Street Shots Photography Podcast

"It’s a weird combination that makes a great picture. It’s a complete mystery to me." -- Alec Soth "A portrait isn’t a fact but an opinion—an occasion rather than a truth." -- Richard Avedon   In this episode, Antonio and Ward reflect on the recent passing of Martin Parr, talking through what they’ve long admired about his work, his move from black-and-white to color, his time at Magnum, and the way he photographed everyday life without smoothing out its edges. The conversation also drifts into a new idea Antonio picked up by accident at a Christmas market in Nebraska, where he connected with a nonprofit that helps formerly incarcerated people train for work in professional kitchens. He talks about why that idea stuck with him and how he’s imagining photographing the space—both behind the scenes and through more formal portraits made in the kitchen itself. Speed skating becomes another thread, with Ward unpacking his weekend shooting a World Cup event in Calgary. Autofocus frustrations, missed shots, and the value of reviewing a rough first day all lead to a shift toward slower shutter speeds and motion-based images that felt more honest than frozen action frames. The episode also circles back to their previous conversation with motorsports photographer Jamey Price, offering a clearer recap of some of the racing terms and technical references that came up, grounding the discussion for listeners who may not live in that world.   Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio’s Zines. Send us a voice message, comment or question.   Show Links:   Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin’s Website, Vero, Bluesky, Instagram and Facebook page. Ornis Photo Website  The Unusual Collective Street Shots Facebook Page Street Shots Instagram     Subscribe to us on: Apple Podcasts Spotify Amazon Music iHeart Radio Deezer Podcast Addict

"Film has no place in the modern world of fast paced motorsport photography".   "My job is amazing. But it isn't always fun." -- Jamey Price   Ward and Antonio chat with motorsport photographer Jamey Price about his unexpected path from riding racehorses to shooting some of the biggest racing events in the world. Jamey talks about the long, hectic days covering endurance races, the fun and chaos of working with major teams, and how his newspaper days taught him to make even the dull assignments count. He also explains how his new book, Racing Unfiltered: A Year in Motorsports Captured on Film, grew out of playing around with a cheap plastic NASCAR camera that somehow opened more doors than his pro gear ever could. Throughout the conversation, he keeps things grounded, sharing how slowing down, noticing people, and having fun with the process led to some of his favorite moments behind the scenes.   Jamey Price's Website, Instagram, YouTube, and Twitter/X. His new book, Racing Unfiltered: A Year in Motorsports Captured on Film   Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio’s Zines. Send us a voice message, comment or question.   Show Links:   Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin’s Website, Vero, Bluesky, Instagram and Facebook page. Ornis Photo Website  The Unusual Collective Street Shots Facebook Page Street Shots Instagram     Subscribe to us on: Apple Podcasts Google Podcasts Spotify Amazon Music iHeart Radio

"Celebrities provide an escape from the mundane. They are photographed so we can worship them—so they are worthy of our worship." -- David LaChapelle "A photographic portrait is a picture of someone who knows he is being photographed." -- Richard Avedon   In this episode Antonio and Ward take on the world of celebrity portraiture — from the classic work of masters like Irving Penn, Avedon, and Karsh to modern takes by photographers such as Platon and Tyrell Hampton. Their discussion starts with Oscar Isaac’s recent GQ shoot and spirals into a larger conversation about what it means to photograph fame: whether we’re seeing the real person or a performance crafted for the camera. They weigh how much control the celebrity, the photographer, and the publication each have in shaping these images, and how context — from lighting to location — turns a portrait into a cultural artifact. The two also reflect on why celebrity portraits endure long after the marketing fades, comparing timeless images like Audrey Hepburn’s portrait by Irving Penn and Platon’s unnerving shot of Vladimir Putin. Along the way, they contrast authenticity and artifice, recalling famous stories behind iconic portraits — from Churchill’s scowl to Meryl Streep’s unretouched close-up.    Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio’s Zines. Send us a voice message, comment or question.   Show Links:   Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin’s Website, Vero, Bluesky, Instagram and Facebook page. Ornis Photo Website  The Unusual Collective Street Shots Facebook Page Street Shots Instagram     Subscribe to us on: Apple Podcasts Google Podcasts Spotify Amazon Music iHeart Radio

