's heart is always with the counterforce, with those who by letting their lives run counter to the machine transcend the inevitable rainbow's arc of precision that's meant to keep us all in our place and the trains running on time. Love it or hate it, Rainbow's Gravity feels like riding a rocket: we can only strap in and feel the G-force.   

Only thirty years old this year, Ernest J. Gaines' A Lesson Before Dying (1993) is a powerful testament to social justice and to the search for individual dignity in an oppressive legal system. Set in the late 1940s in a small Louisiana community, the book tells the story of two men, one a convicted murderer on death's row (Jefferson) and the other his reluctant tutor (Grant) who is asked to teach the doomed man how to face death and injustice with a sense of self-worth. Almost instantly canonized upon publication, A Lesson Before Dying is a deceptively straightforward work. Although eminently accessible, it asks weighty questions about the complicity of state-sanctioned execution and the healing power of community. Electric with religious imagery, it challenges readers' sense of the purpose of faith and the elusiveness of truth. Most of all it makes a passionate plea for relinquishing personal bitterness and finding transcendence in serving others.

In Great American Novel Podcast Episode 18, our final Season 2 episode, we plunge ourselves into New Orleans of the fin de siècle in Kate Chopin's 1899 novel The Awakening. Edna Pontellier wrestles with a life she never chose, beset by a bore of a husband, a flimsy excuse for a lover, and a patriarchal society which has tried to restrain her choices to almost nothing. One of the great early feminist novels, we discuss its slow but steady climb from obscurity to ubiquity.The Great American Novel podcast is an ongoing discussion about the novels we hold up as significant achievements in our American literary culture.  Additionally, we sometimes suggest novels who should break into the sometimes problematical canon and at other times we’ll suggest books which can be dropped from such lofty consideration.  Your hosts are Kirk Curnutt and Scott Yarbrough, professors with little time and less sense who nonetheless enjoy a good book banter.  All opinions are their own and do not reflect the points of view of their employers, publishers, relatives, pets, or accountants. All show music is by Lobo Loco.  The intro song is “Old Ralley”; the intermission is “The First Moment,” and the outro is “Inspector Invisible.”  For more information visit: https://locolobomusic.com/.  We may be contacted at greatamericannovelpodcast (@) gmail.com.

The Great American Novel podcast is an ongoing discussion about the novels we hold up as significant achievements in our American literary culture.  Additionally, we sometimes suggest novels who should break into the sometimes problematical canon and at other times we’ll suggest books which can be dropped from such lofty consideration.  Your hosts are Kirk Curnutt and Scott Yarbrough, professors with little time and less sense who nonetheless enjoy a good book banter.  For this 16th episode we went a different route and discuss a smorgasbord of fine American Noir, novels about detectives and criminals and femme fatales and button men, gunsels and grifters, sharps and snakes.  We discuss works by Dashiell Hammett, James M. Cain, Raymond Chandler, Dorothy B. Hughes, Vera Caspary, Patricia Highsmith, Chester Himes, Jim Thompson,  and Horace McCoy.  Film audio clips are from Double Indemnity (Billy Wilder, 1944) and The Big Sleep (Howard Hawkes, 1946).  All show music is by Lobo Loco.  The intro song is “Old Ralley”; the intermission is “The First Moment,” and the outro is “Inspector Invisible.”  For more information visit: https://locolobomusic.com/.We may be contacted at greatamericannovelpodcast (@) gmail.com.  As always, the views of the hosts do not necessarily reflect the views of their home institutions.  

The 14th episode is a ride into the evening redness in the west as your hosts consider one of the more notorious books on our short list: Cormac McCarthy’s epic subversive western, BLOOD MERIDIAN, or, The Evening Redness in the West.  This 1985 tome of McCarthy’s has engaged constant discussion and speculation due to the high poetry of its language and the stark horror of its violence.  Saddle up and touch your heels to your horse to hear our wide-ranging discussion of this novel.The Great American Novel podcast is an ongoing discussion about the novels we hold up as significant achievements in our American literary culture.  Additionally, we sometimes suggest novels who should break into the sometimes problematical canon and at other times we’ll suggest books which can be dropped from such lofty consideration.  Your hosts are Kirk Curnutt and Scott Yarbrough, professors with little time and less sense who nonetheless enjoy a good book banter.  All opinions are those of the hosts and do not reflect the views of their home institutions. All show music is by Lobo Loco.  The intro song is “Old Ralley”; the intermission is “The First Moment,” and the outro is “Inspector Invisible.”  For more information visit: https://locolobomusic.com/.We may be contacted at greatamericannovelpodcast (@) gmail.com.

