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WARDROBE CRISIS with Clare Press
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WARDROBE CRISIS with Clare Press

Author: Clare Press

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WARDROBE CRISIS is a fashion podcast about sustainability, ethical fashion and making a difference in the world. Your host is author and journalist Clare Press, who was the first ever Vogue sustainability editor. Each week, we bring you insightful interviews from the global fashion change makers, industry insiders, activists, artists, designers and scientists who are shaping fashion's future.

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208 Episodes
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Can fashion lift its inclusivity game? When 28-year-old British model Junior Bishop - who just so happens to be a wheelchair user - spoke at the Houses of Parliament recently, she called on the fashion industry to do more to tackle its disability access issues. Levelling the playing field is integral to the wellbeing economy - what’s the point of only some of us get to have our wellbeing considered?“When looking at fashion and media today,” said Junior, diversity and representation are gradually improving. That’s important. “We hope to simply see people who look like us - our ‘imperfections’, our ‘flaws’, the little things that make us who we are.” Also, purely from the economic rationale, how do brands expect to sell to people who don’t see themselves in campaigns?As Junior acknowledged: “The excitement of being able to see someone who is a wheelchair user, a cane user despite their age, has a limb difference, has Down syndrome, has albinism, the list goes on… Having those with disabilities or their family members tearfully say ‘I didn’t know people like us could do that kind of thing’; that is why this movement needs to continue to grow." Representation is an important first step, but we can’t stop there.This inspiring conversation, packed with practical advice and emotional intelligence, comes with a call to action: want to do better on this stuff? Ask disabled people what they need!Check the shownotes for links & further reading.Tell us what you think! Can you help us spread the word ?Wardrobe Crisis is an independent production. We don't believe in barriers to entry and are determined to keep this content free.If you value it, please help by sharing your favourite Episodes, and rating and reviewing us in Apple orSpotify. Thank you!Find Clare on Instagram @mrspress Hosted on Acast. See acast.com/privacy for more information.
Rich, white and privileged - the creative arts sector has a class problem. Particularly in class-obsessed Britain, where middle-class people are twice as likely to work in creative jobs than their working class contemporaries. According to the Evening Standard, "the worlds of TV, film, music and the arts are dominated by straight, able-bodied white men living in London, despite them only accounting for 3.5% of the [UK] population."Not that this is purely a UK problem. In New York, 85% of artists represented by commercial galleries are white. In Australia, where one in four of us were born overseas, culturally and linguistically diverse creatives are still barely represented in fashion at all. And consider the global luxury brands, with their spate of recent cookie-cutter creative director hires - can anyone actually tell the difference between these men from their photos alone?But, "What about the new editor at Vogue?" I hear you say. Too often, the celebrated hire is still the only Black or brown person in the room.I bet you can think of a thousand places where career progress is affected by your postcode, where you went to school and what your parents did. And lurking behind all that: race, gender, sexuality, difference, not to mention how much cash you've got...It's time for a power shift!Meet Rahemur Rahman, a British-Bengali artist, educator and designer who is determined to change the system, not simply tinker round the edges of representation. He made it, despite the odds. Raised in working class Tower Hamlets, he studied fashion at Central Saint MartinsHe studied fashion at Central Saint Martins, where he now teaches. Designs from his debut London Fashion Week collection menswear collection were acquired by the V&A Museum. Now, he's the director of training and development at Bari, a new incubator supporting South Asian creatives in East London as part of the British Bangladeshi Fashion Council.This is a lively conversation about what it takes to, practically, turn things around - not just talk about it. Hint: no true diversity and inclusion without addressing the class barrier!We're also talking the creative innovation meets heritage craft, social impact fashion, holidays with friends, and the joy of working on what matters.Check the shownotes for links & further reading.Tell us what you think! Can you help us spread the word ?Wardrobe Crisis is an independent production. We don't believe in barriers to entry and are determined to keep this content free.If you value it, please help by sharing your favourite Episodes, and rating and reviewing us in Apple orSpotify. Thank you!Find Clare on Instagram @mrspress Hosted on Acast. See acast.com/privacy for more information.
We all know clothes have meaning, beyond just looking nice. We’ve often talked on this podcast about the importance of how they are made. This week, we’re considering how fashion’s meaning stretches beyond supply chains and our wardrobes, to shape our culture and the way we see ourselves collectively. How does fashion see itself when it comes to race and privilege? How about the male gaze?Clare sits down with Caryn Franklin, journalist, style icon, fashion citizen (not consumer, please!), one-time presenter of The Clothes Show and all-time national treasure. These days her work centres on education and activism - she’s a visiting professor of diverse selfhood at Kingston School of Art, in London, and gained her MSc in applied psychology specialising in selfhood, objectification, inclusivity and gender bias.Partly, this interview is a personal one about a life in clothes but it’s also a provocation: How can we use fashion as a vehicle for positive self-esteem, rather than allowing it to make too many of us feel small, too much of the time?All up, rollocking good chat with Caryn Franklin, MBE. Enjoy!Check the shownotes for links & further reading.Tell us what you think! Can you help us spread the word ?Wardrobe Crisis is an independent production. We don't believe in barriers to entry and are determined to keep this content free.If you value it, please help by sharing your favourite Episodes, and rating and reviewing us in Apple orSpotify. Thank you!Find Clare on Instagram @mrspress Hosted on Acast. See acast.com/privacy for more information.
How much is enough? How can creatives incorporate the idea of sufficiency in their output? If you make physical objects, what does it really mean to be sustainable in your practice? And, how can you, as my guest this week, Richard Malone, puts it, "do your own thing and stick to it" in the context of fashion's relentless push for newness?Also, where does class and privilege play into all this? Does Fashion with a capital ‘F’ actually want to be more inclusive and welcoming? Or is all the talk of breaking down the barriers just lipservice? The fact is: many of the people who “make it” in fashion have an had a head start. You only have to look at the current obsession with Gen Z nepo babies. Let's not pretend the playing field is level.Richard Malone is queer London-based, Irish fashion designer, artist and maker, whose work challenges subtly a system that's built on unfair advantages. A thought-provoking conversation about everything from colonisation and the loss of Irish craft traditions, to what fashion shows are really for!Check the shownotes for links & further reading.Tell us what you think! Can you help us spread the word ?Wardrobe Crisis is an independent production. We don't believe in barriers to entry and are determined to keep this content free.If you value it, please help by sharing your favourite Episodes, and rating and reviewing us in Apple orSpotify. Thank you!Find Clare on Instagram @mrspress  Hosted on Acast. See acast.com/privacy for more information.
Why does fashion have such a problem in accepting all bodies they way they are, and recognising the beauty in different shapes and sizes? I know, I know, we’ve heard it all before, yet depressingly little changes.Our guest this week has had enough! Self-described as “that body morphing b*tch”, Michaela Starck is a super-talented London-based Aussie creative director/designer/dreamboat who’s beautiful work includes her own glorious self, as well as Paris-worthy, bow-bedecked frillies.A frank convo on fat-shaming, where the body positivity movement fails, and the magical powers of backing your own vision. Even when people in your life keep telling you you’ll never make it? Especially then! Take that, naysayers!Check the shownotes for links & further reading.Tell us what you think! Can you help us spread the word ?Wardrobe Crisis is an independent production. We don't believe in barriers to entry and are determined to keep this content free.If you value it, please help by sharing your favourite Episodes, and rating and reviewing us in Apple orSpotify. Thank you!Find Clare on Instagram @mrspress  Hosted on Acast. See acast.com/privacy for more information.
If you’re interested in natural dyes, or want to know more about hands-on textile techniques, this episode is a joy. It's also a great one if you are into ideas around seasonality and connection to Nature. Aren't we all?!Continuing our Pacific theme (don’t miss last week’s Episode with Fiji Fashion Week’s Ellen Whippy-Knight) these two stories are also from Fiji, but a long way from its capital Suva. They’re both about different aspects of Indigenous practices, and living in balance with the the land, the oceans, the skies and biodiversity.First, meet Letila Mitchell, a renowned artist, designer and performer from Rotuma. Her work in the fashion space grew out of costume, & has developed into a practice that’s all about revitalising traditional Rotuman textile making, and re-finding cultural knowledge disrupted by colonisation.Our second interview is with Noleen Billings, from Savusavu, on Fiji’s northern island of Vanua Levu. Noleen isn't famous or a fancy expert in anything other than common sense but her simple message is a powerful one: In the busy modern world, it’s easy to forget the Nature usually knows best. Indigenous wisdom is deeply connected with reading Nature’s signals, and we can all learn from that. There are universal lessons in here, as well as some thought-provoking questions. For example, what does it mean to be wise? Where does schooled knowledge, written down in books, fit in - and why do we have to so rigid about it? Knowledge that’s shared and passed down in different ways is just as important…Check the shownotes for links & further reading.Tell us what you think! Can you help us spread the word ?Wardrobe Crisis is an independent production. We don't believe in barriers to entry and are determined to keep this content free.If you value it, please help by sharing your favourite Episodes, and rating and reviewing us in Apple orSpotify. Thank you!Find Clare on Instagram @mrspress  Hosted on Acast. See acast.com/privacy for more information.
When Anna Wintour was introduced to Ellen Whippy-Knight as the founder of Fiji Fashion Week, the Vogue editor-in-chief exclaimed, “Fiji has a fashion week?!” Sure does, Anna. It turned 16 last year, and is an established force in a small yet burgeoning Pacific fashion scene.White sands and turquoise waters. Surf breaks. Rugby. Fiji is rightly famous for these things, it’s also an international garment-manufacturing country with an independent design community, mainly focused on the local market and the Fijian diaspora.Now Ellen, a formidable fashion force in her own right, is determined to bring sustainability and technical design education into the picture...Check the shownotes for links & further reading.Tell us what you think!Can you help us spread the word about Series 9? Wardrobe Crisis is an independent production. We don't believe in barriers to entry and are determined to keep this content free.If you value it, please help by sharing your favourite Episodes, and rating and reviewing us in Apple or Spotify. Thank you!Find Clare on Instagram @mrspress Hosted on Acast. See acast.com/privacy for more information.
Addicted to thrifting? Wondering where all your money’s gone? Feeling the fashion clutter feels? If you answered “yes” to any of the above, it might be time for a fashion detox.From Slow Fashion Season to ReMake’s 90-day No New Clothes challenge to the Rule of 5, more of us are looking for ways to circuit-break bad fashion habits. There’s a real movement going on with conscious fashionistas sharing what’s worked for them when it comes to slowing down, buying and wasting less.Our first guest for 2024 is Jenna Flood, a slow fashion stylist who’s been sharing tips and tricks with her followers around what she calls her Wardrobe Freeze.It all began for Jenna after she created a spreadsheet to track where her money was disappearing to. Turns out she was over-spending on ethical brands and treating second-hand like it was fast fashion – ultra high turnover. It didn’t help that she works in a consignment store surrounded by temptation…What rules did she set for herself? How did she stick with them? And, was it worth it?Jenna says completing her challenge has left her with a thrilling sense of freedom.Now, you can’t buy that!Check the shownotes for links & further reading.Can you help us spread the word about Series 9? Wardrobe Crisis is an independent production. We don't believe in barriers to entry and are determined to keep this content free.If you value it, please help by sharing your favourite Episodes, and rating and reviewing us in Apple or Spotify. Thank you!Find Clare on Instagram @mrspress Hosted on Acast. See acast.com/privacy for more information.