In this episode, Antonio, Ward, and their guest Dave Szweduik dive into the creative process behind Fujifilm “recipes”—custom in-camera film simulation settings—and what they reveal about each photographer’s way of seeing. Dave shares how he’s been using AI-assisted tools like ChatGPT to generate color and tone profiles inspired by the look of classic film photographers such as Joel Sternfeld. What started as an experiment became a way to simplify his workflow and rediscover his photographic voice. His images—especially a quiet snow-covered church scene—sparked a conversation about warmth, subtlety, and finding cohesion between subject and color, reminding the group how digital tools can still lead to deeply personal results . The discussion then shifts to Ward’s recent Substack essay, The Journey or the Destination, where he explores how photographers view their own work differently than their audiences do. Ward describes “journey” photos as the images that document exploration and process, while “destination” photos are the finished statements—the ones that feel complete and timeless. Together, the trio reflect on how both types of photos shape a photographer’s evolution, with Antonio connecting the idea to his own recurring sunrise shots and Dave relating it to his spontaneous, project-free approach. Dave Szweduik's Substack "Noted Nonsense" Ward’s recent Substack essay, The Journey or the Destination Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio’s Zines. Send us a voice message, comment or question.   Show Links:   Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin’s Website, Vero, Bluesky, Instagram and Facebook page. Ornis Photo Website  The Unusual Collective Street Shots Facebook Page Street Shots Instagram     Subscribe to us on: Apple Podcasts Google Podcasts Spotify Amazon Music iHeart Radio

In this episode, Ward reflects on photographing his nephew’s wedding with a street photographer’s mindset, describing how he avoided traditional posed shots in favor of authentic, in-the-moment captures. His approach, shaped by instinct and observation, gives listeners a look at how street techniques translate into event photography and how spontaneity can lead to stronger visual storytelling. Antonio shares his experience photographing both the University of Nebraska’s flagline at Memorial Stadium and the Huskers game itself—a whirlwind weekend of early mornings, long hours, and on-field access. He discusses the logistics of working in that environment, from equipment choices and technical challenges to the creative mindset needed to stay sharp under pressure. The conversation explores how returning to structured photography jobs can rekindle that sense of purpose and flow, reminding both hosts why the act of shooting—whether for work or passion—still matters.   Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio’s Zines. Send us a voice message, comment or question.   Show Links:   Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin’s Website, Vero, Bluesky, Instagram and Facebook page. The Unusual Collective   Subscribe to us on: Apple Podcasts Google Podcasts Spotify Amazon Music iHeart Radio

In this episode of Street Shots, Antonio and Ward sit down with photographer Ben Geier to talk about his book Viewing Hours. Ben has been photographing America’s vanishing culture—storefronts, motels, neon signs, and old theaters—bringing a mix of punk DIY energy and design sensibility to the work. The conversation digs into the stories behind his road trips, the role of chance in catching the right moment, and how his photos live somewhere between art and archive. They also get into bigger ideas around nostalgia, memory, and impermanence, weaving in connections to Walker Evans and the Bechers while keeping the focus on Ben’s unique perspective. Antonio relates it back to his own move to Nebraska and the challenge of seeing with fresh eyes. What unfolds is an easy, thoughtful exchange about how personal history, design, and music shape the way we notice and photograph the world. Viewing Hours: America's Vanishing Culture by Ben Geier (Amazon link) Ben Geier's Website and Instagram   Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio’s Zines. Send us a voice message, comment or question.   Show Links:   Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin’s Website, Vero, Bluesky, Instagram and Facebook page. Ornis Photo Website  The Unusual Collective Street Shots Facebook Page   Subscribe to us on: Apple Podcasts Google Podcasts Spotify Amazon Music iHeart Radio

