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South African born Ricardo Nunes, better known as DJ Azuhl, has become a household name on the South African Hip Hop and DJ scene. Being introduced into hip hop culture in the mid 80s he’s progressed from a dancer to member of the iconic South African band, B.V.K (Brasse Vannie Kaap), a DJ with Africa’s iconic DJ group The Beat Bangaz (alongside Grandmaster Ready D, E-20) & now owner and founding member of the Beat Bangaz DJ Academy based in Cape Town. Known for specializing in Hip Hop, he also has the ability to move crowds across genres of music ranging from funk, soul, dub, house, rock and mashups. He also runs Beat Bangaz Radio a Cape Town based internet radio station specializing in Hip Hop music.
He has opened and performed alongside international artists like Kendrick Lamar, Mos Def, Kanye West, Jay Z, Coolio, The Whooligan, A-Trak, Black Eyed Peas to name a few while also touring Europe annually since 2007 performing at various clubs & festivals like Miami Music Conference (USA), Hip Hop Logique (France), Pukkelpop (Belgium), Schoolyard Breaks (Germany), Battle of the Year (Nigeria).
Major South South African events and festivals include ULTRA Music Festival, Rocking the Daisies, Sizzled, Back to the City, Red Bull BCOne, Cape Town International Jazz Festival, KKNK, Oppikoppie, South African Music Conference, Rand Easter Show and countless corporate and club events.
He’s signature mixes are featured on Good Hope FM and 5FM respectively - two respected commercial radio stations in South Africa, with a monthly mix slot slot on UK based radio station ’ThisisWestSide FM’ as well. Currently running Beat Bangaz Radio he also has a weekly radio show on the online platform.
Besides DJ accolades Azuhl impresses with a couple of number one singles on Good Hope FM, one of Cape Town’s biggest commercial radio stations & award nominations like the 2017 ‘Best Hip Hop single’ with Early B for the prestigious Afrikaans music award show, ‘Ghoemas.’ Whether it’s providing production, remixes or scratches for artists like YOUNGSTACPT, Proverb, Hemelbesem, Early B, Zubz he has become a sought after collaborator with expanding his scope with other music genres beside Hip Hop.
Currently he is also running an NGO with DJ Eazy, HHESA (Hip Hop Education South Africa) that’s been responsible for various international cultural exchanges since 2008 & various school projects in Cape Town with a strong emphasis on youth development using Hip Hop culture.
He has opened and performed alongside international artists like Kendrick Lamar, Mos Def, Kanye West, Jay Z, Coolio, The Whooligan, A-Trak, Black Eyed Peas to name a few while also touring Europe annually since 2007 performing at various clubs & festivals like Miami Music Conference (USA), Hip Hop Logique (France), Pukkelpop (Belgium), Schoolyard Breaks (Germany), Battle of the Year (Nigeria).
Major South South African events and festivals include ULTRA Music Festival, Rocking the Daisies, Sizzled, Back to the City, Red Bull BCOne, Cape Town International Jazz Festival, KKNK, Oppikoppie, South African Music Conference, Rand Easter Show and countless corporate and club events.
He’s signature mixes are featured on Good Hope FM and 5FM respectively - two respected commercial radio stations in South Africa, with a monthly mix slot slot on UK based radio station ’ThisisWestSide FM’ as well. Currently running Beat Bangaz Radio he also has a weekly radio show on the online platform.
Besides DJ accolades Azuhl impresses with a couple of number one singles on Good Hope FM, one of Cape Town’s biggest commercial radio stations & award nominations like the 2017 ‘Best Hip Hop single’ with Early B for the prestigious Afrikaans music award show, ‘Ghoemas.’ Whether it’s providing production, remixes or scratches for artists like YOUNGSTACPT, Proverb, Hemelbesem, Early B, Zubz he has become a sought after collaborator with expanding his scope with other music genres beside Hip Hop.
Currently he is also running an NGO with DJ Eazy, HHESA (Hip Hop Education South Africa) that’s been responsible for various international cultural exchanges since 2008 & various school projects in Cape Town with a strong emphasis on youth development using Hip Hop culture.
313 Episodes
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A-Side Breaks Vol. 4 continues the journey — a crate of raw, unfiltered drum science crafted for dancers, DJs, and rhythm junkies who know exactly what that perfect break can do to a room.
