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Data Transmission Podcast
Data Transmission Podcast
Author: Data Transmission
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House, Tech House, Deep Tech, Minimal Tracks & Mixes.
Our release premiere series are all selected by @ronmexicodj for consideration please email hello@datatransmission.co
For our TRACK REPOST service, please submit them to here - https://datatransmission.co/submit-your-repost/
For label submissions please head to our in-house label at @63brecords
The Online Dance Music Authority.
Dancing without prejudice since 2008.
Our release premiere series are all selected by @ronmexicodj for consideration please email hello@datatransmission.co
For our TRACK REPOST service, please submit them to here - https://datatransmission.co/submit-your-repost/
For label submissions please head to our in-house label at @63brecords
The Online Dance Music Authority.
Dancing without prejudice since 2008.
352 Episodes
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There’s a certain type of mix that doesn’t shout. It just locks in and keeps things moving. This one lands exactly there, with HASKELL stepping up with a fresh Data Transmission session as he opens 2026 on Strangelove. No gimmicks, no filler, just club music played by someone who understands pacing, pressure, and when to let a groove breathe.
HASKELL’s rise has been steady rather than noisy. Releases across Toolroom Records, Nervous Records, Myth Of NYX, IN/Rotation and Strangelove Records have built a catalogue that works where it counts. In the booth. On proper systems. The records sit between house and stripped-back club cuts, rolling rather than racing, focused on movement and control.
That mindset runs through this mix. His new Strangelove cut Ice sets the tone early, cold drums, tight low-end, no wasted energy. From there it’s a selector’s run. Lipstick brings swing and weight, DOUBLE C does what PAWSA does best, pressure without shouting. Cuts like El House and Power Of Love keep things ticking with that late-night bounce, the kind that works just as well in a low ceiling basement as it does on a warm rooftop.
There’s a strong run of HASKELL originals woven through the set too. Shake That, unreleased IDs, and the collaboration energy hinted at with the I Need You Baby cut all reinforce a clear point of view. This is club music made by someone who plays clubs regularly, not theory, not trends.
A lot of that discipline comes from outside music. Before records and road life, HASKELL competed internationally in rugby, and you can hear that mentality here. Repetition, timing, restraint. Knowing when to push and when to hold. It’s the same logic that made Go Deep with Mark Knight and Gene Farris such a strong Toolroom moment last year, functional, confident, built to last past first plays.
This mix feels like a proper marker for the year ahead. No rush, no rebrand, just someone doubling down on what works and delivering it clean.
Get locked in and listen via SoundCloud, Mixcloud or Apple Podcasts. This one’s built for long blends and late finishes.
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From acid tapes and jungle MCs to sweaty tech house basements, Cizzzla’s journey has always been about energy. Real energy. The kind that rattles walls and keeps floors moving long after lights should be up.
Coming up on pirate radio and cutting his teeth as MC EKO on stations like Delight FM and Rinse, he built his name the old way. Mic skills sharp. Presence loud. Reputation earned. From Ayia Napa to Garage Nation, Sidewindah and stages shared with Dizzee Rascal, EZ, So Solid Crew and Heartless Crew, this is proper scene graft.
Fast forward and the reload is heavy. Cizzzla is back with a tech house edge that hits hard. Percussion-led grooves. Choppy vocals. Bass that swings low and punches back. Influences nod to James Hype, Skrillex and Chris Lake, but the flavour is his. Fast mixes. Quick transitions. No filler.
Right now he returns to DT Weapons with “Boomerang”, a raw, floor-ready weapon built for late nights and low ceilings. Deep bass. Tight groove. No nonsense. It snaps back every time and leaves the dancefloor begging for one more spin. Straight into the USB.
To mark it, Cizzzla steps up for the Spotlight Mix Series with a set that doesn’t mess about. His own cuts sit front and centre.
Best Kinda Drug, How Ya Like It, One Time For Ya Mind, Boomerang, We Run Sound, The Fcuk Up.
All killers. No dead space.
Around them you’ll catch heat from Ship Wrek & Disco Lines, Valentino Khan, Don Diablo, Alok, Luke Alexander and Raffi Habel. Club tools built for basements, rooftops and those proper sweaty warehouse moments where phones stay down and hands stay up.
This one’s all bounce. All pressure. All dancefloor.
Lock in.
Turn it up.
Listen now on SoundCloud.
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There’s a certain sound that only works when the lights are low and the room is already moving. This is that sound. Castion steps back into the Data Transmission booth with a mix built for sweat, bounce, and no-nonsense groove. Zero warm-up. Straight into business.
Fresh off his return to MoodCollective, Castion has been on a sharp upward curve. The Tenerife-based producer first landed on the imprint alongside Nicole Moudaber, helping launch the label in mid-2025 and pulling early support from Groove Armada and Harry Romero. Since then, it’s been clubs, charts, and consistent damage.
This mix feels like how Castion actually plays. Rolling tech-house pressure, chunky drums, and grooves that don’t let go. It moves fast but never rushes. Percussion swings. Basslines hit low and wide. Vocals land just long enough to hook you before the next blend snaps in. Rooftops at sunset, basements at 3am, and those packed mid-set moments where the floor locks into one rhythm.
There’s plenty of his own material woven through the session. Cuts like Non Stop and The Beat set the tone early. His new single See Some More slides in naturally, all hypnotic drums, sexy vocal tension, and peak-time punch. Elsewhere, he dips into Chinonegro’s Mi Gente, Rushin’s FNKSTA, Sohail & SEBS’ Nah, and a cheeky flip of Timbaland’s The Way I Are that lands exactly where it should. By the time the closing stretch hits, it’s full dancefloor control.
This is a DJ mix that understands flow. No filler. No distractions. Just groove after groove, built for real rooms and real systems.
Castion’s See Some More drops on MoodCollective on 13th February 2026, keep it locked for that.
For now, hit play on the podcast and let this one roll.
Listen now on SoundCloud, Mixcloud, or Apple Podcasts.
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Heads up, dancefloor warriors! G. Felix is back, ready to drop some serious heat with his upcoming 'REBORN' EP. This Brazilian tech house wizard is about to two monster tracks that'll have you grooving from dusk till dawn.
With 18 years of spinning magic, G. Felix isn’t just a name; he’s a legend in the making. His beats have rocked labels like Repopulate Mars and Armada, and he snagged the crown on Brazil's tech house charts back in 2020. Talk about a heavyweight champ in the scene!
Now, let’s dive into these tracks. First up, '11.0 (TimeVision)' is a deep dive into a groove so immersive, it feels like a sci-fi saga with a haunting vocal twist. It’s the kind of track that sticks with you long after the last note. Then, we got '10.0 (The Cosmo’s Purpose)', packing a gritty bassline that’s got a futuristic spin on those classic house vocals we all love. This is a you won’t want to miss, trust.
Repopulate Mars is G. Felix's playground, where he’s consistently dropping beats that push the limits. It’s a cornerstone in the scene, setting the pace for everyone else to keep up.
Circle the date, party people: the 'REBORN' EP is dropping on 23rd January 2026 via Repopulate Mars. Get ready for a sound adventure that’ll flip your musical world upside down and inside out.
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London's underground scene is electrified by STEZ's latest mix. This DJ and producer is a master at commanding the dance floor with precision.
For over a decade, STEZ has been a formidable force in the house music domain. His debut single 'Feeling' hit the scene in 2025, establishing his distinct and compelling sound.
'Catch My Love' is a relentless of rolling basslines and sharp percussion. The slick vocal hook injects an infectious energy, making it an essential choice for peak-time sets and sun-drenched terraces alike.
Experience STEZ's prowess at your go-to London club, where he forges a deep connection between bodies and minds through his music. You might catch him at Fabric, where the atmosphere is charged and the crowd is perpetually primed for more.
'Catch My Love' is out now on dt weapons, further cementing STEZ's ascent in the tech house .
This mix is a powerhouse of that unmistakable dancefloor intensity.
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Yo, space cadets and groove warriors, strap in for a celestial ride with Deep Cuddle's latest mix, a shimmering portal into the 2026 podcast series. This one's got those ethereal grooves that'll have you floating in the sonic stratosphere.
Deep Cuddle's been the shining star in Chicago's underground galaxy for more than two decades, a true legend in the cosmos of sound. His vibe is a wild fusion of psychedelic nebulae and house rhythms, crafting an ever-evolving universe of beats and melodies.
In 'Glimmer', Deep Cuddle teams up with the stellar suemomo to weave a of smooth, steady grooves. Picture this: the bassline glides like a comet streaking through the cosmos, while those light drums pulse with a steady, celestial rhythm that'll have your head nodding in no time. Suemomo’s vocals? They're like stardust, floating, adding a gentle lift that enhances the deep house atmosphere without stealing the spotlight. This mix is the essence of Chicago's vibrant dance music galaxy, a true through the stars.
Released under the astral banner of Penthouse Audio, 'Glimmer' is out now, ready to get your feet moving and your soul grooving. Prepare to be transported, my friends; this mix is a cosmic odyssey that’ll take you to the outer realms of dance. Stream the mix now and let those celestial grooves wrap around you like a cosmic hug. Get ready to blast off!
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Alright, party people, brace yourselves for a wild ride with Mandiz, the undisputed Queen of Booty Bass. This mix is a straight-up powerhouse, packed with deep grooves and vibes so intense, they’ll keep you moving and grooving all night long.
Mandiz isn't just another DJ in Montreal's electronic playground; she's a force of nature. Drawing inspiration from legends like Jamie Jones and the legendary Nervous Records, she's crafted a sound that's all her own. We're talking about a fusion of killer vocals and basslines so heavy, they might just rattle your soul.
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Ian G steps up with a feel-good house session rooted in piano pressure and proper dancefloor soul.
A UK DJ and radio host on a mission to push piano house back where it belongs, front and centre. Ian’s sound pulls straight from the 90s, then tightens it up for now. Big chords. Vocal hooks. Uplifting energy. Music that works at 2am and still hits on the drive home.
This mix is a clear snapshot of that world. From the warm groove of Universe and the swing of Size 10, through to the hands-in-the-air moments of Tell Me On Sunday with Angel Johnson, fresh from Front of House Recordings. There’s also a nod to classic house attitude with Lisa Marie Do That To Me alongside Luv Foundation (UK), plus plenty of modern piano-led cuts built to lift the room.
Ian’s story runs deep. Decades in the game, from vinyl to CDJs, Ministry of Sound to ADE, with a hard reset along the way after a serious accident and stroke. The comeback is real. Sober, focused, and locked in on the sound he loves. Releases on Perfect Havoc, Phonetic, Let There Be House and more have backed that return, with Beatport No.1 success and growing support across Spotify and Apple Music.
This is piano house with purpose. Timeless, positive, and made for the dancefloor.
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Lock the doors. Turn it up. This one is for the late hours.
Tony H has been putting real weight behind his name for a while now, and this mix proves why. Panama born, Seattle based, and built in sweaty rooms, he has gone from running Late Night Munchies to pushing deeper shades on Munchies After Dark, all without losing that raw house energy that first turned heads.
You can hear it straight away. Rolling basslines. Snappy drums. Grooves that don’t rush but still hit hard. This is house music made for packed basements, rooftop sunsets, and that moment when the lights should be on but no one wants to leave.
Tony’s rise has been steady and loud. Shouts from Kevin Knapp. Gray Area Magazine calling him one to watch. Releases on Desert Hearts, Dirtybird, Space Yacht, Music Is 4 Lovers and more. Add big stage moments at Coachella, Miami Music Week, Day Trip Seattle, Beyond Wonderland and Bass Coast, and it all makes sense.
The mix leans into the Ride Or Die world. Cuts from his own Late Night Munchies camp sit next to underground weapons and unreleased heat. Expect plays like Tony H – Ride Or Die, Pay Attention, the Gettoblaster collab with Missy, plus curveballs like Terry Jasinto – Press (Tony H Remix) and that Mat.Joe remix of All Night Long. It flows. It rolls. It doesn’t let up.
This is the kind of session you throw on when the room is already warm and you want it hotter. No fluff. Just movement.
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Soulfie steps into our Spotlight Mix with a groove heavy house session built on soul, disco, and Brazilian swing. We first saw her at the Toolroom Academy x Crossfader party at ADE in Amsterdam and her energy was instant. This mix is packed with warmth, bounce, and proper dancefloor moments.
Originally from Santa Catarina and now based in São Paulo, Soulfie blends her soul and disco roots with classic house influences like Larry Levan and Louie Vega. Her sets move with groove and feeling, never needing big BPMs to lift the room.
This mix features tracks from Angelo Ferreri, Soul Central, Full Intention, Corrado Alunni, Mercer, Jay Vegas, Ghostbusterz, and more. Expect funk, swing, disco sparkle, and a few short edits from Soulfie herself.
Tracklist: https://datatransmission.co/spotlight-mix/soulfie-joins-the-spolight-mix/
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Kyle Watson lands on The Podcast this week, and the timing could not be better. The South African groove-smith drops a slick, low-slung session packed with bounce, bite and club-ready muscle. This one hits on 10th December and it goes straight for that late-night basement energy we all miss until the weekend rolls in.