"The Kodak camera makes possible a collection of photographs which record the life of its owner and which increase in value each day that passes." -- George Eastman "Anything worth doing is worth doing to excess." -- Edwin Land   In this episode, Antonio and Ward turn their attention to the endless pile of photographs that never make it past our phones. You know the ones—the cat sprawled on the couch, the hibiscus in morning light, the wing of the plane at sunrise. They’re not “keepers” in the traditional sense, not destined for printing or portfolios, but they accumulate all the same. Together they ask: are these photos practice, are they souvenirs, or are they just digital clutter taking up space? A conversation unfolds about the meaning of these unseen images and whether their value lies in being shared or simply in the act of making them. They wonder if this personal archive is the modern version of a junk drawer—messy, overflowing, yet somehow indispensable. Is the act of photographing enough on its own, even if nothing comes of it? By parsing out why we shoot so much and what those pictures mean, Antonio and Ward invite everyone to think about their own hidden collections and what role those quiet, everyday photos play in shaping how we see.   Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio’s Zines. Send us a voice message, comment or question.   Show Links:   Antonio M. Rosario's New Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin’s Website, Vero, Bluesky, Instagram and Facebook page. Ornis Photo Website  The Unusual Collective Street Shots Facebook Page Street Shots Instagram   Subscribe to us on: Apple Podcasts Google Podcasts Spotify Amazon Music iHeart Radio

"There is nothing as mysterious as a fact clearly described." -- Garry Winogrand "When someone becomes aware of the camera, it becomes a different picture." -- Robert Frank   In this episode, Ward shares his experiments with nighttime flash—slides, jackrabbits, and all the odd magic that comes with it—while Antonio talks about trying the same, even sneaking a few shots at Memorial Stadium. From there, the conversation shifts to Melissa O’Shaughnessy’s Perfect Strangers, the role of coincidence in street photography, and what it really means to be “lucky” with a camera in hand. Antonio reflects on photographing the Nebraska State Fair and wonders if his pictures are starting to look too much like Ward’s, sparking a back-and-forth on where their work overlaps and where it differs. They wrap things up with some gear talk—Ward’s crush on the Fujifilm XE5, Antonio’s patience for a possible X-Pro 4, and both of their thoughts on the Ricoh GR IV—plus a chat about processing styles and how those choices shape their evolving voices in photography. Ward's photos - https://adobe.ly/4mL9wp4 Antonio's photos - https://www.amrosario.com/journeys/nebraska-state-fair-2025   Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio’s Zines. Send us a voice message, comment or question.   Show Links:   Antonio M. Rosario's New Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin’s Website, Vero, Bluesky, Instagram and Facebook page. Ornis Photo Website  The Unusual Collective Street Shots Facebook Page Street Shots Instagram     Subscribe to us on: Apple Podcasts Google Podcasts Spotify Amazon Music iHeart Radio

"Life is not significant details, illuminated by a flash, fixed forever. Photographs are." - Susan Sontag "I am forever chasing light. Light turns the ordinary into the magical." - Trent Parke   In this episode, Antonio talks about visiting the Cass County Fair in Nebraska, using the trip as a chance to explore how he wants to approach photography in his new environment. Surrounded by the mix of people, animals, and small-town fair details, he leaned into shooting with his often-neglected Fuji X-Pro3 and a wide 16mm lens, embracing the different perspective it offered. The outing became less about documenting the event in a straightforward way and more about experimenting with composition, perspective, and mood to see how his work might evolve outside of Brooklyn. Both he and Ward recently picked up compact Godox iT30 Pro flashes with the intention of using them for street photography, but once out shooting, each decided against firing them. That hesitation becomes the starting point for a deeper discussion on flash photography. They trace its evolution from the early days of magnesium powder and flashbulbs, through the era of Polaroid flashcubes, to the development of strobes and today’s TTL units. The conversation touches on photographers who made notable use of flash, including Jessie Tarbox Beals, O. Winston Link, Philippe Halsman, and Bruce Davidson, exploring how each applied it to their work. Alongside the historical overview, Antonio and Ward get into the technical differences between older and modern flash systems, the practical challenges of using flash in the field, and how light-shaping tools and timing have played a role in iconic images.   Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio’s Zines. Send us a voice message, comment or question.   Show Links:   Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin’s Website, Vero, Bluesky, Instagram and Facebook page. Ornis Photo Website  The Unusual Collective Street Shots Facebook Page Street Shots Instagram     Subscribe to us on: Apple Podcasts Google Podcasts Spotify Amazon Music iHeart Radio

"In a good or successful color photograph, the picture's definition or meaning will somehow arise through the use of color” "Photographs have always been convincing lies." -- Joel Sternfeld In this episode, Ward shares stories from his recent road trip to Saskatchewan, including a visit to a hometown dirt track race—a nostalgic return since his last visit in 1978. The conversation turns toward grassroots motorsports, photography at the races, and how families get deeply involved, even with kids racing $40,000 modified cars. Antonio reflects on settling into life in Nebraska, exploring his surroundings, and using the Fuji X-Half camera as a spontaneous photo companion. He shares how the small, JPEG-only camera has helped him rediscover simple photographic joy, especially during a recent photo class with teens. The heart of the episode focuses on photographer Joel Sternfeld. Antonio and Ward explore Sternfeld’s thoughtful approach to color, how his emotional state influenced his editing choices, and the meticulous process behind his transition from 35mm to large-format 8x10 photography. They dig into Nags Head, his lesser-known 1975 series that unexpectedly triggered vivid memories for Antonio from his childhood summers in Provincetown, MA—despite being shot in North Carolina. The conversation also covers American Prospects, Sternfeld’s iconic work that blends subdued color palettes with a reflective look at American culture. Ward reflects on how Sternfeld’s careful use of color theory and restrained composition creates a sense of presence and emotional clarity rarely found in contemporary work.   YouTube - Joel Sternfeld and Geoffrey Batchen YouTube - ARTIST TALKS - JOEL STERNFELD - PARIS PHOTO 2019   Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio’s Zines. Send us a voice message, comment or question.   Show Links:   Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin’s Website, Vero, Bluesky, Instagram and Facebook page. Ornis Photo Website  The Unusual Collective Street Shots Facebook Page Street Shots Instagram     Subscribe to us on: Apple Podcasts Google Podcasts Spotify Amazon Music iHeart Radio

In this episode, Antonio and Ward talk about the challenge of photographing in new places. Antonio’s just moved to Lincoln, Nebraska and is still unpacking boxes, figuring out where to store his gear, and trying to spot what’s interesting to shoot in a much quieter environment than New York. He shares how different it feels to look for subjects like grain elevators, small-town architecture, or even backyard birds, and mentions playing around with his Fuji X-Half and a little drone to stay inspired. He also talks about noticing the slower pace of life, meeting friendly neighbors, and thinking about how he might approach more deliberate projects like set-up portraits in a community where people seem more open.   Ward describes his recent nights photographing the Calgary Stampede, explaining how he focuses on close-up, expressive portraits and uses different cameras to stay low-key in crowds. He talks about the energy of the event, shooting into the night with carnival lights, and building a long-term series he can add to each year. They talk about the tension between shooting things that have been done before and bringing your own perspective. Ward encourages just picking something and getting started, and they discuss ideas like making connections through local coffee shops, setting up portrait sessions, and simply finding a way to feel at home with the camera in a new environment.   Photo Gallery: https://adobe.ly/4kGspYf Recent Substack Articles: From the F Train to Farmland - Part 1 From F-Train to Farmland - Part 2 Point of Departure: Japan   Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio’s Zines. Send us a voice message, comment or question.   Show Links:   Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin’s Website, Vero, Bluesky, Instagram and Facebook page. Ornis Photo Website  The Unusual Collective Street Shots Facebook Page Street Shots Instagram     Subscribe to us on: Apple Podcasts Google Podcasts Spotify Amazon Music iHeart Radio  

  "Self-discovery through a camera? I am scared to look for fear of discovering how shallow my Self is!" -- Minor White "The voyage of discovery lies not in finding new landscapes but in finding new eyes." -- Marcel Proust   Antonio checks in from Lincoln, Nebraska after making the big move from Brooklyn. He shares the details of packing his life into a neon pink moving truck, driving cross-country with two cats dosed on gabapentin, and figuring out how much actually fits in a Chrysler Pacifica. He talks about the weirdness of seeing his old apartment empty, the relief of arriving without any real disasters, and the first impressions of settling into a new city that feels nothing like New York. He and Ward talk about what it means to photograph in a completely new environment: wide open roads instead of tight city blocks, and how that might change what you look for through the viewfinder. Antonio describes plans to explore local subjects, from the Capitol building to abandoned structures, and discusses wanting to find a personal approach that doesn’t just imitate what’s already been shot. They also get into practical matters—like unpacking gear, integrating cats into the new house, and figuring out how to carve out space for photo books and editing work. Ward offers advice on photographing new places, suggesting ways to start with familiar landmarks before finding details that stand out. There’s also some gear talk, including Antonio’s first impressions of the Fuji X-Half camera waiting for him in Lincoln, and discussion of plans to try street fairs, local art shows, and maybe even some night-sky photography. It’s an episode about changing scenery without feeling like you need to change who you are as a photographer, and about settling in while figuring out what’s next. Photo Gallery: https://adobe.ly/4lzEwaC   Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio’s Zines. Send us a voice message, comment or question.   Show Links:   Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin’s Website, Vero, Bluesky, Instagram and Facebook page. Ornis Photo Website  The Unusual Collective Street Shots Facebook Page Street Shots Instagram     Subscribe to us on: Apple Podcasts Google Podcasts Spotify Amazon Music iHeart Radio