This volume digs deeper into the DNA of the breakbeat. No nostalgia cosplay, no over-polished gloss — just straight, functional grooves built for cyphers, rehearsals, block parties, and those moments when you need the beat to speak louder than words.
Vol. 4 stretches across moods: dusty funk hits, minimalist percussion workouts, tension-builders for battles, and pocket-heavy loops for flow sessions. Each break is produced with intention — to move bodies, spark creativity, and reconnect dancers to the essence of why we listen in the first place.
For DJs, these are mix-ready. For B-boys and B-girls, they're footwork fuel. For producers, they’re sample-able foundations.
It’s another chapter in a growing archive of rhythm tools — built from the ground up, no shortcuts, no templates.
If you’ve been rocking with the series, welcome back.
If you’re discovering it now, tap in — the break is only the beginning.
A-Side Breaks Vol. 4 continues the journey — a crate of raw, unfiltered drum science crafted for dancers, DJs, and rhythm junkies who know exactly what that perfect break can do to a room.
This volume digs deeper into the DNA of the breakbeat. No nostalgia cosplay, no over-polished gloss — just straight, functional grooves built for cyphers, rehearsals, block parties, and those moments when you need the beat to speak louder than words.
Vol. 4 stretches across moods: dusty funk hits, minimalist percussion workouts, tension-builders for battles, and pocket-heavy loops for flow sessions. Each break is produced with intention — to move bodies, spark creativity, and reconnect dancers to the essence of why we listen in the first place.
For DJs, these are mix-ready. For B-boys and B-girls, they're footwork fuel. For producers, they’re sample-able foundations.
It’s another chapter in a growing archive of rhythm tools — built from the ground up, no shortcuts, no templates.
If you’ve been rocking with the series, welcome back.
If you’re discovering it now, tap in — the break is only the beginning.
A-Side Breaks Vol. 4 continues the journey — a crate of raw, unfiltered drum science crafted for dancers, DJs, and rhythm junkies who know exactly what that perfect break can do to a room.
This volume digs deeper into the DNA of the breakbeat. No nostalgia cosplay, no over-polished gloss — just straight, functional grooves built for cyphers, rehearsals, block parties, and those moments when you need the beat to speak louder than words.
Vol. 4 stretches across moods: dusty funk hits, minimalist percussion workouts, tension-builders for battles, and pocket-heavy loops for flow sessions. Each break is produced with intention — to move bodies, spark creativity, and reconnect dancers to the essence of why we listen in the first place.
For DJs, these are mix-ready. For B-boys and B-girls, they're footwork fuel. For producers, they’re sample-able foundations.
It’s another chapter in a growing archive of rhythm tools — built from the ground up, no shortcuts, no templates.
If you’ve been rocking with the series, welcome back.
If you’re discovering it now, tap in — the break is only the beginning.
A-Side Breaks Vol. 4 continues the journey — a crate of raw, unfiltered drum science crafted for dancers, DJs, and rhythm junkies who know exactly what that perfect break can do to a room.
This volume digs deeper into the DNA of the breakbeat. No nostalgia cosplay, no over-polished gloss — just straight, functional grooves built for cyphers, rehearsals, block parties, and those moments when you need the beat to speak louder than words.
Vol. 4 stretches across moods: dusty funk hits, minimalist percussion workouts, tension-builders for battles, and pocket-heavy loops for flow sessions. Each break is produced with intention — to move bodies, spark creativity, and reconnect dancers to the essence of why we listen in the first place.
For DJs, these are mix-ready. For B-boys and B-girls, they're footwork fuel. For producers, they’re sample-able foundations.
It’s another chapter in a growing archive of rhythm tools — built from the ground up, no shortcuts, no templates.
If you’ve been rocking with the series, welcome back.
If you’re discovering it now, tap in — the break is only the beginning.
A-Side Breaks Vol. 4 continues the journey — a crate of raw, unfiltered drum science crafted for dancers, DJs, and rhythm junkies who know exactly what that perfect break can do to a room.
This volume digs deeper into the DNA of the breakbeat. No nostalgia cosplay, no over-polished gloss — just straight, functional grooves built for cyphers, rehearsals, block parties, and those moments when you need the beat to speak louder than words.
Vol. 4 stretches across moods: dusty funk hits, minimalist percussion workouts, tension-builders for battles, and pocket-heavy loops for flow sessions. Each break is produced with intention — to move bodies, spark creativity, and reconnect dancers to the essence of why we listen in the first place.