CONTENT WARNING. A note from Clare: "While in this Episode, we talk about creativity and hope, baking and Strictly Ballroom, and address a wide range of things from the politics of climate action to biodiversity, we also discuss the details of going on a hunger strike. Personally, I would say that bit is not suitable for children, although I suspect Gregory would disagree. I'd also like to let you know there's mention of eating disorders in this interview. It's a compelling listen - there's much to think about and learn from here, and I admire Gregory's stand and his ethics. But do exercise your own judgement with little or vulnerable/ anxious ears around.Thank you,Clare xxx"How far would you go for climate action? Changing your lifestyle? Sounds doable (to an extent!). Divesting from businesses that support the fossil fuel industry, perhaps? Would you consider getting into politics? Or more controversial actions, like risking arrest at a banned street protest, or harbour blockade, for example? Our guest this week embarked on a much more unusual - and indeed dangerous - strategy to spur the government into stronger action on climate issues.Gregory Andrews is a former diplomat, and was Australia’s first ever Threatened Species Commissioner. He worked as a public servant for more than 30 years, including for 15 years in the Departments of Foreign Affairs and Trade, Environment, Climate Change, and Indigenous Affairs. Today he's an adjunct Associate Professor at the University of Canberra's Institute for Applied Ecology.In November 2023, in the run up to COP28, he stationed himself outside Australia's federal parliament, and staged a hunger strike for climate action. His demands included that the government stop permitting the logging of native forests, and end subsidies to fossil fuels companies. He lasted 16 days before ending up in hospital. This is his story.Check the shownotes for links & further reading. Can you help us spread the word about Series 9? Wardrobe Crisis is an independent production. We don't believe in barriers to entry and are determined to keep this content free.If you value it, please help by sharing your favourite Episodes, and rating and reviewing us in Apple or Spotify. Thank you!Find Clare on Instagram @mrspress Hosted on Acast. See acast.com/privacy for more information.
It's that time of year again, when world leaders (along with marketers from brands, oil and gas industry lobbyists, celebs on their private jets) head to the UN climate conference to discuss what to do about greenhouse gas pollution and our warming world. Extreme weather! Rising sea levels! Phasing out fossil fuels! Wait, actually, maybe tone that last one down because it's a bit hard, and our mates in the extractive energy industry aren't keen ... okay, how about: Phasing down fossil fuels? That sounds more reasonable... Luckily there are also voices of reason at these events. It's time we listened more to them. As a group of Pacific Climate Activists head to COP28 in Dubai to tell the world what it's really like to live on the front line of climate change in a low-lying island nation when one-in-100 year cyclones hit back to back, Clare sits down with Ni-Vanuatu woman activist Flora Vano, to hear about her work empowering women in the climate movement. Turns out it's going pretty well. Flora is fab, and her message is one of hope and inspiration as well as hard truths. You need to hear her beautiful words about her connection to the oceans and what we can learn from Mother Nature. Plus she's a fashion fan. We start this conversation with the power of visual communications - Flora loves bright colours and often arrives at events with a statement bloom tucked behind her ear. But don't let that fool you into thinking she's not a serious player. She's travelling to COP28 with the demands of Vanuatu's 9,000-strong Women I Tok Tok Tugeta (women talking together) network, demanding gender equality and climate justice. Flora has a clear message to governments and industry: she wants them to start looking seriously at the losses faced by Pacific Island communities, and others, as a result of climate change they did not cause.Check the shownotes on wardrobecrisis.com for links on how you can help Flora and her fellow activists at COP28, and for more info. Can you help us spread the word about Series 9? Wardrobe Crisis is an independent production. We don't believe in barriers to entry and are determined to keep this content free.If you value it, please help by sharing your favourite Episodes, and rating and reviewing us in Apple or Spotify. Thank you!Find Clare on Instagram @mrspress Hosted on Acast. See acast.com/privacy for more information.
“When did we decide we couldn’t make stuff anymore?” asks this week’s guest, Meriel Chamberlin, the textile technologist behind Full Circle Fibres, an Australian startup producing “paddock to product” garments on-shore.We know that the fashion industry’s climate impacts are significant, and that most of it comes down to the textile production stage. So how can we do things differently, close to home? Who needs to come together to make that happen, to share expertise, innovate, and also to fund it? How might fibre production tread more lightly on the land? Protect, or even enhance, biodiversity? These are some of the big questions driving the initiatives we’re talking about on this week’s show.We've often covered the trouble with factories on this podcast; issues around garment worker injustice and unfair conditions. Very important stuff! But we hardly ever hear about the excellent factories. This is an Episode about the opportunities to make fashion more sustainable at the factory level, and the skills and capabilities that already exist. That might mean some re-shoring, but it’s also an encouragement to value what's already in our backyards.Reports of the end of textile manufacturing in so-called consuming countries are exaggerated. We've still got it! Albeit on a smaller scale than when our parents were young. Wherever in the world you are listening, Meriel wants you to look around and recognise what you already have in terms of local skills, manufacturing & R&D capacity. Australia, for example, produces some of the world's best fibre, and there are still production facilities domestically for most stages of the supply chain. Find a gap? Might be worth working to close it.Full Circle Fibres is a recipient of the Country Road Climate Fund. Discover here.Check out the shownotes on wardrobecrisis.comCan you help us spread the word about Series 9? Wardrobe Crisis is an independent production. We don't believe in barriers to entry and are determined to keep this content free.If you value it, please help by sharing your favourite Episodes, and rating and reviewing us in Apple. Thank you!Find Clare on Instagram @mrspress Hosted on Acast. See acast.com/privacy for more information.
Our guest for this Special Edition interview is JUNO GEMES, one of Australia’s most celebrated contemporary photographers.Born in Hungary, she moved to Australia as a child. In 1970, then a young artist, she spent six months living on Country with Aboriginal communities at Uluru. She went on to documents First Nations activism and the Civil Rights Movement in this country for five decades. Juno photographed many of the early protests and meetings led by Aboriginal activists in the ‘70s and ‘80s, forming lifelong friendships with key figures in the Movement. She photographed the Uluru Handback Ceremony in 1985; marches and activations around the Bicentennial in 1988, and she was one of ten photographers invited to document the National Apology in Canberra in 2008.Wherever you are listening across the world, these stories are important to discover. It’s obviously not just Australia that grapples with a legacy of colonisation, and you care about sustainability, the questions linked to all this are fundamental ones: how do we want to live, in relation in one another? How can we heal and listen and unlearn to change systems that don’t work anymore?Missed part 1? Do go back and listen. Or find it here. Can you help us share it?These podcasts are in addition to our usual programming and form a 2-PART SPECIAL EDITION ON THE VOICE REFERENDUM IN AUSTRALIA. They came about because Clare kept speaking to people who hadn’t yet read the ULURU STATEMENT FROM THE HEART.We wanted to help with that, and to be active on behalf of our deeply felt support for the YES23 campaign in this referendum.Part 1 is a mini pod on the Uluru Statement and the question of Indigenous recognition in the Australian constitution - it’s under 10 mins, ideal to share! As Juno says at the end of this interview, whatever happens with the Aussie referendum on October 14th, this is part of a long fight for social justice that continues. And there’s hope! “Don’t argue with people who don’t see it yet, because they will eventually … We can see this groundswell of good will, of kindness of wanting to know, to learn, of opening up to each other.”RESOURCES:ulurustatement.orgyes23.com.aureconcilliation.org.auThe Australian Fashion Council supports Yes - more here. Hosted on Acast. See acast.com/privacy for more information.