"In each place I have travelled, I have used my camera as an extension of my memory." -- Teju Cole "In photography and in life, always look for the light, if you don’t see it, bring it."  John Waire   In this episode, Antonio records from Brooklyn for the last time before his big move to Nebraska. It’s a reflective and unscripted conversation, touching on the chaos of packing, the emotional weight of leaving, and a perfectly timed rainbow that showed up outside his window. He and Ward talk about the kind of weather that begs to be photographed and how certain visual moments trigger memories of past images—like Ernst Haas’ dramatic skies. Antonio also shares how instant photography is playing a bigger role in his life lately, especially with the Polaroid and Instax cameras he’s bringing on the road trip west. Ward recounts how he unexpectedly became the unofficial wedding photographer at a recent event, armed only with a Fuji XS20 and a 23mm lens. What was supposed to be a casual favor turned into a full-on assignment, and he reflects on how his street photography instincts kicked in to help him adapt. They also talk about the overlap between documentary and wedding photography, the influence of photographers like Kevin Mullins and Mel DiGiacomo, and how shooting in a “real life” environment brings out surprising results. There’s also a bit of Fujifilm gear talk, some thoughts on photo printing with Polaroid’s phone-based printer, and the occasional side trip into DIY diffuser hacks using deli containers.    Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio’s Zines. Send us a voice message, comment or question.   Show Links:   Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin’s Website, Vero, Bluesky, Instagram and Facebook page. Ornis Photo Website  The Unusual Collective Street Shots Facebook Page Street Shots Instagram     Subscribe to us on: Apple Podcasts Google Podcasts Spotify Amazon Music iHeart Radio

"The limitations of photography are in yourself, for what we see is only what we are." -- Ernst Haas   "A photographic portrait is a picture of someone who knows he is being photographed." -- Richard Avedon   In this episode, Ward opens with a deep dive into his Lightroom library, explaining how “hunting” for decisive moments differs from “fishing” for happy accidents—and proving the point with a newly-found two-way-mirror shot in Japan that almost became digital landfill. The chat drifts into portrait philosophy via Richard Avedon, landing on the idea that real power often comes from stripping a set-up down to tripod, subject, and nerve.   Next up is Fuji’s just-announced X-Half.  Antonio admits he’s already on the preorder list, while Ward likes the film-advance lever but winces at the price.  The boys agree its JPEG-only, half-frame design is less a beginner’s toy than a deliberate hand-cuff for photographers who enjoy working inside tight creative fences—much like the old Fuji GA645 or Antonio’s beloved X-Pro3 .   Antonio contemplates using his medium format Fuji for big-sensor portraits once he touches down in Nebraska, while Ward packs a Rolleicord TLR for some square-format rodeo portraits. On the lo-fi end, Antonio bolts a recycled disposable-camera lens onto his tiny X-M5, declaring that “expectations set to fun” is a perfectly valid image-quality setting for his upcoming road trip.   The episode rounds out with a vintage-photo detour: Antonio uncovers a century-old log-cabin print, and Ward feeds it to ChatGPT, which promptly pinpoints its location and time period. Maybe. That sparks a brainstorm on turning unlabeled family prints into a themed zine instead of consigning them to attic oblivion or the trash.     Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio’s Zines. Send us a voice message, comment or question.   Show Links:   Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin’s Website, Vero, Bluesky, Instagram and Facebook page. Ornis Photo Website  The Unusual Collective Street Shots Facebook Page Street Shots Instagram     Subscribe to us on: Apple Podcasts Google Podcasts Spotify Amazon Music iHeart Radio