For DJs, these are mix-ready. For B-boys and B-girls, they're footwork fuel. For producers, they’re sample-able foundations.
It’s another chapter in a growing archive of rhythm tools — built from the ground up, no shortcuts, no templates.
If you’ve been rocking with the series, welcome back.
If you’re discovering it now, tap in — the break is only the beginning.
A-Side Breaks Vol. 4 continues the journey — a crate of raw, unfiltered drum science crafted for dancers, DJs, and rhythm junkies who know exactly what that perfect break can do to a room.
This volume digs deeper into the DNA of the breakbeat. No nostalgia cosplay, no over-polished gloss — just straight, functional grooves built for cyphers, rehearsals, block parties, and those moments when you need the beat to speak louder than words.
Vol. 4 stretches across moods: dusty funk hits, minimalist percussion workouts, tension-builders for battles, and pocket-heavy loops for flow sessions. Each break is produced with intention — to move bodies, spark creativity, and reconnect dancers to the essence of why we listen in the first place.
For DJs, these are mix-ready. For B-boys and B-girls, they're footwork fuel. For producers, they’re sample-able foundations.
It’s another chapter in a growing archive of rhythm tools — built from the ground up, no shortcuts, no templates.
If you’ve been rocking with the series, welcome back.
If you’re discovering it now, tap in — the break is only the beginning.
A-Side Breaks Vol. 3 marks another chapter in a series I’ll be dropping on a regular basis — a steady stream of break-heavy selections designed for dancers who live in that space where rhythm meets instinct.
This volume leans into the raw, percussive energy that powers the breakin’ world: those stripped-down drum sections and groove pockets that DJs stretch out to keep the floor alive. These are the moments breakers train to, build on, and lose themselves in — the fuel behind the footwork, the shapes, the creativity, the flow.
For Vol. 3, I went crate-deep again, pulling out joints that shaped different generations of movement culture. It’s a nod to the roots, a salute to the dancers, and a reminder that the spirit of the break is still beating strong.
And since this series is dropping continuously, expect more heat soon — more rhythms, more textures, more reasons to hit the floor.
Back to the raw. Back to the groove. Back to the break.
A-Side Breaks Vol. 3 marks another chapter in a series I’ll be dropping on a regular basis — a steady stream of break-heavy selections designed for dancers who live in that space where rhythm meets instinct.
This volume leans into the raw, percussive energy that powers the breakin’ world: those stripped-down drum sections and groove pockets that DJs stretch out to keep the floor alive. These are the moments breakers train to, build on, and lose themselves in — the fuel behind the footwork, the shapes, the creativity, the flow.
For Vol. 3, I went crate-deep again, pulling out joints that shaped different generations of movement culture. It’s a nod to the roots, a salute to the dancers, and a reminder that the spirit of the break is still beating strong.
And since this series is dropping continuously, expect more heat soon — more rhythms, more textures, more reasons to hit the floor.
Back to the raw. Back to the groove. Back to the break.
A-Side Breaks Vol. 3 marks another chapter in a series I’ll be dropping on a regular basis — a steady stream of break-heavy selections designed for dancers who live in that space where rhythm meets instinct.
This volume leans into the raw, percussive energy that powers the breakin’ world: those stripped-down drum sections and groove pockets that DJs stretch out to keep the floor alive. These are the moments breakers train to, build on, and lose themselves in — the fuel behind the footwork, the shapes, the creativity, the flow.
For Vol. 3, I went crate-deep again, pulling out joints that shaped different generations of movement culture. It’s a nod to the roots, a salute to the dancers, and a reminder that the spirit of the break is still beating strong.
And since this series is dropping continuously, expect more heat soon — more rhythms, more textures, more reasons to hit the floor.
Back to the raw. Back to the groove. Back to the break.
A-Side Breaks Vol. 3 marks another chapter in a series I’ll be dropping on a regular basis — a steady stream of break-heavy selections designed for dancers who live in that space where rhythm meets instinct.
This volume leans into the raw, percussive energy that powers the breakin’ world: those stripped-down drum sections and groove pockets that DJs stretch out to keep the floor alive. These are the moments breakers train to, build on, and lose themselves in — the fuel behind the footwork, the shapes, the creativity, the flow.
For Vol. 3, I went crate-deep again, pulling out joints that shaped different generations of movement culture. It’s a nod to the roots, a salute to the dancers, and a reminder that the spirit of the break is still beating strong.
