The Ghost Light Podcast (Utah Symphony | Utah Opera)

In this episode, we take a look at composer, violinist, and cultural figure Joseph de Bologne, also known as the Chevalier de Saint-Georges. Long overlooked in traditional narratives of eighteenth-century music, de Bologne’s influence on Parisian musical life rivaled that of his more frequently programmed contemporaries. Conductor, pianist, and art song expert Tyson Deaton joins us to discuss the challenging process of creating modern scholarly editions of de Bologne’s works. Whether you’re a performer, educator, or curious listener, this conversation offers a fascinating look at how scholarship can restore a vital musical voice—and why Joseph de Bologne’s music deserves a place on today’s concert stages. For more information on Maestro Deaton and his work on Joseph de Bologne, consult https://www.tysondeaton.com/. To purchase any or all of the five volumes of de Bologne’s vocal works, go to Classical Vocal Reprints at https://bit.ly/4b2ngZr. Visit www.usuo.org for information on upcoming concerts and performances at our venues across Utah. To submit a question to our team, or suggest a topic for an upcoming episode, send an email to ghostlight@usuo.org USUO’s Ghostlight podcast is written, hosted, and produced by Jeff Counts and Carol Anderson.

Beethoven’s only opera, Fidelio, invites us into a timeless story of bravery, love, and moral resolve. Its themes of political freedom and courage feel just as urgent in 2026 as they did 220 years ago in French-occupied Vienna. We welcome opera director Tara Faircloth to the podcast to discuss her fresh take on this work whose central ideas still speak powerfully to us today. To see more about Tara Faircloth’s recent and upcoming directing work, check out https://tarafaircloth.com/. Visit www.usuo.org for information on upcoming concerts and performances at our venues across Utah. To submit a question to our team, or suggest a topic for an upcoming episode, send an email to ghostlight@usuo.org USUO’s Ghostlight podcast is written, hosted, and produced by Jeff Counts and Carol Anderson.

Modern life feels increasingly complex, and many of us struggle to stay balanced amid a constant swirl of competing expectations. Last season USUO introduced a series of Well-Being Concerts, each designed to offer Utah audiences a space for restoration through music’s unique capacity to calm, center, and heal. In this episode, Ben Kipp, Vice President of Education and Community Engagement, joins Jeff and Carol to reflect on the vision behind this initiative and to share how these concerts are already making a meaningful impact in people’s lives. To find out more about USUO’s Well-Being Concerts or to register for an upcoming concert, visit utahsymphony.org/education/well-being-concert-series. Carnegie Hall has been a leader in developing Well-Being Concerts. To see more about their current season and partnerships such as theirs with USUO, go to www.carnegiehall.org/Events/Well-Being-Concerts or visit www.youtube.com/watch?v=Po6QTj98p2o to view a video about the experience. Visit www.usuo.org for information on upcoming concerts and performances at our venues across Utah. To submit a question to our team, or suggest a topic for an upcoming episode, send an email to ghostlight@usuo.org USUO’s Ghost Light podcast is written, hosted, and produced by Jeff Counts and Carol Anderson.

Richard Strauss’ tone poems represent the zenith of orchestral storytelling, and in Ein Heldenleben, the story gets personal. Over the course of fifty vivid minutes, Strauss sketches a musical self-portrait of a composer battling critics, finding lifelong love, contemplating his musical successes and ultimately settling into a vision of hard-won peace. Join Jeff and Carol for a Deep Dive into this epic work, as they share the history behind the work, and examine whether Ein Heldenleben is full of self-deprecating irony or a composer’s ultimate ego trip. Visit www.usuo.org for information on upcoming concerts and performances at our venues across Utah. To submit a question to our team, or suggest a topic for an upcoming episode, send an email to ghostlight@usuo.org USUO’s Ghost Light podcast is written, hosted, and produced by Jeff Counts and Carol Anderson.

Classical music has long been shaped by the traditions, and occasional barriers, of the concert hall and theater. Jeff Counts and Carol Anderson welcome USUO Opera Education Manager Kevin Nakatani and Front of House Manager Melissa Robison to explore how we can reimagine those spaces to be more inclusive, responsive, and welcoming to people with diverse abilities and needs. Join us for a timely conversation about making opera and symphony performances a richer, more accessible experience for all audiences. To learn more about or register for Access to Music, visit https://usuo.org/education/access-to-music/ Explore this list of resources on accessibility and the Americans with Disabilities Act. Visit www.usuo.org for information on upcoming concerts and performances at our venues across Utah. To submit a question to our team, or suggest a topic for an upcoming episode, send an email to ghostlight@usuo.org USUO’s Ghostlight podcast is written, hosted, and produced by Jeff Counts and Carol Anderson.