"Photography is truth. The cinema is truth 24 times per second." -- Jean-Luc Godard   "What use is having a great depth of field, if there is not an adequate depth of feeling?" -- W. Eugene Smith   In this episode, Antonio and Ward catch up amid packing tape and camping plans. Antonio talks through the experience of unearthing old cameras—including a pair of Olympus XAs he didn’t even realize he owned—while preparing for his move. The conversation wanders through gear talk, fond memories of a long-lost Forscher Polaroid back, and a reflective look at how certain tools and artifacts carry pieces of photographic history. Meanwhile, Ward shares a bit about an upcoming camping trip and a brief hands-on with Fujifilm’s new GFX camera, which prompts a chat about who these high-megapixel cameras are really for.   Things shift toward the visual language of photography when Antonio brings up the use of shallow depth of field in shows like The Handmaid’s Tale. That sparks a back-and-forth on the emotional and narrative power of selective focus, both in film and stills—from Sally Mann’s large format portraits to W. Eugene Smith’s documentary work. They round out the episode by poking at the growing trend of chasing a “cinematic look” in photography, discussing whether it’s a meaningful stylistic choice or just another preset to scroll past.   Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio’s Zines. Send us a voice message, comment or question.   Show Links:   Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin’s Website, Vero, Bluesky, Instagram and Facebook page. Ornis Photo Website  The Unusual Collective Street Shots Facebook Page Street Shots Instagram     Subscribe to us on: Apple Podcasts Google Podcasts Spotify Amazon Music iHeart Radio

"It’s more important for a photographer to have very good shoes, than to have a very good camera." -- Sebastiao Salgado "I met somebody at the gallery. And he said to me, I own a photograph of yours. And when I get up in the morning, I look at it and it makes me happy. And I thought that was very nice. It meant I wasn't completely useless." -- Saul Leiter Antonio kicks off this episode with a walk through the 2025 AIPAD Photography Show in Manhattan, talking about everything from classic Ansel Adams prints to wild experimental pieces that blur the line between photography and sculpture. He also shares a fun moment meeting David Scheinbaum from Scheinbaum and Russek Gallery — one of his favorite YouTube follows — and reflects on what kinds of photography really connects with him. Ward jumps in with an update on his Japan photos, finding that after a little time away, the darker, moodier images he hoped for are starting to stand out. He and Antonio get into a great conversation about slowing down, letting your work breathe, and how fresh eyes can sometimes change everything you thought you knew about what you shot. The show wraps up with some gear talk, including Antonio’s thoughts on how he’s planning to travel lighter for his move. They also get into instant film photography, with Antonio sharing his plans to hook up a Fuji Instax back to his large format cameras — including the Crown Graphic his dad gave him — and how different gear sparks different ways of seeing.   Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio’s Zines. Send us a voice message, comment or question.   Show Links:   Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin’s Website, Vero, Bluesky, Instagram and Facebook page. Ornis Photo Website  The Unusual Collective Street Shots Facebook Page Street Shots Instagram     Subscribe to us on: Apple Podcasts Google Podcasts Spotify Amazon Music iHeart Radio  

"I do not try to find myself in what I 'shoot,' but perhaps I want to see the position of the world I am in." -- Daido Moriyama "Often while traveling with a camera we arrive just as the sun slips over the horizon of a moment, too late to expose film, only time enough to expose our hearts." -- Minor White In this episode, Antonio and Ward catch up and talk about the trips they each took recently. Ward shares his experience traveling through Japan for eleven days, visiting Tokyo, Hiroshima, and Osaka. He talks about how he planned his photo approach ahead of time, but also how being in such a different place pushed him to adjust on the fly. There’s a lot about the feeling of being there—the quiet streets, the pace of the subway system, the powerful visit to the Hiroshima Peace Memorial, and what it was like photographing during the peak of cherry blossom season. Antonio then talks about a shorter but important trip he made to Lincoln, Nebraska. It was his first time flying in a long while, and also his first time seeing the place where he plans to move. He visited his girlfriend, met her kids and friends, and started to get a feel for the town and what life might be like there. He also made time to take some pictures and begin thinking about what kind of photography might come out of being in a new environment.   Photo Gallery: https://tinyurl.com/24tj8ubq   Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio’s Zines. Send us a voice message, comment or question.   Show Links:   Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin’s Website, Vero, Bluesky, Instagram and Facebook page. Ornis Photo Website  The Unusual Collective Street Shots Facebook Page Street Shots Instagram     Subscribe to us on: Apple Podcasts Google Podcasts Spotify Amazon Music iHeart Radio