In this mini pod, which is Part 1 of our Special Edition on the Voice, you will hear RACHEL PERKINS read you the Uluru Statement from the Heart. Rachel is an Australian filmmaker, a proud Arrernte and Kalkadoon woman and the co-chair of the YES23 campaign. She is also co-chair of Australians for Indigenous Constitutional Recognition, and is a signatory to the Statement from the Heart.“As the largest consensus of First Nations peoples on a proposal for substantive recognition in Australian history, the road to the Uluru Statement from the Heart is a long one even without mentioning the decades of Aboriginal and Torres Strait Islander activism that came before it.” Discover more here.It forms the cornerstone the referendum that’s asking Australians to recognise Indigenous culture in this country’s constitution, and establish a body called the Aboriginal and Torres Strait Islander Voice.“FOR THE PAST 250 YEARS, WE HAVEN’T PROPERLY LISTENED TO THE PEOPLE WHO HAVE BEEN HERE FOR 65,000. THIS IS OUR CHANCE TO FIX THAT.” Yes23You will also hear from JUNO GEMES. One of Australia’s most celebrated contemporary photographers, she has been documenting the civil rights movement in Australia since the 1970s. What next? For the full interview with Juno, listen to Part 2.www.thewardrobecrisis.comRESOURCES:ulurustatement.orgyes23.com.aureconcilliation.org.auThe Australian Fashion Council supports Yes - more here. Hosted on Acast. See acast.com/privacy for more information.
It’s fashion month again and the big brands with the big budgets dominate our feeds. But amidst the commercial noise of the contemporary fashion circus, independent gems still exist. There are true artists who go their own way, and often set the future trend agenda (although they tend not to get the credit). Our guest this week is one of them. He’s been shaking up the London underground scene since the ‘90s. Meet Dr NOKI, the original upcycler. Just don’t call him that…NOKI does fashion on his own terms, including the language he prefers to describe his work. He “custom-builds” his “mashups” and “landfill drops”. It’s a practice that owes at debt to dadaism, and made sense of his dyslexia when he was young. The story reaches to back into the ‘90s club scene, through the culture jamming of the No Logo years to end up at the cutting edge where art and fashion collide today.Now, a new generation that’s interested in sustainability is discovering him for the first time. Last year, Hypebeast heralded NOKI as “a tried and true member of the sustainability movement — arguably being a founder of the word before it even really became a thing.”But does he relate to that? How does he see his work? What inspired it all back in ‘90s London’s rave scene? And how does he see the future for fashion’s young waste warrior disruptors? Part fashion history lesson, part provocation to challenge our consumerist culture, this one’s an adventure - enjoy!Check out the shownotes on wardrobecrisis.comCan you help us spread the word about Series 9? Wardrobe Crisis is an independent production. We don't believe in barriers to entry and are determined to keep this content free.If you value it, please help by sharing your favourite Episodes, and rating and reviewing us in Apple. Thank you!Find Clare on Instagram @mrspress Hosted on Acast. See acast.com/privacy for more information.
Woolmark's new ambassador Taylor Zakhar Perez is a rising Hollywood star known for his leading man roles. You might recognise him from a certain rom com that we're not mentioning here (in respect of the actors' strike), or his role in a royal drama based on a cult book (again, not going there). Maybe you know his Paris fashion week looks - snaps of him emerging shirtless from his car outside the Prada’s menswear show went viral in June.But whether you’re one of his 4.7 million Instagram followers, or discovering his work for the first time here, there's no denying Taylor's charm. He's smart, down-to-earth, generous with his time and endlessly curious, and we love that he was up for a conversation about how to use influence for good.In this conversation, we discuss the risks and rewards of daring to talk about sustainability when you're known for something else, why more famous names don't get involved in climate activism or rewear their clothes, and how this former competitive swimmer became a supply chain nerd. For Taylor, if he’s going to work with a brand, he wants to see what goes on behind the scenes. More of that please!Check out the shownotes on wardrobecrisis.comCan you help us spread the word about Series 9? Wardrobe Crisis is an independent production. We don't believe in barriers to entry and are determined to keep this content free.If you value it, please help by sharing your favourite Episodes, and rating and reviewing us in Apple. Thank you!Find Clare on Instagram @mrspress Hosted on Acast. See acast.com/privacy for more information.