When the Utah Symphony introduced German conductor Markus Poschner as Music Director Designate last fall, it marked an exciting new era for the orchestra—just the eighth music director in its 85-year history! Renowned for his dynamic artistry and contagious enthusiasm, Maestro Poschner is already transforming the connection between the orchestra and its audiences. He spoke with Carol and Jeff from Linz, Austria, about his vision for what comes next.

Two little pieces of gristle in our throat - they produce amazing sounds that represent our identity as speakers and maybe even singers, and they are remarkably durable, until they aren't. Vocal injury is often discussed in hushed and secretive tones, and we’re bringing the conversation into the open. Singer and USUO Board Chair Annette Jarvis and Vocologist Dr. Lynn Maxfield join Jeff and Carol to tell an inspiring story of determination, discipline, and a voice reborn.

At just 28, Gustav Mahler redefined the symphony with his bold and deeply personal Symphony No. 1. From the stirrings of nature to the depths of human sorrow, Mahler poured his heart into this work—revising it several times as he refined this symphonic debut. Avid Mahler enthusiasts Jeff and Carol take a Deep Dive into this monumental piece, setting the stage for Music Director Designate Markus Poschner’s return to the Utah Symphony podium.

It’s October, which means it’s time for the second annual Bloodcurdling Opening Opera, (aka BOO). This week, in Jeff and Carol's first Utah Opera Prelude of the podcast season, they discuss Paul Moravec and Mark Campbell’s chilling adaptation of Stephen King’s novel The Shining, based on the 1977 bestseller penned by the “King of Horror.” What does it take to turn such an iconic book into a riveting operatic thriller? Join us to find out!

From its dramatic opening that gave its composer “no peace,” to its sparkling finale, Mendelssohn’s Violin Concerto in E minor has been delighting listeners for almost two centuries. To open the USUO Ghost Light Podcast’s tenth season, Jeff and Carol uncover the artistic partnership behind this landmark (and revolutionary) work and consider why it remains a cornerstone of the concerto repertoire.

What does it take to reimagine "Madame Butterfly" for today’s stage? Director Matthew Ozawa and mezzo-soprano Nina Yoshida Nelsen join us for a candid conversation about creativity, representation, and reshaping a classic from the inside out.

If at first you don’t succeed, rewrite it four times—just ask Puccini. In this season’s final opera prelude, Jeff and Carol explore Madame Butterfly, from its rocky premiere to eventual triumph. They delve into the opera’s complex cultural backdrop, examine its literary roots, and confront the tension between the troubling elements within its story and its lasting popularity with opera audiences.

Mysterious cloaked figures, thoughts of poisoning, and genius cut off at its prime...the lore surrounding Mozart's Requiem, unfinished at his untimely demise, is substantial, but the truth is even more compelling. Jeff and Carol, joined by special guest Utah Symphony Chorus director Austin McWilliams, dive deep to uncover the real story behind the music.

Jeff and Carol invite musicologist Catherine Mayes to help unpack the thorny topic of exoticism and colonialism in Western Music. This is part one of a three-episode introduction to Utah Opera's upcoming production of Puccini's Madame Butterfly.

You've heard the aria and you've seen the iconic sad commedia clown face. Now join Jeff and Carol as they look beyond the greasepaint into the bleeding heart of Ruggero Leoncavallo's visceral opera.

This week Jeff and Carol sit down with Utah Symphony's Music Director Emeritus Thierry Fischer to talk about his upcoming Mahler mini-festival. Thierry also catches us up on his life since leaving Salt Lake City (hint: busy and fulfilling), his passion projects, and his new role of grandfather!

From riots to radicalism to Disney and dinosaurs, Igor Stravinsky's ballet "The Rite of Spring" blasted on the classical music scene in May of 1913 and has been captivating audiences ever since. In one of their Deep Dives, Jeff and Carol talk about the man behind the music, the stories around the premiere, and the music that still sounds modern more than a century later (even though it isn't).

Though there is a children’s chorus, a children’s ballet, and adults playing children, "Hansel and Gretel" is much more than a children’s opera. In preparation for Utah Opera’s presentation of this beloved fairytale, Jeff and Carol talk about the opera’s backstory and why it’s one of the more underrated and sophisticated scores of the late nineteenth century.

For over 50 years, John Williams has delighted millions of listeners with his epic film music. Compositionally sophisticated and melodically inventive, his more than one hundred cinematic scores are masterpieces of virtuosic story-telling. In one of their patented Deep Dives™️, film score devotees Jeff and Carol talk about John Williams' life and amazing body of work, while sharing their personal experiences of Williams' music, both as listeners and performers. For tickets to Utah Symphony's January 2025 performance of the Film Music of John Williams, visit: https://utahsymphony.org/event/id/33383/

From Salsa to Symphony—get to know newly appointed Utah Symphony Assistant Conductor Jessica Rivero Altarriba. The Ghostlight Team welcomes Maestra Altarriba to Utah and learns about her path to the podium. With a joyful commitment to audience engagement and a vision for the future of symphonic programming, she's a vibrant addition to our organization and our community.