The Podcast has been a home for global players for years. From fresh faces to scene leaders, it’s built a rep for forward sounds and sweaty warehouse flavours. Kyle fits right in. His rise has been wild to watch, and this mix shows why. Sharp drums. Naughty basslines. Pure dancefloor lift every few minutes. You can tell he’s been shaping his own lane for over a decade, and the confidence shows in every transition.
Kyle built his name with a signature blend: crisp sound design, thick rhythms and that playful swing nobody else quite nails. The Podcast gives him space to stretch. And he takes it. Across the full tracklist he stitches together chunky rollers, vocal sparks, deep grooves and late-night stompers. You’ll catch his own heaters too, including “Feel,” “Slow Motion,” “Bad Luck,” and the big crowd favourite “Double Dutch.” It’s a smart spread. Heads will love the range, and new fans will fall in fast.
The flow is tight. Starting with warm house shimmer from Flo.Von & Max Metzinger, he pushes into peak-time punch with Jake Bleu & CHAN before hitting that sweet tech-leaning crunch from Dunmore Brothers and Dusky. Rechunks drop in like secret weapons, especially his take on Solomun’s remix of "Around" and the RÜFÜS cut “Pressure.” Each switch has purpose. Each drop hits clean. The whole thing feels like a sold-out rooftop party drifting into a packed warehouse at 3am.
Kyle’s touring history shows. Crowds in South America, the States, Aus and NZ already know the deal. Big energy. Big personality. Big low-end. And it translates here. This mix is built to move bodies. It’s aimed at dancers who listen close and ravers who just want the system rattled.
If you love groove-led house with real flavour, this week’s Podcast is your fix.
Lock in the full Kyle Watson mix and tracklist right here
Tracklist: https://datatransmission.co/podcasts/dt940-kyle-watson/
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Mike Nasty's Unfolds Yo, heads up! Mike Nasty is back in the game, bringing that relentless firepower to light up the dance floor like never before.
This NYC-based DJ drops a podcast intro that's got the swagger and the sound to grab your attention and never let go. With a cool 16 years of spinning under his belt, Mike's mix is like a sonic rollercoaster, taking you on a wild ride that you won't want to end.
Known for his killer adaptability, Mike Nasty blends House, Hip-Hop, and R&B like a master chef mixing flavours. As the genius behind Nasty Tracks, he's always pushing the boundaries of what dance music can do.
This dude knows how to keep the energy sky-high and the crowd vibing hard.
This podcast intro is packed with a selection of tracks so fierce, it's like a party in your headphones. Mike Nasty's own 'Sing Your Praise' is in the mix, ready to hit you with deep grooves, compelling rhythms, and melodies that soar higher than your weekend plans. Get ready to feel your pulse race and your spirit lift! Catch Mike Nasty ruling the dance floors at legendary NYC spots.
Whether he's spinning in an underground hideaway or on a rooftop with a killer skyline view, he's got the city wrapped around his little finger. This podcast intro isn't just a mix; it's a testament to Mike's relentless hustle in the dance music scene.
Keep your ears peeled for more explosive bangers from Nasty Tracks.
Today, he joins us for the first time on the podcast. Listen to it below, on Mixcloud or iTunes here.
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From the heart of Bavaria to the electrifying shores of Ibiza, Defex is reshaping the electronic music with a relentless drive and undeniable talent. His is a testament to unwavering dedication, crafting a sound that penetrates deeply into the underground.
Defex emerged from a small town, untouched by the mainstream's grasp. Now, he stands as a formidable force in the European underground scene, particularly with the Zoo Family in Ibiza.
His tracks, including 'We Are The Beat' featuring BLONDEWEARINGBLACK, throb with intense grooves and complex layers. Expect a fusion of deep house and dark techno, engineered to ignite the dancefloor and defy conventional DJing norms. It's the kind of sound that reverberates through your core when the bass drops, making the room tremble under the weight of the rhythm.
Catch Defex commanding the decks at the iconic The Zoo Project in Ibiza. A place where strobe lights cut through the haze and the atmosphere is charged with pure, unfiltered energy. It's a sanctuary for those in pursuit of the authentic underground experience.
His latest podcast features tracks from Poker Flat Recordings and Moon Harbour, a showcase of his distinct sonic signature. Stay alert for more releases on labels like Terminal M and Gigolo. It's about pushing boundaries and keeping the underground scene vibrant and alive.
Defex is poised to lead you on an intense sonic this season.