The Great American Novel podcast is an ongoing discussion about the novels we hold up as significant achievements in our American literary culture.  Additionally, we sometimes suggest novels who should break into the sometimes problematical canon and at other times we’ll suggest books which can be dropped from such lofty consideration.  Your hosts are Kirk Curnutt and Scott Yarbrough, professors with little time and less sense who nonetheless enjoy a good book banter.  In Episode 12 our intrepid profcasters lay into the most controversial novel of the 20th Century, Vladimir Nabokov’s LOLITA.  Is it Great?  Is it American?  What do we make of the controversies, the films?  We tackle the book and try to search for the real Dolores Haze within the text, and consider the best way to read Humbert Humbert, much less how we should pronounce his name (not to mention the author's). Film trailer clips are from the Kubrick 1962 film and the 1997 film by Adrian Lyne.  All show music is by Lobo Loco.  The intro song is “Old Ralley”; the intermission is “The First Moment,” and the outro is “Inspector Invisible.”  For more information visit: https://locolobomusic.com/.We may be contacted at greatamericannovelpodcast (@) gmail.com.

Our eleventh episode explores the most recent novel on our list of celebrated Great American Novels, Marilynne Robinson's 2004 Pulitzer Prize-winning exploration of Christian humanism, GILEAD. Set in a fictional small Iowa town in 1956, this deceptively lowkey narrative about a dying minister, John Ames, and the sudden reappearance of the town's prodigal son, Jack Boughton, raises intriguing questions about the intersection of the soul and society. Robinson is our most prominent representative of literary or philosophical Christianity today; in a marketplace in which the very notion of Christian fiction raises doctrinaire stereotypes of the rapture and the second coming, she is the rare writer who dramatizes faith as a quiet struggle between personal practice and cultural politics. Jack returns to Gilead with a secret he is convinced will challenge the drowsy, contemplative ministries of both his godfather, Ames, a Congregationalist, and his own father, Robert, a staunch Presbyterian. Jack's revelation raises questions about the function of the Church that locals may not wish to confront. But if this conflict sounds melodramatic, GILEAD is a novel of profound serenity: with a poetic style we call "conversational imagism," Robinson dramatizes the plenitude of God's presence not through fiery epiphanies but through arresting images of the natural world's divinity that pay homage to nineteenth-century American Romanticists such as Ralph Waldo Emerson and Walt Whitman. Known for her passionate defense of John Calvin and the Puritans as theologists, Robinson depicts faith not as a battle between the spirit and the flesh but between the humility and egotism of individual belief. Few novels have ever so clearly dramatized the relationship between the vulnerability of the religious self and the fragile exercise of democracy.  

The Great American Novel podcast is an ongoing discussion about the novels we hold up as significant achievements in our American literary culture.  Additionally, we sometimes suggest novels who should break into the sometimes problematical canon and at other times we’ll suggest books which can be dropped from such lofty consideration.  Your hosts are Kirk Curnutt and Scott Yarbrough, professors with little time and less sense who nonetheless enjoy a good book banter.   In conversation with writer Gertrude Stein, a Parisian mechanic disparaged the young and dissolute men who’d survived the Great War by calling them lost; Stein later tells Ernest Hemingway,  “You are all a Lost Generation.”  And so this 10th episode is a consideration of the Hemingway novel which, alongside The Great Gatsby, defines the Lost Generation of the post-World War I era for all of us: the masterful The Sun Also Rises.  We dig deep into the Papa legend, warts and all, and give the book a thorough and thoughtful reflection, taking coffee and cognac in the cafes of Montparnasse and running with the bulls in Pamplona even as we try for a few trout in the streams above Roncevalles.  Instead of canon fodder this time we  take a moment to reflect on  two losses to American Literary studies which bookended the year 2021 for us.   The film audio clips are from The Sun Also Rises, directed in 1957 by Henry King and staring Tyrone Power and Ava Gardner, among others (including an irascible aging Errol Flynn as Mike Campbell), and produced by Daryl F. Zanuck for 20th Century Fox.  All show music is by Lobo Loco.  The intro song is “Old Ralley”; the intermission is “The First Minute,” and the outro is “Inspector Invisible.”  For more information visit: https://locolobomusic.com/.  

In this installment we look at another of the most iconic of GANs, Mark Twain's 1885 "bad boy" novel, Adventures of Huckleberry Finn. Written over an eight-year period, what began as a sequel to the mischievous "bad boy" book The Adventures of Tom Sawyer  (1876) steepened into a caustic interrogation of racism in the United States. Twain's depiction of the relationship between the naive sprite Huck and the runaway slave Jim at once appeals to the American desire for harmonious race relations while probing blindspots in our national notions of equality. Twain employs several motifs associated with GANs---the journey, the river, the notion of the moral education--but at its core is a satirical impulse to question manners, pretentions, and aristocracies. Our discussion explores Twain's use of vernacular, the controversies surrounding both the prodigious use of the N-word and the final section of the novel (in which Tom and Huck play pranks on Jim instead of rescuing him from slavery), and what it means for our cultural notions of maturity that men want to "light out for the Territory" to avoid being "sivilized." 

In our seventh episode we explore a Great American Novel that's so ubiquitous it's almost hard to believe there was a time when the media wasn't full of contrast, random references to The Great Gatsby. The story of a mysterious millionaire who turns up on Long Island, throwing lavish parties and spinning fables as transparently invented as they are enthralling, captures something essential about the promise of America. We explore why the term used for that something---the American dream---falls flat in this day and age, and what exactly we can still learn about class boundaries in a democracy that promises prosperity and affluence for anyone willing to work for it. The Great Gatsby is an easy book to take for granted: there are so many movie versions, so many theatre and opera and ballet adaptations, that we can forget just how beautiful F. Scott Fitzgerald's prose can ring out if we stop to listen to it. We dive deep into the novel's own mythic backstory, in which a young and successful author aims for high art only to discover the public would rather he stick with formulaic romance stories. Jay Gatsby remains one of the most indelible creations in American literary history: a version of Stephen Foster's beautiful dreamer, a self-fabulist who fools nobody but himself and yet intrigues everyone.   

The Great American Novel podcast is an ongoing discussion about the novels we hold up as significant achievements in our American literary culture.  Additionally, we sometimes suggest novels who should break into the sometimes problematical canon and at other times we’ll suggest books which can be dropped from such lofty consideration.  Your hosts are Kirk Curnutt and Scott Yarbrough, professors with little time and less sense who nonetheless enjoy a good book banter.   This episode focuses on Zora Neale Hurston’s classic, revered novel, Their Eyes Were Watching God.  We discuss the complicated history of Hurston’s interactions with the elite of the Harlem Renaissance and the reaction of some of those literati to the novel, and we dig deep in a thorough consideration of the themes and motifs of the book.   For Canon Fodder, we suggest James McBride’s The Good Lord Bird. All show music is by Lobo Loco.  The intro song is “Old Ralley”; the midpoint intermission is “The First Moment,” and the outro is “Inspector Invisible.”  For more information see here: https://locolobomusic.com/.Website: https://greatamericannovel.buzzsprout.com/    

William Faulkner's dizzyingly complex, Lost Cause-dismantling 1936 novel about the rise and fall of a Southern plantation owner who "outraged the land" amid the Civil War is perhaps the most formidable Great American Novel one can tackle: it has the distinction of making Moby-Dick look accessible! But Absalom, Absalom! is not only a tour-de-force of modernist experimentation with its long, incantatory sentences and seemingly endless convolutions; it's also an inquiry into the nature of knowledge, historical "facts," and storytelling. As speculation mounts about the motives driving Thomas Sutpen's all-consuming "design" to create a lineage in Yoknapatawpha County, Faulkner pokes a finger in the eye of America's racial anxieties, asking why the fear of miscegenation might compel a man to violent, immoral extremes. Ultimately, the novel repudiates just about every aspect imaginable of the roseate tradition of Southern literature, or what Faulkner called the "hoop skirts and plug hats" vision of Confederate mythologizing that his own novelist great-grandfather, W. C. Falkner, helped establish in the postbellum era. Absalom, Absalom! is a novel that challenges us to question our inculcated ideas of how narratives communicate, forcing us to learn to read anew in exhausting but exhilarating ways.    Music by Loco Lobo. 

The Great American Novel podcast is an ongoing discussion about the novels we hold up as significant achievements in our American literary culture.  Additionally, we sometimes suggest novels who should break into the sometimes problematical canon and at other times we’ll suggest books which can be dropped from such lofty consideration.  Your hosts are Kirk Curnutt and Scott Yarbrough, professors with little time and less sense who nonetheless enjoy a good book banter.   This episode focuses on Edith Wharton’s Pulitzer Prize winning 1920 novel The Age of Innocence.  We consider this classic novel of manners and discuss Edith Wharton’s life, including her troubled marriage to an abusive husband and her friendship with writer Henry James.  We contrast her novel to Sinclair Lewis’ Main Street, her competition for the Pulitzer Prize that year.  Ultimately, we ask: what are we to make of the novel and its characters? The intro song is “Old Ralley” by Lobo Loco; the outro is “Inspector Invisible,” also by Lobo Loco.  The film trailer clips are from the trailers for Martin Scorcese’s 1993 adaptation of the novel, starring Michelle Pfeifer and Daniel Day Lewis.  

On the eve of its seventieth birthday, Ralph Ellison's Invisible Man (1952) occupies a unique place in the American canon. On the one hand, it was instantly heralded as a Great American Novel---indeed, as Lawrence Buell notes in his study of GANs, it was the first novel by an African American to be universally admitted to the pantheon of important national fiction. At the same time, the book's subsequent reputation has ridden a rollercoaster of praise and complaint suggesting our uncertainty about what degree an epic novel about race relations should emphasize the political over the aesthetic. But while some critics find the novel a little too conservative in its insistence on the absolute autonomy of individuals to create their own identity in America, there is no doubt that Ellison's tense interrogation of the power institutions like the police and political groups exploit over minorities makes it absolutely relevant to the Black Lives Matter era.In this episode, we explore how Ellison fused European modernism with African American jazz to create the singular voice of his narrator, whose name we're never told. We examine how the plot's picaresque form differs from Bildungsroman many coming-of-age novelists were rewriting in the 1950s and delve deep into the use of symbolism, perhaps the most telltale trait at the time Ellison wrote of a GAN's "literariness." We ask why Ellison never published a second novel after Invisible Man even as he was able to produce some of the most enduring essays on race in literature and culture until his death in 1994. Most importantly, we ask what it means for people to be invisible in American society, and how Ellison's unique exploration of the issue results in a philosophically complex story that insists that the Self must first retreat from the world to forge itself before emerging to rewrite the cliches and stereotypes the culture imposes on it.  Music in order of appearance: “Old Ralley” by Lobo Loco; "Up in My Jam" by Kubbi; "Rap Dreams" by LOWERCASE_n; and “Inspector Invisible,” also by Lobo Loco. Clips of Ellison courtesy of (respectively) the Iowa State University Library; New York Public Library; and the Oklahoma Historical Society Film and Video Archives.

The Great American Novel podcast is an ongoing discussion about the novels we hold up as significant achievements in our American literary culture.  Additionally, we sometimes suggest novels who should break into the sometimes problematical canon and at other times we’ll suggest books which can be dropped from such lofty consideration.  Your hosts are Kirk Curnutt and Scott Yarbrough, professors with  little time and less sense who nonetheless enjoy a good book banter.   This episode focuses on the novel branded more than any other as the Great American Epic Novel: Herman Melville’s classic 1851 novel Moby Dick. We delve into such important questions as, why was the whale white?  What does it mean that Ahab leaves behind wife and child?  Is he thwarting the will of God?  Is Gregory Peck better in the film role than Patrick Stewart?  Why chapters about ropes and squeezing sperm? Why, when all is said and done, is this the most canonical of all canonical novels?  Is it truly worthy of the label “Great American Novel”? Additionally, for Canon Fodder Kirk proposes Charles Johnson’s excellent 1990 novel, Middle Passage.  The intro song is “Old Ralley” by Lobo Loco; the outro is “Inspector Invisible,” also by Lobo Loco.  The film trailer clips are from Moby Dick, directed by John Huston in 1956.

Ever since J. W. DeForest popularized the phrase "Great American Novel" in 1868 commentators have debated the limits of all three of its components. Does "great" necessarily mean a big "doorstop" book or is concision a worthy goal? Whose version America are we talking? And why the novel not a poem, play, or short story? In our inaugural episode we preview the challenges of defining a GAN and explore why so many writers have felt compelled to parody the concept as much as pursue it.  Feel free to send us your thoughts on the problems of canonizing works of literature at greatamericannovelpodcast@gmail.com. Music in this episode is by Lobo Loco: "Old Ralley" (intro) and "Inspector Unvisible" (outro).  

Often hailed as the quintessential exemplum of Reagan-era postmodernism, Don DeLillo's eighth novel, White Noise (1985), is part academic satire, part media excoriation, and part exploration of the "simulacrum" or simulated feel of everyday life. With its absurdist asides on the iconicity of both Elvis and Hitler, the unrelenting stress of consumer choices (the supermarket is the site of modern neuroses), and the pharmacopic management of anxiety, the novel can sometimes feel a little smirky, a little too self-consciously zany, in its treatment of 1980s' suburban life. But readers interested in what DeLillo has to say about the emotional connections between husbands and wives and fathers and children will find a deeper, more somber effort to de-clutter the static of misinformation systems and chemical controls, whether in the blood or in the air, to forge organic bonds. To call White Noise the Babbitt of the "Greed is Good" era is no slight---DeLillo may have written better and more important books (including Libra, his treatment of the conspiracy theories surrounding the Kennedy assassination) but this is the novel that best captures the weird unease of the second-to-last decade of the twentieth century.