"I don't come as a photographer. I come as a friend." -- Alfred Eisenstaedt "I didn't decide to be a photographer; I just happened to fall into it." -- Berenice Abbott   With Ward heading off to Japan, he and Antonio hand the mic to their friend Keith Goldstein for this special episode. Keith takes over hosting duties and turns the tables by interviewing Antonio during a walk along NYC’s High Line. The two chat about Antonio’s full photography journey—from messing around with an Instamatic as a kid, to working in stock photography, to reconnecting with street photography as a more personal and grounding practice. They talk gear choices, old influences, shifting creative paths, and how life (and loss) can reshape your reasons for picking up a camera. It’s a relaxed, honest, and reflective conversation—captured on a sunny afternoon, with city sounds in the background and a giant pigeon looking on.     Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio’s Zines. Send us a voice message, comment or question.   Show Links: Keith Goldstein's Instagram and Blog Outskirts Press Manhatta by Keith Goldstein Boroughs in Focus: A Visual Journey Through New York City’s Heart (Photographer's America) Paperback – April 30, 2025 by Keith Goldstein   Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin’s Website, Vero, Bluesky, Instagram and Facebook page. Ornis Photo Website  The Unusual Collective Street Shots Facebook Page Street Shots Instagram     Subscribe to us on: Apple Podcasts Google Podcasts Spotify Amazon Music iHeart Radio

"You know, the camera is not meant just to show misery." "The subject matter is so much more important than the photographer." -- Gordon Parks In this episode of Street Shots, Antonio and Ward dive into the life and legacy of the iconic photographer Gordon Parks. They explore his remarkable journey from humble beginnings in Fort Scott, Kansas, to becoming one of the most celebrated photographers of the 20th century. They focus especially on his influential “Segregation Story” photo series, which captures powerful images of racial injustice in mid-20th century America, emphasizing Parks’ talent for storytelling through visual imagery. Antonio and Ward also discuss Parks’ renowned photograph “American Gothic,” featuring Ella Watson, and how this iconic image vividly illustrated the racial and economic challenges of its time. They touch upon Parks’ successful venture into filmmaking, notably directing the groundbreaking movie “Shaft,” highlighting his unique ability to bridge photography and film to address important social issues. Ward shares personal reflections inspired by the “Collected Works of Gordon Parks,” underscoring Parks’ lasting influence on visual culture and storytelling.   Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio’s Zines. Send us a voice message, comment or question.   Show Links: The Gordon Parks Foundation Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin’s Website, Vero, Bluesky, Instagram and Facebook page. Ornis Photo Website  The Unusual Collective Street Shots Facebook Page Street Shots Instagram     Subscribe to us on: Apple Podcasts Google Podcasts Spotify Amazon Music iHeart Radio

  Antonio opens this month’s episode with a personal message explaining that it’s going to be a rerun instead of a new show. After losing his beloved cat of 19 years,  Eddie, Antonio just wasn’t in the right headspace to record. He shares how much Eddie meant to both him and his late wife, and why saying goodbye was so tough. For the rerun, Antonio picks a special episode from  October 2022, when Ward visited New York, and they recorded together in person right after seeing the Bernd and Hilla Becher exhibit at the Metropolitan Museum of Art. It’s a meaningful conversation and a reminder of how photography, friendship, and life’s hard moments are all connected. Regular episodes will be back in March.   Show Links: Bernd and Hilla Becher exhibit at the Metropolitan Museum of Art. YouTube videos: Bernd & Hilla Becher Virtual Opening | Met Exhibitions Bernd and Hilla Becher and their 19th and Early 20th-century Precursors with Jeff Rosenheim Bernd and Hilla Becher, Hauser & Wirth Zürich Becher photography exhibition in the Ruhr Valley | Video of the day Hilla and Bernd Becher invented a new genre of photography   Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio’s Zines. Send us a voice message, comment or question.   Show Links:   Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin’s Website, Vero, Bluesky, Instagram and Facebook page. Ornis Photo Website  The Unusual Collective Street Shots Facebook Page Street Shots Instagram     Subscribe to us on: Apple Podcasts Google Podcasts Spotify Amazon Music iHeart Radio