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Yazmina is on a roll right now. The Moroccan English producer and DJ steps onto Yousef’s Circus Recordings with her Amnesia EP, a sharp two tracker built for dark rooms and late nights.
The title cut hits first. Amnesia nods to the Ibiza institution and pairs Yazmina’s deep jackin groove with Lucky Samurai’s spoken word. Big bass. Bright stabs. Space for the vocal to glide. It builds slow pressure then drops you right back into the floor.
Flangé Bongo flips the script. A cheeky vocal. Chopped up percussion. A tight rolling groove. It is Yazmina at her most playful, weaving classic house ideas with her own twist.
She has been building fast since 2022, drawing support from Jamie Jones, Amine Edge and Dance, Syreeta, Peggy Gou, Arielle Free, Jammer, Hilit Kolet, and Juliet Mendoza. Releases on Hottrax, Nervous, Glasgow Underground, Under No Illusion, and Circus have shown the direction she is moving in. Her focus stays on original work with vocalists. She wants a catalogue people will sample years from now.
Today she steps into our Spotlight Mix with a set that shows where she is heading. Deep cuts. Rolling house. A few curveballs. Plenty of groove. Two tracks from her Amnesia EP land inside and they sit comfortably next to the heavy hitters she has chosen.
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Fer BR returns with a commanding club anthem, 'Never Sax Enough'. This three-track package is engineered to dominate dance floors with its relentless energy.
Spanish producer Fer BR is a force in the tech house scene. Known for his intense grooves, he has collaborated with titans like Paco Osuna.
'Never Sax Enough' features a provocative sax line and driving beats that fuel the dance floor. The remix by Iglesias injects a powerful bassline and razor-sharp synths, engineered for peak-time intensity.
This track recently gained momentum during Ilario Alicante’s b2b with Marco Carola at Music On. Imagine the scene: low ceilings, sweat saturating the walls, and the strobe cutting through the haze. It hits you with unyielding force.
The EP drops on Ilario Alicante’s Sound D’Elite on October 3rd, showcasing Fer BR's signature intensity.
Prepare to be enveloped by the groove with Fer BR's latest release.
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James Dexter returns with a powerful debut album, 'Here Now'. This release marks a decade of his label, Inermu, and stands as a testament to his relentless dedication to the craft.
A stalwart in the UK underground scene, James has consistently pushed boundaries. Inermu, established in 2015, has become synonymous with groove-driven tracks that command the dancefloor with precision.
'Here Now' delivers ten meticulously crafted tracks, blending hazy dub rollers with driving garage grooves. Standout pieces like 'Feels' and 'Reese's Groove' are laser-focused on the dancefloor, while 'Sunday Service' plunges into profound emotional depths. Prepare for basslines that resonate through your core and rhythms that transport you beyond the confines of time.
The album follows a landmark 10th anniversary celebration at fabric London, where the low ceilings and strobe lights created an atmosphere of pure intensity. The energy was palpable, with James Dexter's sound permeating every inch of the space.
Set for release on 10th October 2025 via Inermu, 'Here Now' represents the next chapter in James Dexter's evolving, showcasing his innovative spirit and artistic growth.
Secure your pre-order of 'Here Now' and immerse yourself in the commanding sound of James Dexter.
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Canada’s rising groove dealer STIRLING is lighting up the tail end of 2025 like it’s peak Ibiza season. The London, Ontario talent just bagged Carl Cox Essential Mix support, smashed a string of killer releases, and is proving that his move from boardroom to booth was pure instinct.
Leaving behind his own company to chase the buzz of basslines and crowd roars, STIRLING’s now racking up spins from Solomun, Jamie Jones, Sam Divine, and Mark Knight. That’s heavyweight approval for a producer barely a year into his full-time hustle.
His sound? Think chunky house drums, cheeky vocal hooks, and grooves that make your feet argue with your brain about when to stop dancing. You’ll hear it on “Bang To The Rhythm” with Mr. V, the rolling “I Got Bad Habits” on Toolroom Trax, and of course, that now-legendary “Dark Beat” rework that Cox dropped twice on the Essential Mix. When Carl says, “Cream always rises to the top,” he’s talking about this kind of energy.
There’s something raw and fearless in these records, built for late-night basements, festival rigs, and those sunrise moments when the crowd’s locked in and grinning. You can hear the same drive that took him from startup life to the studio in every groove, every kick, every drop.
This mix is a victory lap, a statement, and a sweaty dancefloor weapon all in one. Plug it in, turn it up, and let STIRLING show you how Canada gets down.
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