Tonebenders Podcast

Supervising Sound Editor Laia Casanovas flew in from Spain to join Tonebenders in front of a packed theatre in Toronto. Laia shows real enthusiasm while talking about her Oscar nominated sound work on Sirāt. She discusses "worldizing" the music featured in the film to match the homemade sound systems depicted on screen, as well as the role wind sounds plays to ramp up tension and how the vehicle's engines presented unexpected audio problems for Laia and her team to solve. Listeners in LA, don't forget to come out to the 4th Annual Tonebenders' Los Angeles Sound Design Meet-up, Presented by The Motion Picture Sound Editors. This Thursday, March 5th 2026, 7pm. We will be at All Season Brewery (800 S La Brea Ave) in Hollywood. I hope to see you there. ______SPONSORS: Great sound leads to great storytelling. With Sound Ideas Memberships, you get full online access to the largest professional sound library in the world. Choose the tier that fits your needs, including up to unlimited downloads on the royalty-free use of hundreds of thousands of sounds. From cinematic impacts and detailed ambiences to everyday essentials and specialty effects, it’s all ready to preview and download on demand. Just head to https://sound-ideas.com/pages/memberships to find the Membership that’s right for you. ________ MORPHOSIS is a powerful neural timbre-matching tool designed for audio professionals. It works by applying the tonal qualities of one sound source, onto a second sound in surprisingly effective ways. I think where Tonebenders listeners will be most interested is in what it can do with sound effects and voices. Head to https://www.hal-audio.com/product/morphosis/ now and use the promo code TONEBENDERS25 to get 25 percent off your purchase of Morphosis until March 31st. Episode Notes: https://tonebenderspodcast.com/352-sirat-live/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead

One Battle After Another is the latest film by director Paul Thomas Anderson and it is his first time finishing a project with a full ATMOS Mix. Embracing the idea of "widening the screen with sound" Supervising Sound Editor Christopher Scarabosio, Re-recording Mixer Tony Villaflor and Production Sound Mixer José Antonio García set out to create an energetic and engulfing soundscape for One Battle After Another. In this talk they discuss building the riot scene, the truly unique car chase, the obstacles that the VistaVision camera brought to them and lots more. ______SPONSORS: If you work in sound design, post, or game audio, you already know how much time the right library can save you. For the month of February, get 50% off any Sound Ideas Membership Tier, no matter which level of access you need. That’s half off the entire professionally recorded sound effects catalog, from cinematic and broadcast to hard-to-find specialty sounds. Just head to http://sound-ideas.com/ and use the promo code TONEBENDERS50 at checkout._________ If you are in the LA area don’t miss the 4th Annual Tonebenders Sound Design Meet-up on Thursday, March 5th, 7pm. We will be gathering at All Season Brewery in Hollywood to hang out with the Los Angeles sound community and catch up with old friends while hopefully making new ones. https://tonebenderspodcast.com/tonebenders-sound-design-meet-up/ Episode Notes: https://tonebenderspodcast.com/351-one-battle-after-another/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead

Zootopia 2 had the second biggest box office in 2025. People all over the world flocked to see it and that is not lost on the sound team behind it. In this episode Jeremy Bowker (sound designer & supervising sound editor) and David Fluhr (supervising re-recording mixer) discuss how they tackle a film with this much anticipation behind it, mixing dialog for animation, designing sounds to work with the massive score, their approach to international versions and lots more. ______SPONSORS: If you work in sound design, post, or game audio, you already know how much time the right library can save you. For the month of February, get 50% off any Sound Ideas Membership Tier, no matter which level of access you need. That’s half off the entire professionally recorded sound effects catalog, from cinematic and broadcast to hard-to-find specialty sounds. Just head to http://sound-ideas.com/ and use the promo code TONEBENDERS50 at checkout. ______ If you are interested in field recording, you should know about the O-Mini P48 and the brand new O-Mini PIP miniature omni-directional electret microphones. Each one is hand made by Chris Trevino, a practicing field recordist, and a really engaged member of the sound community. He puts a lot of work into making and testing each mic to ensure they live up to his high standards. They are ultra-sonic capable, which makes manipulating your recordings with them a lot of fun. They are also extremely affordable. At $150us for the P48 & $130 for the PIP, they offer a lot of value for a stereo matched pair. Find out more at https://www.chrisatrevino.com/store _______ Come celebrate the best sounding films, series and games from the last year at the MPSE Golden Reel Awards on Sunday March 8th starting at 3pm. For full details and to find out how to purchase tickets head to https://mpse.org/event-6300024 Episode Notes: https://tonebenderspodcast.com/350-zootopia-2/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead

To celebrate Mark Mangini's upcoming Lifetime Achievement Award from the Motion Picture Sound Editors, I sat down with him to stroll down memory lane. We dig into all the films that he has been nominated for Golden Reels on over the years. That is a lot of films! 23 nominations in total. In this part 2 of the conversation we go from the late 80s up to modern day, covering films like Aladdin, The Green Mile, Mad Max: Fury Road, Dune and many more. We also talk a bit about some of the upcoming films Mark has been working on recently. Make sure you check out part one as well, just go back one episode in the feed. You can purchase tickets to attend the Golden Reels by going to https://mpse.org/event-6300024. ______SPONSORS: If you work in sound design, post, or game audio, you already know how much time the right library can save you. For the month of February, get 50% off any Sound Ideas Membership Tier, no matter which level of access you need. That’s half off the entire professionally recorded sound effects catalog, from cinematic and broadcast to hard-to-find specialty sounds. Just head to http://sound-ideas.com/ and use the promo code TONEBENDERS50 at checkout. ______ If you are interested in field recording, you should know about the O-Mini P48 and the brand new O-Mini PIP miniature omni-directional electret microphones. Each one is hand made by Chris Trevino, a practicing field recordist, and a really engaged member of the sound community. He puts a lot of work into making and testing each mic to ensure they live up to his high standards. They are ultra-sonic capable, which makes manipulating your recordings with them a lot of fun. They are also extremely affordable. At $150us for the P48 & $130 for the PIP, they offer a lot of value for a stereo matched pair. Find out more at https://www.chrisatrevino.com/store _______ Episode Notes: https://tonebenderspodcast.com/349-mark-mangini-pt-2/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead

Mark Mangini will be receiving the Motion Picture Sound Editors Lifetime Achievement Award at this years's Golden Reel ceremonies. To celebrate this honour, Mark and I sat down in Formosa's Stage 6 for a fascinating talk about all the projects for which he has been nominated at the Golden Reels over the years. In this part 1, Mark discusses his early work starting with all time classics like Raiders Of The Lost Ark, Poltergeist, Gremlins and Star Trek: The Voyage Home. Part 2 will be coming out in a few days where we cover the rest of his career to present day. You can purchase tickets to attend the Golden Reels by going to https://mpse.org/event-6300024 ______SPONSORS: If you work in sound design, post, or game audio, you already know how much time the right library can save you. For the month of February, get 50% off any Sound Ideas Membership Tier, no matter which level of access you need. That’s half off the entire professionally recorded sound effects catalog, from cinematic and broadcast to hard-to-find specialty sounds. Just head to http://sound-ideas.com/ and use the promo code TONEBENDERS50 at checkout. ______ If you are interested in field recording, you should know about the O-Mini P48 and the brand new O-Mini PIP miniature omni-directional electret microphones. Each one is hand made by Chris Trevino, a practicing field recordist, and a really engaged member of the sound community. He puts a lot of work into making and testing each mic to ensure they live up to his high standards. They are ultra-sonic capable, which makes manipulating your recordings with them a lot of fun. They are also extremely affordable. At $150us for the P48 & $130 for the PIP, they offer a lot of value for a stereo matched pair. Find out more at https://www.chrisatrevino.com/store _______ Episode Notes: https://tonebenderspodcast.com/348-mark-mangini-pt-1/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead

This episode features an interview with Supervising Sound Editor and Re-Recording Mixer Skip Lievsay, from the recent film Marty Supreme. Skip discusses his team's approach to the ping pong sound effects and how to use use background sounds to ground a film in a certain time and place. Skip has worked with both Safdie brothers together on Uncut Gems and then with Benny on his own for Smashing Machine and Josh solo on Marty Supreme. Skip tells me what each experience was like. After I finish talking with Skip Lievsay, this episode concludes with backstage interviews featuring all the winners from the sound categories at the recent Director's Guild of Canada Awards. ______SPONSORS: As the New Year begins, Sound Ideas is offering its largest sale to date. For a limited time, receive 55% off professionally recorded sound effects and music libraries. This New Year promotion applies across their esteemed catalog, making it an ideal moment to expand or update your professional collection with authentic audio and a proven standard of quality. The Sound Ideas New Year Sale is available now for a limited time– so visit https://sound-ideas.com/ now! _______ Episode Notes: https://tonebenderspodcast.com/347-marty-supreme/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead

Wicked For Good pushed the Oscar nominated sound team from last years blockbuster, Wicked, to go further into the sonic world of Oz. Continuing the idea that every sound making it into the film had to have an Ozian twist to it. Nancy Nugent Title (Supervising Sound Editor), John Marquis (Supervising Sound Editor/Sound Designer/Re-Recording Mixer), Jack Coleman (Supervising Music Editor) and Simon Hayes (Production Sound Mixer) tell us about all the obstacles and challenges they met to complete this massive project. The music and sound effects departments worked really closely together in post, while production sound was constantly thinking about what would be needed by the audio post team. Wicked For Good is the culmination of a massive project where sound was an integral part of the the entire production. ______SPONSORS: As the New Year begins, Sound Ideas is offering its largest sale to date. For a limited time, receive 55% off professionally recorded sound effects and music libraries. This New Year promotion applies across their esteemed catalog, making it an ideal moment to expand or update your professional collection with authentic audio and a proven standard of quality. The Sound Ideas New Year Sale is available now for a limited time– so visit https://sound-ideas.com/ now! _______ Episode Notes: https://tonebenderspodcast.com/346-wicked-for-good/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead and edited/mixed by Therese Gylfe & Tove Lidman for TnT Sound Design

This interview was recorded live, in front of a packed house, at the Glen Glenn Film Center in Hollywood California. F1: The Movie presented a multitude of complex challenges for it's sound team, as the race cars have to sound huge and immediate and the music had to be "driving" as well. Then you add in the dialog and crowds and you are dealing with a monstrous brew of editorial and mix obstacles. Joining Tim on stage from F1 are Gary Rizzo (re-recording mixer), Al Nelson (supervising sound editor), Gwen Yates Whittle (supervising sound editor) and Gareth John (production sound mixer). They discuss their experiments with recording the cars, the involvement of Lewis Hamilton, the many levels of futz on the voices during the races and lots more._______SPONSORS: As the New Year begins, Sound Ideas is offering its largest sale to date. For a limited time, receive 55% off professionally recorded sound effects and music libraries. This New Year promotion applies across their esteemed catalog, making it an ideal moment to expand or update your professional collection with authentic audio and a proven standard of quality. The Sound Ideas New Year Sale is available now for a limited time– so visit https://sound-ideas.com/ now! _______ Episode Notes: https://tonebenderspodcast.com/345-f1-the-movie-live/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead

Five members of the sound team from Director James Gunn's recent Superman film, join the show to talk about giving a new sonic identity to the Superman legacy. Supervising Sound Editors David Acord & Katy Wood are joined by re-recording mixers Chris Boyes & Tim LeBlanc as well as production sound mixer Lee Orloff, to do a deep dive into super hero sound. Challenges included capturing the dialog on set while surrounded by complicated visual effects and stunts and the sound design and editorial of creating entirely new sounds for super powers and pocket dimensions. The final mix had to find clarity within huge music, sound effects and important dialog. This film required a lot of skill and high end execution to create a soundscape that lived up to the Man of Steel himself. _____ SPONSORS: As the New Year begins, Sound Ideas is offering its largest sale to date. For a limited time, receive 55% off professionally recorded sound effects and music libraries. This New Year promotion applies across their esteemed catalog, making it an ideal moment to expand or update your professional collection with authentic audio and a proven standard of quality. The Sound Ideas New Year Sale is available now for a limited time– so visit https://sound-ideas.com/ now ____ Episode Notes: https://tonebenderspodcast.com/344-superman/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead

Listeners of Tonebenders sent in their favourite stories of recording sounds out in the world. This is part two, of two, featuring these amazing soundscapes from all over the world. Recordings were sent in of sounds from Kenya, Zimbabwe, Australia, England, Palau, Laos, Poland, Botswana, Germany, Albania, Switzerland, Canada and The USA. So get ready for a sonic trip around the world! This episode features contributions from listeners Ronald Schmidt, Dmitry Chernov, Richard Walters, Jonathon Pilon, Lucas Vitale, Udo Baumhögger, Ryan Granger, Leon Regula, Anita Yung and Jan Dzyr. If you missed part one go back and find eps 334. Congrats to Diego Lukumy and Lamar Samuels for winning the draw to receive a free pair of O-Mini high-sensitivity, miniature omnidirectional electret microphones, kindly donated by Chris Trevino._____ Los Angeles Listeners come out this Thursday, January 8th, to the very first Tonebenders Screening Series. We will be showing the film F1: The Movie followed by a live recording of a Tonebenders episode with the F1 sound team. Guest will include Gary Rizzo, Gwen Whittle, Gareth John and Al Nelson. Space is limited, so reserve you seat now https://tonebenderspodcast.com/tonebenders-f1-screening/ _____ SPONSORS: As the New Year begins, Sound Ideas is offering its largest sale to date. For a limited time, receive 55% off professionally recorded sound effects and music libraries. This New Year promotion applies across their esteemed catalog, making it an ideal moment to expand or update your professional collection with authentic audio and a proven standard of quality. The Sound Ideas New Year Sale is available now for a limited time– so visit http://www.sound-ideas.com now. ______ If you are interested in field recording, you should know about the O-Mini P48 and the brand new O-Mini PIP miniature omni-directional electret microphones. Each one is hand made by Chris Trevino, a practicing field recordist, and a really engaged member of the sound community.  He puts a lot of work into making and testing each mic to ensure they live up to his high standards.  They are ultra-sonic capable, which makes manipulating your recordings with them a lot of fun.  They are also extremely affordable.  At $150us for the P48 & $130 for the PIP, they offer a lot of value for a stereo matched pair. Find out more at https://www.chrisatrevino.com/store Episode Notes: https://tonebenderspodcast.com/343-2025-listener-field-recording-stories-pt-2/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead

The new film Nuremberg is a surprisingly dense and complicated film for it's sound. What I assumed was going to be a standard courtroom drama ended up being a much larger film and it sounded fantastic.  The dialog was crisp and up front, the sound design was intense. Dialog/ADR supervisor Ulrika Akander & Re-Recording Mixer/Sound Designer/Supervising Sound Editor Michael Babcock joined me to talk about their unique approach to the audio post on this film. Using what they refer to as a "rolling premix" the film was tackled over a longer period of time with a small crew. They discuss their approach to dial cleaning, historic footage, ADR recording and using audio to focus the audiences attention.______ On Thursday January 8th, Tonebenders will be hosting a free screening of the film F1, at the Glen Glenn Film Center, that will be followed by a live interview with the sound team behind the film. Glen Glenn’s studio one is about the greatest place possible to hear a film with such dense and powerful sound design. This is the room some of my favourite films were mixed in over the years. Classics like Saving Private Ryan, ET, Apollo 13 and more recently Stranger Things, were all mixed in this room. So come out to the Glen Glenn Film Centre at 900 Seward Street, in Hollywood, to hear this spectacular film and then join me for a live Tonebenders episode recording with the F1 sound team, right after the film. January 8th, doors open at 6:30, film starts @ 7pm. Go to https://tonebenderspodcast.com/tonebenders-f1-screening/ to sign up now._________ SPONSORS: Sound Ideas is closing out the year with a massive Year-End Sale, and you’re invited! Now through to the end of Decemeber, enjoy 50% off all proprietary items, including premium sound effects and production music trusted by creators worldwide. Don’t wait, these savings disappear on December 31st at midnight, as we move into 2026. Check out https://www.sound-ideas.com/ today and create something amazing.________ Episode Notes: https://tonebenderspodcast.com/342-nuremberg/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead

In this episode Patrick Spence-Thomas does a reading of Dylan Thomas' classic "A Child's Christmas in Wales". Patrick sadly passed away in 2008 after an iconic career as a re-recording mixer and a location sound recordist. The first half of this episode is a quick run down on who Patrick was and some of the work he did, including being both the mixer and narrator for Death Bed: The Bed That Eats! The episode wraps up with Patrick's wonderful reading of one of his favourite poems/stories. ________ SPONSORS: Sound Ideas is closing out the year with a massive Year-End Sale, and you’re invited! Now through to the end of Decemeber, enjoy 50% off all proprietary items, including premium sound effects and production music trusted by creators worldwide. Don’t wait, these savings disappear on December 31st at midnight, as we move into 2026. Check out https://sound-ideas.com/ today and create something amazing.________ The Soundscape Fund - George Vlad, Andy Martin and Thomas Rex Beverly are three of the sound community’s busiest field recordists and they have joined forces to raise money for environmental causes this holiday season. All three have a deep love for the natural world and actively work to conserve the soundscapes of nature, through their field recording. They are each offering some of their recordings as prizes to bring the community together to help a great cause. There are three identical prizes to win, each worth more than $15,000! These prizes include, huge collections of commercial sound effects libraries, a one hour call with each of the three organizers, and nature albums for casual listening. For every $5 you donate, you get an additional chance to win! Just head over to the https://thomasrexbeverly.com/products/the-soundscape-fund-2025, and choose your donation amount. Contest runs until Dec 28th 2025. so enter now._________ Episode Notes: https://tonebenderspodcast.com/341-holiday-special-re-podcast-remembering-patrick/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead

The latest film in the Tron franchise, Tron: Ares, expands that world's sonic pallet in dramatic ways. The music by Nine Inch Nails is huge, the sound design is grittier and the dialog is being processed in creative and constantly changing ways. This film benefited from an international sound team, collaborating together. Re-Recording Mixer Ron Bartlett & Supervising Sound Editor Addison Teague, both based in California, shared duties with Supervising Sound Editor Baard Ingebretsen and Sound Designer/Re-Recording Mixer/Supervising Sound Editor Tormod Ringnes, who are working out of Oslo, Norway. Bringing these two teams together became a great strength for the sound of the film as a whole. They discuss merging the sounds of the real world with "The Grid", building light cycle sounds from scratch, the detailed process of finding exactly the right amount of dialog processing when digitizing the human voice and lots more.________ SPONSORS: Sound Ideas is closing out the year with a massive Year-End Sale, and you’re invited! Now through to the end of Decemeber, enjoy 50% off all proprietary items, including premium sound effects and production music trusted by creators worldwide. Don’t wait, these savings disappear on December 31st at midnight, as we move into 2026. Check out https://www.sound-ideas.com/ today and create something amazing.________ The Cargo Cult’s Matchbox 2 is a change management tool that is invaluable when doing comforms. It reveals the differences, reports on the damage, and then re-times your sound mix, saving you incalculable amounts of time. To learn all about the new features in Matchbox 2, head over to http://thecargocult.nz/ , to learn more about Matchbox 2 and pulldown the free 15 day trial. Matchbox 2 is exactly what you have been waiting for. Spend your time being creative and let Matchbox handle the conforming.___________ The Soundscape Fund - George Vlad, Andy Martin and Thomas Rex Beverly are three of the sound community’s busiest field recordists and they have joined forces to raise money for environmental causes this holiday season. All three have a deep love for the natural world and actively work to conserve the soundscapes of nature, through their field recording. They are each offering some of their recordings as prizes to bring the community together to help a great cause. There are three identical prizes to win, each worth more than $15,000! These prizes include, huge collections of commercial sound effects libraries, a one hour call with each of the three organizers, and nature albums for casual listening. For every $5 you donate, you get an additional chance to win! Just head over to the https://thomasrexbeverly.com/products/the-soundscape-fund-2025, and choose your donation amount.  Contest runs until Dec 28th 2025. so enter now._________ Episode Notes: https://tonebenderspodcast.com/340-tron-ares/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead

In 2025 Johnnie Burn has been busy. As supervising sound editor and re-recording mixer on some of the most talked about films of the year, he has jumped between working on the emotional roller coaster Hamnet, the incredibly tense Bugonia and the terrifying 28 Years Later. Three very different films that are all lead by director's with very specific visions. Johnnie takes us on a spoiler free journey, to tell us how he was able to tackle these films and find the sonic voice of each one. _________ Sponsor: This Cyber Monday, Sound Ideas is offering an incredible opportunity for audio professionals. You can take 50% off all proprietary sound libraries, including some of the most trusted effects in post-production. And for creators looking to expand fast, the General HD Collection is on flash sale at $750, down from $2,995. This is your chance to grab pro-quality sounds for a fraction of the price. Visit https://www.sound-ideas.com/ and upgrade your sound library today.___________ Episode Notes: https://tonebenderspodcast.com/339-johnnie-burns-big-year-with-hamnet-bugonia-28-years-later/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead

It seems like Guillermo del Toro's whole career has been leading up to Frankenstein. Part of that progression has been building a great trust with the sound team he has been collaborating with for over a decade. Supervising sound editors Nathan Robitaille & Nelson Ferreira, Re-recording Mixer Brad Zoern and foley artist Goro Koyama join me for this episode to discuss working on their biggest del Toro film yet. From designing the voice of the creature, to making all the guns sound huge (but certain ones sound even bigger!?) to the difficulty of making chains sound heavy, they discuss how challenging this film was. Including creating the sounds for their version of the iconic scene where the creature comes to life.__________ SPONSORS: This Cyber Monday, Sound Ideas is offering an incredible opportunity for audio professionals. You can take 50% off all proprietary sound libraries, including some of the most trusted effects in post-production. And for creators looking to expand fast, the General HD Collection is on flash sale at $750, down from $2,995. This is your chance to grab pro-quality sounds for a fraction of the price. Visit https://www.sound-ideas.com/ and upgrade your sound library today. __________ The Cargo Cult’s Matchbox 2 is a change management tool that is invaluable when doing comforms. It reveals the differences, reports on the damage, and then re-times your sound mix, saving you incalculable amounts of time. To Learn all about the new features in Matchbox 2, head over to https://www.thecargocult.nz/ , to learn more about Matchbox 2 and pulldown the free 15 day trial.   Matchbox 2 is exactly what you have been waiting for.  Spend your time being creative and let Matchbox handle the conforming.___________ Episode Notes: https://tonebenderspodcast.com/338-frankenstein/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead This episode was edited/mixed by Therese Gylfe & Tove Lidman for TnT Sound Design.

Gisle Tveito has been dreaming up the sounds in director Joachim Trier's films since 2006 and the two have collaborated again on the wonderful new film Sentimental Value. Gisle joins me to talk about the challenges of working on the sound for quiet, internal films. Including building an emotional map of the entire movie to determine where the sonic focus changes occur. He also discusses how he attacks a project where he is the dialog editor, sound effects editor, music editor, voice over director and re-recording mixer. Is wearing this many hats an an indie/punk rock approach or madness?!________ Sponsors: This Black Friday, Sound Ideas is offering its biggest savings of the year! Enjoy 50% off all proprietary sound libraries and memberships: our best deal yet on world-class audio collections. But that’s just the beginning. Each week, we’ll spotlight one of our most popular libraries with an exclusive, limited-time discount. Visit https://www.sound-ideas.com/ regularly to discover which library is featured and grab these weekly sound specials before they’re gone!_______ Episode Notes: https://tonebenderspodcast.com/337-sentimental-value-with-gisle-tveito/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead

At this years Toronto International Film Festival I got to interview a bunch of sound people in town to support films screening at TIFF. This episode collects 3 of those interviews, covering some of the international films that I saw during the festival. First up I talk with Oscar winning sound supervisor, Sylvain Bellmare, about the Quebecois film Mille secrets mille dangers (Lovely Day). Then Therese Gylfe & Tove Lidman discuss their work on the Swedish/Spainish film Forestera, which won a major award at TIFF. The final interview of this episode is with María Alejandra Rojas & Arturo Salazar about the really cool Brazilian/Mexican film The Blue Trail. The is movie is a futuristic science fiction film covering the unique ways technology will affect third world countries. __________ Sponsors: This Black Friday, Sound Ideas is offering its biggest savings of the year! Enjoy 50% off all proprietary sound libraries and memberships: our best deal yet on world-class audio collections. But that’s just the beginning. Each week, we’ll spotlight one of our most popular libraries with an exclusive, limited-time discount. Visit https://www.sound-ideas.com/ regularly to discover which library is featured and grab these weekly sound specials before they’re gone!_______ Have you been using Subquake by The Cargo Cult? Get the low end to cut through in your mixes, in ways you were never able to achieve before. We have all used many different low frequency generator plugins over the years, but Subquake is an entirely different beast. Don’t fall into the trap of delivering boring, ho hum sub. Add character and shape to your mixes by having more impact from less signal. Get Subquake, and shake the plaster right off the walls. Head to https://www.thecargocult.nz/ to learn more _______ If you are interested in field recording, you should know about the O-Mini P48 and the brand new O-Mini PIP miniature omni-directional electret microphones. Each one is hand made by Chris Trevino, a practicing field recordist, and a really engaged member of the sound community. He puts a lot of work into making and testing each mic to ensure they live up to his high standards. They are ultra-sonic capable, which makes manipulating your recordings with them a lot of fun. They are also extremely affordable. At $150us for the P48 & $130 for the PIP, they offer a lot of value for a stereo matched pair. Go to https://www.chrisatrevino.com/store to get more information.________ Episode Notes: https://tonebenderspodcast.com/336-tonebenders-at-tiff-2025/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead

Sinners was a massive critical and box office hit earlier this year. The sound work was a major reason audiences flocked to see it. Part Vampire/Horror, part period gangster and part full blown musical, Sinners is not a film that needed a standard approach to it's sound design and mix. Re-recording mixer Brandon Proctor, Supervising Sound Editor Benny Burtt, Supervising Dialogue & ADR Editor David Butler, Music Editor Felipe Pacheco and Production Sound Mixer Chris Welker talk us through how the sound track was built. Topics range from capturing the the voices and live music on set, to designing the sound of the Mississippi Delta in the 1930s, to mixing everything together to feel real on the mix stage. Finally Re-Recording Mixer/Sound Designer, Steve Boeddeker, joins us to lead an in depth discussion on how long is the perfect amount of time for a blood curdling scream to last? __________ Sponsors: This Black Friday, Sound Ideas is offering its biggest savings of the year! Enjoy 50% off all proprietary sound libraries and memberships: our best deal yet on world-class audio collections. But that’s just the beginning. Each week, we’ll spotlight one of our most popular libraries with an exclusive, limited-time discount. Visit https://www.sound-ideas.com/ regularly to discover which library is featured and grab these weekly sound specials before they’re gone!_______ Have you been using Subquake by The Cargo Cult? Get the low end to cut through in your mixes, in ways you were never able to achieve before. We have all used many different low frequency generator plugins over the years, but Subquake is an entirely different beast. Don’t fall into the trap of delivering boring, ho hum sub. Add character and shape to your mixes by having more impact from less signal. Get Subquake, and shake the plaster right off the walls. Head to https://www.thecargocult.nz/ to learn more _______ The Toucan, by Soundwich, is an omni-directional, ultrasonic microphone that can record up to 100k.  Designed from the ground up with an extremely unique look, the Toucan wants to make ultrasonic recording available for those on a budget, with an eye catching price of $185 US dollars  This is the perfect time to buy because, for Black Friday, Soundwich is offering 15 percent off everything.  Starting now and running until Nov 30th, 2025, only while supplies last.  Head over to https://soundwichartist.com/pages/all-products to learn more and order a Toucan for yourself. Episode Notes: https://tonebenderspodcast.com/335-sinners/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead

Listeners of Tonebenders sent in their favourite stories of their adventures recording sounds out in the world. This is part one, of two, featuring these amazing soundscapes from all over the world. Recordings were sent in of sounds from Kenya, Zimbabwe, Australia, England, Palau, Laos, Poland, Botswana, Germany, Albania, Switzerland, Canada and The USA. So get ready for a sonic trip around the world! This episode features contributions from Nathan Moody, Simon Panayi, Tim Kahn, Chris Bolte, Andrew Dawson, JååN Verschoren, David Thomas, Philipp Feit,  Diego Lukumy and Lamar Samuels. Stay tuned in the coming weeks for Part 2. Congrats to Diego Lukumy and Lamar Samuels for winning the draw to receive a free pair of O-Mini high-sensitivity, miniature omnidirectional electret microphones, kindly donated by Chris Trevino. Sponsors: This Black Friday, Sound Ideas is offering its biggest savings of the year! Enjoy 50% off all proprietary sound libraries and memberships: our best deal yet on world-class audio collections. But that’s just the beginning. Each week, we’ll spotlight one of our most popular libraries with an exclusive, limited-time discount. Visit https://www.sound-ideas.com/ regularly to discover which library is featured and grab these weekly sound specials before they’re gone!_______ If you are interested in field recording, you should know about the O-Mini P48 and the brand new O-Mini PIP miniature omni-directional electret microphones. Each one is hand made by Chris Trevino, a practicing field recordist, and a really engaged member of the sound community. He puts a lot of work into making and testing each mic to ensure they live up to his high standards. They are ultra-sonic capable, which makes manipulating your recordings with them a lot of fun. They are also extremely affordable. At $150us for the P48 & $130 for the PIP, they offer a lot of value for a stereo matched pair. Go to https://www.chrisatrevino.com/store to get more information.________ Have you been using Subquake by The Cargo Cult? Get the low end to cut through in your mixes, in ways you were never able to achieve before. We have all used many different low frequency generator plugins over the years, but Subquake is an entirely different beast. Don’t fall into the trap of delivering boring, ho hum sub. Add character and shape to your mixes by having more impact from less signal. Get Subquake, and shake the plaster right off the walls. Head to https://www.thecargocult.nz/ to learn more _______ Episode Notes: https://tonebenderspodcast.com/334-2025-listener-field-recording-stories-pt-1/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead

Viktor is an impressive documentary that relies on sound to tell it’s story. The film’s protagonist is a deaf photographer living in Ukraine, documenting the Russian invasion of of his country after he finds out he is not allowed to sign up as a soldier. Using innovative sound design to immerse the audience in Viktor’s POV (or more accurately POH, point of hearing), the film focuses on his frustration at being unable to fight in the traditional sense and his passion for photography, as a way to serve his country. This spoiler free conversation with Sound Designer Peter Albrechtsen, Sound Designer/Foley Artist Heikki Kossi and Re-recording Mixer Tim Nielsen, discusses how they manipulated the sound in the film to approximate how Viktor hears and just as importantly, when to employ these techniques. The sound design for Viktor evolved drastically from the start of postproduction to the final mix. They began with hard rules for when and how to twist the audio. Yet for the final version, all those rules were thrown out the door. It is an interesting case study following the journey a soundtrack to find a film's “voice”. The sound team interview is followed up with a one on one talk with Viktor's director Olivier Sarbil. Olivier is an impressive man with a very unique relationship to the audio postproduction phase of film making. SPONSORS: This Black Friday, Sound Ideas is offering its biggest savings of the year! Enjoy 50% off all proprietary sound libraries and memberships: our best deal yet on world-class audio collections. But that’s just the beginning. Each week, we’ll spotlight one of our most popular libraries with an exclusive, limited-time discount. Visit https://www.sound-ideas.com/ regularly to discover which library is featured and grab these weekly sound specials before they’re gone! Have you been using Subquake by The Cargo Cult? Get the low end to cut through in your mixes, in ways you were never able to achieve before. We have all used many different low frequency generator plugins over the years, but Subquake is an entirely different beast. Don’t fall into the trap of delivering boring, ho hum sub.  Add character and shape to your mixes by having more impact from less signal. Get Subquake, and shake the plaster right off the walls.  Head to https://www.thecargocult.nz/ to learn more  Episode Notes: https://tonebenderspodcast.com/333-the-unique-sound-of-viktor-with-the-sound-team-director/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead