Joe Bloggs About Films

Glen Powell returns in John Patton Ford’s black comedy 'How to Make a Killing', a film that flashes moments of creativity, particularly in its inventive premise and offbeat kills, but ultimately feels like it’s missing a certain spark.The biggest spark is, of course, Powell himself. This time playing a regular guy, cut off from his wealthy family and driven to claw his way back to the top by any means necessary. Powell plays it brilliantly - sly, charming, and just convincing enough to make every so-called 'accident' feel almost plausible. His charisma does a lot of the heavy lifting.Alongside him, Margaret Qualley delivers another strong performance as his manipulative childhood friend, equally self-serving and calculating. Their dynamic promises something deliciously dark and entertaining, and at times, it delivers.Yet despite the ingredients being there, the film never quite pushes itself into greatness. It remains consistently watchable and often entertaining, but there’s a lingering sense that it could have been more - bolder, sharper, or just a little more daring. Full thoughts in this review.

'Project Hail Mary' is, quite simply, the best film released so far this year. Bold words, I know, but everything from the screenplay, the jaw dropping visuals and cinematography, sound design, and lead performance from Ryan Gosling is enough to tick all the boxes that you would expect from a 'big sci-fi blockbuster'. Centred around a lone scientist in space, Gosling's Grace is on a mission to find out why the Sun is dying, and hopefully save the Earth in the process. This becomes the start of a thrilling adventure, as he meets what will become everyone's favourite side character, Rocky, who too is on a mission to save his own planet.It captures a genuine sense of wonder and cinematic magic that’s been missing from many so-called 'big' releases in recent years. Yet for all its scale and spectacle, there’s something unexpectedly intimate about it - because at its heart, it’s simply the story of one man alone in space… with his new rock friend, saving the day. Strap yourselves in for a rocket of a film, giving as much heart and fun as it can to satisfy audiences. Full thoughts in this review.

'Peaky Blinders' is a show that needs little introduction. Since its debut in 2013, it has become one of the UK’s most impactful and highly rated television dramas. With every season, the scale grew larger, culminating in an explosive ending that paved the way for the long-awaited feature-length continuation, 'The Immortal Man' - and it is stunning.'The Immortal Man' uses every minute of its runtime to great effect, making the experience feel cinematic in both scale and ambition. Cillian Murphy, as expected, is outstanding in the role once again. Given a wealth of emotional depth to explore, we see a different side of Tommy Shelby than ever before. But rest assured: once the long coat, suit, and flat cap return, so does the unmistakable aura he carries as this character.Placing Tommy at the centre of a nefarious plan involving fascists attempting to tip the balance of the World War II in Germany’s favour only raises the stakes - not just for the UK and the wider world, but for the Shelby family as well.'The Immortal Man' has plenty to satisfy die-hard fans, while its gripping storytelling ensures that casual viewers will find just as much to enjoyFull thoughts in this review.

'Scream' is one of those franchises where, even when an instalment doesn’t quite measure up to the best, there’s usually still some twisted fun to be found. And then there’s 'Scream 7'... Oh boy. For the first time in this beloved series, we have a genuinely bad entry on our hands.It’s undeniably great to have Neve Campbell back, but nostalgia can only carry a film so far. When the rest of the cast is given little to no character development - or even distinct personalities - and exist purely as future body bags, the whole experience starts to feel hollow. What should be tense and emotionally charged, instead comes across as forced and, unfortunately, soullessThere are a handful of solid moments and a couple of satisfying kills, and the opening sequence is genuinely strong. But after that, the film steadily unravels. The longer it goes on, the more its flaws pile up - clunky, unnatural dialogue, cringeworthy performances, and a growing sense that the story is limping toward an inevitable disappointment. All of it culminates in a killer reveal so laughable and poorly executed that it stands as the weakest twist the franchise has ever delivered.You're not laughing with 'Scream 7', you're laughing at it. Full thoughts in this review.

Emerald Fennell returns to the director’s chair, this time taking on one of the most influential and beloved novels of all time; 'Wuthering Heights'Though the film wasn't at the top of my 'must see list', it certainly delivers with excellent style and use of wardrobe - arguably the films strongest component (outside the leads' performances). Whatever you think of the storytelling choices, visually it’s clear that Fennell knew exactly what tone and atmosphere she was aiming for.Of course, Margot Robbie and Jacob Elordi are THE stand outs in this thing. Their on-screen chemistry is electric, capturing the volatile, all-consuming, and at times feral love that defines Cathy and Heathcliff’s relationship. However, beyond these strengths, the film occasionally drifts into indulgence. Certain sequences linger longer than necessary, causing the narrative momentum to dwindle and making the runtime feel more extended than it perhaps needed to be.Still, definitely worse films out there! Full thoughts in this review.

It's always an exciting time when Sam Raimi returns with another slice of fun horror - and that trend continues with his latest flick 'Send Help'.Being stranded on a deserted island is bad enough. Being stranded there with your insufferable boss? That’s enough to push anyone to the brink; and Raimi has a wicked amount of fun with the premise. Rachel McAdams and Dylan O’Brien both deliver terrific performances, charting distinct emotional arcs as their characters unravel (and evolve) in very different waysOf course, this is Sam Raimi, so expect all of the nasty and yucky imagery flung at you with super wild camera work. The film revels in its nastiness, yet there’s a mischievous energy to it that keeps a grin on your face. While it perhaps could have benefited from one or two extra surprises to elevate it further, its straightforward narrative ultimately works in its favour - delivering a tight, entertaining ride that’s simply a blast to watch.Full thoughts in this review.

'Wonder Man' recently dropped on Disney+ which wasn't exactly at the top of my list to check out, however, having done so, I can safely say that this is the best Marvel project for as long as I can remember. It's something utterly unique and different from Marvel, straying away from capes and spectacle, and instead shifting the focus to its lead characters. Both Yayah Abdul-Mateen II and Sir Ben Kingsley are outstanding in this thing, creating a relationship and dynamic that is so infectious, you only want to see more of them. And its a credit to the writing team as well by making these characters extremely well-rounded and fleshed out. 'Wonder Man' feels like the antidote to Disney+ fatigue, Marvel burnout, and even superhero overload. It's sharp, confident and a beautifully written and performed series - and, as stated, one of Marvel’s strongest projects in years.Full thoughts in this review.

'X-Men' changed the game for superhero releases when it dropped back in 2000. Not only did it respect long-time fans of the comics, but it also inspired a whole new generation of fans in the process - making it such a huge success at the box office. Its a film that I look back on fondly at; still placing it as one of my all time favourite superhero movies. It says something that even after 25 years or so, these actors and characters are still held in high regard, that we cannot wait to see their return in the upcoming 'Avengers: Doomsday'. But without 'X-Men', its hard to imagine team up superhero films being as successful as they are today. Granted 1998's 'Blade' walked so that the 'X-Men' and future Marvel releases could run, but the shift following 'X-Men's' success of having multi-character stories well and truly reshaped the genre for years to come. It's a film I adore, with its wonderful balance of social commentary and spectacle, and one that I had to revisit on the podcast. Full thoughts in this review.

Last year’s '28 Years Later' was one of my favourite releases of the year, so it’s no surprise that its sequel/spin-off, 'The Bone Temple' sat high on my most anticipated list for 2026 - and it absolutely delivers.'The Bone Temple' weaves a chilling, thought-provoking tale that pits science against faith, anchored by commanding performances from Ralph Fiennes and Jack O’Connell. Both are exceptional, but O’Connell in particular stands out, delivering one of the most compelling villain performances in recent memory - arguably even surpassing his own chilling turn in 'Sinners'.Director Nia DaCosta also deserves high praise for her bold vision and willingness to take risks with the film’s imagery. This is a world teeming with monsters, yet 'The Bone Temple' powerfully reminds us that humans are often far more dangerous than anything lurking in the shadows.Another outstanding entry in the franchise, 'The Bone Temple' leaves me eager to see how this trilogy ultimately concludes.Full thoughts in this review.

The remake/reboot/requel of 'Anaconda' was surprisingly high on my most anticipated list last year. The idea of four friends heading into the jungle to remake the original film - only to find themselves hunted by a giant snake - was a concept I was fully on board with. The fact that this version leaned into comedy, penned and directed by the filmmaker behind 'The Unbearable Weight of Massive Talent', only heightened my expectations.Unfortunately, the film ends up being a misfire, largely because it never quite figures out what it wants to be. Even with Paul Rudd and Jack Black at the helm, both of whom deliver a few genuinely fun moments, it can’t escape a lingering sense of meh. While some jokes land, including light jabs at Hollywood’s obsession with remakes and reboots, the film is weighed down by underdeveloped subplots and surprisingly little screen time for the giant serpent itself.It’s far from the worst film you’ll ever see, but it’s also nowhere near the best. Full thoughts in this review.

The fifth and final season of 'Stranger Things' has arrived on Netflix, offering fans long-awaited answers and a sense of closure for the characters, and the monsters, within Hawkins. 'Stranger Things' is a show I truly adore, so my excitement to see how this story would end was through the roof. And if we’re talking purely about the final episode; it delivers a brilliant, epic conclusion that closes the chapter beautifully. However, taken as a whole, the season is a little bumpier, with moments where its vision and narrative feel unfocused and, at times, disappointing.Despite issues with pacing and an overcrowded cast, the season still delivers several excellent moments that are a joy to watch, alongside standout performances from Jamie Campbell Bower and Gaten Matarazzo in particular.It’s bittersweet knowing we won’t be returning to Hawkins again, but the Duffer Brothers ultimately stick the landing - reminding us all just why we fell in love with this show in the first place.Full thoughts in this review.

As the end of 2025 approaches, it's the time to share my list of 10 favourite films from this year!A massive thank you for all of your support throughout the year, I very much appreciative of anyone listening to me waffle away about film and tv. Here's to a wonderful 2026.

The latest addition to the 'Knives Out' series brings more murder and satire, as Benoit Blanc looks to unravel his most difficult case to date in 'Wake Up Dead Man' - and it's a blast.I'm a big fan of Rian Johnson's murder mysteries. They are a wonderfully fresh, modern take on the classic whodunnit. Setting themselves apart apart with a distinctive tone, blending sharp humour and a touch of irony through the tension of the central murder mystery. Each have a terrific ensemble that only elevate the film even more.This time, Blanc faces off against religion and beliefs- as a murder takes place within a sealed room of a church, with a list of suspects all capable of pulling off this impossible crime; and the journey the film takes you on is nothing short of brilliant. Craig oozes charisma and flamboyance, but Josh O'Connor too stands out in a team up that will have you chuckling one minute, to being at the edge of your seat the next.Full thoughts in this review (spoiler free).

Guillermo del Toro has a singular vision and voice. Each of his films feel distinct, seamlessly blending beauty with horror, which is why he’s become such an esteemed filmmaker. Naturally, I was eager to see what he would do with the classic 'Frankenstein' - and, as expected, the result is something truly special.It’s clear this was a true passion project for the director - you can feel that love and craftsmanship in every scene and every line of dialogue.And if it’s not the stellar writing and performances from leads Oscar Isaac, Jacob Elordi or Mia Goth that capture you, it’s the exquisite costume design, prosthetics, practical effects, and sets that build this world with such vivid detail. The cinematography, too, is visually striking - often downright breath-taking.Altogether, it’s a remarkable achievement that may have even edged out 'The Shape of Water' as my favourite del Toro release.Full thoughts in this review.

Edgar Wright returns with his adaptation of Stephen Kings explosive dystopian tale; 'The Running Man'. It goes without saying that, like many, I’m a huge fan of Wright and his filmography. His style and techniques are among my favourites in contemporary filmmaking: the punchy zooms, the energetic swish pans, and the way he interweaves music with visuals all stand out as signature elements that elevate each of his films. Its something I always look forward to - and whilst 'The Running Man' does incorporate those techniques, sadly it doesn't leave its mark as much I anticipated. Glen Powell shines as lead Ben Richards. Your average joe, dealt a bad hand and trying to provide for his family, no matter the cost. There's a fine line of him being in control, and pure rage that Powell executed to perfection. Its a performance that will cement himself as the new action star, undoubtedly.Whilst this is a fun watch with explosive action, it sadly left me wanting more. Or rather, would've preferred a better third act as it does, unfortunately, overstay its welcome.Full thoughts in this review.

There's always a question mark when a film suggests it was 'inspired by true events' as to which parts were actually true. Then there's a film and story such as Derek Cianfrance's 'Roofman' in which the true story sounds more like the work of fiction... It's surreal, but most definitely true. Following the story of Jeffrey Manchester, aka Roofman, a chap who robbed 46 stores, escaped prison, and then hid in a Toys R Us, is one that you wouldn't expect to carry as much emotional weight to it. But down to terrific storytelling and performances from leads Channing Tatum and Kirsten Dunst, it is easily one of the best films of the year due to that emotion, as well as relatability, that the film holds. It's a surprise hit, and one that does have a lot of fun in there. It explores the desperation and desire that one man has to provide for his family - and it leaves its mark on you once the credits roll. Full thoughts in this review.

Following the success of 'Prey' and 'Killer of Killers', Dan Trachtenberg returns with his next Predator release; 'Badlands' - and its epic. Taking a big swing, Trachtenberg shakes things up and puts us up close and personal with the Yautja as they take centre stage, making for an epic sci-fi action adventure that never stops with its thrills. The director clearly has a strong vision for this world and the skill to bring it to life. His passion shines through in every frame, and delivering three consecutive hits is a testament to both his creativity, and his commitment, to pushing the franchise forward.‘Badlands’ might not have the grit you would like from a Predator film, but it does manage to generate that intensity and suspense through its set pieces and danger our lead finds itself in - and it really is hard not to come away impressed by it.Full thoughts in this review

Having been a fan of what Yorgos Lanthimos and Emma Stone brought to the screen with last year’s brilliant 'Poor Things', I was eager to see what their next collaboration would deliver. Enter 'Bugonia'.This wonderfully strange black comedy delves deep into themes of truth and reality, anchored by outstanding performances from Stone and Jesse Plemons. It's a simple premise; conspiracy theorist kidnaps CEO as he believes she's an alien, but its one that is executed terrifically through Lanthimos' vision and style. The real intrigue and drama lies in watching these two strong-minded characters clash over their opposing ideologies - it’s an unpredictable battle that's a fascinating watch throughout. Though it is certainly a slower 'slow burner', the pay off is absolutely worth it for the films wild third act that only goes the way you would expect a Lanthimos release to do so.Full thoughts in this review.

Having been a fan of Chris Stuckmann for some time, I was thrilled to see him receive the backing and funding to release his first feature film; 'Shelby Oaks'. Its a journey that will no doubt inspire many others, and its one that gets all my applauds. Coming away from this directorial debut, it’s clear that the film marks a promising start for Stuckmann — though, not without its flaws. There’s a strong sense of style and a wealth of intriguing ideas that showcase what he can bring to the horror genre, and its subgenres. His clever blending of found-footage elements with more traditional filmmaking techniques creates an effective sense of unease, letting the scares build naturally. However, the film ultimately falters in its third act, struggling to fully deliver on the ambitious concepts it sets up earlier.But when all is said and done, there's certainly enough thrills and chills to get you invested in its story surrounding the disappearance of Riley - and the determination of her sister, Mia, to find her. With some terrific atmosphere and tension, 'Shelby Oaks' is definitely one to watch over the spooky season. Full thoughts in this review.

There's no better way to prepare for Spooky Season, than spending a couple of hours with the masked menace that is Michael Myers, right?Dropping in 2018, the legacy sequel, or requel, gained positive reactions from both fans and critics as it served a helping of kills, as well nods to the 1978 original. Not only were fans getting more Michael, but too the ultimate scream Queen Jamie Lee Curtis returned as Laurie Strode, bringing her all in what is a terrific performance throughout.It's a very smart and bold move to wipe the slate clean and having this as the only sequel following the original. It helped in reviving the franchise, as well as opening the door for richer character work, especially for Laurie and Michael, as they confront the lasting scars of that fateful night decades later. It might've taken me a while to watch this release, but I can safely say I had a blast with this 'Halloween' film.Full thoughts in this review/revisit.