And since this series is dropping continuously, expect more heat soon — more rhythms, more textures, more reasons to hit the floor.
Back to the raw. Back to the groove. Back to the break.
A-Side Breaks Vol. 3 marks another chapter in a series I’ll be dropping on a regular basis — a steady stream of break-heavy selections designed for dancers who live in that space where rhythm meets instinct.
This volume leans into the raw, percussive energy that powers the breakin’ world: those stripped-down drum sections and groove pockets that DJs stretch out to keep the floor alive. These are the moments breakers train to, build on, and lose themselves in — the fuel behind the footwork, the shapes, the creativity, the flow.
For Vol. 3, I went crate-deep again, pulling out joints that shaped different generations of movement culture. It’s a nod to the roots, a salute to the dancers, and a reminder that the spirit of the break is still beating strong.
And since this series is dropping continuously, expect more heat soon — more rhythms, more textures, more reasons to hit the floor.
Back to the raw. Back to the groove. Back to the break.
A-Side Breaks Vol. 3 marks another chapter in a series I’ll be dropping on a regular basis — a steady stream of break-heavy selections designed for dancers who live in that space where rhythm meets instinct.
This volume leans into the raw, percussive energy that powers the breakin’ world: those stripped-down drum sections and groove pockets that DJs stretch out to keep the floor alive. These are the moments breakers train to, build on, and lose themselves in — the fuel behind the footwork, the shapes, the creativity, the flow.
For Vol. 3, I went crate-deep again, pulling out joints that shaped different generations of movement culture. It’s a nod to the roots, a salute to the dancers, and a reminder that the spirit of the break is still beating strong.
And since this series is dropping continuously, expect more heat soon — more rhythms, more textures, more reasons to hit the floor.
Back to the raw. Back to the groove. Back to the break.
A-Side Breaks Vol. 3 marks another chapter in a series I’ll be dropping on a regular basis — a steady stream of break-heavy selections designed for dancers who live in that space where rhythm meets instinct.
This volume leans into the raw, percussive energy that powers the breakin’ world: those stripped-down drum sections and groove pockets that DJs stretch out to keep the floor alive. These are the moments breakers train to, build on, and lose themselves in — the fuel behind the footwork, the shapes, the creativity, the flow.
For Vol. 3, I went crate-deep again, pulling out joints that shaped different generations of movement culture. It’s a nod to the roots, a salute to the dancers, and a reminder that the spirit of the break is still beating strong.
And since this series is dropping continuously, expect more heat soon — more rhythms, more textures, more reasons to hit the floor.
Back to the raw. Back to the groove. Back to the break.
It’s been a minute since I last served up a batch of raw breakbeats, but the energy at this year’s IBE event in Holland lit that fire again. A Side Breaks Vol. 2 is a tribute to the global dance community — a selection of B-boy and B-girl–friendly breaks, crafted for cyphers, sessions, battles, and anyone who lives for that moment when the beat drops and your body just moves.
For those who don’t know: B-boy/B-girl breaks are the foundation of breakin’ culture. They’re the drum-heavy, groove-driven sections of funk, soul, and rare groove records that DJs isolate, loop, and extend to create that high-energy pocket dancers feed off. These breaks drive footwork, freezes, power moves, and flow — they’re the heartbeat of the dance.
With Vol. 2, I dug back into some older nuggets, revisiting sounds that shaped generations of breakers. And trust, there’s much more on the way — deeper cuts, fresh flips, and more gems for the floor.
Let’s get back to the essence.
It’s been a minute since I last served up a batch of raw breakbeats, but the energy at this year’s IBE event in Holland lit that fire again. A Side Breaks Vol. 2 is a tribute to the global dance community — a selection of B-boy and B-girl–friendly breaks, crafted for cyphers, sessions, battles, and anyone who lives for that moment when the beat drops and your body just moves.
For those who don’t know: B-boy/B-girl breaks are the foundation of breakin’ culture. They’re the drum-heavy, groove-driven sections of funk, soul, and rare groove records that DJs isolate, loop, and extend to create that high-energy pocket dancers feed off. These breaks drive footwork, freezes, power moves, and flow — they’re the heartbeat of the dance.
With Vol. 2, I dug back into some older nuggets, revisiting sounds that shaped generations of breakers. And trust, there’s much more on the way — deeper cuts, fresh flips, and more gems for the floor.
Let’s get back to the essence.