Series 9 has landed! Our first guest is Cyrill Gutsch, the fascinating founder of Parley for the Oceans. With his partner Lea Stepken, this NY-based designer and branding expert started his global environmental organisation in 2012, after bumping into Pamela Anderson at an art fair. Pammy was wearing a Sea Shepherd T-shirt, and when Cyrill asked her why, she told him Sea Shepherd’s activist-in-chief Paul Watson was in trouble - he’d been arrested in Frankfurt on an international warrant. Cyrill, being German, thought he might be able to help, and went to visit Watson in his lawyer’s office. There, he learned that Watson’s strife was a drop in the proverbial compared with what's happening to the oceans. Plastic pollution! Climate change! Overfishing! Could creativity be the super power needed to turn it around?The rest, as they say is history. Cyrill decided to ditch his regular clients, and donate his time to just one: OUR OCEANS. Specifically, “raising awareness for their beauty and fragility” and “collaborating on projects [to] end their destruction.”Over the years, such projects have included: working with Adidas to phase out single-use plastics; partnering with big-name visual artists on everything from underwater sculptures to sustainable surfboards; funding research into new materials; and setting up programs in schools. On a practical level, Parley’s work is just as likely to play out as beach cleanups in the Maldives as it is to be a new Dior bag. It’s all in the mix, to beat what Cyrill calls “our addiction” to virgin plastic.Next on his To-Do List? Just a total materials revolution. “We need to change the way we make stuff.”Check out the shownotes on wardrobecrisis.comCan you help us spread the word about Series 9? Wardrobe Crisis is an independent production. We don't believe in barriers to entry and are determined to keep this content free.If you value it, please help by sharing your favourite Episodes, and rating and reviewing us in Apple. Thank you!Find Clare on Instagram @mrspress Hosted on Acast. See acast.com/privacy for more information.
Danish designer Cecilie Bahnsen studied at RCA in London, and interned with John Galliano and Erdem before starting her own label in 2015. You’ve probably seen her voluminous dresses, or her recent sneaker collaboration with ASICs. Cecilie says she operates at the intersection of couture and ready-to-wear – it’s high craft, she creates her own textiles, and loves to use embroidery and smocking which lends her work a certain whimsey. But although expensive, it’s not untouchable, as you will hear. Cecilie wears hers’ on her bike! A very Danish approach.We talk about the challenges of upcycling precious scraps which defy standardisation. The idea of timelessness in a novelty-obsessed world.Building a creative business, and how Cecile approaches scale and growth. What it takes to make it - determination, for sure, but also a really clear sense of what you want, and how you treat others.Ultimately, though, this Episode is about joy - the pleasure we can find in clothes, even down to the sound of fabric rustling. With all our worries about sustainability, we can easily forget why we came to fashion in the first place.Thank you for listening to the show. This is the last Ep for Series 8. We'll be back in 4 weeks - Series 9 starts September 6!Wardrobe Crisis is an independent creation and we need your help to keep going and grow our audience. Please help by sharing your favourite Episodes. Thank you!Find Clare on Instagram @mrspress Hosted on Acast. See acast.com/privacy for more information.
Meet Danish creative Henrik Vibskov - fashion designer, costume designer, curator, musician and professor. He shows at Copenhagen Fashion Week (which is coming around again next week) but also Paris, and he has a store in New York. A supremely conceptual designer – his last collection, Long Fingers To Ma Toes, was inspired by the tomato in weird and wonderful ways.In this interview Henrik shares his experience of living up to CPHFW's recently introduced 18 Minimum Sustainability Standards. What did find de-motivating about trying to implement sustainability initiatives, and what kept him going? But also, how did he get here? Why the vegetable obsession? Would anyone come to a 3-hour fashion show? (Spoiler alert: they did!) What is fashion actually for in 2023? And what do the next generation of artistic designers need to make it? It's all up for discussion in this charismatic convo.Enjoy the show? Wardrobe Crisis is an independent creation and we need your help to keep going and grow our audience. Please help by sharing your favourite Episodes. Thank you!Find Clare on Instagram @mrspress Hosted on Acast. See acast.com/privacy for more information.
