The Roulette Tapes

The sonic world and career of composer Pauline Oliveros (1936-2016) featuring a 2008 interview with the artist conducted by David Weinstein for the radio station of the Clocktower Gallery in support of an exhibition at PS1 Contemporary Art Center (now MoMA PS1) entitled WACK: Art of the Feminist Revolution. We also hear solos and collaborative works recorded for the Roulette concert series dating from 1984 to 2014 including excerpts with the Deep Listening Band (Stuart Dempster, trombone, didjeridu and David Gamper (piano, "toys"), and a trio with David Arner (piano) and Doug Van Nort (custom electronics). The influence of Dr. Oliveros on contemporary music is unrivaled, from electronic innovations, sonic meditations, ceremonial works, the Deep Listening paradigm, her Expanded Instrument System (processing time and space), hot-wired accordion, and merging a social conscience with sound.

Vibraphonist, marimbist, and composer Patricia Brennan in conversation with excerpts from performances at the Roulette Concert Hall in Brooklyn. Raised in Mexico and now in Brooklyn and honoree of many awards, Brennan's work as a bandleader and side person includes projects with pianist Sylvie Courvoisier, trumpeter Adam O'Farrill, and her ensembles More Touch and Patricia Brennan Septet. Brennan celebrates a new album, Of The Near And Far on Pyroclastic Records, at Roulette on December 1, 2025, inspired by celestial configurations.

The music of composer, pianist, and cultural explorer “Blue” Gene Tyranny (1945-2020) in solos and collaborations recorded by Roulette from 2004-10 including archival commentary by the artist and a 2025 introduction by friend and colleague, the writer/producer Mary Griffin. We’ll hear excerpts from pieces including A Letter From Home (2004 version) and Flipside (2008) with vocalists The Smithereens. “Blue” Gene Tyranny contributed to projects from Robert Ashley, Laurie Andersen, John Cage, and Leroy Jenkins to Carla Bley and Iggy Pop. Pianists Sarah Cahill and Joseph Kubera present a two-piano celebration of his work at Roulette on Nov. 20, 2025.

Virtuoso pianist Vicky Chow in musical excerpts and commentary from the artist. Originally from Vancouver, Canada, now in Brooklyn, Chow has put a personal touch on multitudes of contemporary music, engaged commissions, and explored experimental forms expanding the piano repertoire. We hear bits from performances of works by Philip Glass, David Lang, Cassie Wieland, Jane Antonia Cornish, and Tristan Perich whose piece Surface Image the pianist will perform in a free concert in Bryant Park in Manhattan on Sept. 11, 2025 to open Roulette's 47th season. Image: Kaitlin Jane Photography

The musical works of drummer, percussionist, and instrument builder Kenny Wollesen and his Wollesonic project. We'll hear excerpts from two multimedia, theatrical, large ensemble pieces recorded at Roulette in 2006 and 2008 plus his contribution to a trio led by pianist/composer Sylvie Courvoisier with bassist Drew Gress. Wollesonic is a band, a laboratory, a record label, an archive, and a collection of hundreds of hand-made "noise" instruments. Featuring the artist's commentary and an amazing story about his grandmother's music which Wollesen debuts at The Stone in Manhattan on August 20-23, 2025

Composer and trumpet player Wadada Leo Smith in commentary and concert excerpts recorded at Roulette including a duo with keyboardist Amina Claudine Myers (Central Park Mosaics, 2024), passages from his Pulitzer-nominated Ten Freedom Summers (Golden Quartet and the Pacifica Coral Reef Ensemble, 2013), and a Rastafarian ceremonial ritual with vocalist Jeanne Lee (1989) An early member and proponent of the AACM and the Chicago “creative music” paradigm, Wadada taught for years at  Cal Arts and has an enduring connection with Wesleyan University. Over the years his bands and collaborators have included Leroy Jenkins, Anthony Braxton, Henry Threadgill, Anthony Davis, Oliver Lake,  Derek Bailey, and many more.

The music of Shahzad Ismaily, a multi-instrumentalist widely admired for his mastery of the bass guitar and drum set in solos, collaborations, and groups across genres. The program features the artist’s remarks on personal history, spiritual growth, and musical projects alongside excerpts from several performances at Roulette: a duo with guitarist Indigo Street, a vocal duo with Arooj Aftab, and in an ensemble led by composer/percussionist Ches Smith. Shahzad returns to Roulette with Marc Ribot on June 11, 2025.

Swiss-born pianist/composer in commentary and excerpts from four performances at Roulette: A trio with percussionist Kenny Wollesen and bassist Drew Gress (2016, 2020), Amalthea (aka Poppy Seeds) (2024) with Patricia Brennan, vibes; Thomas Morgan, bass, Dan Weiss, drums, and Chimaera (2022) with Christian Fennesz, electronics; Nate Wooley, trumpet; plus Wollesen (vibes) and Gress.

The music of Bobby Previte and ensembles recorded between 1987 and 2018 at the Roulette performance spaces in New York. Admired as both a drummer and composer, Previte is also one the great raconteurs of the downtown experimental music scene. We'll hear the 1987 band with Marty Ehrlich (reeds),Tom Varner (horn), Wayne Horvitz (keys), Dave Hofstra (bass); a trio from 1994 with Horvitz (piano & electronic keyboards), and Skerik (tenor sax & electronics); and the Rhapsody Band from 2018 with Nels Cline (acoustic guitars), John Medeski, (piano), Zeena Parkins (harp), Jen Shyu (voice and erhu fiddle), Fabian Rucker (alto sax), and the composer on drums, autoharp, electronics, and percussion.