It’s been a minute since I last served up a batch of raw breakbeats, but the energy at this year’s IBE event in Holland lit that fire again. A Side Breaks Vol. 2 is a tribute to the global dance community — a selection of B-boy and B-girl–friendly breaks, crafted for cyphers, sessions, battles, and anyone who lives for that moment when the beat drops and your body just moves.
For those who don’t know: B-boy/B-girl breaks are the foundation of breakin’ culture. They’re the drum-heavy, groove-driven sections of funk, soul, and rare groove records that DJs isolate, loop, and extend to create that high-energy pocket dancers feed off. These breaks drive footwork, freezes, power moves, and flow — they’re the heartbeat of the dance.
With Vol. 2, I dug back into some older nuggets, revisiting sounds that shaped generations of breakers. And trust, there’s much more on the way — deeper cuts, fresh flips, and more gems for the floor.
Let’s get back to the essence.
It’s been a minute since I last served up a batch of raw breakbeats, but the energy at this year’s IBE event in Holland lit that fire again. A Side Breaks Vol. 2 is a tribute to the global dance community — a selection of B-boy and B-girl–friendly breaks, crafted for cyphers, sessions, battles, and anyone who lives for that moment when the beat drops and your body just moves.
For those who don’t know: B-boy/B-girl breaks are the foundation of breakin’ culture. They’re the drum-heavy, groove-driven sections of funk, soul, and rare groove records that DJs isolate, loop, and extend to create that high-energy pocket dancers feed off. These breaks drive footwork, freezes, power moves, and flow — they’re the heartbeat of the dance.
With Vol. 2, I dug back into some older nuggets, revisiting sounds that shaped generations of breakers. And trust, there’s much more on the way — deeper cuts, fresh flips, and more gems for the floor.
Let’s get back to the essence.
It’s been a minute since I last served up a batch of raw breakbeats, but the energy at this year’s IBE event in Holland lit that fire again. A Side Breaks Vol. 2 is a tribute to the global dance community — a selection of B-boy and B-girl–friendly breaks, crafted for cyphers, sessions, battles, and anyone who lives for that moment when the beat drops and your body just moves.
For those who don’t know: B-boy/B-girl breaks are the foundation of breakin’ culture. They’re the drum-heavy, groove-driven sections of funk, soul, and rare groove records that DJs isolate, loop, and extend to create that high-energy pocket dancers feed off. These breaks drive footwork, freezes, power moves, and flow — they’re the heartbeat of the dance.
With Vol. 2, I dug back into some older nuggets, revisiting sounds that shaped generations of breakers. And trust, there’s much more on the way — deeper cuts, fresh flips, and more gems for the floor.
Let’s get back to the essence.
It’s been a minute since I last served up a batch of raw breakbeats, but the energy at this year’s IBE event in Holland lit that fire again. A Side Breaks Vol. 2 is a tribute to the global dance community — a selection of B-boy and B-girl–friendly breaks, crafted for cyphers, sessions, battles, and anyone who lives for that moment when the beat drops and your body just moves.
For those who don’t know: B-boy/B-girl breaks are the foundation of breakin’ culture. They’re the drum-heavy, groove-driven sections of funk, soul, and rare groove records that DJs isolate, loop, and extend to create that high-energy pocket dancers feed off. These breaks drive footwork, freezes, power moves, and flow — they’re the heartbeat of the dance.
With Vol. 2, I dug back into some older nuggets, revisiting sounds that shaped generations of breakers. And trust, there’s much more on the way — deeper cuts, fresh flips, and more gems for the floor.
Let’s get back to the essence.
It’s been a minute since I last served up a batch of raw breakbeats, but the energy at this year’s IBE event in Holland lit that fire again. A Side Breaks Vol. 2 is a tribute to the global dance community — a selection of B-boy and B-girl–friendly breaks, crafted for cyphers, sessions, battles, and anyone who lives for that moment when the beat drops and your body just moves.
For those who don’t know: B-boy/B-girl breaks are the foundation of breakin’ culture. They’re the drum-heavy, groove-driven sections of funk, soul, and rare groove records that DJs isolate, loop, and extend to create that high-energy pocket dancers feed off. These breaks drive footwork, freezes, power moves, and flow — they’re the heartbeat of the dance.
With Vol. 2, I dug back into some older nuggets, revisiting sounds that shaped generations of breakers. And trust, there’s much more on the way — deeper cuts, fresh flips, and more gems for the floor.
Let’s get back to the essence.
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