ICYMI: fashion has a greenwashing problem. No wonder policy makers, consumer watchdogs and NGOs are taking an interest. According to the UN: “Misinformation and greenwashing are ubiquitous ... As sustainability has grown as a selling point, all manner of vague and inflated claims have appeared across advertising, marketing, media, packaging and beyond.” Enter the UN's new Sustainable Fashion Communication Playbook, an open-access guide that seeks to change that, while better aligning how the fashion industry talks with the climate goals of the Paris Agreement. This week, we're delighted to welcome the Playbook's lead author, Rachel Arthur, to the show to deep dive into its recommendations.We're asking: What if marketers, PRs, fashion journalists and photographers used their creative powers to encourage us to live a 1.5 degree lifestyle, instead of endlessly update our consumer goods? (Curious about a “1.5 degree lifestyle”? Listen for the full explainer!) How could professional communicators use their talents to get behind a more sustainable future? Rachel calls them “architects of desire”, and says people who work in advertising, marketing and media play a vital role in persuading us what to want. Which comes with great responsibility…Access the Playbook here for free.Check out the shownotes for more links.Don't forget to tell us what you think! Find us on Instagram @mrspress @thewardrobecrisisThank you for listening! Hosted on Acast. See acast.com/privacy for more information.
Hang on, what's the question? Why is everyone talking about regenerative farming, for starters. For fibre as well as food. #regenag is fashion's new favourite hashtag. What if we put back more than we took out? Stopped drenching the land with toxic chemicals? Worked in harmony with Nature? Could we feed and clothe the world if we produced less, and differently? Would we starve? Would prices skyrocket? How did we get to this place, where no one - not the land, not biodiversity, not the nutritional content of food, and not the farmers who are on the front lines - wins?Oh, and have you heard the one about there being just 60 cycles of soil left on Planet Earth? That's no joke. While this oft-quoted stat has been disputed, there's no denying that intensive, so called "conventional" farming practices are depleting soil health the world over.During WWI, food shortages had us in a panic. No wonder, in the 1950s and '60s, we were obsessed with maximising yields. Through a combination of hectic new pesticides and herbicides, cheap synthetic fertilisers, and tearing out trees and hedgerows to make managing monocrops easier, farmers produced so much, there was plenty to spare - and waste.But the bonanza couldn't last forever...Today, they are experiencing a backlash. Once celebrated for filling our plates, farmers now find themselves vilified for destroying our environment. That many are the very same people who remember when everyone loved and respected them, and are only doing what governments and consumers said they wanted, is not often discussed. Can regenerative farming save them, and our soils?Sarah Langford is the author of Rooted, How Regenerative Farming can Change the World. She’s also a farmer herself, although she didn’t start out that way. A must-listen Episode as a stand-alone, but for maximum inspo, listen back to the Eps on sustainable materials, animal cruelty, and leather supply chains when you're done! Check out the shownotes for more links.Don't forget to tell us what you think! Find us on Instagram @mrspress @thewardrobecrisisThank you for listening! Hosted on Acast. See acast.com/privacy for more information.
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Comments (6)

Maaike Pullar

so excited to discover this podcast! insightful, informed, interesting - all the good things!

Jan 15th
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Sam

Loving the Wardrobe Crisis Podcast Series. Just listened to a fascinating episode on reusing and recycling with Adam Minter. Adam’s background and insights and the debate about where our fashion (and other) seconds go provided real food for thought. Recommend to anyone

Dec 10th
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Clare Louise Treanor

incredible podcasts! with such an important message. love listening to every episode. highly recommend!

Nov 8th
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Loren Hamilton

I could listen to this episode over and over. Thank you Sara and Clare for having this conversation!

Sep 18th
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Michele Bottroff

I am loving this podcast. So glad I found it. Learning so much and changing the way I shop

Mar 18th
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Michele Bottroff

Really enjoying these podcasts. Thank you

Oct 7th
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