The Palestinian-born US resident singer Nibal Malshi in excerpts and commentary on selections from the 20th-century classical Arab repertoire of the Levantine – Egyptian region, highlighting songs performed by female singers from Syria, Egypt, and Lebanon. In 2021 Malshi performed at Roulette with an ensemble led by master qanun (zither) player Firas Zreik with Zafer Tawil on oud (lute), John Murchison on bass, Johnny Farraj on riqq (small frame drum), and Gilbert Mansour on tabla. In 2023 the ensemble was again Mansour and Murchison led by master violinist Gabriel Dahrieh with Maurice Chedid (oud) and Eddy Fadel (percussion). Portions of these recordings were co-presented by Roulette, Brooklyn Maqam, and Robert Browning Associates, who have been bringing music of the world to New York venues for decades. Malshi returns to Roulette on March 15, 2025.

The music of composer Shamar Watt (aka BongoWattZ), whose work incorporates everything from techno to gospel, ecstatic movement, and manipulated light, with excerpts from the artist's archive alongside commentary on his Jamaican heritage, spirituality, technology, and noise. Watt performs at Roulette on March 1, 2025 as part of the annual Mixology Festival and again on March 13 with Lester St. Louis.

Composer/performer and instrument maker Ellen Fullman describes the origins and development of her Long Strong Instrument; dozens of strings running 40 feet or more, excited by longitudinal vibration in just intonation. The artist’s commentary is illustrated with samples from rare recordings and releases with cellist Theresa Wong, the JACK String Quartet, and others. Fullman and Wong return to Roulette with the full installation on 30-31 Jan. 2025 with a workshop on 29 Jan.

Excerpts from two performances at Roulette by drummer, composer, improviser, activist organizer Lesley Mok with commentary by the artist. "she smashed the enclosure" from 2020 features composer Mok with Charmaine Lee, voice; Maya Keren, piano, voice; Aliya Ultan, cello, voice. "a bird in its chest" from 2022 features Ultan, Joanna Mattrey, viola; Cleek Schrey, violin; David Leon, sax; Yuma Uesaka, reeds. The aerialists! mentioned in the piece are Gabrielle “Teddy” Ment, Eleanor Getz, Georgie Johnson, and Copper Santiago. Mok returns to Roulette on 20 Dec 2024 with “The Living Collection”, a 10-piece band that crosses musical communities.

A project launched by Tim Spelios and David Weinstein in the 80s, Impossible Music features cutup, montaged, recycled material, lopsided grooves, appropriated, restored, or reconstituted audio, new and legacy technologies, loops of contrasting and colliding musics, sound effects, disembodied vocal tracks, and noise merged into panoramic constructions. Illustrated with a 2004 performance at Roulette and artist commentary. Photo by Beatriz Cardoso Guimarães.

Composer, harpist, and multi-instrumentalist Zeena Parkins introduces the projects Phantom Orchard with electronic percussion artist Ikue Mori and a duo with electronic sound artist Laetitia Sonami. Alongside excerpts from performances at Roulette, Parkins discuses process, technique, and history. Parkins returns to Roulette on Oct. 24, 2024 with Ikue Mori and their Phantom Orchard project.

Bassist, composer, and activist Luke Stewart is best known as an accomplished  jazz musician, but he is also an innovator of techniques incorporating feedback as an extension of his sound. This edition features Stewart’s commentary on his musical trajectory as well as the role of liberation politics in music. With excerpts from the Feedback Ensemble with cellist Leila Bordreuil, and the composition “Assassinations” with ensemble Irreversible Entanglements. Stewart also discusses his Silt Trio with Brian Settles, sax, and drummers Trae Crudup and Chad Taylor. Stewart presents that trio at Roulette as part of an album release concert for "Unknown Rivers" on 12 Sept. 2024.

Improvisers John Zorn (alto sax, game calls) and Michihiro Sato (shamisen, three-stringed banjo-like instrument) in a 1985 performance at Roulette. Rescued from a reel-to-reel tape and documenting an early chapter in the downtown improv scene, the concert came shortly after the release of the duo's album Ganru Island, since re-released on Tzadik Records.

Admired as a bold saxophonist (and also sometimes guitarist, vocalist, pianist), composer Zoh Amba traces a journey from a difficult Tennessee childhood to musical and spiritual revelation. The remarks are coupled with excerpts from two performances at Roulette: the Bhakti project (2022, with Micah Thomas, piano; Thomas Morgan, bass; Marc Edwards, drums; and Matt Hollenberg, guitar) and Sun Quartet (2024, with Lex Korten, piano; Caroline Morton, bass; and Miguel Marcel Russell, drums). The Quartet emerged from a Roulette commission and is built using graphic scores and variations of devotional hymns.

The trombonist Jim Staley traces his path from playing in a Vietnam-era Army band and as an orchestral musician; through encounters with influential mentors and techniques; and musical awakenings that led to a career as a master improviser and Director of Roulette, the New York City concert series. With musical appearances by John Zorn, Ikue Mori, Zeena Parkins, Bill Frisell, Fred Frith, Chris Cochrane, Derek Bailey, Joey Baron, Kyoko Kitamura, and Cyro Baptista with recordings captured between 1986 and 2015. Staley will be honored with an all-star Gala at Roulette on June 6, 2024.

The cellist/composer/improviser in commentary with excerpts from several performances at Roulette: his own Transfer 01 and Metahaven projects; collaborative works with guitarist Wendy Eisenberg, drummer Ryan Sawyer, vocalist Charmaine Lee, violist Joanna Mattrey; and yuniya edi kwon's Sun Han Guild. St. Louis has also worked with jaimie branch, Isabel Crespo Pardo, Ka Baird, the Vision Festival, and for Spectrum, the Brooklyn experimental arts venue.